Böcker utgivna av Raw Dog Screaming Press

Ashleigh and her little family of misfits are on the run, searching for a new home where they can rest and finally get clean. The police hot on their heels, they flee to the abandoned asylum at the top of the mountain, thinking it's the perfect starting point for their long road to recovery. They're ready for this. They long for their new life. The asylum is in disrepair with no running water or electricity. It does provide shelter, but maybe they are not alone in seeking it. If only they'd considered that the darkness they had run to might be even more shadowed than the one they were running from."Hans treats readers to a journey as they watch Ashleigh traverse a tightrope of emotions and treacherous situations only to find herself in an unfathomable reality...Spine-tingling fun!" -L. Marie Wood author of 12 Hours¿¿"Fast-paced, gritty, and entertaining!"- Lucy A. Snyder, 5-time Stoker award winning author of Sister, Maiden, Monster

The cabbie only remembers taking a break, pulling over in an alley to catch both his breath and the sunrise. His windshield shatters, and two people dash away. He tries to scream, to move, but his neck won't turn. He can only stare at the cab's dirty ceiling. Finally, a deliveryman calls the cops. Surely, they'll arrive soon, but we're pinned in place right along with him as he tries to puzzle it all out.In this second installment of the CSAP novella series, award-winning author L. Marie Wood uses her descriptive powers to bring us fully into one incident in a person's life, and hold us there, transfixed, until we see it all, crystal clear.Praise for L. Marie Wood"Wood's haunting vision of the human journey through life/death and everything in between delivers riveting work that fascinates and thrills."-Linda D. Addison, HWA Lifetime Achievement Award recipient and SFPA Grand Master"Suspenseful and gripping, Wood crafts psychological horror you can't put down!" -John Edward Lawson, author of Bibliophobia"...leaves you breathless until the very last page is turned...."-Dahlia Rose, USA Today Bestselling Author

Stay Out of the GardenWelcome to the garden. Here we poison our fruits, pierce ourselves with thorns, and transform under the light of the full moon. Mad and unhinged, we fall through rabbit holes, walk willingly into fairy rings, and dance in the song of witchcraft, two snakes around our ankles, the juice of berries on our tongues.Inspired by Shirley Jackson's We Have Always Lived in the Castle, these poems are meditations on female rage, postpartum depression, compulsion, and intrusive thoughts. They pull from periods of sleep deprivation, soul exhaustion, and nightmarish delusions, and each is left untitled, a nod to the stream-of-conscious mind of a new mother. Using found poetry and under the influence of bibliomancy, Wytovich harnesses the occult power of her imagery and words and aligns it with a new, more vulnerable, darkness. These pieces are not only visions of the madwoman in the attic, but ghostly visitations that explore the raw mental torture women sometimes experience after giving birth.This collection heals as much as it scars, and is an honest look at how trauma seeps into the soil of our bodies. Her poems are imagined horrors, fictional fears, and all the unspoken murmurs of a mind lost between reality and dream. What she leaves in her wake is nothing short of horror-the children lost, the garden dead, the women feral, ready to pounce.Advance Praise"What witchcraft is this? These poems are somehow delicate as lace yet razor sharp. Lovely yet venomous. Visceral and emotional, eerie and honest. This collection is essential and in perfect conversation with Shirley Jackson's Blackwood Sisters." -Rachel Harrison, national bestselling author of Cackle and Black Sheep"To read "On the Subject of Blackberries" is to be thrown into a world of dread but also immense beauty. This is a collection that is wandering the halls in the night with a candle threatening to go out. Stephanie Wytovich taps into the brutal and magical experience of motherhood with poems that are lush and barbed, connecting the maternal with the feral in ways that are unexpected and unforgettable. A hypnotic collection."-Patricia Grisafi, PhD, author of Breaking Down Plath and AnimalStephanie Wytovich's On the Subject of Blackberries is an uncomfortable collection. Petal-pressed and pulsing with politeness, her poetry is unflinching in its honesty, each poem a bewitchingly beautiful slurp at the horror of motherhood. A devastating work. Wytovich is synonymous with horror poetry. -Lee Murray, five-time Bram Stoker Award winner, co-author of Tortured Willows

In Let Me Tell You a Story, Tim Waggoner continues what he started in the Bram Stoker Award-winning Writing in the Dark (2020) and Writing in the Dark: The Workbook (2022), both of which focus on the art of composing successful horror fiction. This latest guidebook takes a different approach, foregrounding Waggoner's prolific, decades-long career as a professional author. Partly autobiographical, partly tutorial and diagnostic, each chapter features one of Waggoner's stories followed by reflection on the historical context of publication, insightful commentary, and exercises for writers who are just learning their craft and who have already made a name for themselves. As always, Waggoner's experience, wit, and know-how shine through as he discusses and re-evaluates material from 1990 to 2018. Let Me Tell You a Story is a vital contribution to his evolving nonfictional oeuvre.

In this remarkable exploration of Friedrich Wilhelm Nietzsche's Native American roots, D. Harlan Wilson explodes all former notions of the German philosopher, amoralist, and über-saint in the same vein that his Zarathustra exploded universal principles. Based upon extensive research in the Nietzsche Archives at the University of Arts-Gatlinburg, this so-called "autohagiography" reveals what it meant for Nietzsche to be a person of color and a "gay scientist" masquerading as one of the whitest, straightest, most entitled men in the history of Western civilization. Do not look to these pages for an exegesis of yet another archbishop of heteronormative patriarchy. Nietzsche was much more than an Anglo-Saxon descendent crying wolf from a Swiss mountaintop, and unlike most career-spanning monographs, Wilson completely ignores his insanity and preoccupation with Christian morality in favor of his Cherokee affect and early-American genealogy as much as his transgender proclivities. This is the unmanning that Nietzsche Studies has been waiting for-utterly absorbing, insufferably profound, and a testimony to the hammer of truth that forged an entire arsenal of modern thought."I have never been so unreservedly offended and confounded by a book. Nor have I enjoyed a book so much or recognized its scholarly valence. To some degree, Nietzsche: The Unmanned Autohagiography reads itself. It may have even written itself. One thing is clear: D. Harlan Wilson is not, as many critics have claimed, a ghost in the machine of history. He is the machine in the ghost of futurity." -NATHAN BEDFORD FORREST, Professor of Art History and Chair of the Department of Viticulture and Enology at Fostoria University

A careful study on estrangement and loss, The Price of a Small Hot Fire excavates the archetypal horrors of monstrous motherhood, from abandonment and unsteady reconciliation to the grave. Experimental and intimate, E.F. Schraeder's collection gives voice to a semi-autobiographical examination of a griefscape from a queer lens.This collection of poems is an emotional journey that will find readers clutching their hearts at both the subtle moments and those that cut like a knife. The raw feelings seep onto the pages, encompassing the vulnerability of open wounds, while at the same time cutting through a stone-like exterior to see the blood still inside. It's not only a reading of poetry but an internal vibrating contemplation of the maternal relationship and how it molds us."E.F. Schraeder's wonderful collection The Price of a Small Hot Fire is a gleaming poetic knife: strong, sharp, and heart-carving."- Lucy A. Snyder, Bram Stoker Award-winning author of Exposed Nerves

The Selected Papers From the Consortium for the Study of Anomalous Phenomena presents two tales of family misadventures penned by Kate Maruyama.SAFERLos Angeles is in lockdown, "Safer at home," so Soledad, a college student, jumps at the opportunity to be live-in caretaker for Story, the son of an A-list celebrity. Solid pay and a change of scene are just what she needs in the pandemic. The parents are high maintenance, but she and Story form a quick bond. The dazzling lifestyle shows its dark underside when unsettling occurrences mount. Now it turns out the job that would set Soledad up for college might derail her life entirely if she decides to keep Story safer. FAMILY SOLSTICEThe Massey family has a secret and Shea, the youngest, will be the last to find out exactly what's in the basement. She's been training hard for her 13th year when it will finally be her turn to perform the family duty of fighting. Her older siblings won't tell her anything, but she's excited and ready to take all comers. Even if they had, nothing could truly prepare her for what she has to face.These compelling explorations of dark family secrets fearlessly delve into some of today's most relevant and troubling issues. In Safer, Maruyama explores what parents will do for a child, and what happens to outsiders in unsafe houses, while Family Solstice addresses the dangers of tradition, inheritance and the sins of the father.

Balanced on a thin wire between horror and steampunk, Van Essler's debut novel is an acrobatic performance at the darkest of circuses. Lenora Leahill has recently inherited her father's estate and is ready to take her place in the enlightened Age of Awareness where books can be instantly consumed as injections using an Aqua Peritia cuff. She has grand plans for securing her legacy, but navigating these new responsibilities alone is not easy, especially when it's impossible to see clearly under the city's ashfall. When an old colleague of her father's demands fulfillment of a promise Lenora knows nothing about, she discovers this new Age of Awareness is haunted by a dark history. Lenora must wade through the shadows of the past and gain her footing in the present if she has any hopes of a future-unless death or madness finds her first.Advance Praise"An utterly readable mélange of steampunk and gothic horror, Essler's stellar debut novel-the first installment of her Age of Awareness saga-is like a milky shot of absinthe: hypnotic, hallucination-inducing, and highly addictive...A darkly lyrical and stylishly stygian page-turner-literary opium." - Barnes & Noble Reviewer Paul Goat Allen"From the ashes rises a truly outstanding heroine on a journey to self discovery through generational trauma. Highly recommend, a masterpiece!" - USA Today Bestselling Author Virginia Nelson"Van Essler's debut novel Vial Thoughts surges through your veins with its frightening vision of a dystopian world where knowledge is bought, sold, controlled, and killed for. Feeling a little too possible for comfort, this steampunk dark sci-fi is a shot of adrenaline from the first chapter that will leave you tearing through the ash-covered streets sweating, panting, and begging for more." - Bram Stoker Award Winner EV Knight

Like Tim Waggoner's Bram Stoker Award-winning Writing in the Dark, a manual for how to write horror ¿ction, this workbook covers a wide variety of topics, ranging from monster, idea, and plotline creation to avoiding clichés and developing the art of suspense. The workbook, however, foregrounds practice over discussion to help writers master these concepts. Both texts stand on their own while working together to provide you with the direction and tools you need to maximize your own authorship.The wealth of examples, exercises, and tutorials in Writing in the Dark: The Workbook are designed to inspire and stretch the imagination. Waggoner draws from his own experiences in addition to other professional writers, among them Laird Barron, Maurice Broaddus, Nadia Bulkin, Ramsey Campbell, Mort Castle, Tananarive Due, Christopher Golden, Grady Hendrix, Daniel Kraus, Joe R. Lansdale, Elizabeth Massie, Graham Masterton, Seanan McGuire, John Shirley, and many others.Featuring an introduction by Michael A. Arnzen, Writing in the Dark: The Workbook will resonate with young authors who are just getting started on their careers as well as veterans of the horror genre and craft.

Outre is a novel that satirizes the contemporary mediascape while depicting a world in which schizophrenia has become a normative condition.

Recipient of the Bram Stoker Award for Superior Achievement in a First NovelKenzi Brooks watched The Scribble Man collect her brother's soul after a hit and run when she was seven. He gave her a present that day-a lucky rabbit's foot. Sixteen years later, she no longer believes in The Scribble Man, she believes in survival and does what she has to in the slums of Detroit. When thugs kill her mother and beat Kenzi to near death, she accidentally releases Lilith from her prison within the time-worn keychain.And Hell hath no fury...Lilith is out for revenge. Revenge against God, Sariel (Angel of Death and Kenzi's Scribble Man), and all of mankind for relegating her to nothing more than a demoness for refusing to submit to her husband. She's put together an apocalyptic plan to destroy everyone who has forsaken her. Forget the Four Horsemen, Lilith is assembling the Four Whores. Will Kenzi rise against her to save the world and The Scribble Man or will she become The Fourth Whore?"...a soul-sucking mind-bender of a debut. A cutting and explosive feminist text of revenge and redemption, with blood spilled on every page." -Lee Murray, two-time Bram Stoker nominee, author Into the Mist "Betrayal is a bitter pill to swallow, but when you're the mother of all witches you might want to exact some revenge while mending your broken heart. Lilith is back with a vengeance and she's assembling the girl gang to end all girl gangs-literally-to kick-start the Apocalypse." -Michelle Renee Lane, author Invisible Chains

Doomsday is here and the earth is suffering with each breath she takes. Whether it's from the nuclear meltdown, the wrath of the Four Horsemen, a war with technology, or a consequence of our relationship with the planet, humanity is left buried and hiding, our bones exposed, our hearts beating somewhere in our freshly slit throats.The Apocalyptic Mannequin by Stephanie M. Wytovich is a collection that strips away civilization and throws readers into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you've had when your electricity went out, and every pit that grew in your stomach watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who-or what-lives inside us once everything is taken away.These pages hold the teeth of monsters against the faded photographs of family and friends, and here, Wytovich is both plague doctor and midwife, both judge and jury, forever searching through severed limbs and exposed wires as she straddles the line evaluating what's moral versus what's necessary to survive.What's clear though, is that the world is burning and we don't remember who we are.So tell me: who will you become when it's over?

West, Book three of the Go Love Quartet, closes the circle initiated when Josephine Stepwell made the star-crossed decision to head West with the outlaw husband who'd lied up one side of her heart and down the other. Now, her granddaughter, who grew up sneaking peeks at a dwarf uncle's photo and all the other Washers hidden in her father's black Bible, runs away from her Utah home to Arizona, where she meets Davey the Dwarf in a south side Tucson bar catering to washed up professional wrestlers. There, with fellow dropout non-Mormon Jack, she is reunited with her long lost kith and kin, standing in for her father who'd long ago promised the blood father he'd never met that he'd return. Only he never did. In the mean time, grandfather Buddy'd died, was buried in a cemetery with all the rest of the Washers, and it's there the circle finally closes, with champagne and hard words at the grave side. Steeped in the Stepwell catastrophes of love, West interweaves the strands left hanging in the Quartet's first two novels. It offers healing and, finally, peace to those who have departed in a world of hurt.