"When a healer begins murdering hospital patients, Professor Adrien Desfourneaux discovers that the threat is far closer to him than he could have imagined. Still recovering from a recent institutionalization and unable to trust his own mind or magic, Adrien is drawn into the witch hunt as suspicion falls upon those closest to him. The city's inquisitors and witchfinders are losing control, the magicians are growing more and more resentful, and the scars from Adrien's last brush with disaster refuse to fade. To put an end to the innocent deaths, to keep his dearest friends, and to prove himself worthy of a potential new romance, Adrien is forced to confront his own blind spots before he's fatally ensnared by the angel of death's machinations"--
"The Sea Gives Up the Dead is a collection of stories sprinkled into the soil of fairy tale, left to take root and grow wild there. A lovesick nanny slays a dragon. The devil tries to save her mother. A girl drowns and becomes a saint. Three kids plot to blow up their dad, a grieving mother sails the sea to find her son's grave, a scientist brings a voice to life, and a mermaid falls into the power of a witch. Here, historical fiction, horror, and fantasy tangle together in a queer garden of love, grief, and longing"--
"Chronicles one man's journey out of trauma, PTSD, and depression into a balanced family life informed by life lessons learned through hard-won experience"--
"At times humorous and ecstatic, other times poetic and elegiac, the fourteen pieces in Stories from the Edge of the Sea explore love and loss, lust and grief, longing and heartbreaks through the lives of Vietnamese immigrants and their children in California. A younger dancer is haunted by memories of almost dying on a boat when they escaped from Vietnam, a widow processes her husband's death through frantic Facebook postings, a writer enters an old lover's home and sees a ghost at twilight. If the human heart is a vast, open-ended terrain, then Andrew Lam's short stories are its mountains, valleys, and lakes. Together they seek to chart a barely explored country"--
This collection consists of odes to the Mexican American, first-gen experience as well as surreal prose poems with cultural references and settings native to the Los Angeles area. The collection opens with odes to everyday images and symbols of the Latinx community. In an age of elevated racism, these odes seek to celebrate Latinx culture in the face of constant scapegoating, ridicule, and surveillance. Also, this collection explores surreal prose poetry both in the suburbs and barrios of Los Angeles and the larger American landscape. "A future prizewinner," according to former US Poet Laureate Juan Felipe Herrera, this collection seeks to celebrate the Mexican American experience while also exploring how surrealism and absurdism can lead to wondrous discoveries about the self, community, and the imagination.
"Nancy Kricorian's The Burning Heart of the World tells the epic story of an Armenian family's experience of war and exile, from the mountains of Cilicia and the streets of Beirut to contemporary New York City. In vivid, poetic prose, Nancy Kricorian's The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War. Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes readers on an epic journey from the mountains of Cilicia to contemporary New York City"--
The re in refuge is a collection of linked essays that investigate ideas of refuge, broadly defined, from the intimacies of romance to the promises of the nation state. Written over the span of a decade, the collection shapes experiences and events that interrogate their larger political and social contexts. The emerging European refugee crisis, yet to become headline news, frames the opening essays, with stories of those lost in their passage across the Mediterranean. In 2014 Italy and the United Kingdom ended funding for naval rescue operations in the Mediterranean Sea, and the influx of refugees into Greece reconfigures some of Athens' neighborhoods. A once abandoned school building becomes a squat where Kalfopoulou and other volunteers engage with refugee communities that include families from Afghanistan, Syria, and Kurdistan. As Kalfopoulou notes in "The Parts Don’t Add Up" a visual essay, "Embedded in the word refugee is refuge," suggesting that the vectors of shelter have as much to do with what one carries of culture and place as they are about a tangible home.
"The poems in Variations in Blue address the aftermath of domestic violence through the transformative power of language, leading to healing and empowerment via the author's journey into her Latine/x culture. The poems in Variations in Blue cycle through the traumatic residue of dysfunctional relationships, the complexities of Latinx representation through a series of ekphrastic poems, and reimagine Nicaragua as a homeland set in a volcanic landscape. Each section contains a series of poetic variations on a theme, and the poems reverberate and rotate through the indeterminacy of language. Najarro's Variations in Blue insists that the complexities of experience must be understood one version at a time, each distinctly unfolding its unique design"--
Obsessive love has never been so much fun! What She Wants: Poems on Obsession, Desire, Despair, Euphoria is a powerful tribute to the intensity of obsessive love, told through the trademark humor and heartbreak of bestselling poet Kim Dower.Following the commercial and literary success of her bestselling poetry collection, I Wore This Dress Today for You, Mom: Poems on Motherhood, Kim Dower delivers What She Wants: Poems on Obsession, Desire, Despair, Euphoria—turning her keen eye, vibrant imagination, trademark insight, and humor to the intensity of obsessive love. These steamy and provocative poems, combining humor and heartache, run through the four phases of Limerence, the state of being infatuated or obsessed with another person: Infatuation, Crystallization, Deterioration, and Ecstatic Release. From the opening poem, “She’ll do anything for food,” to the sexy title poem, “What She Wants,” the painfully funny, “His Other Girlfriend,” to the longing in “Visiting Baudelaire,” and the sad, sweet final poem, “Fish’s Lament,” Kim Dower captures the essence of what it means to be stuck on someone—even on a squirrel! Her eclectic, growing readership will savor these poems that can be read in one sitting, like a story with an arc, or separately, each one recalling the moment of falling in or out of love, the moment our hearts skipped a beat.
A stylistically and conceptually daring collection that winds from fantastical horror to mischievous domestic realism and always keeps in its sharp, compassionate view the material, spiritual, and emotional lives of Haitian people.
A Professional Lola embodies the joy, mystery, humor, sadness, hunger, and family that inhabit modern-day Filipino American virtues.
Illuminating Fiction contains nineteen interviews with fiction-writing luminaries including Edward P. Jones, Julia Glass, Amy Bloom, Jill McCorkle, Margot Livesy, Ron Carlson and Steve Almond. The interviews contain questions about narrative, voice, character, place, point of view, arc of the story/novel plot, and revision; questions about the writing process; questions about the trajectory of the writer's career; questions about the role and importance of writing courses and mentoring; and also questions that Ellis has drawn from the text of the authors' work. Authors describe the challenges they have faced. The reader is able to gain an intimate and specific understanding of the authors' works, and the authors' thought process as they created their novels and short stories.
Queenie Rivers was raised by her grandparents in coastal Los Angeles. As she approaches thirty, her erratic lifestyle is forced back on course by a car accident and her grandmother's intervention. But her recovery is interrupted by a break-in and Gran's death. Gran's last act was to set Queenie up with a job at an upscale seaside bistro with a shady reputation--the owner of which, it turns out, was once a close friend. As Queenie digs into Gran's past for answers about the break-in, the murder, and the unnerving circumstances surrounding the restaurant and her new boss, she discovers that her grandmother, a Romani Holocaust survivor, kept many secrets, some of them otherworldly--secrets that become hers to unravel when she becomes a suspect in Gran's murder case.
"No one knew witnessing their first murder at seven would propel Ben and his twin toward a killing spree in Pennsylvania. Racked with guilt, they vow to take just one more victim. Too bad they snatched the wrong woman . . "--
In her second collection, My Infinity, Didi Jackson continues her exploration of the paradoxical meaning of a world where joy and sorrow simultaneously coexist.These poems investigate both sacred and natural spaces. Her poems move grief and emotional suffering to language as a site of recovery and renewal. Much of this collection is ordered around the work of the Swedish visual artist Hilma af Klint. As the first artist to arguably use abstraction, her radical work brims with enigmatic botanical images painted to grasp the seemingly boundless and hermetic realm of the dead. Similarly, Jackson's poems explore plant life and natural species in the Green Mountains of Vermont, where perceived thresholds blur in acts of spiritual reimagining. This is a book that questions all that is endless, all that has been thought as limiting, and all that remains unknown.
"Circle of Animals tells the story of a woman, Sky, grappling with a sexual assault in her workplace and the disappearance of her troubled "hippie" mother the same week. As she searches for and uncovers her mother's story, she also discovers the larger story of the historically situated and gendered bodies of her mother and estranged grandmother. Drawing on ancient myth (the title refers to the zodiac), California counterculture of the last century, and current conversations about sexual violence, this novel asks us to think about how the inability to communicate violence done unto the body is not just a symptom but also a means through which violence spreads collaterally between women as silence and estrangement. As Sky looks for her mother, she must also find her own voice and courage to claim her agency"--
"Kamao is the son of a prominent Ghanaian academic and incumbent minister of health and is devoted to all that America symbolizes. After immigrating to the United States in pursuit of higher education and the American Dream, he becomes unwittingly entangled with American politics when he meets Lindsey McAdams, the daughter of an influential, anti-immigration senator. As the couple's feelings grow, so too does the senator's animosity toward Kamao. Despite support from fellow immigrants Lazo, Ayefumi, and Dania-who follow American Dreams of their own-Kamao soon finds himself drawn into intrigues hidden from the American public that make him question himself and his adopted country. When Kamao is implicated in a murder, Lindsey's loyalties are tested, Dania must decide if she is willing to risk her own future and security for the sake of justice, and Kamao discovers how far he'll go to fulfill his American Dream"--
"Twenty-four-year-old Akosua is easily knocked off her feet. When she falls and hits her head, she's too preoccupied with her latest dramas to fully absorb the shock. In the span of three months, she has broken up with her boyfriend Wisdom, discovered that her deadbeat dad has moved back to the States from Ghana, and dropped so many classes that she believes she's the only history grad student in the history of grad students to be registered for just one partial-credit class. Instead of facing her problems, Akosua seeks distraction in Daniel, a "good Ghanaian man." But as her head injury worsens, she questions whether she can continue to run away from her father any more than she can keep ignoring her brain and its traumas. Vibrant, funny, and bittersweet, Blood on the Brain is a novel about the complications of family, romance, and culture-and how coming of age can feel like a blow to the head"--
"Following up on his landmark collection Hold Me Tight, Jason Schneiderman extends his personal and historical explorations in Self Portrait of Icarus as a Country on Fire. Schneiderman's signature sense of humor works as a connective tissue across the book, even as the juxtapositions become more unlikely (Kafka and Hillary Clinton?), the historical scope becomes wider, and the personal revelations cut deeper than ever before. These poems represent Schneiderman's most direct and explicit exploration of Jewish heritage and history, bringing to the surface a theme that has often been missed in his work. The strength of these poems is in their power to trace the wound as a form of healing, to confront the agonizing in order to make way for joy and, yes, love"--
"With all the power of a long-brewing storm, the brilliant poet Jenny Factor finally returns to make public the interior work and spoils of decades in Want, the Lake, her second poetry collection. This book spans twenty years of life-accumulated wisdom, images, and desires-with a dedication to craft that has been honed and clarified by time"--
Don't look back.Did Eurydice want to return from the underworld? Did anybody ask?In this brilliant portrait of rage and resilience, a Korean woman tries to connect with her younger brother and grapple with family tragedy through bedtime stories that weave together Greek mythology, neuroscience, and tales from their grandmother's slipping memory.Recasting the myths of Eurydice, Orpheus, Persephone, and Hades through the lens of a Korean American family, Eunice Hong's debut novel offers a moving and darkly funny exploration of grief, love, and the inescapability of death.
"In Keeping Quiet, Pâaramo has collected essays addressing what it is like to live in a world of silence or the absence thereof. This collection covers a wide range of angles and experiences, from an exploration of IBM's anechoic chamber-the world's quietest place- to stories of incest, marriage, sexual harassment, social justice, and first-person accounts of life in the emirate of Qatar. Pâaramo crosses the borders between art (Mozart, Monet, Beethoven, Sheila Chandra, Neruda) and yoga, between research and drunkenness, between despair and triumph, weaving the intimate and personal with what is upsetting in women's health industry. In "Belated Comebacks," Pâaramo is full of righteous anger; in "Teaching Mom Long Division," she explores the oceanic depths of longing; in "Writers of Color," she examines the complexities of being brown and speaking accented English; in "Three Women," she exposes the social underbelly of Qatar during the pandemic, then mixes it all with personal reckonings"--
"Stand astonished at a painting, venerate the mugshot of a poet, riff on a comedian's quip, and recall a mentor persevering through grief. Speak of headhunters, of word origins, of saints and gods stitched into a newfound pantheon, of the multiverse as a source of reincarnation. Visit ancient cities, national parks, a sundry of gardens, and the ruins of a farmhouse. A teacher fails to help a student. A student explains war to her teacher. Seize back the forgotten. Kneel to not knowing. Interrogate ecology and injustice through shifting landscapes and know What Monsters You Make of Them. What Monsters You Make of Them interrogates ecology and injustice through shifting landscapes and ancient cities"--
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