Böcker utgivna av PM Press

We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relation. In this new work that revisits some of the main themes of Caliban and the Witch, examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth and seventeenth century Europe and the New World, this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people's most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today's violence against women are processes of enclosure, land dispossession, and the remoulding of women's reproductive activities and subjectivity. As well as an investigation into the causes of this new violence, the book is also a femi

Queercore: How to Punk a Revolution: An Oral History is the very first comprehensive overview of the movement that defied both the music underground and the LGBT mainstream community-queercore.Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, Jayne County, Kathleen Hanna of Bikini Kill and Le Tigre, film director and author John Waters, Lynn Breedlove of Tribe 8, Jon Ginoli of Pansy Division, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines from the time, Queercore traces the history of a scene originally "fabricated" in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution. Queercore gets a down-to-details firsthand account of the movement explored through the people that lived it-from punk's early queer elements, to the moments Toronto kids decided they needed to create a scene that didn't exist, to the infiltration of the mainstream by Pansy Division, and the emergence of riot grrrl as a sister movement-as well as the clothes, zines, art, film, and music that made this movement an exciting in-your-face middle finger to complacent gay and straight society. Queercore will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.

The Sociology of Freedom is the fascinating third volume of a five-volume work titled the manifesto of the democratic civilisation. The general aim of the two earlier volumes was to clarify what power and capitalist modernity entailed. Here Ocalan presents his stunningly original these of the Democratic Civilisation, based on his criticism of the Capitalist Modernity. Ambitions in scope and encyclopaedic in execution, The Sociology of Freedom is a one-of-a-kind exploration that reveals the remarkable range of one of the Left's most original thinkers with topics such as existence and freedom, nature, and philosophy, anarchism and ecology. Ocalan goes back to the origins of human culture to present a penetrating reinterpretation of the basic problems facing the twenty-first century and an examination of their solutions. Ocalan convincingly argues that industrialism, capitalism, and the nation-state cannot be conquered within the confines of a socialist context.

Written between 1974 and 2012, Revolution at Point Zero collects forty years of research and theorising on the nature of housework, social reproduction, and women's struggles on this terrain - to escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations. Indeed, as Federici reveals, behind the capitalist organisation of work and the contradictions inherent in alienated labour is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reporduction. Beginning with Federici's organisational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive works and its effects on the sexual division of labour, the globalisation of care work and sex work, the crisis of elder care, the development of affective labour, and the politics of the commons. this new and expanded edition contains two previously unpublished essays by the authors.

The Earth has reached a tipping point. Runaway climate change, the sixth great extinction of planetary life, the acidification of the oceans-all point toward an era of unprecedented turbulence in humanity's relationship within the web of life. But just what is that relationship, and how do we make sense of this extraordinary transition?Anthropocene or Capitalocene? offers answers to these questions from a dynamic group of leading critical scholars. They challenge the theory and history offered by the most significant environmental concept of our times: the Anthropocene. But are we living in the Anthropocene, literally the "Age of Man"? Is a different response more compelling, and better suited to the strange-and often terrifying-times in which we live? The contributors to this book diagnose the problems of Anthropocene thinking and propose an alternative: the global crises of the twenty-first century are rooted in the Capitalocene, the Age of Capital.Anthropocene or Capitalocene? offers a series of provocative essays on nature and power, humanity, and capitalism. Including both well-established voices and younger scholars, the book challenges the conventional practice of dividing historical change and contemporary reality into "Nature" and "Society," demonstrating the possibilities offered by a more nuanced and connective view of human environment-making, joined at every step with and within the biosphere. In distinct registers, the authors frame their discussions within a politics of hope that signal the possibilities for transcending capitalism, broadly understood as a "world-ecology" that joins nature, capital, and power as a historically evolving whole.Contributors include Jason W. Moore, Eileen Crist, Donna J. Haraway, Justin McBrien, Elmar Altvater, Daniel Hartley, and Christian Parenti.

With appeal to more than just punk history obsessives, Orstralia offers an unprecedented snapshot of an underacknowledged segment of Australian life and history.Far from punk’s more modish North Atlantic core in the late 1970s, discontented youth in Australia were enacting similar musical and cultural reckonings. Yet in spite of the Australia's purported “laid-back” national demeanour, punks there were routinely met with insult, fist, or the police baton.More subterranean than the national scandal that was punk back in “homeland” Britain, Australia’s own bands nonetheless came to be heralded internationally. Orstralia represents the first definitive account of the country’s initial years, from progenitors the Saints and Radio Birdman in the mid-70s, through the emergence of hardcore in the 1980s, to the stylistic diffusion that accompanied transition to the 1990s.Based on over 130 interviews, Orstralia documents the most renowned to the most fleeting and obscure acts the nation produced. Included are equally engrossing and shocking personal narratives befitting such a passionate and intemperate cultural form, as well as punk’s placement within broader Australian society at the time.

Working Class History presents a distinct selection of people''s history through hundreds of ''on this day in history'' anniversaries that are as diverse and international as the working class itself. Going day by day, this book paints a picture of how and why the world came to be as it is, how some have tried to change it, and the lengths to which the rich and powerful have gone to maintain and increase their wealth and influence.

A gothic horror tale of severe mental distress and punk rock, The Primal Screamer is written in the form of a diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 after a series of attempted suicides. Snoxell gets involved in the nascent UK anarcho-punk scene, recording and playing gigs in squatted anarchist centres. In 1985, the good doctor himself 'goes insane' and disappears.This semi-autobiographical novel by singer, guitarist, lyricist and illustrator Nick Blinko features his unique artwork.

Anarchy Comics: The Complete Collection brings together the legendary four issues of Anarchy Comics (1978–1986), the underground comic that melded anarchist politics with a punk sensibility, producing a riveting mix of satire, revolt, and artistic experimentation. This international anthology collects the comic stories of all thirty contributors from the U.S., Great Britain, France, Germany, Netherlands, Spain, and Canada.In addition to the complete issues of Anarchy Comics, the anthology features previously unpublished work by Jay Kinney and Sharon Rudahl, along with a detailed introduction by Kinney, which traces the history of the comic he founded and provides entertaining anecdotes about the process of herding an international crowd of anarchistic cats.Contributors include: Jay Kinney, Yves Frémion, Gerhard Seyfried, Sharon Rudahl, Steve Stiles, Donald Rooum, Paul Mavrides, Adam Cornford, Spain Rodriguez, Melinda Gebbie, Gilbert Shelton, Volny, John Burnham, Cliff Harper, Ruby Ray, Peter Pontiac, Marcel Trublin, Albo Helm, Steve Lafler, Gary Panter, Greg Irons, Dave Lester, Marion Lydebrooke, Matt Feazell, Pepe Moreno, Norman Dog, Zorca, R. Diggs (Harry Driggs), Harry Robins, and Byron Werner.

Counting up the Olive Tree: A Palestine Number Book is a rhythmic adventure where little Palestinian football (soccer) players--boys and girls--work together to save an olive tree in a race against time. Following on the extraordinary success of P is for Palestine: A Palestine Alphabet Book, Golbarg Bashi teamed up with the gifted artist Nabi H. Ali to create Counting pp the Olive Tree to help young readers practice counting numbers and learn the power of cooperation.

P is for Palestine is the world's first English-language ABC story book about Palestine, told in simple rhythmic rhyme with stunning illustrations to act as an educational, colorful, empowering reference for children, showcasing the geography, the beauty and strength of Palestinian culture. Anyone who has ever been to Palestine or who has Palestinian friends, colleagues, or neighbors knows that this proud nation is home to the sweetest oranges, most intricate embroideries, great dance moves (Dabkeh), fertile olive groves, and the sunniest people! This revised edition includes an appendix explaining some of the terms and Arabic words, written in their original language with simplified English pronunciation. Inspired by Palestinian people's own rich history in the literary and visual arts P is for Palestine is a book for children of all ages!

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.Plus…“David Bowman and the Furry-Girl School of American Fiction” is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. “The Collapsing Frontier” and “In Mugwump Four” are fictions mapping ominous new realms. “Calvino’s 'Lightness' and the Feral Child of History” is an intimate encounter with a legendary author. In “My Year of Reading Lemmishly” and “Snowden in the Labyrinth” he explores courage, art, and the search for truth, with wildly different results.And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Addicted to War takes on the most active, powerful, and destructive military in the world.Hard-hitting, carefully documented and heavily illustrated, it reveals why the United States has been involved in more wars in recent years than any other country. Read Addicted to War to find out who benefits from these military adventures, who pays and who dies. Over 450,000 copies of the previous editions are in print. This edition is substantially reworked and fully updated including Barack Obama's drone wars, Chelsea Manning and WikiLeaks, statistics on military spending, and the ongoing costs and consequences of the wars in Iraq and Afghanistan.

In the early-20th century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia Mine Wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multi-racial, immigrant and native-born miners of Appalachia.Our illustrated history begins with Mary Harris "Mother" Jones arrival at the turn of the century. White-haired, matronly, and fiercely socialist, Jones became known as the "miners’ angel," and helped turn the fledgling United Mine Workers into the nation’s most powerful labor union. "Pray for the dead and fight like hell for the living," was her famous battle cry. In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US. On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small-town in "Bloody Mingo" county. In an event soon known as the "Matewan Massacre"; the pro-union, quick-draw chief of police Smilin’ Sid Hatfield became an unexpected celebrity—but also a marked man. Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of 10,000 armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War.This graphic interpretation of people’s history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.

Mixing satire, farce, and dystopia, the stories in John Kessel's The Presidential Papers deconstruct the character and politics of five imagined presidents, some of whom bear striking resemblance to individuals who have occupied the Oval Office over the last thirty years. Who are these men and what makes them so funny, when they are not terrifying? How damaged does a person need to be to seek such power, why do we vote for them, and what do they think about the 1959 Washington Senators?In "The Franchise," aging career minor leaguer George H.W. Bush faces ace New York Giants pitcher Fidel Castro in the 1959 World Series. "The Last American" outlines the career of the final president of the United States and his thirty-three years in office. Can the megalomaniac President of the Solar System evade the consequences of his moronic rule in the original play "A Brief History of the War with Venus"?In our Outspoken Interview we learn about crossing Mary Shelley with Jane Austen, about having classic sf writer James Gunn as a mentor, about being a spy in the English department, and about industrial capitalism, immigrants, and Buffalo, New York.

In 1963 the paperback revolution was making good literature widely available for the first time, yet only a handful of stores took the trend seriously enough to devote themselves to the cause. Rambam, a closet-sized shop on a corner of Berkeley's Telegraph Avenue was one.The owners had a falling out, as partners often do, but the results were glorious instead of tragic, with ripples that birthed much of the culture we take for granted now. Underground comics, New Age publishing, used record stores, and poster art all came from Rambam's big bang, as each new business with visionary (but ornery) partners formed and then split again.The Loneliness of the Electric Menorah is the social history of one of America's most legendary streets, and a family tree of the movements it fostered: the paperback revolution, the graphic novel, Slow Food, New Age, the Free Speech Movement—and even the Symbionese Liberation Army.

The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves—in order to facilitate its overthrow.Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb’s meticulous new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s quotations and “détournements.”Contrary to popular misconceptions, Debord’s book is neither an ivory tower “philosophical” discourse nor a mere expression of “protest.” This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone.It has, in fact, become even more pertinent than ever, because the spectacle has become more all-pervading and glaringly obvious than ever. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), “spectacular domination has succeeded in raising an entire generation molded to its laws.”Debord’s book remains the best guidebook to understanding that mold and breaking it.

Taking the State Out of the Body is a guidebook in deconstructing nationalism through trauma-informed praxis.Embedded in the political theory and practice of Jewish anti-Zionism, readers from all backgrounds are invited to build an embodied sense of safety that has the power to make militarized borders, policing, and nation-states obsolete. We need the resources offered in this book: from understanding geopolitical impacts of intergenerational trauma, to self-regulation in conflict, to transformative approaches to harm, to cultivating long-haul relationships, to building solidarity across our movements.The framework for Taking the State Out of the Body is situated in the lineages of healing justice and politicized healers including many anti-fascist Ashkenazi Jewish practitioners in 1930s Europe. Today, as the terms “somatics” and “trauma” have been mainstreamed, this book is a timely offer to move from individual awareness to collective action. Weaving anti-imperialist orientations to historical events with embodiment theory, each chapter opens with a connection to a plant or body part and closes with a guide to practices that fuel resistance and resilience. At a time where colonial imperialism in the US and Palestine are rearing their heads and right-wing authoritarianism is on the rise globally, this book will equip you with the tools you need to move from rugged individualist models of self-help/preservation to liberatory frameworks of collective care and joint struggle.

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades.Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.

The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English.In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement ("rerouting, hijacking"). Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its "Communist" pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then situationist theories and tactics have continued to inspire radical currents all over the world.This volume presents a rich variety of articles, leaflets, graffiti, and internal documents, ranging from experiments in "psychogeography" to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution, and other crises and upheavals of the sixties.For this new edition the translations have all been fine-tuned and over 100 pages of new material have been added.

A new world is possible and not just in our hearts. Anarchic Agreements is a quintessential field guide for the revolution, answering the practical questions often left out of works of political theory and philosophy. How do leaderless groups organize? How might they create constitutions, balance power and write protocols? How do group cultures and institutions maintain coalitions? This urgent and inspiring how-to is the product of more than twenty years of research. Designed explicitly for everyday use, it contains lived examples, illustrations throughout, and text from current horizontally organized constitutions. These documents illustrate the never-ending process of developing community and keeping collaborations alive in the fairest ways possible. Written by dedicated anarchist scholars and organizers, and based on the widely popular Anarchic Agreements pamphlet series, this book facilitates grassroots activism and provides methods to improve and streamline decision making. It is an inspiring celebration of the novel, complex and flexible constitutions Anarchists have created over time. This book shows how to realize another world, collectively without domination, while leaving the future open to infinite other possibilities.