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This book addresses the unique and profound indeterminacy of "Creole," a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole" implies that the geography of one's birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken.Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.

Since the mid-nineteenth century, there has been a notable acceleration in the development of the techniques used to confirm identity. From fingerprints to photographs to DNA, we have been rapidly amassing novel means of identification, even as personal, individual identity remains a complex chimera. The Art of Identification examines how such processes are entangled within a wider sphere of cultural identity formation.Against the backdrop of an unstable modernity and the rapid rise and expansion of identificatory techniques, this volume makes the case that identity and identification are mutually imbricated and that our best understanding of both concepts and technologies comes through the interdisciplinary analysis of science, bureaucratic infrastructures, and cultural artifacts. With contributions from literary critics, cultural historians, scholars of film and new media, a forensic anthropologist, and a human bioarcheologist, this book reflects upon the relationship between the bureaucratic, scientific, and technologically determined techniques of identification and the cultural contexts of art, literature, and screen media. In doing so, it opens the interpretive possibilities surrounding identification and pushes us to think about it as existing within a range of cultural influences that complicate the precise formulation, meaning, and reception of the concept.In addition to the editors, the contributors to this volume include Dorothy Butchard, Patricia E. Chu, Jonathan Finn, Rebecca Gowland, Liv Hausken, Matt Houlbrook, Rob Lederer, Andrew Mangham, Victoria Stewart, and Tim Thompson.

As more and more species fall under the threat of extinction, humans are not only taking action to protect critical habitats but are also engaging more directly with species to help mitigate their decline. Through innovative infrastructure design and by changing how we live, humans are becoming more attuned to nonhuman animals and are making efforts to live alongside them.Examining sites of loss, temporal orientations, and infrastructural mitigations, Nestwork blends rhetorical and posthuman sensibilities in service of ecological care. In this innovative ethnographic study, rhetorician Jennifer Clary-Lemon examines human-nonhuman animal interactions, identifying forms of communication between species and within their material world. Looking in particular at nonhuman species that depend on human development for their habitat, Clary-Lemon examines the cases of the barn swallow, chimney swift, and bobolink. She studies their habitats along with the unique mitigation efforts taken by humans to maintain those habitats, including building "barn swallow gazebos" and artificial chimneys and altering farming practices to allow for nesting and breeding. What she reveals are fascinating forms of rhetoric not expressed through language but circulating between species and materials objects. Nestwork explores what are in essence nonlinguistic and decidedly nonhuman arguments within these local environments. Drawing on new materialist and Indigenous ontologies, the book helps attune our senses to the tragedy of species decline and to a new understanding of home and homemaking.

The period from 1830 to 1937 was transformative for modern Quakerism. Practitioners made significant contributions to world culture, from their heavy involvement in the abolitionist and women's rights movements and creation of thriving communities of Friends in the Global South to the large-scale post-World War I humanitarian relief efforts of the American Friends Service Committee and Friends Service Council in Britain. The Creation of Modern Quaker Diversity, 1830-1937 explores these developments and the impact they had on the Quaker religion and on the broader world. Chapters examine the changes taking place within the denomination at the time, including separations, particularly in the United States, that resulted in the establishment of distinct branches, and a series of all-Quaker conferences in the early twentieth century that set the agenda for Quakerism. Written by the leading experts in the field, this engaging narrative and penetrating analysis is the authoritative account of this period of Quaker history. It will appeal to scholars and lay Quaker readers alike and is an essential volume for meeting libraries. In addition to the editors, the contributors include Joanna Clare Dales, Richard Kent Evans, Douglas Gwyn, Thomas D. Hamm, Robynne Rogers Healey, Julie L. Holcomb, Sylvester A. Johnson, Stephanie Midori Komashin, Emma Jones Lapsansky, Isaac Barnes May, Nicola Sleapwood, Carole Dale Spencer, and Randall L. Taylor.

This volume traces the history of Oneness Pentecostalism in North America. It maps the major ideas, arguments, periodization, and historical figures; corrects long-standing misinterpretations; and draws attention to how race and gender impacted the growth and trajectories of this movement. Oneness Pentecostalism emerged in the aftermath of the Azusa Street Revival (1906-9), baptizing its members in the name of Jesus Christ rather than the Father, Son, and Holy Spirit, and splintering from trinitarian Pentecostals. With its rapid growth throughout the twentieth century, especially among ethnic minorities, Oneness Pentecostalism assumed a diversity of theological, ethnic, and cultural expressions. This book reckons with the multiculturalism of the movement over the course of the twentieth century. While common interpretations tend to emphasize the restorationist impulse of Oneness Pentecostalism, leading to notions of a static, unchanging movement, the contributors to this work demonstrate that the movement is much more fluid and that the interpretation of its history and theology should be grounded in the variegated North American contexts in which Oneness Pentecostalism has taken root and dynamically developed.Groundbreaking and interdisciplinary, this volume presents diverse perspectives on a significant religious movement whose modern origins are embedded within the larger Pentecostal story. It will be welcomed by religious studies scholars and by practitioners of Oneness Pentecostalism.In addition to the editors, the contributors to this volume are Daniel Chiquete, Dara Coleby Delgado, Patricia Fortuny-Loret de Mola, Manuel Gaxiola, David Reed, Rosa Sailes, and Daniel Segraves.

Over the last one hundred years, the term "sovereignty" has often been associated with the capacity of leaders to declare emergencies and to unleash harmful, extralegal force against those deemed enemies. Friendly Sovereignty explores the blind spots of this influential perspective.Ted H. Miller challenges the view of sovereignty propounded by Carl Schmitt, the Weimar and Nazi-period jurist and political theorist whose theory undergirds this understanding of sovereignty. Claiming a return to concepts of sovereignty forgotten by his liberal contemporaries, Schmitt was preoccupied with the legal exceptions required, he said, to rescue polities in crisis. Much is missing from what Schmitt harvests from the past. His framework systematically overlooks another extralegal power, one that often caused consternation, even among absolutists like Thomas Hobbes. Sovereigns also made exceptions for friends, allies, and dependents. Friendly Sovereignty plumbs the history of political thought about sovereignty to illustrate this other side of the sovereign's exception-making power. At the core of this extensive study are three thinkers, each of whom stakes out a distinct position on the merits and demerits of a "friendly sovereign" the nineteenth-century historian Jules Michelet, the seventeenth-century political philosopher Thomas Hobbes, and Seneca, the ancient Stoic and teacher of Nero.Analytically rigorous and thorough in its intellectual history, Friendly Sovereignty presents a more comprehensive understanding of sovereignty than the one typically taught today. It will be particularly useful to scholars and students of political theory and philosophy.

Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel--these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: "truthiness satire." He shows how satirists such as Colbert, Bee, Oliver, and Kimmel--along with writers like Charles Pierce and Jack Shafer--rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere.With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.

In the 1890s, French poet and playwright Alfred Jarry founded pataphysics, the absurdist "science of imaginary solutions," a concept that has been nominally recognized as the precursor to Dadaism, Surrealism, and the Theater of the Absurd, among other movements. Over a century after Jarry "made the gesture of dying," Katie L. Price and Michael R. Taylor argue that it is time to take the comedic intervention of pataphysics seriously. 'Pataphysics Unrolled collects critical and creative essays to create an unauthorized account of pataphysical experimentation from its origins in the late nineteenth century through the contemporary moment. Reaching beyond the geographic and cultural boundaries normally associated with pataphysics, this volume presents rich readings of pataphysical syzygy, traces the influence of pataphysics across disciplines and outside of coteries such as the Collège de 'Pataphysique, and asks fundamental questions about the field of modern and contemporary studies that challenge distinctions between the modern and the postmodern, high and low culture, the serious and the comic. Touching on disciplines such as literature, art, architecture, education, music, and technology, this book reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century.In addition to the editors, the contributors to this volume include Charles Bernstein, Marc Décimo, Adam Dickinson, Johanna Drucker, Craig Dworkin, Catherine Hansen, James Hendler, John Heon, Ted Hiebert, Andrew Hugill, Steve McCaffery, Seth McDowell, Jerome McGann, Anne M. Mulhall, Marcus O'Dair, Jean-Michel Rabaté, Orchid Tierney, and Brandon Walsh.

Gaelic Prose in the Irish Free State, 1922-1939 is a continuation of Philip O'Leary's previous path-breaking book on the prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gúm. The frequency and production of new plays, both original and translated, have never been approached since. O'Leary has investigated all of these works, as well as journalism and manuscript material, and discusses them in a lively and often humorous manner. Several writers known for their work in English, such as Liam O'Flaherty, Sean O'Faolain, and Frank O'Connor, who were either writing on occasion in Irish or engaging in debates within the Gaelic movement, emerge as important figures. With the publication of Gaelic Prose in the Irish Free State, 1922-1939, we have at last an authoritative and balanced account of this major but neglected aspect of the Irish cultural renaissance. This will be an essential reference book for anyone interested in Irish literature in the twentieth century.

Thomas Reid (1710-1796) is now recognized as one of the towering figures of the Enlightenment. Best known for his published writings on epistemology and moral theory, he was also an accomplished mathematician and natural philosopher, as an earlier volume of his manuscripts edited by Paul Wood for the Edinburgh Reid Edition, Thomas Reid on the Animate Creation, has shown. The Correspondence of Thomas Reid collects all of the known letters to and from Reid in a fully annotated form. Letters already published by Sir William Hamilton and others have been reedited, and roughly half of the letters included appear in print for the first time.Writing in 1802, Reid's disciple and biographer Dugald Stewart doubted that Reid's correspondence "would be generally interesting." This collection proves otherwise, for the letters illuminate virtually every aspect of Reid's life and career and, in some instances, provide us with invaluable evidence about activities otherwise undocumented in his manuscripts or published works. Through his correspondence we can trace Reid's relations with contemporaries such as David Hume and his colleagues at both King's College, Aberdeen, and the University of Glasgow, as well as his engagement with the most controversial philosophical, scientific, and political issues of his day. If anything, the letters assembled here serve as the starting point for understanding Reid and his place in the Enlightenment.

Although interest in the painter, poet, and art writer Adrian Stokes (1902-1972) has been growing in recent years, Art and Its Discontents is the first biographical study of this pivotal figure in British modernism. Focused on Stokes's formative years, the book offers important new insights into his intellectual development, his growing commitment to the arts, and his eventual turn to the art criticism that would win him international renown. Even as Richard Read follows Stokes from his London childhood to his travels in Italy and his psychoanalysis with Melanie Klein, he weaves Stokes's experiences and writings into the great social and cultural issues of his era. Stokes's friendship with Ezra Pound is given its due, but Read balances his exploration of Stokes's modernist ideas with detailed discussion of his profound debt to the teachings of John Ruskin and Walter Pater. Seen in this broad perspective, Stokes emerges as a thinker who bridged Victorian and modernist cultures and renewed the British tradition of aesthetic criticism.

Gaelic Prose in the Irish Free State, 1922-1939 is a continuation of Philip O'Leary's previous path-breaking book on the prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gúm. The frequency and production of new plays, both original and translated, have never been approached since. O'Leary has investigated all of these works, as well as journalism and manuscript material, and discusses them in a lively and often humorous manner. Several writers known for their work in English, such as Liam O'Flaherty, Sean O'Faolain, and Frank O'Connor, who were either writing on occasion in Irish or engaging in debates within the Gaelic movement, emerge as important figures. With the publication of Gaelic Prose in the Irish Free State, 1922-1939, we have at last an authoritative and balanced account of this major but neglected aspect of the Irish cultural renaissance. This will be an essential reference book for anyone interested in Irish literature in the twentieth century.

Adrian Stokes (1902-1972) was a British painter and writer whose books on art have been allowed to go out of print despite their impact on Modernist culture and ongoing acclaim for their beauty and intellectual acuity. This new edition of The Quattro Cento and Stones of Rimini presents the original texts of 1932 and 1934 and furnishes them with introductions by David Carrier and Stephen Kite that will help readers grasp the structure and significance of what have become Stokes's most widely-cited and influential books. Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his experience of psychoanalysis with Melanie Klein and recent innovations in literature, dance, and the visual arts. Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Brancusi, Henry Moore, and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arose a realization that the materials of art "were the actual objects of inspiration, the stocks for the deepest fantasies." During the Renaissance, Stokes maintained, stone accordingly "blossomed" into sculpture and buildings, such as the Tempio Malatestiano, that throw "inner ferment outward into definite act and thought." This new edition of Stokes's pivotal books will be of interest to those concerned with art criticism, aesthetics, psychoanalysis and art, and the art and architecture of the Renaissance and Modern periods.

Ulysses is widely regarded as the greatest novel of the twentieth century. Commemorating the 1922 publication of this modernist masterwork, One Hundred Years of James Joyce's "Ulysses" tells the story of the writing, revising, printing, and censorship of the novel.Edited by world-renowned Irish novelist and literary critic Colm Tóibín, this book presents ten essays by preeminent Joyce scholars and by curators of his manuscripts and early editions, as well as an interview with Sean Kelly, the New York gallery owner who donated his extensive Joyce collection to The Morgan Library & Museum. Beginning with Tóibín's expert interpretation of the Dublin context for Ulysses, the volume follows Joyce in Trieste, Zurich, and Paris from 1914 up through the novel's publication--and the international scandal and fame that ensues. It draws on Joyce's notebooks and letters, as well as extant manuscripts and proofs, to provide new insights into Joyce's life, the narrative and place of Ulysses, and the printed book.Rich and illuminating, this volume is essential for scholars, fans, and readers of the novel. Along with the editor, contributors include Ronan Crowley, Maria DiBattista, Derick Dreher, Catherine Flynn, Anne Fogarty, Rick Gekoski, Joseph M. Hassett, James Maynard, and John McCourt.

Over the past decade, Beyond the Welfare State? has become established as the key text on the emergence and development of welfare states. It offers a comprehensive and remarkably well-informed introduction to the ever more intense debates that surround the history and, still more importantly, the future of welfare in advanced industrialized states. Comprehensively revised and rewritten, the third edition of the book embraces all of the most important theoretical and empirical developments in welfare state studies of recent years. Working within an explicitly comparative framework, the book draws on a wealth of international evidence to survey what are now the most pressing issues surrounding the future of welfare: among them, globalization, demographic change, declining fertility, postindustrialism, and immigration. It draws extensively on the explosion of work on welfare states that has emerged within the North American political science community over the past ten years as well as giving detailed attention to developments with the UK, continental and northern Europe, and beyond. The third edition of Beyond the Welfare State? remains the most comprehensive and up-to-date guide to the complex of issues that surround welfare reform. It will be required reading for anyone who wants to come to terms with what is really at stake in arguments about the future of welfare.

In the wake of Communism's collapse in Eastern Europe, one of today's foremost interpreters of Marx's texts and ideas offers postmodern readings of canonical texts to discover what Marx has to say to our postmodern condition. Terrell Carver takes advantage of the ideological release of Marxism from its association with Soviet Communism to explore how Marx's writings can be reread in the spirit in which they were written: as a critique of capitalist society. Employing textual and narrative analysis developed within postmodernism, Carver carefully examines Marx's language--and the language around Marx--to arrive at a reassessment that is free from the restraints of past dogma. He addresses ways in which Marx is changing: which texts are read, how hermeneutics and deconstruction have altered our reading of them, and trends toward viewing Marx not simply as a revolutionary or an economist but as a political thinker whose insights are relevant to current debates over free markets and mixed economies. Carver first leads readers through a new, detailed examination of Capital. He then explores Marx's relationship with the socialism of his contemporaries, critiques translations of Marx, examines works written with Engels, considers Marx's relationship to Hegel, and applies Marx's thought to issues of gender. These re-readings convey the importance of continuing to engage Marx's thought and show that there is more to Marx than we might ever hope to discover. It is a lucid and provocative work that liberates Marx's ideas for what they can contribute to a fresh evaluation of our present political milieu.

This volume brings together exciting and provocative new feminist readings of famous classic and contemporary texts from Plato to Habermas. The collection also includes examinations of the writings of Mary Wollstonecraft and Simone de Beauvoir that are usually excluded from the works conventionally held to comprise "Western political thought." The essays raise fundamentally important questions about the significance of sexual difference in the great works of political theory and draw attention to neglected arguments and silences in the texts. No single feminist view of either the texts or the theoretical way forward informs these essays. A wide diversity of feminist approaches and theoretical frameworks are represented, forming a rich variety of interpretations and argument about such questions as the patriarchal construction of central political categories, the relation between public and private life, and the problem of equality and difference, including differences among women. This refreshing and stimulating collection will be indispensable for students of political thought and offers all those interested in the connection between the classic writings and current political discussions as accessible introduction to feminist argument.

Thomas Reid saw the three subjects of logic, rhetoric, and the fine arts as closely cohering aspects of one endeavor that he called the culture of the mind. This was a topic on which Reid lectured for many years in Glasgow, and this volume presents as near a reconstruction of these lectures as is now possible. Though virtually unknown today, this material in fact relates closely to Reid's published works and in particular to the late Essays on the Intellectual Powers of Man and Essays on the Active Powers of Man. When composing these works, Reid drew primarily on his lectures on "pneumatology," which presented a theory of the mental powers, broadly conceived. These lectures were basic to the course on the culture of the mind that explained the cultivation of the mental powers. Although the Essays also included some elements from the material on the culture of the mind, the bulk of the latter was left in manuscript form, and Alexander Broadie's edition restores this important extension of Reid's overall work. In addition, this volume continues the attractive combination of manuscript material and published work, in this case Reid's important and well-known essay on Aristotle's logic. This text was corrupted in earlier editions of Reid's works and is now restored to the state in which Reid left it. This volume underscores Reid's great and growing significance, viewed both as a historical figure and as a philosopher. At the same time, it is of great interdisciplinary importance. While the material emerges directly from the core of Reid's philosophy, as now understood, it will appeal widely to people in literary, cultural, historical, and communications studies. In this regard, the present volume is a true fruit of the Scottish Enlightenment.

Best known as a moralist and one of the founders of the Scottish Common Sense school of philosophy, Thomas Reid (1710-96) was also an influential scientific thinker. Here his work on the life sciences is studied in detail, bringing together unpublished transcripts of his most important papers on natural history, physiology, and materialist metaphysics.Part I provides the first published account of Reid's reflections on the highly controversial theories surrounding muscular motion and the reproduction of plants and animals and relates them to the broader Enlightenment debates on these issues. It also contains the first systematic reconstruction of Reid's opposition to materialism and views his polemics against the noted Dissenter Joseph Priestley in terms of their differing interpretations of the Newtonian legacy, their conflicting philosophical assumptions, and the cultural politics of Common Sense philosophy in the 1770s.Part II reproduces a selection of Reid's most significant papers on the life sciences, including his Glasgow Literary Society discourses on muscular motion and on Priestley's materialism, as well as other manuscripts that document the development of his scientific ideas.

The pervasiveness of Protestant natural law in the early modern period and its significance in the Scottish Enlightenment have long been recognized. This book reveals that Thomas Reid (1710-1796)--the great contemporary of David Hume and Adam Smith--also worked in this tradition. When Reid succeeded Adam Smith as professor of moral philosophy in Glasgow in 1764, he taught a course covering pneumatology, practical ethics, and politics. This section on practical ethics took its starting point from the system of natural law and rights published by Francis Hutcheson. Knud Haakonssen has reconstructed it here for the first time from Reid's manuscript lectures and papers, and it provides a considerable addition to our understanding not only of Reid but also of the thought of the Scottish Enlightenment and of the education system of the time. The present work is a revised version of a work first published by Princeton University Press in 1990, which has long been out of print.

This book examines the political perspective of French thinker and historian Jacques Rancière. Rancière argues that a democratic politics emerges out of people's acting under the presupposition of their own equality with those better situated in the social hierarchy. Todd May examines and extends this presupposition, offering a normative framework for understanding it, placing it in the current political context, and showing how it challenges traditional political philosophy and opens up neglected political paths. He demonstrates that the presupposition of equality orients political action around those who act on their own behalf--and those who act in solidarity with them--rather than, as with the political theories of John Rawls, Robert Nozick, and Amartya Sen, those who distribute the social goods. As May argues, Rancière's view offers both hope and perspective for those who seek to think about and engage in progressive political action.

Social movements excite and energize their participants in their early phases, with expectations high and ambitions yet unchecked by reality. Consequently, the academic study of social movements has focused primarily on the stages of mobilization and growth. But all movements eventually decline, and it is important to understand why they do, when they do, and what the effects of decline are. Lynn Owens aims to broaden and enrich social movement theory by focusing on this phase of decline. He does so through a close investigation of the fate of the squatters' movement in Amsterdam, which emerged in the late 1970s as a reaction to the housing shortage of the 1960s, peaked in the early 1980s at some 10,000 participants, and then fell into a period of prolonged decline. As a movement significant for its influence on radical movements elsewhere in Europe and for its contribution to Amsterdam's reputation as a center of countercultural activity, this case study affords an opportunity to examine not only why movements decline but also how--how activists respond to decline first by downplaying it, then by debating it, and finally by adjusting to it. Owens is particularly interested in the subjective experience and culture of decline and focuses on three central aspects: the role of narratives in giving meaning to events, both producing and constraining action; the incorporation of the management of emotions into the institutions and practices of the movement; and the complex relationship between culture and politics, with decline spurring clashes over which to emphasize, conflicts with important consequences for the movement's outcome.

Essays on the Active Powers of Man (1788) was Thomas Reid's last major work. It was conceived as part of one large work, intended as a final synoptic statement of his overall philosophy. The first and larger part was published three years earlier as Essays on the Intellectual Powers of Man (edited as volume 3 of the Edinburgh Edition of Thomas Reid). These two works are united by Reid's basic philosophy of Common Sense, which sets out native principles by which the mind operates in both its intellectual and active aspects. The Active Powers shows how these principles are involved in volition, action, and the ability to judge morally. Reid gives an original twist to a libertarian and realist tradition that was prominently represented in eighteenth-century British thought by such thinkers as Samuel Clarke and Reid's near contemporary and acquaintance, Richard Price.Traditionally seen as an epistemologist, Reid has in much recent work emerged as a significant contributor to the philosophy of action and to ethics. This edition of the Active Powers will be of interest not only to historians of philosophy but also to philosophers working on the theory of action, on the problem of free will, and in moral psychology and meta-ethics.

Examines the role of bishops in Castilian politics in the High Middle Ages, focusing on the reign of Alfonso VIII.

A collection of essays providing an interdisciplinary account of U.S. Supreme Court Justice Anthony M. Kennedy's judicial rhetoric.