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  • av Elizabeth D Samet
    281

  • av Jonathan Safran Foer
    251

    In We Are the Weather, Jonathan Safran Foer explores the central global dilemma of our time in a surprising, deeply personal, and urgent new way. Some people reject the fact, overwhelmingly supported by scientists, that our planet is warming because of human activity. But do those of us who accept the reality of human-caused climate change truly believe it? If we did, surely we would be roused to act on what we know. Will future generations distinguish between those who didn't believe in the science of global warming and those who said they accepted the science but failed to change their lives in response?The task of saving the planet will involve a great reckoning with ourselves-with our all-too-human reluctance to sacrifice immediate comfort for the sake of the future. We have, he reveals, turned our planet into a farm for growing animal products, and the consequences are catastrophic. Only collective action will save our home and way of life. And it all starts with what we eat-and don't eat-for breakfast.

  • av Jan-Werner Muller
    261

  • av Emmanuel Carrere
    261

  • av James Ivory
    281

  • av Andres Neuman
    261

  • av Amy Sohn
    291

    Smithsonian Magazine, 10 Best History Books of 2021 . "Fascinating . . . Purity is in the mind of the beholder, but beware the man who vows to protect yours." -Margaret Talbot, The New YorkerAnthony Comstock, special agent to the U.S. Post Office, was one of the most important men in the lives of nineteenth-century women. His eponymous law, passed in 1873, penalized the mailing of contraception and obscenity with long sentences and steep fines. The word Comstockery came to connote repression and prudery.Between 1873 and Comstock's death in 1915, eight remarkable women were charged with violating state and federal Comstock laws. These "sex radicals" supported contraception, sexual education, gender equality, and women's right to pleasure. They took on the fearsome censor in explicit, personal writing, seeking to redefine work, family, marriage, and love for a bold new era. In The Man Who Hated Women, Amy Sohn tells the overlooked story of their valiant attempts to fight Comstock in court and in the press. They were publishers, writers, and doctors, and they included the first woman presidential candidate, Victoria C. Woodhull; the virgin sexologist Ida C. Craddock; and the anarchist Emma Goldman. In their willingness to oppose a monomaniac who viewed reproductive rights as a threat to the American family, the sex radicals paved the way for second-wave feminism. Risking imprisonment and death, they redefined birth control access as a civil liberty.The Man Who Hated Women brings these women's stories to vivid life, recounting their personal and romantic travails alongside their political battles. Without them, there would be no Pill, no Planned Parenthood, no Roe v. Wade. This is the forgotten history of the women who waged war to control their bodies.

  • av Eyal Press
    247

  • av Susan Sontag
    321

    A Financial Times Best Book of 2012 From the turbulent years of her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden and up to the eve of the 1980 election, As Consciousness Is Harnessed to Flesh documents the evolution of an extraordinary mind. The 1966 publication of Against Interpretation propelled Susan Sontag from the periphery of New York City's artistic and intellectual milieu into the international spotlight, solidifying her place as a dominant force in the world of ideas. These entries are an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century.

  • av Sarah Moss
    247

    A Best Book of January at O, The Oprah MagazineA Best Book of the Year at The Guardian, The Times (London), and The Irish Times"[Moss] writes beautifully about . . . souls in tumult, about people whose lives have not turned out the way they'd hoped . . . There's little doubt, reading Moss, that you're in the hands of a sophisticated and gifted writer." -Dwight Garner, The New York TimesThe acclaimed author of Ghost Wall offers a new, devastating, masterful novel of subtle menace.They rarely speak to one another, but they do take notice-watching from the safety of the park's rented cabins, peering into the half-lit drizzle of a Scottish summer day, forming judgments based on what little they know of their temporary neighbors. It is the longest day of the year, and as the hours pass nearly imperceptibly, twelve people shift from being strangers, to bystanders, to allies-their idle curiosity sparked into action as tragedy sneaks into their lives.At daylight, a mother races up the mountain, fleeing into her precious hour of solitude. A retired man studies her return as he reminisces about the park's better days. A young woman, weary of her attentive boyfriend, distracts herself with speculation about their neighbor's politics. Alone in a kayak on the dark waters of the loch, a teenage boy escapes the infuriating scrutiny of his family. This cascade of perspectives runs through the community as each inhabitant begins to focus on one particular family that doesn't belong. Nightfall brings an irrevocable turn.From Sarah Moss, the acclaimed author of Ghost Wall-a "riveting" (Alyson Hagy, The New York Times Book Review), "sharp tale of suspense" (Margaret Talbot, The New Yorker)-Summerwater is a devastating, masterful novel of subtle menace, a searing exploration of our capacity for kinship and cruelty, and a gorgeous evocation of the natural world as it changes around us, bearing constant witness to our choices.

  • av Rachel Cohen
    251

  • av Laurie R King
    261

    The Twentieth-Anniversary Edition of the First Novel of the Acclaimed Mary Russell Series by Edgar Award-Winning Author Laurie R. King. An Agatha Award Best Novel Nominee . Named One of the Century's Best 100 Mysteries by the Independent Mystery Booksellers Association In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees in Sussex when a young woman literally stumbles onto him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes. Under his reluctant tutelage, this very modern, twentieth-century woman proves a deft protégée and a fitting partner for the Victorian detective. They are soon called to Wales to help Scotland Yard find the kidnapped daughter of an American senator, a case of international significance with clues that dip deep into Holmes's past. Full of brilliant deduction, disguises, and danger, The Beekeeper's Apprentice, the first book of the Mary Russell-Sherlock Holmes mysteries, is "remarkably beguiling" (The Boston Globe).

  • av Alice McDermott
    257

  • av Alice McDermott
    247

  • av Susan Straight
    271

    "A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." -The New York Times Book ReviewNamed a most anticipated book of March 2022 by the Los Angeles Times, USA Today, and AltaFrom the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing the intertwined lives of native Californians fighting for life and landJohnny Frías has California in his blood. A descendant of the state's indigenous people and Mexican settlers, he has Southern California's forgotten towns and canyons in his soul. He spends his days as a highway patrolman pulling over speeders, ignoring their racist insults, and pushing past the trauma of his rookie year, when he killed a man assaulting a young woman named Bunny, who ran from the scene, leaving Johnny without a witness. But like the Santa Ana winds that every year bring the risk of fire, Johnny's moment of action twenty years ago sparked a slow-burning chain of connections that unites a vibrant, complex cast of characters in ways they never see coming. In Mecca, the celebrated novelist Susan Straight crafts an unforgettable American epic, examining race, history, family, and destiny through the interlocking stories of a group of native Californians all gasping for air. With sensitivity, furor, and a cinematic scope that captures California in all its injustice, history, and glory, she tells a story of the American West through the eyes of the people who built it-and continue to sustain it. As the stakes get higher and the intertwined characters in Mecca slam against barrier after barrier, they find that when push comes to shove, it's always better to push back.

  • av Jeffrey Eugenides
    251 - 347

  • av Sarah Moss
    247

    "A slim, tense page-turner . . . I gulped The Fell down in one sitting." -Emma Donoghue, author of The Pull of the StarsFrom the award-winning author of Ghost Wall and Summerwater, Sarah Moss's The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster.At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can't take it anymore-the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know she's stepped out. Kate planned only a quick walk-a stretch of the legs, a breath of fresh air-on paths she knows too well. But somehow she falls. Injured, unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even a missing person case. Sarah Moss's The Fell is a story of mutual responsibility, personal freedom, and compassion. Suspenseful, witty, and wise, it asks probing questions about how close so many live to the edge and about who we are in the world, who we are to our neighbors, and who we become when the world demands we shut ourselves away.

  • av Giles Milton
    281

  • av Leonardo Padura
    281

  • av Scott Borchert
    281

    A New York Times Book Review Editors' Choice | Winner of the New Deal Book AwardAn immersive account of the New Deal project that created state-by-state guidebooks to America, in the midst of the Great Depression-and employed some of the biggest names in American lettersThe plan was as idealistic as it was audacious-and utterly unprecedented. Take thousands of hard-up writers and put them to work charting a country on the brink of social and economic collapse, with the aim of producing a series of guidebooks to the then forty-eight states-along with hundreds of other publications dedicated to cities, regions, and towns-while also gathering reams of folklore, narratives of formerly enslaved people, and even recipes, all of varying quality, each revealing distinct sensibilities. All this was the singular purview of the Federal Writers' Project, a division of the Works Progress Administration founded in 1935 to employ jobless writers, from once-bestselling novelists and acclaimed poets to the more dubiously qualified. The FWP took up the lofty goal of rediscovering America in words and soon found itself embroiled in the day's most heated arguments regarding radical politics, racial inclusion, and the purpose of writing-forcing it to reckon with the promises and failures of both the New Deal and the American experiment itself. Scott Borchert's Republic of Detours tells the story of this raucous and remarkable undertaking by delving into the experiences of key figures and tracing the FWP from its optimistic early days to its dismemberment by the House Committee on Un-American Activities. We observe notable writers at their day jobs, including Nelson Algren, broke and smarting from the failure of his first novel; Zora Neale Hurston, the most widely published Black woman in the country; and Richard Wright, who arrived in the FWP's chaotic New York City office on an upward career trajectory courtesy of the WPA. Meanwhile, Ralph Ellison, Studs Terkel, John Cheever, and other future literary stars found encouragement and security on the FWP payroll. By way of these and other stories, Borchert illuminates an essentially noble enterprise that sought to create a broad and inclusive self-portrait of America at a time when the nation's very identity and future were thrown into question. As the United States enters a new era of economic distress, political strife, and culture-industry turmoil, this book's lessons are urgent and strong.

  • av Virginia Eubanks
    277

    WINNER: The 2019 Lillian Smith Book Award, 2018 McGannon Center Book Prize, and shortlisted for the Goddard Riverside Stephan Russo Book Prize for Social JusticeAstra Taylor, author of The People's Platform: "The single most important book about technology you will read this year."Dorothy Roberts, author of Killing the Black Body: "A must-read."A powerful investigative look at data-based discrimination?and how technology affects civil and human rights and economic equityThe State of Indiana denies one million applications for healthcare, foodstamps and cash benefits in three years-because a new computer system interprets any mistake as "failure to cooperate." In Los Angeles, an algorithm calculates the comparative vulnerability of tens of thousands of homeless people in order to prioritize them for an inadequate pool of housing resources. In Pittsburgh, a child welfare agency uses a statistical model to try to predict which children might be future victims of abuse or neglect.Since the dawn of the digital age, decision-making in finance, employment, politics, health and human services has undergone revolutionary change. Today, automated systems-rather than humans-control which neighborhoods get policed, which families attain needed resources, and who is investigated for fraud. While we all live under this new regime of data, the most invasive and punitive systems are aimed at the poor.In Automating Inequality, Virginia Eubanks systematically investigates the impacts of data mining, policy algorithms, and predictive risk models on poor and working-class people in America. The book is full of heart-wrenching and eye-opening stories, from a woman in Indiana whose benefits are literally cut off as she lays dying to a family in Pennsylvania in daily fear of losing their daughter because they fit a certain statistical profile.The U.S. has always used its most cutting-edge science and technology to contain, investigate, discipline and punish the destitute. Like the county poorhouse and scientific charity before them, digital tracking and automated decision-making hide poverty from the middle-class public and give the nation the ethical distance it needs to make inhumane choices: which families get food and which starve, who has housing and who remains homeless, and which families are broken up by the state. In the process, they weaken democracy and betray our most cherished national values.This deeply researched and passionate book could not be more timely.

  • av Michel Houellebecq
    271

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