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This selection of sixteen studies by Dr Fussell covers English topography and farming over a period of three hundred years, from the Tudor era to the aftermath of the Napoleonic Wars.

The work of George D. Painter on incunabula and early printing needs no introduction. Ranging from Gutenberg and Caxton to the first printing in France and Spain, the author has done much to illuminate the tangled history of the earliest editions of some of the rarest and most attractive books in European printing.

Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art.

In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments.

This second volume of Professor Kurz's studies completes the comprehensive selection in Vol. I with a further thirty articles, published over forty years, and showing the extraordinary breadth of the author's interests.

The two previous volumes in Dr. Fussell's study of The Old English Farming Books have become the standard works of reference on the agricultural literature of England from the fifteenth to the eighteenth centuries, and their value for the study of the development of farming over this period is well recognized.

This selection of 57 studies by Dr. D. E. Rhodes focuses on the history of printing in Italy from the earliest printers of the 15th century to the flourishing of regional presses in the 16th and 17th centuries.

A Festschrift for Christopher Walter featuring studies on ritual and art in the Byzantine church. Subjects include: the Creation of the Marginal Psalter; Early Byzantine enamel in France; Byzantine Imperial Communion Ritual; the miniatures of a palaeologan New Testament at the Hagia Lavra Monastery.

Recent discussions on Byzantine art have been dominated by the question of representing realia . Among these, however, the way works of art reflect the daily life of women have not received much space or attention.

Professor Charles D. Cuttler changed from artist to art historian at New York University s Institute of Fine Arts , studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky. A specialist in Flemish painting, he spent the major part of his career teaching at the University of Iowa.

This study deals with the churches of Oski and Iskhani, in the ancient Georgian province of Tao-Klardeti, now in eastern Turkey. Each church is examined separately, with a focus on the architecture and carved decoration.

Professor Fernie's research has done much to clarify the development of architecture in England and France from the Anglo-Saxon and Carolingian periods, through the Romanesque to the development of Gothic. Of particular interest has been his studies of architectural proportions and systems of length during this period.

This second volume of Professor Sullivan's studies covers his work on modern Chinese art and the art and archaeology of South-East Asia.

Christa Gardner von Teuffels studies of Italian altarpieces have provided fundamental insights concerning the original structure and setting of some of the canonical monuments of Italian late medieval and Renaissance painting. Studies of panel type and frame architecture are combined with an investigation of original sites.

This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a `cheap coat of paint'.

Niamh Whitfield is a leading authority on the metalwork of early Medieval Ireland and Scotland. Celtic metalwork of the seventh to twelfth centuries is extremely accomplished technically, and she has aimed at a thorough understanding of its manufacture.

Volumes I and II bring together all of Irving Lavin's studies aside from those on Gian Lorenzo Bernini. They range from studies of the art and architecture of Late Antiquity to twentieth-century painting in New York.

Marilyn Aronberg Lavin has taught the history of art at Washington University, the University of Maryland, Yale, Princeton, and Universita di Roma, La Sapienza. Specializing in Italian 13th-16th century painting, she is internationally known for her books and articles on Piero della Francesca. Her other books include The Place of Narrative: Mural Painting in Italian Churches, 431-1600 AD., and Seventeenth-Century Barberini Documents and Inventories of Art , both of which were recipients of international prizes for distinguished scholarship. She is one of the leaders in the use of computers and digitized imagery for research, teaching, and publication in the history of art. This book offers a series of case studies intended to introduce and define an important class of fifteenth-century Italian art not previously recognized. It is argued that the paintings and sculptures discussed were created privately by artists for personal satisfaction and internal needs, outside the traditional framework of patronage and commercial gain. Since there is no direct documentation from this period of a work being privately made, the selection presented here is necessarily speculative. Instead, the essays focus on works by Piero della Francesca, Mantegna, Michelangelo, Bellini, and Titian that appear in the artists' testaments, letters of refusals to sell, and inventories showing ownership at the time of death. The task at hand is to uncover the motivation and meaning of works of art in which the medieval craftsman began to rise to the status of independent artist, and the maker and the viewer confront each other face to face for the first time.

The churches of Rome constitute arguably the most important manifestations of art and architecture in the Western world.