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A marvelous intelligence, mindful and clear-eyed, governs the inscape of these poems where "e;strangeness/is so usual nothing's strange"e; - nor does that commanding presence hesitate a moment before welcoming magicians, who "e;train as pole-vaulters do - tedious, lonely practice/ broken by a moment's flight."e; It is such flights we witness here, increasingly aware once again of a sum greater than its parts, of moments seemingly disparate that gradually become a mosaic catching the range of a whole life, richly lived and examined with meticulous candor. William Pitt Root, poetry editor of CutThroat: A Journal of the Arts, and author of eleven collections of poems JoAnne Growney is a mathematician and a poet - a striking combination. Her poems belie the old saws about the two cultures. Red Has No Reason shows us how we can be precise and intuitive, heady and heartful. Jan Heller Levi, poet, author of Skyspeak, editor of A Muriel Rukeyser Reader Red Has No Reason is a collection that takes the reader into a world with a kaleidoscope view - one that shifts, and dazzles and mystifies, despite best efforts to impose order. Her pairing of this red, raw stuff of life with mathematical precision creates a poetry collection to rival the mystical allure of the aurora. Jerry Wemple, poet, author of The Civil War in Baltimore and You Can See It from Here, co-editor of Common Wealth: Contemporary Poets on Pennsylvania, editor of Watershed: the Journal of the Susquehanna

Since The Song of the Rhinoceros (1973) till his recent collections of poems entitled Wounds of the Old Trees (2011), the Iraqi poet Sadiq Assaieg proves to be a poet of vision, passion and sensation. For him, poetry is no more an act of inspiration, but it is a complex craft to be mastered and thought of. His poetry, since the sixties of the last century represents a sharp departure from classical and romantic traditions in Arabic poetry and shows a real affinity to modernity. His poetic language is rich with imagery, masks and mythology. He always shocks his reader and contradicts their horizon of expectation and urges them to share the poetic experience actively to negotiate the innate meaning of his poetic vision. His poetry is motivated by the pulse of time and inner insight of life. Experimentation, suspicions, rebellion and rejecting poetic and social conventions are but some of the targets and motifs of his poetry. ? Fadhil Thamir, Iraqi critic The most prominent characteristic of the poetic text, written by the poet Sadiq Assaieg is the Collage, as plastic art, optical image, the internal rhythm and drama play a role in building the overall structure of the poem. Hence comes his dissimilarity with the most prominent symbols of the sixtieth generation. He declares without hesitation that he entered the field of poetry through the (white screen), but he remained alone, introverted on his poetry and happy in his solitude, engrossed in the search for his lost paradise and immersed in solving the mysterious equation of being human. The poet Sadiq Assaieg is an ascetic human being, does not want more than spiritual needs secure in this life, and confirms his presence as a poet and a man in spite of the continuous rotation between anxiety and stress. ? Adnan Hussein Ahmed, extracts of the interview published in Azzaman Iraqi newspaper

Nancy Fisher's images in Flame Dancer flicker, like the flame in which her personas dance, in a mirror that reflects a montage of past present and future in three dimensions. The darkness against which the characters struggle to fend off death makes experience of her artifice an experience of the dreams in the poets mind. The "hard gemlike flame" burns with the brilliance of artifice as the means to life and the conflict is always with the loss of the spirit that produces the bodiless head of the poet's nightmare. Her poems are an unforgettable and delightful experience. Robert Reid, author of Stories of the Sky-God Nancy Fisher finds the magical within the ordinary, the boundless within the constraints of traditional forms. Again and again, she moves gracefully from quotidian to timeless realms in ways that illuminate each. The range of her subjects, interests, and life experiences is rich and vast: family life, world travel; great composers, artists, poets, and saints. This is a book that deserves our attention. William Ruleman, author of Profane and Sacred Loves In her newest volume of poetry, Nancy Fisher widens her gaze from Family to Community to The World and finally to God. The poems are carefully crafted, many of them sonnets that put the lie to the rumor that English is a difficult language to rhyme. Whether expressing love through "Cleaning the Gutters" or traveling to Canterbury and thinking of Chaucer ("Pilgrimage"), Fisher creates a world a reader may enter to see, smell, feel, and taste the poet's own experience. A collection of poetry to be savored again and again. Connie Green, author of The War at Home, Emmy, and Slow, Children Playing

"The personal, the poetic, the political, the historic, the mythic-they braid together in this saga of the growth of a woman''s mind. Pat Falk''s story is unique, and at the same time she is Everywoman. It Happens As We Speak is a book of birth, and life, and change, and wisdom." -Alicia Ostriker"Pat Falk''s rare pastiche of memory and lively literary analysis gathers a momentum so persuasive that we catapult from page to page with the shifts and turns of her life as they affect her twin lives of scholar and poet. A riveting mix of candor and musing." -Molly Peacock"An intriguing account from the trenches of decades of coming to consciousness as a feminist reader, writer, and member of the literary community. A moving read for those who were there and those who want to know what it was like, and a lively resource for those aiming to understand feminist poetics."-Annie Finch"What''s particularly important about Falk''s book is that it is an ode to the art of writing and the art of reading from which it is born. It affirms the value of literary art to one''s inner life, of poetry as a means of spiritual enlightenment."-Daniela Gioseffi

Shells, ears, damaged mirrors... the images in Karolyn Redoute's powerful new book, Whispers from the Aural World, conjure a mysterious emotional landscape that is as real as the lost city of Detroit where she grew up, and as heartbreaking as the silence between parents and children or, later on, between lovers. At times reading these poems I felt as if the Lady of Shallot had returned in the twenty-first century to speak to us again of the shadow world of personal isolation. Redoute makes us feel that there's hope, that through the discipline of poetry we can force the shards of broken glass into focus and find our whole reflections again. - Maura Stanton, author of Immortal Sofa The poems in Karolyn Redoute's new collection, Whispers from the Aural World, are powerful and evocative. They deal honestly with family, with the people and places of childhood, with the weight of memory. They ask the reader to confront all the things said, and left unsaid, to look into mirrors and through windows, within and without, in hope of movement towards healing. - Robert Pfeiffer, author of Bend, Break and The Inexhaustible Before Prophecy and memory exist on the same plane in Whispers from the Aural World by Karolyn Redoute. Children pause in the space between hours, a father drives a house like a car, and a staircase patiently anticipates turning into a story. With homegrown mysticism, Redoute discovers magic in the corners of rooms and in the corners of the mind, building a delicate bridge across childhood loss and wonder to an adult understanding of identity. - James Cihlar, author of The Shadowgraph

What a remarkable, sweeping collection from writer Ute Carson! This inspired arrangement of poetry, conveys the richness and poignancy of every life stage. Drawing from remarkable experience and striking particulars, she ultimately conveys the light of gratitude-"the clearing you spy / beyond a forest thicket." The poems are love songs to family and life itself, cyclical loss answered always by powerful renewal. -Judith Austin Mills, author of Accidental Joy, a Streak of Poetry and the Texas Revolution TrilogyUte Carson's poems are gifts she "lift[s] out one by one / and gingerly hold[s]them up / to the silver light of sunset." These poems are infused with the joys of grandparenting and the consolations that nature and memory offer while clear-eyed in their contemplation of aging and death. Standing in the tension between cherishing and letting go, her voice rings true in these poems as she says: "I know this is the life. / I would want no other." -Carol Denson, poet

Geneticist and Johns Hopkins professor, Mitzi Weaver finds her world turned upside down when three exceptional teens in her care abruptly vanish. She waits in the Bath County Sheriff's Office for Lieutenant Phil Jenkins, a hard-nosed veteran cop at the Virginia Bureau of Criminal Investigation and up-and-coming FBI Special Agent Clifton Cox. During intense questioning, they try to determine her involvement in the disappearance. Weaver recounts the lives of Ethan, Sara and Chetana, from their remarkable conceptions during a cosmic eruption that blankets the Earth with subatomic particles, to their unexplained disappearance fifteen years later. Are Jenkins and Cox capable of understanding the unique nature of these teens? What facts should she reveal? Will they believe the incredible truth? Under interrogation, Mitzi relates the gifted children's struggle to apply themselves and avoid opportunists seeking to exploit their unique abilities. The probing plot peers into the fields of genetics, physics and child development. Events move across continents and exotic locations—from the mountains of Colorado, to the Large Hadron Collider in Switzerland, to a tiger sanctuary in India, climaxing in the mysterious disappearance at a lake in rural Virginia. Where are they now?———A stunning and unexpected flash lights the sky… Vic Rizzo pens the tale of a cosmic collision that impacts earth, causing a genetic increase in the intelligence of three children born at that instance. Aware of the effect of the intense energy in the explosion of the hypernova, a genetics professor tracks these gifted individuals, until they suddenly disappear and she finds herself accused of complicity. In a fast moving plot, relationships develop between well-drawn characters interacting on three continents in a struggle to understand the edge of metaphysics and science, where matter and energy meet.—Albert Noyer, Author of Alberix the Celt series and the Fr. Jake Mystery series. www.novels.albertnoyer.com

These poems are intuitive trails to an understanding beyond understanding. Mystery is a bottomless lake of fresh water. We stop for a little while and take a drink. We do not want to leave.—Joy Harjo, poet and musician; ten poetry books including Conflict Resolution for Holy Beings and She Had Some Horses; Guggenheim Fellowship, Josephine Miles Poetry Award, William Carlos Williams Award, and American Indian Distinguished Achievement in the Arts Kim Zabel's vision is spare and clean, looking through North Country eyes. These are ancient yet post-apocalyptic songs from a deep place, sung in a compelling new voice. Shadowprints is a testament, spoken in the mature, confident and prophetic voice of an old soul giving instructions to another about to set foot into the uncharted terrain of the spirit. Cormac McCarthy and Marilynne Robinson and even Jack London come to mind, with a dash of Galway Kinnell.—Ken McCullough, Minnesota poet, eight poetry books including Broken Gates, Academy of American Poets Award, National Endowment for the Arts Fellowship  The poems mediate the relationship between human desire and the natural world with probing intellect and quiet, lyric force.—Julia Goldberg, award-winning journalist and author of Inside Story: Everyone’s Guide to Reporting and Writing Creative Nonfiction, faculty in the Creative Writing and Literature Department of Santa Fe University of Art and Design  There is serenity within these poems, between earth and sky, between faith and despair. Readers can find sanctuary here.—Linda Back McKay, Minnesota author of The Next Best Thing (poetry) and Out of the Shadows: Stories of Adoption and Reunion (nonfiction)   Kim Zabel's first book of poetry was made possible by the voters of Minnesota through a grant from the Southeastern Minnesota Arts Council (SEMAC) thanks to a legislative appropriation from the arts and cultural heritage fund.  

Julene Tripp Weaver's No Father Can Save Her tells in verse the tumultuous coming of age story of a girl growing up in Queens, NY during the 1960s and 70s. When the little girl's father dies, her uncle steps in inappropriately as her mother descends slowly into mental illness. This collection touches upon all kinds of relationships-family, friendships, sexual liaisons, and racial tensions-and the boundary crossings among them. The poems here are gutsy, hard-hitting, and honest, as is clearly evidenced in these lines from "e;Out in the World"e;: "e;At twelve, she's wise to it already, / that any man would have her."e; Weaver's language is direct, muscular, and heartbreaking. But ultimately, No Father Can Save Her is a journey of healing, redemption and strength. Lana Hechtman Ayers, author of What Big Teeth Each small scene in No Father Can Save Her illuminates a coming-of-age both shocking and ordinary, each poem a bright moment of witness that takes a forgiving stance. The precise language of these poems creates a constant, questioning sense of wonder; we can not only survive, but find joy, can not only breathe, but sing. Joanna Rose, author of Little Miss Strange The father dies. The in-house uncle takes her to bars. Boys in cars, men at construction sites can't save her. Music helps, and food, and sometimes playing slut. The speaker asks her younger self, "e;What are you doing with such pure skin, how will you use it?"e; With clarity and precision, this poet brings us along on the unapologetic search for love. And did I really fall out of the car in climax screaming, No, I'm a virgin, in full view of my father's grave? You will remember this strong book. Penelope Scambly Schott, winner of 2008 Oregon Book Award for A is for Anne: Mistress Hutchinson Disturbs the Commonwealth