Böcker utgivna av Prototype Publishing Ltd.

A narrator and her dog are criss-crossing the Swiss Alps. She travels with friends who share her interest in food, languages and their topographical contexts. They collect colours, even look for colourlessness, and develop the idea of a walk-in diary, a vain attempt to archive their observations. Gradually, other mountains appear in their observations and memories, as do the mountains of literature and art. Mountains may be sites of fear and awe, of narrow-mindedness, racism and ever-looming collapse; Alpine lodges may be places of hospitality, retreat and unexpected encounters; of nature under threat. In 515 notes, Zsuzsanna Gahse unfolds a finely woven interplay between her six characters while giving us a vivid panorama of mountain worlds, a multi-layered typology of all things mountainish.

A facsimile edition of Derek Jarman's sole, early, extremely rare poetry book A Finger in the Fishes Mouth, originally published in 1972. Heavily illustrated from Jarman's collection of postcards, the book combines text and visual imagery in a way which foreshadows his subsequent style as an artist and filmmaker. With the majority of the first edition having been destroyed by Jarman, this makes available a missing, significant piece of his oeuvre.

Hasib Hourani's debut collection, rock flight, is a book-length poem that follows personal and historical narrative centered on the violent occupation of Palestine. Searing and fierce, tender and pleading, rock flight moves between poetry and prose, historical events and meditations on language to create a vital interactive reading experience.

I Will Pay to Make it Bigger is a novella and photobook by poet and visual artist Ahren Warner. Through text and image, the book searches for a way through a network of related subjects, ideas and feelings: the consumption of pleasure, freedom and hedonism; the purchase of feeling; the construction of (particularly male) identity as a cultural product, and the fragility of that construction; the fine, blurry lines between acquisition, enjoyment, love and desire, and the way any and all of these can be used to fill holes in our selves, even if only momentarily, and even if destructively. The book is also a work of both autofiction and docufiction. The photographs were produced during three months documenting 'party hostels' in Thailand. Yet, for all that these photographs might seem to exist as the documentation of 'moments', they are in fact quite painstakingly constructed: almost always beginning their lives as several still frames from film footage which have been composited and processed at length to reintroduce an artificial sense of movement, to become both a record of movement and hedonism, and a fictionalised artefact of impulse, drive and motion, that speaks directly, and on a level of materiality, to the concerns of the novella, whilst never illustrating, and only very rarely interacting directly, with the text itself.

The sixth instalment of Prototype's annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between. Including contributions by Jenny Carter, Helena Fornells, Mica Georgis, Matthew Halliday, Aria Hughes-Liebling, Mira Mattar, Alex Mepham, Duncan Montgomery, c.f. prior, Oisín Roberts, James Rodker, Agnieszka Szczotka, Jack Young and more.

In Prairie, Dresses, Art, Other, Danielle Dutton imagines new models for how literature might work in our fractured times. The collection covers an inventive selection of subjects in four eponymous sections which contrast and echo one another. Out of these varied materials, Dutton builds a haunting landscape of strangeness and beauty.

The Earth is Falling is a haunting and magical novel based around the existence of an abandoned village outside Naples. The deserted houses are peopled with ghosts who live in a perpetual present from which time has been abolished. The village appears to be semi-alive as it awaits the landslide that will eventually lead to its abandonment.

Virgula is an award-winning collection by acclaimed Dutch poet Sasja Janssen, and her second collection to be published in English, translated by Michele Hutchison.

Sorcerer, a collaborative between British artist Ed Atkins and American poet Steven Zultanski, is a book in the form of a script/novel/manual about the pleasures of being with others and of being alone. Sorcerer was originally a play commissioned by and staged at Copenhagen's Revolver Theatre in March 2022.

Intertitles is an anthology of work situated at the intersection of poetry and the visual arts.

Co-published by Tenement Press and Prototype, Seven Rooms brings together highlights from the archive of Hotel, a magazine for new approaches to fiction, non-fiction & poetry which, since its inception in 2016, provided a space for experimental reflection on literature's status as art & cultural mediator.

Greek poet Yannis Ritsos' remarkable collection of 336 single-line poems, composed in 1979, with linocut responses by artist and filmmaker Chiara Ambrosio, created in 2020; each line and image an essential observation of a moment, a personal archive of time past, present and future.

Pleasure Beach is a queer love story set in Blackpool on one day: 16 June 1999. Written in multiple voices and styles, it follows the interconnecting journeys and thoughts of 3 young women over the course of 24 hours and over 18 chapters which are structured and themed in the same way as Homer's Odyssey and James Joyce's Ulysses.

Lori & Joe live in a quiet valley where one day is much like another. One morning Lori finds Joe dead. She could call an ambulance but what difference would it make? Instead she goes for a walk. As she makes her way through the fog her thoughts slip between past & present, revealing a marriage marked by isolation, childlessness & a terrible secret.

Originally published in America in 2006, Incubation: a space for monsters is a formally innovative, hybrid-genre book that incorporates poetry and prose. Set in a shifting narrative environment, where human bodies, characters, and text are neither one thing nor another, this fragmentary-diaristic text journeys through the spaces in-between.

Artifice, the debut poetry collection by Lavinia Singer, is an exploration of the art of making. Its poems celebrate the artistry of craftsmanship: how works relate to beauty, and how they might inspire or ensnare.

The highly-anticipated first book-length prose text from acclaimed writer and translator Jen Calleja; a timely and daring exploration of xenophobia, cultural exploitation, historical suppression and the politics of literary translation.

Written in 1971 and published here for the first time, Through the Billboard Promised Land Without Ever Stopping is Derek Jarman's only piece of narrative fiction; a surreal, fable-like, lyrical tale which echoes throughout his later work.

Journeys Across Breath collects poems from across the extraordinary career of Stephen Watts. Gathering all of Watts' published works between 1975 and 2005 - as well as a number of unpublished pieces - this collection is an astonishing journey through the life and eyes of a remarkable writer of place and people.

Our Last Year is a book about change, transformation and metamorphosis; through the internal narration of its two characters, the novel follows the disintegration and renewal of a marriage, in synthesis with a much wider natural reality.

Little Dead Rabbit, a book-length poem that is part adult fairy-tale, part concrete poem about a little dead rabbit the poet found on the verge of a road. Ostensibly about death, the poem is equally a meditation on healing and joy.

The fourth instalment of Prototype's annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between.

Deceit is the first major work by Yuri Felsen, referred to by his contemporaries as 'the Russian Proust', a significant writer who died in the gas chambers in Auschwitz. This is the first English translation of this landmark modernist novel.

Emblem is the debut collection from Lucy Mercer, winner of the inaugural White Review Poet's Prize. This is a book of ecological poetics, interested in exploring the changing symbols of the natural world in literature.

Island mountain glacier is the first full collection to be published in English by acclaimed poet Anne Vegter, who became the first female Poet Laureate of the Netherlands in 2013. Translated by Astrid Alben, the collection is tumultuous, humorous, erotic, enigmatic and vulgar in equal measure.