A sudden disappearing has happened. In the twinkling of an eye, millions have vanished. The world has little time to reel in its anguish, as incredible catastrophes begin to wreak havoc on a global scale. Famines, plagues, and pestilence rapidly reduce the world's most critical supplies. Violence soon erupts as insurgency casts its murderous shadow. In its broken state, humanity turns their hope for salvation to a mysterious and charismatic leader who sets out to unify all mankind with his technological advancement known only as link18. With promises of peace and security, this leader begins to usher forward a new global plan and agenda. As he does, two mysterious men emerge from the shadows, to bring light to the darkness. Those who remain of society will find themselves forced to make a decision . . . Follow the leader, or witness.
Set in a world that is dominated by a vast desert, two friends are caught in the middle of a civil war. She's a warrior. He's a musician. When they discover that the crux of the war is a prophesied newborn baby that one side will do anything to destroy, they become the only people capable of saving the child's life--all that stands in their way is an active volcano, a barbarian army, and a cunning assassin with motives of his own.
The Making retells the universe through science and story, tracing the arc of the cosmos from its origin to the present. The poem recounts the early transformations of the universe, the emergence and development of life on Earth, and the broad span of human history, pairing each new phase with a story--stories drawn from Hinduism, Buddhism, Judaism, Christianity, and Islam, as well as from North American Indigenous traditions, Greek myth, and international creation tales and folktales. Coaxing science and history into evocative language while braiding them with tales, the poem sets a human perspective on the pageant of the cosmos and provides an unprecedented synthesis of evolutionary history with literary and religious imagination. The Making is a lyrical and pluralistic creation story of epic scope--a story that illuminates our time of planetary crisis and imagines ways we might press forward.
Widowed and now the last lonely inhabitant of a small island in Northwestern Ireland, Sean is tired, grieving, and ready to be done with his life. Long estranged from his only child, and spurred by his wife's last words to him, Sean dreams up an elaborate plan that cannot fail to heal the rift between them--a plan that will test the strength and resolve of an elderly hero who would rather stay in his chair by the fire with a cup of tea. The Currach and the Corncrake is a heroic journey of hope and reconciliation. It is about monks, monsters, and manuscripts; boats, birds, and old bones.
Being in touch with feelings--naming ones stirred up by a loss--can be critical in terms of moving ahead productively. Loss comes in many different packages: losses of relationship whether by death, divorce, or some other means; loss of status as per experiencing retirement or down-grading with respect to jobs; material loss whether homes, savings accounts, etc.; loss of function whether declining health, loss of a body part, etc. Whatever the loss there is an accompanying need to grieve. Wright's own experience of a metastatic breast cancer diagnosis has been her most challenging loss in life. Her poetry is honest in terms of the feelings she has faced. Instead of glossing over the challenges of loss, she attacks them head-on. This is especially true in terms of the conversations she has with God. Her desire is to grant permission for readers to be equally honest in terms of feelings they encounter with respect to their losses in life.
A warrior chief waited on a sacred mountain in the highlands of Papua New Guinea, seeking dreams and revelations from the spirit world. In the night he heard a voice, unlike any voice he had heard before. The voice called just one word, ""Tiki!"" It was the name of the chief's young son. Three times the call came, then there was silence. This book is the true story of Tiki. It is a story of chiefs, of gangs, of colonization, and of politics. It is also a story of how faith can shape the lives of individuals, communities, and nations.
The experience of the afterlife is, normally, considered to take place after death. Death is seen as a wall of partition between those living and those departed. ""Dead and gone"" are words often used to describe the departed. The writer of these poems was at his wife's bedside when she took her last breath. Anyone observing the horror and desperation the author expressed at that moment would have concluded that he truly believed his wife was dead and gone. In fact, he did believe she was dead and gone. A grief counselor suggested to the new widower that he keep a journal of his experience. He started keeping a journal which, from the start, was a dialogue between him and his ""departed"" wife. The prose dialogue soon became peppered with poems. The widower began to notice that there were, sometimes, correlations between what was written in the poems and his daily experience. The poems and his daily experience became for the new widower proof enough that the afterlife can be experienced this side of the grave.
King Hezekiah of Judah unfolds in unprecedented detail the incredible, eventful life of King Hezekiah, full of faith, grace, and miracles. It comprehensively illuminates the person, the king, the man Hezekiah in his personal defeats and his victories in faith with God. In addition, this book proves the credibility of the biblical accounts through extensive analysis and reflection, as well as brand-new, startling insights. The chronology of the kings of Israel, which has been disputed for centuries, is given a special framework. Here it is now shown that all the biblical dates of this period can be harmoniously fitted into the dating of extra-biblical sources and events that are considered certain.From the first page to the last, however, this book does not fail to find repeated applications and deductions for our Christian life today. After studying King Hezekiah of Judah, we may question and realign our walk with God. Every reader is warned: studying this book could have consequences for your life!
There are many situations that leaders in the church encounter that are curious. These situations require a patient, listening, and compassionate ear. A leader in the church should be prepared to make well-informed, responsible decisions on a regular basis while operating with only limited information.That is precisely why this book, Curious Cases, contains these one-hundred-fifty short pastoral case studies: in order to assist leaders in the church (especially young leaders in the church) to make good decisions inside of their various and unique ministry settings. Each case study provides the reader with enough information to make a sound decision on a case, but that doesn't mean the decision will be easy.In Curious Cases: A Series of Short Pastoral Case Studies, you will find real-life complex, challenging scenarios that the church is encountering in the modern world on a regular basis. This book is designed to help leaders in the church to faithfully prepare to engage the world in whatever setting they may be currently serving in!
Two probes deeply into the condition of the heart. ""The Diseased Tree"" is a poem that shines a light on man's fallen, spiritual condition, focusing on his will, without reserve, in accordance with the Bible. It unabashedly directs the reader to both the bad fruit produced by the diseased tree that will be cut down and thrown in the fire, and the hope of true healing for those who abide in the true vine: Jesus Christ.In addition, experience a summed-up life like you've never seen it: thirty-one fictional obituaries analyzing the finality of death, not as an expiration, but as the door to eternal death, or eternal life. Book of Obituaries is a warning call for all who pass the day leaning on their own understanding.
In this small collection of poetry by Terry McDermott and collected by Jeanne C. DeFazio, McDermott's poems tenderly speak to the hearts of women who suffer from post-abortion grief, encouraging them to let go of fear, regret, and anger and to thank God for covering the past, present, and future. Further reflection on Nelson Mandela's poem, ""Letting Go,"" reminds us all of the importance of forgiveness and release.
These African fables are part of the traditional folklore of African peoples in the Democratic Republic of the Congo, Botswana, and Gabon. African culture is enriched by such lessons that provide universal wisdom and instruction for all of us no matter what our culture or background. Every story is illustrated with a cartoon and an accompanying African proverb or saying to enhance the lesson. These stories are written for an elementary school aged level but may be used for all ages.
A mother's love should welcome every child entering this world. For Andrea Skeeter, shame instead of joy greeted her at birth.Skeeter's profound and harrowing story, while unfamiliar to persons who may have experienced the opposite, will captivate readers nonetheless as they empathize with her struggles and rejoice in her deliverance from the crushing familial lies, deceit, and treachery that sought to destroy her infancy, childhood, and adolescence. For readers who recognize their own harsh and tragic beginnings as all too similar to Skeeter's, hope will be born anew from what can be described as nothing less than the mysterious and miraculous light of redemption that visited Andrea in the midnight of her deepest and most precarious suffering.
What does it mean to love a woman--a mother, an other--and hold her at arm's length? Clara Joseph's third collection of poems, M/OTHER, skillfully navigates the nuances and irony of this daily exercise. With each turn of the page, the narrative gains emotional intensity and takes readers on unexpected journeys, such as this one: ""He smiled like the man he was/as he copied wonder into my lap, . . ./And I bent to smell his washed scalp;/the nip was barely visible . . ./And the snake slid away/in the shadows between/our hooves."" While the collection playfully experiments with language and form, it never obscures the gravity of its themes, as in the parenthetical query: ""(Could I be a Ruth to my Naomi?/Or would I be--simply--ruthless?)"" The collection is divided into three parts, each exploring the multifaceted nature of motherhood, uncovering biographical details, certainties, uncertainties, and the intricacies of hidden pasts. It also contemplates unconventional messages, both reverent and irreverent, unveiling their magical essence. In the final section, the book contemplates senility and will, death and miracle, and survival and freedom.
""Amen, Lord. So be it!""Dave waited on God and heard him speak. And now he wishes he hadn't. The team is finally unified, ready to declare Jesus. But will they get the chance?When the riots begin, and Jed calls for a lockdown . . . When the mosques shout in anger, and an embassy burns . . . When his daughter's dreams reveal the spiritual battle . . . Dave must cling to what he knows and pray: pray for his students; for his friend who's in prison; for his daughter who's going blind; for the demonic to leave his home.Pray. Pray. Pray. And lie to his teammates. Dave can't go back. There's no un-seeing Jesus.
Do you wonder what kind of mischief could happen in the space between a wink and a sniffle? Or of what two trees might contemplate and discuss with each other when they are all by themselves? Have you ever wondered about what power you might wield if you discovered a special rod? Or what it would be like to have your head ""up in the clouds""? Do you know what you would do if you came upon your mirror, and it stood reflectionless? Could you begin to imagine what it would be like to live in complete and total darkness? Do you know how to draw Love? These short stories explore these perennial questions, and whether they provide satisfactory, let alone, any answers to these concerns is left for each reader to determine, if only as part of its grand mystery and adventure. It is a book of sense and nonsense. A book of joy, of light, of laughter, of warmth, of life, of song, of dance, of play, of fun. In other words, and perhaps in far better words, it is none other than a book of nonage; a big, bold, boisterous, batty, beautiful book of sillies, fancies, and trifles.
How will we live, love, and empower? How will we cherish natures and nurture our loves while grappling with feelings of love that make or break us? The fifty-five poems in this collection, Shadows, Memories, and Dreams, speak about soulmates and poetry; they ruminate on love, time, death, God, and of days gone by when things were simpler.
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