Böcker utgivna av Pioneer Works

Tracing Rosenberg's trajectory from early paintings to more recent endeavors in photography, film, sculpture and installationNew York- and Berlin-based artist Aura Rosenberg (born 1949) engages the many ways that images produce and reproduce conditions of everyday life, including notions of spectatorship, gender, normalized bodies, the family, history and legacy. For this reason, although she works in painting, sculpture, installation and performance, she most often deploys photography as her medium of choice. This catalog is published on the occasion of Rosenberg's solo exhibitions at the Mishkin Gallery, Baruch College, City University of New York (CUNY) and Pioneer Works. It pairs a selection of works spanning 50 years with 11 texts from notable writers such as director and actress Lena Dunham, curator and critic Robert Nickas, and curator Lumi Tan. This publication offers the first comprehensive overview of Rosenberg's work.

A graphic-novel parody of Teenage Mutant Ninja Turtles from the author of War and ParadiseA satirical graphic novel by artist, musician, creative polymath and Moldy Peaches founder Adam Green (born 1981), Subcultural Karate Turtles is a parody of the popular Teenage Mutant Ninja Turtles cartoon. Green reimagines the turtles as subcultural artists who must battle the mainstream to determine the future of art. Set in an intergalactic Kabuki theater, the book is a play inside of a comic book. Against the backdrop of childhood iconography, the psychedelic dialogue functions as a critique of cultural theory. In 2019, Green published War and Paradise, a graphic novel about the clash of humans with machines, the meeting of spirituality with singularity and the bidirectional relationship between life and the afterlife. Subcultural Karate Turtles continues Green's brilliant elaborations of the psychedelic and the satirical, the political and the spiritual.

Embroidered portraits of New York City's queer and trans communitiesThe result of a long-term, ongoing project by Brooklyn-based artist LJ Roberts (born 1980), Ten Years of Portraits consists of six-by-four-inch embroidered portraits of the artist's friends, collaborators and lovers within New York City's queer and trans communities. Stitched entirely by hand and typically completed during transit on subway trains, these textile works--culminating in Roberts' first publication as well as their first New York solo exhibition at Pioneer Works--aim to illustrate how politics, culture and identity manifest in both visible and subtle ways through everyday encounters in daily life.Depicting both the rectos and versos of each embroidery, this publication presents portraiture in both figurative and abstract form while also providing us a glimpse into the textile craft. For Roberts, the adaptability of these techniques mirrors the flexibility, resilience and resourcefulness needed to navigate the world as a queer, gender nonconforming and nonbinary person.

The debut poetry collection from Arab-American poet Kareem Rahma-formerly of VICE and The New York Times-shows us the future in haiku.What awaits us is not the future we had hoped for or what we were promised, but the terrible consequences of we've done to ourselves. Managing to be both a hopeful prayer for change and direct warning to the reader, New York-based author Kareem Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources and humans turned into zombies, glued to their screens. Elegant but caustically humorous, even in the darkness, Rahma remains hopeful that we can still keep the promises we made in the past. Paired with Jean-Marc Côté's 19th-century illustrations of an imagined year 2000, We Were Promised Flying Cars is not just for poetry and science fiction fans, but anyone interested in what tomorrow might look like.

A wild, Jodorowsky-style graphic novel from Moldy Peaches cofounder Adam GreenIn War and Paradise, a graphic novel by creative polymath and Moldy Peaches founder Adam Green (born 1981), the internet meets the Middle Ages and satire becomes the most logical response to our own wildly confusing, nonsensical world. A spiritual sequel to the 2016 cult film Adam Green's Aladdin, the story follows our hero Pausanias, a geographer of the soul, alongside a cast of unconventional characters through a kaleidoscopic landscape of absurdism, illustrated in full color by musician Toby Goodshank, animator Tom Bayne and Green himself. Released concurrently with Green's tenth album Engine of Paradise, this book cuts social commentary with laughter and imagination, all reflected through the artist-musician's characteristically quirky style.