Böcker utgivna av Picador USA

From the author of Songdogs, a magnificent work of imagination and history set in the tunnels of New York City.In the early years of the century, Nathan Walker leaves his native Georgia for New York City and the most dangerous job in America. A sandhog, he burrows beneath the East River, digging the tunnel that will carry trains from Brooklyn to Manhattan. Above ground, the sandhogs--black, white, Irish, Italian--keep their distance from each other until a spectacular accident welds a bond between Walker and his fellow diggers--a bond that will bless and curse the next three generations. Years later, Treefrog, a homeless man driven below by a shameful secret, endures a punishing winter in his subway nest. In tones ranging from bleak to disturbingly funny, Treefrog recounts his strategies of survival--killing rats, scavenging for discarded soda cans, washing in the snow. Between Nathan Walker and Treefrog stretch seventy years of ill-fated loves and unintended crimes. In a triumph of plotting, the two stories fuse to form a tale of family, race, and redemption that is as bold and fabulous as New York City itself. In This Side of Brightness, Colum McCann confirms his place in the front ranks of modern writers.

"ST. IVO is absolutely exquisite and perfect for poolside... [M]asterfully written and immediately captivating." - Elin Hildebrand, on Instagram"Hershon maintains a quiet terror throughout this slim, eccentric novel. . . Fiction full of complexity, devoted to reality. And in the end, a larger sense of purpose crashes down in a satisfying burst."--Danya Kukafka, The New York Times Book Review Over the course of a weekend, two couples reckon with the long-hidden secrets that have shaped their families, in a charged, poignant novel of motherhood and friendshipIt's the end of summer when we meet Sarah, the end of summer and the middle of her life, the middle of her career (she hopes it's not the end), the middle of her marriage (recently repaired). And despite the years that have passed since she last saw her daughter, she is still very much in the middle of figuring out what happened to Leda, what role she played, and how she will let that loss affect the rest of her life.Enter a mysterious stranger on a train, an older man taking the subway to Brooklyn who sees right into her.Then a mugging, her phone stolen, and with it any last connection to Leda. And then an invitation, friends from the past and a weekend in the country with their new, unexpected baby.Over the course of three hot September days, the two couples try to reconnect. Events that have been set in motion, circumstances and feelings kept hidden, rise to the surface, forcing each to ask not just how they ended up where they are, but how they ended up who they are.Unwinding like a suspense novel, Joanna Hershon's St. Ivo is a powerful investigation into the meaning of choice and family, whether we ever know the people closest to us, and how, when someone goes missing from our lives, we can ever let them go.

The Tenth Anniversary Edition of the New York Times bestselling book that has sold over half a million copies in paperback."I was addicted to "Bewitched" as a kid. I worshipped Darren Stevens the First. When he'd come home from work and Samantha would say, 'Darren, would you like me to fix you a drink?' He'd always rest his briefcase on the table below the mirror in the foyer, wipe his forehead with a monogrammed handkerchief and say, 'Better make it a double.'" (from Chapter Two)You may not know it, but you've met Augusten Burroughs. You've seen him on the street, in bars, on the subway, at restaurants: a twentysomething guy, nice suit, works in advertising. Regular. Ordinary. But when the ordinary person had two drinks, Augusten was circling the drain by having twelve; when the ordinary person went home at midnight, Augusten never went home at all. Loud, distracting ties, automated wake-up calls and cologne on the tongue could only hide so much for so long. At the request (well, it wasn't really a request) of his employers, Augusten lands in rehab, where his dreams of group therapy with Robert Downey Jr. are immediately dashed by grim reality of fluorescent lighting and paper hospital slippers. But when Augusten is forced to examine himself, something actually starts to click and that's when he finds himself in the worst trouble of all. Because when his thirty days are up, he has to return to his same drunken Manhattan life-and live it sober. What follows is a memoir that's as moving as it is funny, as heartbreaking as it is true. Dry is the story of love, loss, and Starbucks as a Higher Power.

A GREAT AMERICAN WRITER'S CONFRONTATION WITH A GREAT EUROPEAN CRITIC-A PERSONAL AND INTELLECTUAL AWAKENINGA hundred years ago, the Viennese satirist Karl Kraus was among the most penetrating and prophetic writers in Europe: a relentless critic of the popular media's manipulation of reality, the dehumanizing machinery of technology and consumerism, and the jingoistic rhetoric of a fading empire. But even though his followers included Franz Kafka and Walter Benjamin, he remained something of a lonely prophet, and few people today are familiar with his work. Thankfully, Jonathan Franzen is one of them.In The Kraus Project, Franzen not only presents his definitive new translations of Kraus but also annotates them spectacularly, with supplementary notes from the Kraus scholar Paul Reitter and the Austrian writer Daniel Kehlmann. Kraus was a notoriously cantankerous and difficult author, and in Franzen he has found his match: a novelist unafraid to voice unpopular opinions strongly, a critic capable of untangling Kraus's often dense arguments to reveal their relevance to contemporary America. Interwoven with Franzen's survey of today's cultural and technological landscape is an intensely personal recollection of the author's first year out of college, when he fell in love with Kraus.Painstakingly wrought, strikingly original in form, The Kraus Project is a feast of thought, passion, and literature.

The poet and visual artist Mina Loy has long had an underground reputation as an exemplary avant-gardist. Born in London of mixed Jewish and English parentage, and a much photographed beauty, she moved in the pivotal circles of international modernism-in Florence as Gertrude Stein's friend and Marinetti's lover; in New York as Marcel Duchamp's co-conspirator and Djuna Barnes's confidante; in Mexico with the greatest love, the notorious boxer-poet Arthur Cravan; in Paris with the Surrealists and Man Ray. Carolyn Burke's riveting, authoritative biography, Becoming Modern, brings this highly original and representative figure wonderfully alive, in the process giving us a new picture of modernism-and one woman's important contribution to it.

In the years between the end of World War II and the mid-1950s, American popular culture was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, and congressional hearings. This book describes the rise, fall, and rise again of comics.

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes "ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work," to Gabriel García Márquez's observation that "in the first paragraph, you solve most of the problems with your book," The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, including Toni Morrison, Isaac Bashevis Singer, Graham Greene, James Baldwin, Stephen King, Philip Larkin, Eudora Welty, and more. "A colossal literary event," as Gary Shteyngart put it, The Paris Review Interviews, II, is an indispensable treasury of wisdom from the world's literary masters.

Nobel Prize winner Peter Handke''s autobiographical novel My Year in No-Man''s Bay is "a meditation on two decades of a writer''s life culminating in a solitary, sobering year of reckoning" (Publishers Weekly).In his most substantial novel to date, Handke tells the story of an Austrian writer--a man much like Handke himself--who undergoes a "metamorphosis" from self-assured artist into passive "observer and chronicler." He explores the world and describes his many severed relationships, from his tenuous contact with his son, to a failed marriage to "the Catalan," to a doomed love affair with a former Miss Yugoslavia. As the writer sifts through his memories, he is also under pressure to complete his next novel, but he cannot decide how to come to terms with both the complexity of the world and the inability of his novel to reflect it.

Travis Shelton wanders into the woods onto private property near his North Carolina home, and discovers a grove of marijuana large enough to make him some serious money, and steps into the jaws of a bear trap. After hours, he's released from the trap - but can no longer ignore the subtle evil that underlie the life of his Appalachian community.

From Gold Dagger Award--winning author Arnaldur Indridason comes a Reykjavík thriller introducing Inspector ErlendurWhen a lonely old man is found dead in his Reykjavík flat, the only clues are a cryptic note left by the killer and a photograph of a young girl's grave. Inspector Erlendur discovers that many years ago the victim was accused, but not convicted, of an unsolved crime, a rape. Did the old man's past come back to haunt him? As Erlendur reopens this very cold case, he follows a trail of unusual forensic evidence, uncovering secrets that are much larger than the murder of one old man.An international sensation, the Inspector Erlendur series has sold more than two million copies worldwide.

A Picador Paperback Original"The Paris Review is one of the few truly essential literary magazines of the twentieth century--and now of the twenty-first. Frequently weird, always wonderful."--Margaret Atwood How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Paris Review former editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.

Will Barrett (also the hero of Percy's The Last Gentleman) is a lonely widower suffering from a depression so severe that he decides he doesn't want to continue living. But then he meets Allison, a mental hospital escapee making a new life for herself in a greenhouse. The Second Coming is by turns touching and zany, tragic and comic, as Will sets out in search of God's existence and winds up finding much more.

* * * Previously published as Secrecy World * * *The Inspiration for the Major Motion Picture from Director Steven Soderbergh, Starring Meryl Streep, Gary Oldman, and Antonio BanderasTwo-time Pulitzer Prize-winning investigative reporter takes us inside the world revealed by the Panama Papers, a landscape of illicit money, political corruption, and fraud on a global scale.A hidden circulatory system flows beneath the surface of global finance, carrying trillions of dollars from drug trafficking, tax evasion, bribery, and other illegal enterprises. This network masks the identities of the individuals who benefit from these activities, aided by bankers, lawyers, and auditors who get paid to look the other way. In The Laundromat, two-time Pulitzer Prize-winning investigative reporter Jake Bernstein explores this shadow economy and how it evolved, drawing on millions of leaked documents from the files of the Panamanian law firm Mossack Fonseca-a trove now known as the Panama Papers-as well as other journalistic and government investigations. Bernstein shows how shell companies operate, how they allow the superwealthy and celebrities to escape taxes, and how they provide cover for illicit activities on a massive scale by crime bosses and corrupt politicians across the globe.Bernstein traveled to the Caribbean, Latin America, Europe, and within the United States to uncover how these strands fit together-who is involved, how they operate, and the real-world impact. He recounts how Mossack Fonseca was exposed and what lies ahead for the corporations, banks, law firms, individuals, and governments that are implicated.The Laundromat offers a disturbing and sobering view of how the world really works and raises critical questions about financial and legal institutions we may once have trusted.

Drawing on more than six decades' worth of lessons from his storied career as a writer and professor, Willard Spiegelman reflects with candid humor and sophistication on growing old. Senior Moments is a series of discrete essays that, when taken together, constitute the life of a man who, despite Western cultural notions of aging as something to be denied, overcome, and resisted, has continued to relish the simplest of pleasures: reading, looking at art, talking, and indulging in occasional fits of nostalgia while also welcoming what inevitably lies ahead.Senior Moments is a foray into the felicity and follies that age brings; a consideration of how and what one reads or rereads in late adulthood; the eagerness for, and disappointment in, long-awaited reunions, at which the past comes alive in the present. It is guaranteed to stimulate, stir, and restore.

In the prison business, all roads lead to Texas. A pioneer in criminal justice severityΓÇöfrom assembly-line executions to supermax isolation, from mandatory sentencing to prison privatizationΓÇöTexas is the most locked-down state in the most incarcerated country in the world. Texas Tough, a sweeping history of American imprisonment from the days of slavery to the present, explains how a plantation-based penal system once dismissed as barbaric became a template for the nation. Drawing on the individual stories as well as authoritative research, Texas Tough reveals the true origins of America''s prison juggernaut and points toward a more just and humane future.

A Pulitzer Prize-winning Arab-American journalist looks at the Iraq war from the perspective of ordinary Iraqi citizens--representing a variety of religious and political beliefs from all levels of society--confronted by the dislocations, hardships, tragedies, and harsh realities of the conflict. Reprint. 75,000 first printing.

A portrait of modern Africa. It offers an exploration of how, and whether, the past can be laid to rest.

Winner of the 2007 National Book Critics Circle Award for CriticismA New York Times Book Review Top Ten Book of the YearTime magazine Top Ten Nonfiction Book of 2007Newsweek Favorite Books of 2007A Washington Post Book World Best Book of 2007In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.