Böcker utgivna av Peter Lang International Academic Publishers

This book examines some of the criteria against which translated fictional and non-fictional works are assessed. It not only provides a novel cross-cultural insight into reviewing practices, assessing how translations are reviewed differently in the United Kingdom, France and Germany, but it also compares the way in which reviewers for different platforms assess translated works, from a popular platform open to reviews from the general public, through mainstream broadsheets and cultural supplements, to specialised literary magazines.The book takes its inspiration from The Translator's Invisibility: A History of Translation, in which Lawrence Venuti examines the reviewing of translations and contends that fluency is the main criterion against which translations are read and assessed by reviewers, ultimately rendering the translator «invisible». The book therefore provides a timely and thorough update to Venuti's study and offers insights into the status of translation in book reviews.

Forced to flee Germany, the eminent drama critic, poet and fiercely vocal anti-Nazi journalist, Alfred Kerr, settled in London in 1935 and became deeply attached to the calm and decency he found in the «island people». With much dry wit and some perplexity, his journal, translated here from German for the first time, savours the quirks and foibles of the enigmatic nation, wondering whether it will emerge at long last as the saviour of civilisation. His humorous and perceptive observations span society - from aristocrats, politicians and literary figures like G. B. Shaw and H. G. Wells to the characters in pubs and courtrooms. Enriched by his expertise in German classical culture, the journal traces the agony of an emigré following Britain's prolonged attempts to appease the «brown war-menace», shrewdly interwoven with attempts to understand the British, «a mystery, even to themselves». This is the longest ever thank-you letter from a migrant to Great Britain.

A unique experiment at the frontlines of the Cold War, the German Democratic Republic collapsed more than thirty years ago. But it did not simply vanish. Far from being a footnote in history, the state and its legacies continue to inform identities, politics, and culture today. Studies of surveillance and government control, individual agency and equal opportunity, informal networks, strategic alliances, and strategies subverting limitations on freedom of expression prompt us to rethink our conceptualizations of the GDR.Introducing the work of a new generation of researchers, this collection applies such approaches to a wide range of examples from film, theatre, music, literature, radio, and law. The chapters explore and transgress temporal, national, and disciplinary boundaries. From these investigations emerges a pervasive pattern of informal, border-transcending spheres, subversive identity discourses, and effective agency. Drawing variously on concepts such as Eigen-Sinn, informal society, and alternative public spheres, the papers presented here highlight the relevance of GDR Studies looking forwards. More than a volume about just the past, The GDR Tomorrow holds implications for the future.

«ÜberLebenswege leistet einen wichtigen wissenschaftlich fundierten, sehr gut lesbaren Beitrag zur Geschichte der Deutschen Heimerziehung. Eindrücklich und lebensnah wird verdeutlicht, wie normativ staatliche Interventionen geprägt waren und leider noch immer sind. Eine wertvolle Lektüre auch um in den Themenfeldern Rassismus und Sexismus kritische Fragen an die Gegenwart zu stellen.»(Prof. Dr. Thomas Gabriel, Leiter Institut für Kindheit, Jugend und Familie, ZHAW Zürcher Hochschule für Angewandte Wissenschaften)«An important contribution that will fill a considerable gap in the existing scholarship on Black Germans in postwar West Germany. ÜberLebenswege is the first book that is exclusively based on extensive interviews and Malanda is to be commended for a narrative that emphasizes the subjective experiences and interpretations of those she interviewed.»(Dr. Silke Hackenesch, Akademische Rätin, Universität zu Köln)Schwarze Deutsche, die in den 1950er und 1960er Jahren in Heimen aufwuchsen, sind in der deutschen Erinnerungskultur bislang unsichtbar. Ausgehend von dieser Leerstelle stehen in ÜberLebenswege die biografischen Erzählungen Schwarzer Deutscher im Mittelpunkt, die in den Jahren 1946 und 1949 geboren wurden und in bundesdeutschen Fürsorgeeinrichtungen aufgewachsen sind. Als nichteheliche Nachkomm*innen weißer deutscher Zivilistinnen und Schwarzer US-amerikanischer Besatzungssoldaten erlebten sie im postnationalsozialistischen Deutschland innerhalb und außerhalb von Heimen soziale Stigmatisierung und Rassismus. Vor diesem Hintergrund mussten die Frauen und Männer von frühester Kindheit an Überlebensstrategien entwickeln, um im Heim und in der Gesellschaft bestehen zu können.Das Buch verfolgt einen intersektionalen Ansatz, bei dem die Kategorien race, Klasse und Geschlecht und ihre Verwobenheit sowie eine postkoloniale Perspektive berücksichtigt werden. Damit trägt ÜberLebenswege dazu bei, eine bisherige Lücke in der Forschung zur Geschichte Schwarzer Deutscher in der frühen Bundesrepublik sichtbar zu machen und durch neue Erkenntnisse zu füllen.

«A fascinating, well-paced, beautifully written memoir.»(Professor Sarah Moore Fitzgerald, Author and Director, MA in Creative Writing, University of Limerick, Ireland)«A wonderfully honest, often witty, personal account from someone who experienced discrimination -and challenged it - at every level of academia. So much of what has changed for women in recent decades is chronicled through Pat's life, research and actions. A tour de force.»(Micheline Sheehy Skeffington, plant ecologist and feminist activist)«This book evokes the lived experience of a woman who, out of her time, marshalled the brains, the courage and--I have to say it--the sheer bloody-minded and tireless determination to confront others with one question: 'why?'. Asking the question came at no small personal cost, but--slowly and surely--it started to prise open some of the seemingly impenetrable male-centric power edifices that exist across academia; openings which now give so many others hope. Don't be afraid of reading this book about the lifetime of someone who asked why, it may just inspire you to do the same.»(Paul Walton, Professor of Chemistry, University of York, UK and international gender equality advocate)This book, written by an insider, explores experiences over a 46-year career in five academic organisations in Ireland and the UK: moving from contract research assistant to full professor and line manager (Dean). Highlighting success and failure, strength and fragility, it challenges ideas about what it is to be a 'proper' woman. It describes the subtle and relentless processes of devaluation, marginalisation and disempowerment that are often 'normalised.' Written in a clear accessible style, with flashes of humour, it asks whose interests are served by taken-for-granted ideas about what it is to be a woman - ideas which deny the reality of many women's day-to-day experiences. Who wants us to think that all women find identity and satisfaction in housework and child care? Who wants us to think that universities are meritocratic institutions? The book will inspire and entertain all those who have struggled in any male-dominated organisation and wondered if they were the problem.

This book outlines the principal features of the Payment by Results policy, first introduced in England in 1862. It draws attention to some of the positive aspects of the system but it also considers the more salient features of a system that preyed heavily on both pupils and teachers. Inspectors were used as agents of its implementation, resulting in a divergence of views between them and the teachers. Very few regretted its demise in 1900 when it was replaced by the Revised Programme, a much more child-centred curriculum. It was a system of schooling rather than of education, and it served very few admirably.

«In this remarkable study, Katrina Heil brilliantly highlights how Buero's plays serve as a medium for the Spanish audience to process traumatic memory and come to terms with the past. The book successfully offers a fresh perspective on Buero's theater, acknowledging his pivotal role as a precursor of historical memory activism during Franco's dictatorship, while also shedding light on his enduring influence on contemporary dramatists of the twenty-first century.»(Yenisei Montes de Oca, Associate Professor of Spanish, James Madison University)This book explores Antonio Buero Vallejo's use of the theater for historical memory activism and the role this function had in his formation as a tragedian. Buero's early tragedies counter the assumption that Spaniards have only recently taken up the issue of recuperating historical memory in order to process the collective trauma of the Spanish Civil War and Franco dictatorship. Buero's theory of tragedy, which combines an Unamunian existentialist conception of the tragic with an Aristotelian understanding of tragic catharsis, demands personal and historical authenticity while simultaneously allowing for the healing of trauma. While Buero's influence is rarely acknowledged in this regard, the legacy of Buerian tragedy as an ideal form of memoria histórica activism is seen in contemporary Civil War tragedies, which are appearing with increased frequency on the Spanish stage alongside the growth of the historical memory movement in Spanish culture and politics.

This book presents a close reading of four texts by Jean-Marie Gustave Le Clézio, guided by Gilles Deleuze's concept of metamorphosis, «becoming-animal». In his critique of anthropocentrism and Western reason, Le Clézio dismantles the opposition between mind and matter, language and life, developing Henri Bergson's notion of the living, «le vivant». A philosophical and ecological role is accorded poetic, sensorial expression, which is the means of communication between the multiple forms of life. For instance, the protagonist may become a bird: in their flight they form intercultural relations calling to mind the texts of Édouard Glissant and Patrick Chamoiseau. Importantly, Le Clézio never divorces the poetic from the socio-political. The text Bitna, sous le ciel de Séoul, for example, unfolds against the background of the war between North and South Korea. Through the figure of the war-traumatised homeless Algerian, Béchir, The Story of Dodo emerges as one of the most powerful critics of nationalism and capitalism ever written.

'With its meticulous documentation, this multifaceted volume brings a range of individual lives and networks to the fore, outlining their inestimable contributions to British culture. It is an inspiring and timely intervention into the fields of exile and childhood studies, demonstrating just how inextricably the two are linked.' (Professor Kiera Vaclavik, Director of the Centre for Childhood Cultures, Queen Mary, University of London) The essays that make up this book cover a diverse range of subjects, all broadly on the theme of child refugees from Nazism in Britain. The book's three sections - on displacement, children in art, and children in education and play - indicate the various topics considered in the study. The authors come from different academic fields - including German and Austrian exile studies, art history, language and literature, and education - so each chapter offers a depth of research as well as adding to the breadth of the overarching theme. Thus far, there has been no study dedicated to examining both the experience of these refugee children and those who worked with them, and yet they and their own children live on, marked in different ways by their experience and making their own mark in British art and literature too.

This book reflects on a journey as a shamanic healer and a psychotherapist, and how the integration of psychotherapy and traditional healing methods emerged. It explores an initial training in cognitive behavioural psychotherapy, to gestalt therapy, to body therapy, to energy healing and shamanism, to develop a unified theory. It explores the process by means of a dialogue between a psychotherapist, a shamanic healer, an academic and an integrative therapist. This is placed in a dialogue within the therapist herself. Later chapters give examples of the unified theory in practice, including both individual and in group settings. Opening and closing chapters contextualise the work in the context of developments on the internet in the areas of wellbeing and therapeutic practices drawing on different cultures.

'This timely and important book provides a critical look at borders and belonging. It illuminates the tensions and contradictions that often exist within the logic of legal and political mechanisms that define regional and national boundaries and the reality of the lives lived within these constructions. The resulting essays are instructive, thought-provoking and sometimes very moving explorations of the making and meaning of historical and contemporary borderlands.' (Roisín Higgins, Professor of History, National University of Ireland Maynooth) 'This volume is a masterful combination of analyses of feelings of belonging and identities following from changing state and cultural borders in the past and present and their challenges for living together. Its chapters analyse the intersections of people, territory, institutions and law from theoretical perspectives as well as through reflexive individual experience of social identity formation from below, often with a focus on their contestation in (re-)territorialized sub-state regions.' (Josef Marko, Professor of Comparative Public Law and Political Sciences, University of Graz) Both the Brexit process and the Covid pandemic have challenged the idealistic concept that borders in Europe and elsewhere were becoming ever more permeable. The idea that the world was becoming a global village has been seriously eroded. Meanwhile, the war in Ukraine has once again highlighted how power politics draws borders and shapes belongings. This has necessitated analyses of the nature of human-made borders and boundaries and the consequences for individuals and collectives who experience inclusion or exclusion on their feelings of belonging and their identities. Similarly, governmental policies within states have created majorities and minorities and have caused grave implications for those groups at the receiving end of legislation and state actions. This multidisciplinary volume comprises essays from researchers and academics, located in Europe and beyond, who investigate the effects of border creation, social and legal inclusivity and exclusion on individuals and collective identities in the past and today. Combining 'from above' and 'from below' perspectives, the volume explores macro-political processes affecting borders and senses of belonging as well as their intersections at the microlevel, including private views and individual responses to such types of processes.

«In Timeless Joyce , Asun López-Varela offers a holistic, dense, and substantial approach to the study of Ulysses , in commemoration of its publication centenary. The author manages to tackle multiple perspectives that pivot around key aspects of Joyce's narrative by structuring her account around the spiral figure. This brilliant design makes it possible to include not only detailed thematic studies, but also to recurrently return to the main research lines proposed, in an easy, smooth, and natural way. Especially relevant are the myth cells revisited, with a perceptive method that allows transcendental appreciation without forgetting the language puns, the metaphysical substratum, and the Joycean ironic groundwork.» (Juan Ignacio Oliva Cruz, President of the James Joyce Association of Spain) «López-Varela's volume deserves attention not only for the accumulation of new analytical threads but also for the inspiring spiral framework that shows Joyce's ironic deflective response to the grandiloquent inflation of epic, traditionally performed by myth. The author superbly shows the ambiguities present in Joyce's mythical method, where the spatial and temporal restrictions proper of the vicissitudes of everyday life are simultaneously parodied and given transcendental scope.» (José Manuel Losada Goya, President of Asteria, Internacional Association of Mythcriticism) 2022 marked the 100th anniversary of the publication of James Joyce's Ulysses . This book is a celebration of Joyce's text and of the aspects that make his masterpiece timeless. Structured under the inspiration of Brancusi's spiral image, «Symbol of James Joyce», the volume shows Joyce's play in two movements: a centripetal move towards unity, using myth, analogies and correspondences and a centrifugal force, with a cunning mixture of irony and unanticipated turns, where the dream of unity is shattered and the text resonates in multiple directions, manifesting its diversity through forms of duplicity and double coding. The double spiral movement of Joyce's novel is aimed at contrasting diverse perspectives on existential issues as well as religious, political and even gender aspects. Features such as Joyce's mytho-poetics, the future of nostalgia, temporal becoming, coincidentia oppositorum , apophatic theology and philosophies of the occult are explored as part of an allegorical dimension of myth that simultaneously seeks and refuses holistic unity. Readers are involved in a sort of rite of passage, like Odysseus in his perilous journey, forced to read forwards, backwards and vertically in the fractal structure of the novel through which Joyce achieves its poetics of infinity.

This edited volume provides an opportunity to take a fresh look at the printed material often regarded as disposable by its contemporaries and, until recently, as unworthy of serious academic research. From the fifteenth century to the twentieth century, this volume not only demonstrates the wide variety of ephemeral publications which have survived to the present day, but also shows how they can be used to interpret history and printing history and culture in particular. Some of the forms of printed ephemera discussed will be familiar to scholars such as chapbooks and commercially-printed posters whilst others, such as papal indulgences and bellman's sheets are more unusual. The collection discusses the production, distribution and consumption of ephemera, including how it can be used demonstrate changes to print culture over time. This volume aims to demonstrate that printed ephemera, in its many and varied forms, is worthy of serious academic study.