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In SOFAR, poet-naturalist Elizabeth Bradfield attends our current ecological and historic moment, her decades-long queer love, a life time of work on boats, and her body's shifting currents with wry yearning and linguistic delight. SOFAR is an acronym for the "sound frequency and ranging channel," a deep layer of oceanic water that enables sound to travel vast distances, and, drawing upon her deep knowledge and experience of the sea, Bradfield plumbs what can be heard by listening across the vast distances of our lives-within our memories and larger histories, between strangers and beloveds, and to the more-than-human world. Bradfield's work as a naturalist gives an earned intimacy and nuanced authority to her eco-grief, field observations, and metaphoric leaps as she regards whales, cusk eels, and storm petrels. These are the poems of a woman unafraid of navigating the depths and rip currents she moves through.

Brimming with music, bursting with flora, the poems in Valencia Robin's second collection are both a walking tour of local neighborhoods and a journey into space and across time-ways of looking and listening to the past in order to find our best way forward. Engaging with an array of artistic heroes-James Baldwin, Amiri Baraka, Eavan Boland, Gwendolyn Brooks, Etheridge Knight, Audre Lorde, Nina Simone, Pablo Neruda, and Stevie Wonder among them-Robin looks for guidance, grounding, and even hope in spite of the traumas she witnesses and experiences daily. In one striking masterpiece, she gives voice to a prescient childhood icon, Lieutenant Uhura of Star Trek, who brings the show's unfulfilled vision of interstellar racial harmony to bear on the killing of black and brown bodies in contemporary America.  Whether set in space or down the block in Charlottesville or Milwaukee, the poems in Lost Cities offer us hope amid the heartbreak of a fractured world.

In Other Times, Midnight, her debut collection, Andrea Ballou explores the aftermath of loss-death, divorce, and departures-and asks the toughest questions: how do we contend with grief and remorse, and where does the spirit go to wait out trauma? Ballou's poems fight our "impulse to not speak," aware that naming, and that speech itself, is a matter of life and death. Her startling and often humorous images rooted in the fields, forests and domesticity of rural life are juxtaposed with oblique, at times irreverent, adaptations of Celtic and Greek myth and biblical stories. For Ballou, language is both tool and weapon, as useful and durable as a hoe, wheelbarrow, sword, thread. Caught "in the mouth of midnight," these poems wrestle with the numinous, their voices-cranky and cajoling, always compassionate and vulnerable-urging us toward the fullness of being human, daring us, despite it all, to love again.

"Ingenious out of necessity, A Mother Is an Intellectual Thing centers around the scapegoating and exile of the author by her mother. In these essays, Kimberly Grey harnesses her formidable intellectual and creative resources to create coherence for an unstable, traumatized self. To do so, she calls on-beseeches-dozens of brilliant thinkers and artists for help, among them Etel Adnan, Roland Barthes, John Cage, Anna Freud, Mina Loy, Elaine Scarry, Gertrude Stein, and Simone Weil. Grey's engagement with these figures (and many others) is part of her effort to stabilize, if not fully comprehend, the inconceivability of her maternal banishment. By thinking her pain rather than feeling it, Grey becomes an expert witness to her own trauma, a ponderer of motherhood even as her identity as daughter has been rescinded"--

We Call to the Eye and to the Night is an amalgam of eminent poets -Hayan Charara, Leila Chatti, Nathalie Handal, Fady Joudah, and Naomi Shihab Nye, among them-and those who have just begun to make their mark. These poets are descended from diverse countries and represent a breathtaking intersection of voices, experiences, and perspectives. Divided into whimsical sections (named for lines from poems they include), the anthology features an evocative array of erotic and romantic selections, as well as ones portraying love of family, friends, heritage, and homeland. Exquisitely curated and introduced by acclaimed authors Hala Alyan and Zeina Hashem Beck, We Call to the Eye and to the Night is at once sexy, sensuous, adventurous, and nostalgic-a treasury of love emanating from the Arab world and its diaspora.

A unique collection that delves deep into the consciousness of a West Virginian coal mining community.This extraordinary debut is an inhabiting of the town of Logan, West Virginia. In four gorgeous lyric sequences, Alena Hairston conducts the voices of this population of miners and their kin, poignantly rendering their destitution, their heartbreak, and their incongruous strength and spirit. Winner of Persea's inaugural Lexi Rudnitsky Poetry Prize, a first-book award for American women poets.

From one of our most charismatic poets, a personal song to America.This pulsating collection picks up the beat and imagery of Patrick Rosal's thrilling debut, Uprock Headspin Scramble and Dive. Here, though, the poet's electric narratives and portraits extend beyond the working class streets of urban New Jersey. Modeling poems on the kundiman, a song of unrequited love sung by Filipinos for their country in times of oppression, he professes his conflicted feelings for America, while celebrating and lamenting his various heritageswhether by chatting up St. Patrick, riffing on race relations, or channeling Lapu Lapu in a rejoinder to Magellan. Passionate, provocative, and irrepressible throughout, My American Kundiman further establishes Rosal as a poet to be reckoned with.

Curt Flood was a dazzling center fielder for the St. Louis Cardinals when, in 1969, he was traded to the Philadelphia Phillies. But instead of accepting his fate, Flood shocked baseball by suing the sport over its Reserve Clause, an age-old rule that bound players to their teams in perpetuity. His extraordinary case went all the way to the Supreme Court and helped pave the way for major advancements in the rights of professional athletes.Stepping Up is Flood's astonishing story. Accessible to teens but of interest to baseball fans of all ages, it begins with Flood as a an artistic black kid in Oakland, and continues with his eye-opening experience as a minor leaguer in the racist South. It describes Flood's years with the exciting Cardinals teams of the 1960s (with teammates like Stan Musial, Joe Torre, and Bob Gibson), and his increasing frustrations with baseball's mistreatment of players-especially blacks. The book culminates with his historic suit, which changed his life and the sports world forever.In lively, conversational prose, Alex Belth provides fascinating details and anecdotes about Flood's Cardinals, the Negro Leagues, and many of the dramatic differences in baseball-and America-between Flood's era and today. Including a foreword by acclaimed broadcaster Tim McCarver (who, as a player, was traded with Flood to the Phillies), Stepping Up is the compelling tale of a ballplayer's desire to make a difference.

In Blue Venus, Lisa Russ Spaar explores the intimate relationship between the sensual and the sacred. Her nocturnal poems weave themselves into the very fabric of private fervorlyric, sexual, spiritualbeginning with "Dusk" and continuing on until "Dawn." Fierce and giving, Spaar's exquisite verse isolates essential moments of vulnerability and wonder. A series on insomniain the voices of some notable insomniacsis among the most moving extended sequences in recent memory. Elsewhere, she traces poetry back to its primordial rootsprayer, lullabye, mourning, exaltation. Propelled throughout by a resolute belief in the relationship between the human and the cosmic Blue Venus is "a brilliant new star in poetry's firmament" (Carol Muske-Dukes).

In a single volume, the essential work of a major Modernist poet and thinker. Some see Laura Riding and Laura (Riding) Jackson as virtually two separate writers, the former a strikingly original Modernist poet and critic, the latter a supposedly reclusive thinker on man and woman, language, meaning, and truth. However, encountering her work in this rich cross-section, one discovers a remarkable consistency of theme developing throughout, from the earliest poems and stories to the "post-poetic" writings of her final years. The selections presented here span sixty-four years (1923-1987) and include famous works of poetry and prosesome long out of print or difficult to findsignificant lesser-known writings, and an important previously unpublished late essay, "Body & Mind and the Linguistic Ultimate."

Individually, each of these 27 stories is authentic and immediate, as memorable as family history passed from one generation to the next; taken together, they comprise a vivid, enduring portrait of the struggles of immigrant Jews-particularly women-on New York's Lower East Side.

The debut collection from a vibrant, streetwise voice: Winner of the 2002 Members' Choice Award from the Asian American Writers Workshop.Patrick Rosal's poetry rings with the music of no-frills industrial towns of central New Jersey. Portraits of hip-hoppers and condemned men (whose misdeeds as boys forever shaped their futures) alternate with dynamic riffs on longingsexual and filialand on the poet's Filipino roots. Unpredictable and breathtaking as a sax solo, these poems are the indelible marks made by a world that has been simultaneously kept close and left behind.

When Hector and his friend Mando, seventh-graders, visit Uncle Julio, a photographer in Fresno, they have more excitement than they ever imagined. On a photo shoot in a rickety old plane, they spot an armored car heist, and Uncle Julio snaps some shots of the robbers. After they report what they saw, the two robbers decide they have to teach Hector and Mando a lesson. When the bumbling thugs meet up with the quick-witted boys, the results are hilarious.

Kimberly Johnson's dazzling first collection is rooted in the land and language she inherits, then claims for her own. Informed throughout by Milton's Paradise Lost, Johnson's poems burst with the flora and fauna of a magnificently imagined landscape, and gain their power from the incomparable language she uses to describe it. This language is itself an organism in her writing, grown from its own seed, its "vowels blooming like necessary globes/with sharp, consonantal edges." Her voice is wholly new and unique; Leviathan with a Hook heralds the arrival of one of the new standard-bearers of American verse.

Zosha Palovsky was born in a Displaced Persons camp in Germany, the daughter of Holocaust survivors, but she has grown up in Brooklyn and in Washington Heights, joined a Latina gang, and refused to attend a yeshiva. She's a rebel, outspoken, sexually liberated, and determined to live her own life, free of her parents' past. Yet, as daring and defiant as she is, Zosha cannot escape. Her entire life is touched by the war.She has dreams of Auschwitz, falls in love with "her own private Nazi," and has an affair with a kinky Holocaust scholar.  Obsessed with events that took place before her birth, she becomes a writer. By day she summons a "shlock muse in rhinestone harlequin glasses, cabana pants, and spiked heels" to write Elizabeth Taylor stories for the readers of Movie Screen magazine and, by night, writes "blood-eyed poems" about the Holocaust. Her parents wonder: Why can't she get married like a normal person? How are they to understand their American daughter?With unflinching honesty and wild humor, Sonia Pilcer follows the Holocaust legacy as it courses through lust and desire, guilt and fear, and unexpected joy, revealing the emotional depths beneath the quest to free oneself from an ever-present past.

A definitive anthology of the best United States Latino and Latina poets from diverse origins in the Latin world: Cuba, Colombia, the Dominican Republic, Ecuador, Guatemala, Mexico, and Puerto Rico: Julia Alvarez, Judith Ortiz Cofer, Juan Felipe Herrera, Pat Mora,Alberto Alvaro Ríos, Luis J. Rodrguez, and Tino Villeanueva, aswell as emerging writers, including Sandra M. Castillo, Adrian Castro,Silvia Curbelo, Diana Rivera, and Gina Valdez.

The "brilliant and challenging" (Library Journal) exploration of living with HIV by the winner of the 1999 James Laughlin Award.First published in 1993, this virtuosic collection defined writing about AIDS for a generation of poets. Chaotic and incantatory, it is a submersion into the railing consciousness of a young woman on the precipice of mortality, its "dazzling and valiant poems the psalms of our present moment" (Sharon Olds).

Here is Anzia Yezierska's life story, from the Polish ghetto to the sweatshops of New York's Lower East Side, from success as a writer in Hollywood in the 1920s to disillusionment and a return to poverty. With courage and emotion, Yezierska reveals what success and failure felt like and what they meant to her, as a woman and as an artist.

In this exquisite anthology, esteemed poets from America, Italy, and elsewhere follow the renowned Piero Trail, a route through Tuscany and Umbria that features some of the most acclaimed frescoes by the legendary Renaissance painter, Piero della Francesca. The resulting poems-including ones by Henri Cole, Jorie Graham, Charles Wright, and Patti Smtih-capture Piero's incomparable influence in the artistic, literary, and spiritual worlds, generated as they are by the transcendence of Piero's timeless powers. Including twelve reproductions of Piero's frescoes, a foreword by Rosanna Warren, and an introduction by anthologist Dana Prescott, Feathers from the Angel's Wing is unforgettable collection, a book to be cherished by lovers of art, artists, and the spirits that move them.

For nearly two decades, Patrick Rosal has been one of the most beloved and admired poets in the United States, bringing together the most dynamic aspects of literary and performance poetry. The son of Filipino immigrants (his father was a lapsed Catholic priest), he has made a life of bridging worlds-literary, ethnic, national, spiritual-through his poetry, and has been recognized with some of the highest honors and countless devoted readers. The Last Thing: New & Selected Poems, gives us a substantial playlist of new work-hard-hitting and big-hearted-along with ample selections from his first four books. Bursting with music, infused with love and awe, this is essential reading from a poet of vigor and conscience.