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  • av Kat Woods
    237

    A darkly comic play about class, poverty and the struggle to escape by award-winning playwright Kat Woods.Killymuck is a fictitious housing estate built on a paupers' graveyard in 1970s Ireland. Inspired by real events, Kat Woods' play sees Niamh navigate the trials and tribulations of being a kid from the benefit class system. Educational barriers, lack of opportunity and the oppressive structures that are implicit in the cycle of impoverishment, all seem to conspire against the will to abdicate the media constructed underclass stereotype.Killymuck premiered at the 2018 Edinburgh Fringe Festival.

  • av Phil Porter
    227

    'By the gods, look what the goat dragged in by the knackers! Never did I see such a pitiful aggregation of sweat- soaked, grovelling jobbards!' General Braggadocio is a pompous and lecherous bully who makes life miserable for all around him. His enslaved concubine and a quick-thinking servant join forces in a bid to escape his household and teach him a lesson he will never forget. With the help of a randy old magistrate, a mischievous pet monkey and an imaginary visitor from Greece, they play upon the General's many vices and vanities as they attempt to regain their freedom and return home. Loosely based on Miles Glorious by Plautus, Vice Versa is a madcap, farcical, feel-good comedy from multi-award-winning playwright Phil Porter.

  • av Gillian Plowman
    207

    Jill has served time for killing her husband who abused her. Making a new start as a window cleaner, she disturbs Daryl, who is in the process of stealing from an expensive apartment. Panicking, Daryl holds Jill captive but she gets him taking about his life of crime and the wife who left him, taking with her his much-adored young daughter.

  • av James McDermott
    191

    ‘Where can I ‘explore’ by the coast? Rock pools. I can’t get onto Grindr and Tinder: there’s no 4G in Norfolk. The whole world is a singles bar now but I can’t get in. I am sick of feeling like a story that will never get told.’Jimmy is sixteen, sexually confused and stuck in the seaside town they forgot to bomb. He’s screwed. Well he isn’t actually: that’s the problem… When pop icon Morrissey comes to London, Jimmy flees to the big city to find his hero and himself.Rubber Ring is a coming of age comedy solo play about growing up queer in a rural community, learning to love yourself, love your roots and love without labels.

  • av Don Zolidis
    237

    Wonderland is no longer just in the mind of Alice. In Don Zolidis' new parody, Dr. What and his companion Cara crash into Wonderland. When the two are separated they meet all the usual suspects, mainly the Queen of Hearts, who is ready to chop off the heads of anyone who crosses her. It's up to the time-traveling duo to escape and get their phone booth fixed before it's off with their heads!

  • av Matthew Seager
    217

    They call it 'the incident' now. What happened, when they first met. He always said it was part of his romantic plan, but they both know that's rubbish.Join Arthur and Jane, at the beginning, as they tell us their story. Connected by the music of Frank Sinatra, this intimate, humorous and deeply moving love story explores the effects of Alzheimer's disease and the transformative power of music in our lives.

  • av Agatha Christie
    237

    When a house party gathers at Gull's Point, the seaside home of Lady Tressilian, Neville Strange finds himself caught between his old wife Audrey and his new flame Kay. A nail-biting thriller, the play probes the psychology of jealousy in the shadow of a savage and brutal murder. A carefully unpeeled investigation before our eyes brings the story to a pointed ending.

  • av Andrew Bergman
    261

    This hilarious Broadway comedy surrounds a married couple who are art dealers. Their domestic tranquility is shattered upon the arrival of the wife's goody-goody nerd of a sister, her uptight CPA husband, and her archetypal Jewish mother. They are there to try to save their college-student daughter from the horrors of living only for sex. The comic sparks really begin to fly when the mother hits it off with the elderly minimalist artist who is the art dealers' best client!

  • - The Ellie Greenwich Musical
    av Anne Beatts
    261

    This hit Broadway musical retrospective celebrates the life and times of Ellie Greenwich, whose doo-wop sounds skyrocketed to the top of the 60s charts. The story of Ellie's rise to fame and fortune is punctuated with the virtual hit parade of her music: "Chapel of Love," "Da Doo Ron Ron," "Be My Baby," "Hanky Panky," Do Wah Diddy Diddy," "And Then He Kissed Me," and, of course, the title song, "Leader of the Pack."

  • av Michael Frayn
    261

    This amusing satire about audiences by the author of Noises Off, Copenhagen and other acclaimed plays takes place in the stalls (orchestra) of a West End theatre. The cast includes an usherette, audience members and a playwright in agony over crinkling candy wrappers, talking out loud, and inattention to his play. The characters in Michael Frayns metatheatrical comedy are actually watching the audience, expecting them to perform, and comedy ensues as Frayn holds a mirror up to the audience and they see their our own foibles as audience members.

  • av William Gadea
    281

    A collection of short plays selected by New York theatre critics, professionals, and the editorial staff of Samuel French, Inc. as the most important plays of the 22nd Annual Off Off Broadway Original Short Play Festival, sponsored by Love Creek Productions. This collection includes: Because I Wanted to Say by Sean O'Donnell, Brothers by William Gadea, For Tiger Lilies Out of Season by Andrea M. Green, The Last Dance by Clare Tattersall, The Most Perfect Day by Peter Ernst, This Is How It Is by

  • av Dick King-Smith
    237

    Ideal as a school play, a youth drama project or a festival entry, Lady Lollipop is brilliantly adapted by David Wood from the very popular book by Dick King-Smith. If you loved the book, why not join in the story of the clever pig - Lollipop, her keeper - Johnny, and Princess Penelope - a spoilt royal brat? There are parts for everyone, as well as tips on mime, movement, music and props. What are you waiting for? Let the entertainment begin!

  • av Marc Camoletti
    261

    Winner! 2008 Tony Award, Best Revival of a Play Revised 2008 Broadway Revival Edition. This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers". He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

  • av Lucas Kavner
    237

    At a bar across from a falafel place, Max and Anna meet again, or is it for the first time? A funny and emotionally raw portrait of a couple struggling to hold on to one another without losing themselves, Fish Eye explodes the traditional chronology of romance and offers a modern take on the exhilaration of love - when nothing means everything and everything means nothing - and the entire world can shrink down to a single moment.

  • av Clare Barron
    201

    A freak storm knocks down all the trees in town and brings a prodigal daughter rushing home. But has she come for reconciliation? Or as an angel of vengeance? A comic new play about love, forgiveness and family struggling to operate in a relentlessly chaotic and violent world.

  • av Katherine DiSavino
    237

    Do you have Seasonal Allergies? You might be experiencing the symptoms of them and not even know it. Seasonal Allergies tend to show themselves right around the holidays: do you feel a tickle in the back of your throat when you realize your vegetable dishes cooked faster than you thought, and now they're ready a full hour before the turkey will be out of the oven? Do your eyes water uncontrollably after you've nearly broken your back climbing into the attic to find the Christmas lights (and then

  • av John Crocker
    247

    This is a full-length pantomime, entirely traditional with lots of humour and with its own original and delightful score by Eric Gilder which is available separately. The large number of both amateur and professional groups who present Crocker and Gilder pantomimes regularly every year is unmistakable proof of their success. | 2 women, 2 men, 11 women or men

  • av Peter Stone, Thomas Meehan & Maury Yeston
    261

    "In Death Takes a Holiday, it's just after World War I and the loneliest of souls arrives at an Italian villa disguised as a handsome young Prince, and for the first time experiences the joys and heartbreaks of life. The show began as an Alberto Casella play from the 1920s that was made into a much-loved 1934 film. The original film was remade in 1998 as Meet Joe Black."--Page 4 of cover.

  • av Keith Waterhouse & Willis Hall
    241

    An exhuberant comedy which is yet a sad commentary on twentieth-century bureaucracy. The Hesseltines are living in property well overdue for demolition and they are looking forward to being re-housed in more beautiful and salutory surroundings. The crisis comes when they find that, far from a house with a little bit of garden, they are to live in a warrenous block of flats.|3 women, 6 men

  • av Christine Mary Dunford
    237

    Place of publication from publisher's website.

  • av Professor David Mamet
    261

    Full Length, Dramatic Comedy / 2m, 1f / 2 ints.Revived on Broadway in 2008, the original production starred Joe Mantegna, Ron Silver and Madonna in this hilarious satire of Hollywood, a culture as corrupt as the society it claims to reflect. Charlie Fox has a terrific vehicle for a currently hot client. Bringing the script to his friend Bobby Gould, the newly appointed Head of Production at a major studio, both see the work as their ticket to the Big Time. The star wants to do it; as they pre

  • - Play
    av Michael Pertwee
    227

    Jay Spencer wants to leave his past behind him and start a new life. When he moves into his new flat his only wish is solitude, but the girl next door plagues him with her suicide threats, his current wife causes problems, his ex-wife insists on leading him to Jesus, and his secretary declares her undying passion. Jay's women pursue, attack, seduce and harass him and he only wants to be left alone or does he? Finally when he achieves his aim and has only himself for company, the thought is too much and he telephones the last female left his mother! This very funny and witty play has fast and well-timed comic action.| 4 women, 1 man

  • - Play
    av Maurice McLoughlin
    241

    It is 1950 and revolution has swept a country and now reached a mission station which cares for children. A new Communist government has taken over and there has been persecution of Nuns and Priests throughout the province. The Mission has been cut off from the local village and the orphaned children have been removed. The British Consul, together with his wife Ruth visits the Mission, both have a deep-seated dislike of Germans because of their son's death in the Second World War. A letter arrives from Mei Cheng the governing General of the province addressed to Sister Magdalen. This elderly Nun looked after Mei Cheng when he was an orphaned boy many years previously and is the Generals Godmother. | 6 women, 3 men

  • av Stephen Poliakoff
    237

    Set in Russia shortly after the Revolution, Stephen Poliakoff's intriguing and moving play has an autobiographical background in that it is inspired by what happened to his own family in Russia. Produced first by the RSC at the Pit and later transferring to the Mermaid the play follows the material and spiritual adjustments the upper middle class Pesiakoff family has to make to their life when they are forced to live in a railway carriage for many years. Although ostensibly employed as Telephone Examiner, father spends his time and government money on trying to record sound on to film. With the death of Lenin, however, the research must be abandoned and the family is forced to flee.

  • av William Inge
    221

  • av Marrijane Hayes
    257

    ComedyCharacters: 9 male, 8 female Interior Set Always humorous, the play never loses sight of the fact that these youngsters are experiencing emotions which, though comic to an older eye, are new and wonderful and important to the young people. This is the brightly human story of what happens in the Hartman household when Midge, the youngest, affected by spring, finds herself in the throes of first love. This charming hoyden thinks nothing of starting whirlwinds to impress the young man of her choice - who happens unluckily to be in love wth Midge's older sister, Virginia. In a series of unexpected and delightful manipulations, Midge almost causes Virginia to lose the right boy and to be suspected as a thief; drops a bombshell into Mr. Hartman's business; disrupts brilliant brother Elliott's carefully (and comically) planned life; threatens her mother's social position - in short, threatens the well-being of all concerned, including her own lively companions. And at the end of the second act the world comes smashing down around an angered family and a bewildered Midge. But on the night of the Spring Prom - Midge's first formal dance - if she gets to go - Midge steps in again and sets matters straight in a heart-warming and funny fashion. And by the end of th play, the three Hartman youngsters have taken important steps toward maturity. A play for high schools which will delight those especially who demand literary excellence as well as strong audience appeal.

  • av Samson Raphaelson
    257

    Comedy / 6m, 3f / Interior This play was an outstanding Broadway production of the 1934-35 season. Prefaces by John Anderson and Barrett H. Clark. This is one of the most gracious, witty and moving sophisticated comedies which Broadway has seen in some time. Though the author emphasizes his delightful theme rather than the matter of plot, the story itself is of the utmost theater value. This has to do with the very civilized attitude of a clever playwright approaching middle-age who not only dares fall in love with a younger woman, but stands aside for a time and even helps a young man take his place in the affections of the girl. In the end, however, the author shows with unmistakable persuasion that age itself has nothing to do with the problem. A thoroughly delightful and sophisticated play for advanced casts.

  • av Neil Simon
    221

    Full Length, ComedyCharacters: 2 male, 2 femaleInterior Set In her beach house in the Hamptons, celebrated writer Rose Stern stands at a crossroads: she hasn't written anything in years and money is getting short. Her former lover, literary lion Walsh McLaren, offers her-from beyond the grave-an opportunity to regain her celebrity and gross millions. It's not going to be easy and a "ghost" writer is required setting in motion another touching and unpredictable roma

  • av Mark St. Germain
    241

    Tammy Wynette - the woman behind the legend and the incredible songs that made her the First Lady of country music - leaps off the stage and into your heart. Through her eyes, the audience relives her journey from the cotton fields of Itawamba, Mississippi, to international superstar. With comic flare and dramatic impact, Stand by Your Man recounts triumphs and tragedies and explores Tammy's relationships with the five husbands she stood by. Among the twenty-six songs are "D-I-V-O-R-C-E," "'Til I Can Make It on My Own," and "Golden Ring."

  • av Thornton Wilder
    201

    The year is 1898 and the place is an over-sumptuous parlor in New York. Mrs. Mowbrey, a mature, wealthy woman with a history to bury, makes a plan--she'll befriend her estranged niece and fiancé, and their subsequent marriage will provide her own entre into respectable society. Or at least, that's what she tells the young couple. In Shakespeare and the Bible uncovers a mystery inside a melodrama inside a meeting. Mrs. Mowbrey invites her niece, Katy and her niece's fiancé Mr. Lubbock to her home separately and unbeknownst to each other. Mr. Lubbock arrives first, and is asked to become Mr. Mowbrey's attorney. Katy comes later, to meet this aunt who has fallen from her family's good graces for unknown reasons. With all three in the room, it becomes apparent that Mr. Lubbock and Mrs. Mowbrey share something that's not deemed proper for Katy to know. Yet Katy insists they tell her. When Mrs. Mowbrey leaves the room, insisting that they work things out among themselves, the mystery looms large. Katy discovers their secret and the true intent of Mrs. Mowbrey's agenda hangs in the balance: Did she intend to use her wealth to buy respectability and family relations? Or exact revenge?

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