The Middle Ages provide us with one of the richest repositories of art in the West. Yet the rise in the production of art made for and by Jews-especially in the form of illuminated manuscripts-is often neglected in general surveys or viewed as a mere emulation of Christian art during this period. In People of the Image, Marc Michael Epstein demonstrates how medieval Jews transformed their visual art into a vital site of critical commentary. Through bold speculation and radical interpretation, Epstein considers how viewers might have empathized with depicted emotions, how they envisioned the relationship between the monstrous and the human, and how they could effectively perpetrate subversive acts merely by anticipating what might occur next in a given image were it to be set in motion. Examining these artworks and imagining the circumstances of their production and reception, Epstein uncovers otherwise inaccessible social, political, and theological perceptions among Europe's major medieval minority. He goes on to illuminate the afterlives of medieval Jewish art in its reimaginings by postmodern Jews struggling to establish a conceptual as well as a political space for themselves as a minority in majority society. Bringing together diverse currents from various fields and bodies of literature, People of the Image reveals how medieval Jews understood themselves, the world, and God. Provocative and engagingly written, the book will appeal to audiences across medieval studies, cultural studies, art history, and Jewish studies.
Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image. Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and "exploratory" contexts. She then works through the question of how bodies were thought to be constituted-systemic or piecemeal, singular or collective-and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large. Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine.
This collection of essays showcases the variety and complexity of early awakened Protestant biblical interpretation and practice while highlighting the many parallels, networks, and exchanges that connected the Pietist and evangelical traditions on both sides of the Atlantic.A yearning to obtain from the Word spiritual knowledge of God that was at once experiential and practical lay at the heart of the Pietist and evangelical quest for true religion, and it significantly shaped the courses and legacies of these movements. The myriad ways in which Pietists and evangelicals read, preached, translated, and practiced the Bible were inextricable from how they fashioned new forms of devotion, founded institutions, engaged the early Enlightenment, and made sense of their world. This volume provides breadth and texture to the role of Scripture in these related religious traditions. The contributors probe an assortment of primary source material from various confessional, linguistic, national, and regional traditions and feature well-known figures--including August Hermann Francke, Cotton Mather, and Jonathan Edwards--alongside lesser-known lay believers, women, people of color, and so-called radicals and separatists. Pioneering and collaborative, this volume contributes fresh insight into the history of the Bible and the entangled religious cultures of the eighteenth-century Atlantic world.Along with the editors, the contributors to this volume include Ruth Albrecht, Robert E. Brown, Crawford Gribben, Bruce Hindmarsh, Kenneth P. Minkema, Adriaan C. Neele, Benjamin M. Pietrenka, Isabel Rivers, Douglas H. Shantz, Peter Vogt, and Marilyn J. Westerkamp.
American Quakerism changed dramatically in the antebellum era owing to both internal and external forces, including schism, industrialization, western migration, and reform activism. With the "Great Separation" of the 1820s and subsequent divisions during the 1840s and 1850s, new Quaker sects emerged. Some maintained the quietism of the previous era; others became more austere; still others were heavily influenced by American evangelicalism and integration into modern culture. Examining this increasing complexity and highlighting a vital religiosity driven by deeply held convictions, Janet Moore Lindman focuses on the Friends of the mid-Atlantic and the Delaware Valley to explore how Friends' piety affected their actions--not only in the evolution of religious practice and belief but also in response to a changing social and political context. Her analysis demonstrates how these Friends' practical approach to piety embodied spiritual ideals that reformulated their religion and aided their participation in a burgeoning American republic.Based on extensive archival research, this book sheds new light on both the evolution of Quaker spiritual practice and the history of antebellum reform movements. It will be of interest to scholars and students of early American history, religious studies, and Quaker studies as well as general readers interested in the history of the Society of Friends.
This collection investigates the world of nineteenth-century Quaker women, bringing to light the issues and challenges Quaker women experienced and the dynamic ways in which they were active agents of social change, cultural contestation, and gender transgression in the nineteenth century.New research illuminates the complexities of Quaker testimonies of equality, slavery, and peace and how they were informed by questions of gender, race, ethnicity, and culture. The essays in this volume challenge the view that Quaker women were always treated equally with men and that people of color were welcomed into white Quaker activities. The contributors explore how diverse groups of Quaker women navigated the intersection of their theological positions and social conventions, asking how they challenged and supported traditional ideals of gender, race, and class. In doing so, this volume highlights the complexity of nineteenth-century Quakerism and the ways Quaker women put their faith to both expansive and limiting ends. Reaching beyond existing national studies focused solely on white American or British Quaker women, this interdisciplinary volume presents the most current research, providing a necessary and foundational resource for scholars, libraries, and universities.In addition to the editors, the contributors to this volume include Joan Allen, Richard C. Allen, Stephen W. Angell, Jennifer M. Buck, Nancy Jiwon Cho, Isabelle Cosgrave, Thomas D. Hamm, Julie L. Holcomb, Anna Vaughan Kett, Emma Lapsansky-Werner, Linda Palfreeman, Hannah Rumball, and Janet Scott.
The Cambodian Civil War and genocide of the late 1960s and '70s left the country and its diaspora with long-lasting trauma that continues to reverberate through the community. In this book, Briana L. Wong explores the compelling stories of Cambodian evangelicals, their process of conversion, and how their testimonials to the Christian faith helped them to make sense of and find purpose in their trauma. Based on ethnographic fieldwork with Cambodian communities in the metropolitan areas of Philadelphia, Los Angeles, Paris, and Phnom Penh, Wong examines questions of religious identity and the search for meaning within the context of transnational Cambodian evangelicalism. While the community has grown in recent decades, Christians nevertheless make up a small minority of the predominantly Buddhist diaspora. Wong explores what it is about Christianity that makes these converts willing to risk their social standing, familial bonds,and, in certain cases, physical safety in order to identify with the faith. Contributing to ongoing dialogues on conversion, reverse mission, and multiple religious belonging, this book will appeal to students and scholars of world Christianity, missiology, and the history of Christianity, as well as Southeast Asian studies, secular sociologies, and anthropologists operating within the field of religious studies.
"Explores nonhuman animals' involvement with human maritime activities in the age of sail, presenting the ship as a place where the ocean and animal species interact in often surprising ways"--
Known as a time of revolutions in science, the early modern era in Europe was characterized by the emergence of new disciplines and ways of thinking. Taking this conceit a step further, Sacred Habitat shows how Spanish friars and missionaries used new scholarly approaches, methods, and empirical data from their studies of ecology to promote Catholic goals and incorporate American nature into centuries-old church traditions. Ran Segev examines the interrelated connections between Catholicism and geography, cosmography, and natural history-fields of study that gained particular prominence during the sixteenth and seventeenth centuries-and shows how these new bodies of knowledge provided innovative ways of conceptualizing and transmitting religious ideologies in the post-Reformation era. Weaving together historical narratives on Spain and its colonies with scholarship on the Catholic Reformation, Atlantic science, and environmental history, Segev contends that knowledge about American nature allowed pious Catholics to reconnect with their religious traditions and enabled them to apply their beliefs to a foreign land. Sacred Habitat presents a fresh perspective on Catholic renewal. Scholars of religion and historians of Spain, colonial Latin America, and early modern science will welcome this provocative intervention in the history of empire, science, knowledge, and early modern Catholicism.
This volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come. Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon's analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues. A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.
In the nineteenth-century United States, jokes, comic anecdotes, and bons mots about the Pacific Islands and Pacific Islanders tried to make the faraway and unfamiliar either understandable or completely incomprehensible (i.e., "other") to American readers. A Laughable Empire examines this substantial archival corpus, attempting to make sense of nineteenth-century American humor about Hawai'i and the rest of the Pacific world.Todd Nathan Thompson collects and interprets these comic, sometimes racist depictions of Pacific culture in nineteenth-century American print culture. Drawing on an archive of almanac and periodical humor, sea yarns, jest books, and literary comedy, Thompson demonstrates how jokes and humor functioned sometimes in the service of and sometimes in resistance to US imperial ambitions. Thompson also includes Indigenous voices and jokes lampooning Americans and their customs to show how humor served as an important cultural contact zone between the United States and the Pacific world. He considers how nineteenth-century Americans and Pacific Islanders alike used humor to employ stereotypes or to question them, to "other" the unknown or to interrogate, laughingly, the process by which "othering" occurs and is disseminated.Incisive and detailed, A Laughable Empire documents American humor about Pacific geography, food, dress, speech, and customs. Thompson sheds new light not only on nineteenth-century America's imperial ambitions but also on its deep anxieties.
This bookexamines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations.
Known as the "swing justice," Justice Anthony M. Kennedy provided the key vote determining which way the Supreme Court would decide on some of the most controversial cases in US history. Though criticized for his unpredictable rulings, Kennedy also gained a reputation for his opinion writing and, more so, for his legal rhetoric.This book examines Justice Kennedy's legacy through the lenses of rhetoric, linguistics, and constitutional law. Essays analyze Kennedy's opinion writing in landmark cases such as Romer v. Evans, Obergefell v. Hodges, and Planned Parenthood v. Casey. Using the Justice's rhetoric as an entry point into his legal philosophy, this volume reveals Kennedy as a justice with contradictions and blind spots--especially on race, women's rights, and immigration--but also as a man of empathy deeply committed to American citizenship.A sophisticated assessment of Justice Kennedy's jurisprudence, this book provides new insight into Kennedy's legacy on the Court and into the role that rhetoric plays in judging and in communicating judgment.In addition to the editors, the contributors to this volume are Ashutosh Bhagwat, Elizabeth C. Britt, Martin Camper, Michael Gagarin, James A. Gardner, Eugene Garver, Leslie Gielow Jacobs, Sean Patrick O'Rourke, Susan E. Provenzano, Clarke Rountree, Leticia M. Saucedo, Darien Shanske, Kathryn Stanchi, and Rebecca E. Zietlow.
"Explores the prominence of insects in the literal and symbolic economies of early modern England. Examines concepts cutting across species (insect and otherwise) and draws attention to the work of early modern natural historians"--
During the long reign of Alfonso VIII, Castilian bishops were crusaders, castellans, cathedral canons, and collegiate officers, and they served as powerful intermediaries between the pope and the king of Castile. In A Constellation of Authority, Kyle C. Lincoln traces the careers of a septet of these bishops and uses this history to fill in much of what really happened in thirteenth-century Castile. The relationships that local prelates cultivated with Alfonso VIII and the Castilian royal family existed in tension with how they related to the reigning pope. Drawing on diocesan archives, monastic collections, and chronicles, Lincoln reconstructs the complex negotiations and navigations these bishops undertook to maintain the balance among the papal and royal agendas and their own interests. Lincoln examines the bishops' ties to crusades and political influence, the growth of canon and Roman law, religious and church reform, and the canonization of local leaders. In the process, he makes the case that the medieval past is best illuminated by the combined luminescence of a "constellation of authority" represented, at least in part, by a conglomerate of bishops. Through seven case studies, each examining a prelate in his individual historical context, A Constellation of Authority improves our understanding of the politics of thirteenth-century Castile and provides an important foundation for further consideration of the ties between Castile and the broader European medieval world. It will appeal to medieval Hispanists and historians of the medieval church and episcopacy.
Often seen as backward-looking and convention-bound, genre painting representing scenes of everyday life was central to the work of twentieth-century artists such as John Sloan, Norman Rockwell, Jacob Lawrence, and others, who adapted such subjects to an era of rapid urbanization, mass media, and modernist art. Re-envisioning the Everyday asks what their works do to the tradition of genre painting and whether it remains a meaningful category through which to understand them. Working with and against the established narrative of American genre painting's late nineteenth-century decline into obsolescence, John Fagg explores how artists and illustrators used elements of the tradition to picture everyday life in a rapidly changing society, whether by appealing to its nostalgic and historical connotations or by updating it to address new formal and thematic concerns. Fagg argues that genre painting enabled twentieth-century artists to look slowly and carefully at scenes of everyday life and, on some occasions, to understand those scenes as sites of political oppression and resistance. But it also limited them to anachronistic ways of seeing and tied them to a freighted history of stereotyping and condescension. By surveying genre painting when its status and relevance were uncertain and by looking at works that stretch and complicate its boundaries, this book considers what the form is and probes the wider practice of generic categorization. It will appeal to students and scholars of American art history, art criticism, and cultural studies.
In a New Light is the first permanent collection catalogue in the Palmer Museum of Art's fifty-two-year history. Made possible by a generous grant from the Henry Luce Foundation, this multi-author book studies and celebrates the institution's most significant collection area, American art. The fully illustrated publication features short essays on 155 historically and aesthetically important paintings written by 66 art historians and curators from the United States and England. Readers can expect new scholarship on paintings by artists Georgia O'Keeffe, William Trost Richards, Henry Ossawa Tanner, Benjamin West, Marguerite Zorach, and many more. The release of In a New Light coincides with the opening of the Palmer Museum's new seventy-three-thousand-square-foot building designed by Allied Works.
Nabopolassar was the first ruler of the Neo-Babylonian Empire. Rising to power from obscure origins, Nabopolassar defeated the Neo-Assyrians, who had controlled Babylonia for more than one hundred years. During the reign of Nabopolassar's son, Nebuchadnezzar II, the Neo-Babylonian Empire developed into a major superpower. Best known for his ambitious building projects, including the famous Hanging Gardens of Babylon and the Ishtar Gate, Nebuchadnezzar also figures prominently in the Hebrew Bible as the king who destroyed Jerusalem and its temple, conquering Judah and inaugurating the Babylonian captivity. In this book, Jamie Novotny and Frauke Weiershäuser provide updated, reliable editions of seventy-one historical inscriptions of the Babylonian kings Nabopolassar and Nebuchadnezzar II, including nineteen never-before-published texts. Each text edition is accompanied by an English translation, a catalog of all exemplars, a comprehensive bibliography, and commentary containing notes and technical information. The volume also contains a general introduction to the reigns of these two rulers, the corpus of inscriptions, previous studies, and chronology; translations of the relevant passages of several Mesopotamian chronicles and king lists; photographs of objects; and indexes of museum and excavation numbers, selected publications, and proper names. Featuring meticulous transliterations and translations that have been carefully collated with the originals, this book will be the standard edition for scholars and students of Assyriology, the Neo-Babylonian dialect, and the Neo-Babylonian Empire for decades to come.
Examines internet virality as a critical framework for considering early modern artworks' global mobility and replication. Explores the role of artistic labor, gatekeepers, infrastructures, and social networks to reassess art's role in processes of globalization.
Explores the search for religious meaning during World War I and the wide range of spiritual responses that emerged across boundaries. Examines how religious experience and battle experience were intertwined.
A collection of essays by leading scholars of Shakespeare in print, offering an overview of current research on the Folios and on unsettled questions about the bibliography of Shakespeare's plays.
Examines how the subtlety, variety, and inventiveness of American, Asian, and African creations and techniques encountered in the context of sixteenth century Iberian colonization challenged and revolutionized the definitions of what art is and what it means to be human.
"Explores how gender, socioeconomic status, and religious identity shaped the lives and work of Jewish and Christian women in medieval Catalan cities"--
A wealthy textile titan from Carlisle, Pennsylvania, Frank Masland Jr. was an ardent political conservative and an equally fervent conservationist who was well known and highly respected in the mid-twentieth-century environmental preservation community. This eye-opening biography charts Masland's life work, telling the story of how he and fellow Republicans worked with Democrats to expand the national park system, preserve wild country, and protect the environment. Though a conservative conservationist appears to be a contradiction in terms today, this was not necessarily the case when Masland and his compatriots held sway. Conservatives, Masland insisted, had a duty to be good stewards of the earth for present and future generations, and they worked closely with members of both parties in Congress and nonpolitical conservation groups to produce landmark achievements. When conservatives turned against environmentalism during the Reagan presidency, Masland refused to join what historians have termed the "Republican reversal." During his long life of nearly a hundred years, Masland used his voice, influence, experiences with nature, and considerable wealth to champion environmental causes at the national, state, and local levels. Engaging, informative, and at times eyebrow-raising, this portrait of a passionately anti-statist nature-loving Republican environmentalist documents the history of the twentieth-century conservation movement and reminds us of a time when conservative Republicans could work with liberal Democrats to protect the environment.
First published in 2014, Jessica Gordon Nembhard's Collective Courage quickly became an important tool for understanding the history of cooperative economic enterprises in the African American community. This now-classic work recounts how African Americans benefited greatly from cooperative ownership and democratic economic participation throughout the nation's history.Many of the players in this story are well known--among them W. E. B. Du Bois; A. Philip Randolph and the Ladies' Auxiliary to the Brotherhood of Sleeping Car Porters; Nannie Helen Burroughs; Fannie Lou Hamer; Ella Jo Baker and George Schuyler of the Young Negroes' Co-operative League; the Federation of Southern Cooperatives; and the Black Panther Party. Drawing on media reports and co-op records, Gordon Nembhard uncovers the challenges they faced and highlights their hard-won victories. This tenth anniversary edition of Collective Courage features a substantial preface that expands on material in the first edition and addresses the development of the Black co-op movement through the second decade of the twenty-first century. It remains an indispensable resource for readers interested in the history of the struggle for African American economic freedom and equity.
"More popular than Jesus." Despite the uproar it caused in America in 1966, John Lennon's famous assessment of the Beatles vis-à-vis religion was not far off. The Beatles did mean more to kids than the religions in which they were raised, not only in America but everywhere in the world.By all accounts, the Beatles were the most significant musical group of the twentieth century. Their albums sold in the hundreds of millions, and the press was always eager to document their activities and perspectives. And when fan appreciation morphed into worship, Beatlemania took on religious significance. Many young people around the world began to look to the Beatles--their music, their commentary, their art--for meaning in a turbulent decade. Speaking Words of Wisdom is a deep dive into the Beatles' relationship to religion through the lenses of philosophy, cultural studies, music history, and religious studies. Chapters explore topics such as religious life in Liverpool, faith among individual band members, why and how India entered the Beatles' story, fan worship/deification, and the Beatles' long-lasting legacy. In the 1960s, the Beatles facilitated a reevaluation of our deepest values. The story of how the Beatles became modern-day sages is an important case study for the ways in which consumers make culturally and religiously significant meaning from music, people, and events.In addition to the editor, the contributors to this book include David Bedford, Kenneth Campbell, John Covach, Melissa Davis, Anthony DeCurtis, Mark Duffett, Scott Freer, Murray Leeder, Sean MacLeod, Grant Maxwell, Christiane Meiser, and Eyal Regev.
The relationship between the City of Brotherly Love and its Black residents has been complicated from the city's founding through the present day. A Black Philadelphia Reader traces this complex history in the words of Black writers who were native to, lived in, or had significant connections to the city. Featuring the works of famous authors--including W. E. B. Du Bois, Harriet Jacobs, and Sonia Sanchez--alongside lesser-known voices, this reader is an immersive and enriching composite portrait of the Black experience in Philadelphia. Through fiction and nonfiction, poetry and prose, readers witness episodes of racial prejudice and gender inequality in areas like public health, housing, education, policing, criminal justice, and public transportation. And yet amid these myriad challenges, the writers convey an enduring faith, a love of family and community, and a hope that Philadelphia will fulfill its promises to its Black citizens.Thoughtfully introduced and accompanied by notes that contextualize the works and aid readers' comprehension, this book will appeal to a wide audience of Philadelphians and other readers interested in American, African American, and urban studies.
"More popular than Jesus." Despite the uproar it caused in America in 1966, John Lennon's famous assessment of the Beatles vis-à-vis religion was not far off. The Beatles did mean more to kids than the religions in which they were raised, not only in America but everywhere in the world.By all accounts, the Beatles were the most significant musical group of the twentieth century. Their albums sold in the hundreds of millions, and the press was always eager to document their activities and perspectives. And when fan appreciation morphed into worship, Beatlemania took on religious significance. Many young people around the world began to look to the Beatles--their music, their commentary, their art--for meaning in a turbulent decade. Speaking Words of Wisdom is a deep dive into the Beatles' relationship to religion through the lenses of philosophy, cultural studies, music history, and religious studies. Chapters explore topics such as religious life in Liverpool, faith among individual band members, why and how India entered the Beatles' story, fan worship/deification, and the Beatles' long-lasting legacy. In the 1960s, the Beatles facilitated a reevaluation of our deepest values. The story of how the Beatles became modern-day sages is an important case study for the ways in which consumers make culturally and religiously significant meaning from music, people, and events.In addition to the editor, the contributors to this book include David Bedford, Kenneth Campbell, John Covach, Melissa Davis, Anthony DeCurtis, Mark Duffett, Scott Freer, Murray Leeder, Sean MacLeod, Grant Maxwell, Christiane Meiser, and Eyal Regev.
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