Böcker utgivna av Quinnipiac University Press

This richly illustrated pamphlet seeks to contextualize the mass evictions by focussing on the ideological and economic factors as well as the role of religious and racial prejudice in prompting owners to rid their estates of what was known as a "surplus population."

The heroics and humanitarian contributions of those who came to the aid of their fellow men and women during the Great Hunger of 1845 and 1852 has been largely ignored and forgotten until recently. Many of the neglected heroes were prepared to put their lives on the line and, in a number of instances, suffered permanent health damage in coming to the aid of the starving and diseased. They include landlords, poets, clergymen and philanthropists.

Examines the uplifting contributions of numerous individuals who combatted hunger, famine and disease in mid-nineteenth century Ireland in order to save the lives of strangers.

This publication explores the impact of the Famine on children and young adults. It examines the topic through a variety of disciplinary perspectives, including literature, history, visual representations, folklore and folk-memory.

In the time of Ireland's Great Famine, poor people were, in places, so "reduced" that they treated each other with brutal callousness. Husbands abandoned wives and children.

The devastation of disease, the pace of death and fears of contagion not only altered the practices of mourning and burial during the calamitous height of the Famine, but have also shaped its visual representation and ongoing patterns of remembrance.

Perhaps the most profound cultural change in modern Irish history has been the replacement of Irish by English as the main vernacular of the general population in the centuries since the conquest of Ireland in the sixteenth century.

But the Famine did take place, and the ways Irish journalists found to tell the story of unprecedented horror conditioned the evolution of journalism, not alone in Ireland, but abroad.

Niamh O'Sullivan considers the aesthetic, historical, technical and contextual roles of British newspaper illustration in interpreting the story of the Famine. The booklet examines how academically trained artists who had little experience of looking at unfiltered or distanced atrocity became pictorial journalists.

Luke Gibbons revisits representations of the Famine, particularly those in Ireland's Great Hunger Museum to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators.

Christine Kinealy provides a chronology of the Famine and examines the causes and consequences of this tragedy, and asks how could a famine of this magnitude occur at the centre of the British Empire? Why did Ireland starve?

Commemorative projects, born out of conflicting memories, can be problematic. Catherine Marshall challenges the coarsening of history by the construction of commemorative monuments that are thought to provide closure over the events that they mark.