A sober engagement with the diverse meanings of intermittent fasting in human culture. Fasting from food is a controversial, dangerous, and yet utterly normal human practice. In Why Fast?, Christine Baumgarthuber engages our fascination with restrictive eating in cultural history. If fasting offers few health benefits, why do people fast? Why have we always fasted? Does fasting speak to something deep and immutable within us? Why are our bodies so well adapted to intermittent fasting? And, what might this ancient, ascetic ritual offer us today? Thoughtful and considered, Why Fast? is a sober reconsideration of a contentious practice.
"H.D. (Hilda Doolittle, 1886-1961) was one of the first writers of free verse in English, best known for her sparse Imagist poems. For over forty years she wrote poetry that resurrected forgotten ancient goddesses, and autobiographical prose that explored her trauma, her desires, and the unique struggles of a twentieth-century woman writer. She was also a scholar of religion, mythology and history, a translator of ancient Greek, and worked in early avant-garde film. Dubbed the 'perfect bi-' by Sigmund Freud, she placed issues of sexuality and gender at the centre of her writings. This new biography explores the fascinating life and work of this important modernist figure, once written out of literary history but now receiving the attention she deserves."--
"Jan van Eyck was one of the most inventive and influential artists in the entire European tradition. The phenomenal realism of his paintings, now six centuries old, still astounds observers in a world accustomed to high-resolution images. But other dimensions of his work are just as original and absorbing. Unlike any earlier artist, Van Eyck infused his paintings with himself. In addition to portraying, reflecting and implying his own presence in a variety of works, he also introduced his voice, hand and mind in an array of inscriptions, signatures and even a personal motto. Incorporating a wealth of new research and recent discoveries within a fresh exploration of the paintings themselves, this book reveals how profoundly Jan van Eyck transformed the very idea of what an artist could be."--Page three of cover.
From mangosteen fruit discovered in a colonial Indonesian marketplace to caviar served on the high seas in a cruise liner's luxurious dining saloon, The Food Adventurers narrates the history of eating on the most coveted of tourist journeys: the around-the-world adventure. This book looks at what tourists ate on these adventures, as well as what they avoided, and what kinds of meals they described in diaries, photographs and postcards. Daniel E. Bender shows how circumglobal travel shaped popular fascination with world cuisines, and leads readers on a culinary tour from Tahitian roast pig in the 1840s, to the dining saloon of the luxury Cunard steamer Franconia in the 1920s, to InterContinental and Hilton hotel restaurants in the 1960s and '70s.
A biography of the provocative nineteenth-century English naturalist. Brilliant, hard-working, and immensely productive, the naturalist Richard Owen was a great ambassador for science and played an outsized role in shaping London's Natural History Museum. Still, Owen was a provocative bully, accused of plagiarism, and the only man Charles Darwin claimed to hate since Owen staunchly opposed his ideas about natural selection despite sharing similar views himself. This biography gives an account of Owen's life and work and offers some speculation about the reasons behind his controversial behavior and strained relationships.
A critical biography of the early modern Italian naturalist. The Bolognese naturalist Ulisse Aldrovandi was a prolific writer, polymath, and prodigious collector who amassed the largest collection of naturalia in sixteenth-century Europe, as well as hundreds of colored drawings detailing them. Many of these drawings found their way into his illustrated publications, most of which were published posthumously. This book provides a concise yet comprehensive portrait of Aldrovandi, paying particular attention to two aspects: the role that the newly discovered continent of America played in his research interests, and his study of abnormalities of physiological development in organisms. Peter Mason gives insight into Aldrovandi's fascinating life, his early work on antiquities, his natural history and other collecting activities, his network of correspondents and patrons, and the influence and legacy of his collection and publications.
A geological saga that digs deep, revealing how even the most ordinary rocks can be stepping stones to the hidden history of our planet.--
"By turns creative and destructive, wind spreads seeds, fills sails, and disperses the energy of the sun. Worshipped since antiquity, wind has molded planets, determined battles, and shaped the evolution of life on earth yet this invisible element remains intangible and unpredictable."--
An accessible history of the Roma people in England told from the inside. The Romany people have been variously portrayed as exotic strangers or as crude, violent, delinquent "gypsies." For the first time, this book describes the real history of the Romany in England from the inside. Drawing on new archival and first-hand research, Jeremy Harte vividly describes the itinerant life of the Romany as well as their artistic traditions, unique language, and flamboyant ceremonies. Travelers through Time tells the dramatic story of Romany life on the British margins from Tudor times through today, filled with vivid insights into the world of England's large Romany population.
Shells have captivated humans from the dawn of time: the earliest known artwork was made on a shell. As well as containers for food, shells have been used as tools, jewelry, decorations for dwellings, and to bring good luck or to ward off spirits. Many Indigenous peoples have used shells as currency, and in a few places, they still do. This beautifully illustrated book investigates the fascinating scientific and cultural history of shells.--
"From the late nineteenth century, when Korean travelers brought Western photographic technology home from China, to modern times, photography has been interwoven into Korea's political and cultural history. In Photography and Korea, the first history of Korean photography for a Western readership, Jeehey Kim presents multiple visions of the country, including the divided peninsula, Korea as imagined through foreign eyes, key Korean artists, Korean diasporas and local professional and vernacular photographers. Kim explores studio and institutional practices during the Japanese colonial period, and the divergence of practices after the division of Korea." --
Dive into the thrilling world of 'The Pirates' Code', a captivating masterpiece penned by the talented Rebecca Simon. Published in 2023, this book takes you on an unforgettable journey filled with adventure and intrigue. As a standout piece in the genre of historical fiction, it masterfully combines fact and fiction to create a riveting narrative that keeps readers on the edge of their seats from start to finish. Published by Reaktion Books, 'The Pirates' Code' is a testament to Simon's skillful storytelling and rich imagination. Don't miss out on this incredible literary experience.
A wide-ranging natural and cultural history of orchids. Approximately eight percent of all the Earth's flowering species are orchids. Known for their beautiful flowers, delicate forms, and sweet fragrances, orchids are unlike any other flower. Orchids have been contemplated by philosophers, celebrated by artists, and cultivated or even eaten by millions. They occupy our thoughts, stories, greenhouses, supermarkets, and homes. Orchid surveys all of this and more as Dan Torre explores the intriguing and multifaceted natural and cultural history of orchids.
"This book is a critical history of Sub Pop Records, the Seattle independent rock label that launched the careers of countless influential grunge bands in the late 1980s and early 1990s. It focuses in particular on the languages and personas of the 'loser,' a term that encompassed the label's founders and personnel, its flagship bands (including Mudhoney, TAD, and Nirvana), and the avid vinyl-collecting fans it rapidly amassed. The loser became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism, and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success."
"The Monkees represent a vital problem for rock and pop, and perhaps the major question: is it the music that matters or the personality and image of the performers? This book explores the system behind the Monkees, the controversial made-for-TV band that scored some of the biggest hit records of the 1960s. The new rock criticism bewailed the fake band, while fans and audiences made it a major commerical success. More than any other group in the 1960s. the Monkees illustrate the genius of the system and its role in popular music"--Back cover.
"A meandering celebration of the indirect and unforeseen path, revealing that to err is not just human - it is everything. This book explores how, far from being an act limited to deviation from known pathways or desirable plans of action, wandering is an abundant source of meaning - a force as intimately involved in the history of our universe as it will be in the future of our planet. In ancient Australian Aboriginal cosmology, in works about the origins of democracy and surviving disasters in ancient Greece, in Eurasian steppe nomadic culture, in the lifeways of the Roma, in the movements of today's refugees, and in our attempts to preserve spaces of untracked online freedom, wandering is how creativity and skills of adaptation are preserved in the interests of ongoing life. Astray is an enthralling look at belonging and at notions of alienation and hope"--
"A critical reassessment of world-shaping Portuguese voyages of discovery that places these quests in historical context."
Beautifully illustrated and filled with rich historical detail and colorful anecdotes, this is a vibrant history for all those who have ever dreamed of running away to the circus, now in paperback. "Step right up!" and buy a ticket to the Greatest Show on Earth--the Big Top, containing death-defying stunts, dancing bears, roaring tigers, and trumpeting elephants. The circus has always been home to the dazzling and the exotic, the improbable and the impossible--a place of myth and romance, of reinvention, rebirth, second acts, and new identities. Asking why we long to soar on flying trapezes, ride bareback on spangled horses, and parade through the streets in costumes of glitter and gold, this captivating book illuminates the history of the circus and the claim it has on the imaginations of artists, writers, and people around the world. Traveling back to the circus's early days, Linda Simon takes us to eighteenth-century hippodromes in Great Britain and intimate one-ring circuses in nineteenth-century Paris, where Toulouse-Lautrec and Picasso became enchanted with aerialists and clowns. She introduces us to P. T. Barnum, James Bailey, and the enterprising Ringling Brothers and reveals how they created the golden age of American circuses. Moving forward to the whimsical Circus Oz in Australia and to New York City's Big Apple Circus and the grand spectacle of Cirque du Soleil, she shows how the circus has transformed in recent years. At the center of the story are the people--trick riders and tightrope walkers, sword swallowers and animal trainers, contortionists and clowns--that created the sensational, raucous, and sometimes titillating world of the circus.
"Ford Madox Ford (1873-1939) lived among several of the most important artists and writers of his time. Raised by Pre-Raphaelites and friends with Henry James, H. G. Wells, and Joseph Conrad, Ford was a leading figure of the avant-garde in pre-WWI London, responsible for publishing Ezra Pound, Wyndham Lewis, and D. H. Lawrence. After the war, he moved to Paris, published Gertrude Stein, and discovered Ernest Hemingway. A prolific writer in his own right, Ford wrote the modernist triumph The Good Soldier (1915) as well as one of the finest war stories in English, the Parade's End tetralogy (1924-1928). Drawing on newly discovered letters and photographs, this critical biography further demonstrates Ford's vital contribution to modern fiction, poetry, and criticism"--
A revisionist history of Duchamp's legacy and impact on modern art. In 1917, Marcel Duchamp sent out a 'telegram' in the guise of a urinal signed R. Mutt. When it arrived at its destination a good forty years later it was both celebrated and vilified as proclaiming that anything could be art; from that point on, the whole Western art world reconfigured itself as 'post-Duchamp'. This book offers a reading of Duchamp's telegram that sheds new light on its first reception, corrects some historical mistakes and reveals that Duchamp's urinal in fact heralded the demise of the fine arts system and the advent of what Thierry de Duve calls the 'Art-in-General' system. Further, the author shows that this new system does not date from the 1960s but rather from the 1880s. Duchamp was neither its author nor its agent, but rather its brilliant messenger.
Now in paperback, from a leading historian and writer, a delightful exploration of the great English tradition of treading the boards. The English Actor charts the uniquely English approach to stagecraft, from the medieval period to the present day. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting--deriving from the Church tradition of Mystery Plays--through the flourishing of the craft in the Renaissance, to modern methods following the advent of film and television. Across centuries and media, The English Actor also explores the biographies of the most notable and celebrated British actors. From the first woman actor on the English stage, Margaret Hughes, who played Desdemona in 1660; to luminaries like Laurence Olivier, Peter O'Toole, Maggie Smith, Judi Dench, and Helen Mirren; to contemporary multihyphenates like Gary Oldman, Kenneth Branagh, Sophie Okonedo, and Chiwetel Ejiofor, Ackroyd gives all fans of the theater an original and superbly entertaining appraisal of how actors have acted, how audiences have responded, and what we mean by the magic of the stage.
A timely and revealing look at the intertwined histories of science, art, and racism. 'Race Is Everything' explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas of the period lies the belief that outward appearance--and especially skull shape, as studied in the pseudoscience of phrenology--can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race, and aesthetics; the purported "Mediterranean race"; the visual aspects of eugenics; and the racial politics of Emil Nolde.
A beautifully illustrated introduction to Australian art history from colonization through today. In Double Nation, Ian McLean traces the history of Australian art, from colonial art practice to twentieth-century national art. Two key themes structure the narrative: the transformation of British art practice into an Australian one and the troubled pursuit of the aesthetic means to claim an Indigenous heritage. Interrogating the canonical tradition, McLean asks why certain artists came to prominence while others have been neglected. In the process, he links the changing fortunes of artists to social and political developments both at home and abroad. With 170 illustrations, this book is an ideal introduction to the history of Australian art.
"Although the idea of a collective audience for art--an 'art public'--is highly significant in the art world, this is the first book to enquire into the actual history of the art public. This book explores both written and pictorial evidence of its behaviour, and disentangles the connections between art production, the expectations of the audience and a work's reception. Two aspects shape the narrative: first, the transformation of the audience from passive recipient to active agent; and second, the mockery of the audience by satirists such as George Cruikshank, Thomas Rowlandson, Honorâe Daumier and many others. This sweeping account moves from the Greek artist Apelles to Leon Battista Alberti and Leonardo da Vinci, and from Oscar Wilde to film stars, art tourists and leading art museums and galleries worldwide"--
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