Böcker utgivna av SAMUEL FRENCH TRADE

Simon leaves America for the first time to fly to the Old Country to marry the woman he's been betrothed to from birth. On arrival, he finds that she is ancient. She insists that she is his betrothed - his only love - and that she aged overnight due to the stress of his anticipated arrival. Horrified by her age and her abundant sexual interest in him, Simon kills her. Derailed by old crones, morally ambiguous clergymen, deceitful babies and barnyard animals, Simon must navigate a world where murder, ghostly possession and rampant cuckoldry wreak havoc with his sense of reality. The Betrothed is an existential comedy with a fairy tale heart.

Based on Helen Thorpe's bestselling book, this documentary-style play follows four Latina teenage girls in Denver-two of whom are documented and two who are not-through young adulthood. Their close-knit friendships begin to unravel when immigration status dictates the girls' opportunities, or lack thereof. When a political firestorm arises, each girl's future becomes increasingly complicated. Just Like Us poses difficult yet essential questions about what makes us American.

The action centers on a fictional portrayal of Fanny Kemble's farewell performance to her beloved audience. She has chosen a reading of Shakespeare's The Tempest as her swan song. As she reads, she slips in and out of the characters on Shakespeare's magical island and relives her own life as an actress, a mother, an abolitionist and a triumphant author. Fanny Kemble was a mid-19th century actress from a theatrical family in Britain. She married an American and was an early feminist, abolitionist, writer, and one of the most celebrated actresses to grace the 19th-century American stage. She argued politics with U.S. presidents. She inspired Walt Whitman's Leaves of Grass and Henry James' Washington Square. She was the first entertainment superstar about whom newspapers gossiped; women imitated her, and men wore her likeness on neckties. After her divorce in 1849, she gave dramatic readings of Shakespeare's plays in which she performed all the roles.

Ibsen's celebrated play thrust drama firmly into the modern age when it premiered in 1879. Now, nearly 150 years later, acclaimed playwright Amy Herzog makes the story of Nora Helmer freshly relevant. Herzog's thrilling, compact, and contemporary adaptation runs a mere 110 minutes.

As the half-blood son of a Greek god, Percy Jackson has newly-discovered powers he can't control, a destiny he doesn't want, and a mythology textbook's worth of monsters on his trail. When Zeus's master lightning bolt is stolen and Percy becomes the prime suspect, he has to find and return the bolt to prove his innocence and prevent a war between the gods. But to succeed on his quest, Percy will have to do more than catch the thief. He must travel to the Underworld and back; solve the riddle of the Oracle, which warns him of betrayal by a friend; and come to terms with the father who abandoned him. Adapted from the best-selling book The Lightning Thief by Rick Riordan and featuring a thrilling original rock score, The Lightning Thief: The Percy Jackson Musical is an action-packed mythical adventure "worthy of the gods" (Time Out New York).

Viola washes up on the shores of Illyria, disguises herself as a man, is sent to court a countess, and falls hard for a Duke. As she navigates this strange and wonderful new land, she finds her true self and true love in the process. Named one of the best theatrical productions of 2018 by Time, The Hollywood Reporter, and The Washington Post, Twelfth Night is a rousing contemporary musical adaptation of Shakespeare's romantic comedy about mistaken identity and self-discovery.

Four patients go to a skin cancer hospital for treatment, but among the two doctors, the patients and the people supporting them, questions arise concerning who is sick, who is healing, and who has the power to decide.

Probably the wittiest comedy in the English language. To avoid various social responsibilities Jack Worthing has invented an irresponsible younger brother named Earnest.

The Hughes family moves to Butterfield and begins to choose friends. Mr. Hughes is there on business. Mrs. Hughes has social ambitions. Oldest daughter Mildred fancies herself in love with the snooty son of a bank president. Studious daughter Jean flings off her glasses and becomes the life of the party. Dapper Teddy gets into a merry mix up juggling four dates at once. And daughter Amy falls in love for the first time. But the whole family is in for a hard awakening. They all become aware of the serious implications of what had seemed very funny and make wise readjustments to one another and to life.

When Gloria passes away it falls to her British-born children to host the traditional Jamaican Nine Night celebration. Family and friends familiar and unfamiliar arrive to celebrate the life of the woman who connects them all and deal with unfinished business along the way. Nine Night is at once moving and raucously funny. Gordon paints the rituals of grief the tensions of family and the complexities of identity with an acute eye and razor-sharp wit.

A genius with language but convinced of his own ugliness Cyrano secretly loves the radiant Roxane. While Roxane is in love with the beautiful but inarticulate Christian.Cyrano's generous offer to act as go-between sets in motion a poignant and often hilarious love-triangle in which each character is torn between the lure of physical attraction and the seductive power of words.Martin Crimp's adaptation of Edmond Rostand's Cyrano de Bergerac premiered at the Playhouse Theatre London in November 2019.

A travel writer who never travels. A Japanese architect who can't figure out how to build a simple tea house. A gifted tattoo artist who resists the power of his talents. And a homeless girl who lives under a weeping willow tree in the Japanese Garden. Four lonely people, their stories written on paper, earth, and skin, find each other when one of them falls apart. Together they realize the heart is as strong as it is fragile, and that the safety of home might be found in the most fearsome explorations. A beautiful, haunting, and richly human play.

Two women sit in a funeral parlor with the corpse of a recently deceased loved one saying things like "Doesn't he look like himself " when the corpse sits up and asks for Betty. Who is this Betty they wonder? God certainly works in mysterious ways.

During a weekend retreat sponsored by two female rabbis, the atmosphere in a country log cabin evolves from shyness and contempt into a tell-all session among adolescent Jewish girls from all types of families and backgrounds. Stories and songs transcend stereotypes to find individuality, heart and humor and to touch on sensitive issues such as pressure, self-esteem, the fast pace of this decade and what it means to be a girl - not just a Jewish girl - in modern society. Meet the loner with the inflatable mattress, the rich girl, the observant young woman with the gay brother, the anarchist, the all-too mature teen and an intriguing mix of other vivid personalities. Songs range from contemporary to pop tunes to upbeat numbers based on religious liturgy, all by the author of Runaways, The Red Sneaks and other challenging musicals for young casts.

Sara, an enslaved rebel turned Union spy, and Sandra, a tenured professor in a modern-day private university, are having parallel experiences of institutional racism, though they live over a century apart. Confederates leaps through time to trace the identities of these two Black American women and explore the reins that racial and gender bias still hold on American educational systems today.

A talented and experienced Black actress has been cast in Chaos in Belleville an anti-lynching play set to open on Broadway. She's paid her dues throughout the years playing stereotypical supporting roles in second-rate shows and is ready for her star turn. Chaos in Belleville written by a white playwright might not be quite as enlightened a piece as she's been hoping for - but that doesn't mean it won't sell out. And selling out is the question at the heart of Alice Childress's comedy-drama. A cast of multigenerational Black actors rehearse under the purview of a white director and stage manager and as the rehearsal process unfolds theatre conventions and racial politics collide resulting in a surprisingly funny yet deeply piercing look at the entertainment industry.