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Böcker utgivna av SAMUEL FRENCH TRADE

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  • av Dipika Guha
    310,-

    Late bloomer Simon leaves America for the rst time to y to the Old Country to marry the woman he's been betrothed to from birth. On arrival he ndsthat she is ancient. She insists that she is his betrothed his only love and that she aged overnight due to the stress of his anticipated arrival. Horri ed byher age and her abundant sexual interest in him he kills her.The Betrothed is an absurdist comedy about love self-realization and becoming your parents.

  • av Karen Zacarías
    236,-

    Based on Helen Thorpe's bestselling book this documentary-style play follows four Latina teenage girls in Denver-two of whom are documented and two who are not-through young adulthood. Their close-knit friendships begin to unravel when immigration status dictates the girls' opportunities or lack thereof. When a political firestorm arises each girl's future becomes increasingly complicated. Just Like Us poses difficult yet essential questions about what makes us American.

  • av Tom Ziegler
    236,-

    The action centers on a fictional portrayal of Fanny Kemble's farewell performance to her beloved audience. She has chosen a reading of Shakespeare's The Tempest as her swan song. As she reads she slips in and out of the characters on Shakespeare's magical island and relives her own life as an actress a mother an abolitionist and a triumphant author.Fanny Kemble was a mid-19th century actress from a theatrical family in Britain. She married an American and was an early feminist abolitionist writer and one of the most celebrated actresses to grace the 19th-century American stage. She argued politics with U.S. presidents. She inspired Walt Whitman's Leaves of Grass and Henry James' Washington Square. She was the first entertainment superstar about whom newspapers gossiped; women imitated her and men wore her likeness on neckties. After her divorce in 1849 she gave dramatic readings of Shakespeare's plays in which she performed all the roles.

  •  
    236,-

    Ibsen's celebrated play thrust drama firmly into the modern age when it premiered in 1879. Now nearly 150 years later acclaimed playwright Amy Herzog makes the story of Nora Helmer freshly relevant. Herzog's thrilling compact and contemporary adaptation runs a mere 110 minutes.

  • av Joe Tracz
    236,-

    As the half-blood son of a Greek god Percy Jackson has newly-discovered powers he can't control a destiny he doesn't want and a mythology textbook's worth of monsters on his trail. When Zeus's master lightning bolt is stolenand Percy becomes the prime suspect he has to find and return the bolt to prove his innocence and prevent a war between the gods. But to succeed on his quest Percy will have to do more than catch the thief. He must travel tothe Underworld and back; solve the riddle of the Oracle which warns him of betrayal by a friend; and come to terms with the father who abandoned him.Adapted from the best-selling book The Lightning Thief by Rick Riordan and featuring a thrilling original rock score The Lightning Thief: The Percy Jackson Musical is an action-packed mythical adventure "worthy of the gods"(Time Out New York).

  • av Kwame Kwei-Armah
    236,-

    Place of publication from publisher's website.

  • av Gracie Gardner
    236,-

    Place of publication from the publisher's website.

  • av Oscar Wilde
    286,-

    Probably the wittiest comedy in the English language. To avoid various social responsibilities Jack Worthing has invented an irresponsible younger brother named Earnest.

  • av Joseph Hayes
    286,-

    The Hughes family moves to Butterfield and begins to choose friends. Mr. Hughes is there on business. Mrs. Hughes has social ambitions. Oldest daughter Mildred fancies herself in love with the snooty son of a bank president. Studious daughter Jean flings off her glasses and becomes the life of the party. Dapper Teddy gets into a merry mix up juggling four dates at once. And daughter Amy falls in love for the first time. But the whole family is in for a hard awakening. They all become aware of the serious implications of what had seemed very funny and make wise readjustments to one another and to life.

  • av Natasha Gordon
    260,-

    When Gloria passes away it falls to her British-born children to host the traditional Jamaican Nine Night celebration. Family and friends familiar and unfamiliar arrive to celebrate the life of the woman who connects them all and deal with unfinished business along the way. Nine Night is at once moving and raucously funny. Gordon paints the rituals of grief the tensions of family and the complexities of identity with an acute eye and razor-sharp wit.

  • av Edmond Rostand
    260,-

    A genius with language but convinced of his own ugliness Cyrano secretly loves the radiant Roxane. While Roxane is in love with the beautiful but inarticulate Christian.Cyrano's generous offer to act as go-between sets in motion a poignant and often hilarious love-triangle in which each character is torn between the lure of physical attraction and the seductive power of words.Martin Crimp's adaptation of Edmond Rostand's Cyrano de Bergerac premiered at the Playhouse Theatre London in November 2019.

  • av E M Lewis
    220,-

    A travel writer who never travels. A Japanese architect who can't figure out how to build a simple tea house. A gifted tattoo artist who resists the power of his talents. And a homeless girl who lives under a weeping willow tree inthe Japanese Garden. Four lonely people their stories written on paper earth and skin find each other when one of them falls apart. Together they realize the heart is as strong as it is fragile and that the safety of home might befound in the most fearsome explorations. A beautiful haunting and richly human play.

  • av Don Nigro
    200,-

    Two women sit in a funeral parlor with the corpse of a recently deceased loved one saying things like "Doesn't he look like himself " when the corpse sits up and asks for Betty. Who is this Betty they wonder? God certainly works in mysterious ways.

  • av Neil Simon
    286,-

  • av Elizabeth Swados
    220,-

    During a weekend retreat sponsored by two female rabbis the atmosphere in the countrylog cabin evolves from shyness and contempt into a tell-all session among adolescent Jewishgirls from all types of families and backgrounds. Stories and songs transcend stereotypesto fi nd individuality heart and humor and to touch on sensitive issues such as pressure self-esteem the fast pace of this decade and what it means to be a girl - not just a Jewishgirl - in modern society. Meet the loner with the infl atable mattress the rich girl the observantyoung woman with the gay brother the anarchist the all-too-mature teen. and anintriguing mix of other vivid personalities. Songs range from contemporary to pop tunesto upbeat numbers based on religious liturgy all by the author of Runaways The Red Sneaks and other challenging musicals for young casts.

  • av Dominique Morisseau
    220,-

    Sara an enslaved rebel turned Union spy and Sandra a tenured professor in a modern-day private university are having parallel experiences of institutional racism though they live over a century apart. Confederates leaps through time to trace the identities of these two Black American women and explore the reins that racial and gender bias still hold on American educational systems today.

  • av Alice Childress
    260,-

    A talented and experienced Black actress has been cast in Chaos in Belleville an anti-lynching play set to open on Broadway. She's paid her dues throughout the years playing stereotypical supporting roles in second-rate shows and is ready for her star turn. Chaos in Belleville written by a white playwright might not be quite as enlightened a piece as she's been hoping for - but that doesn't mean it won't sell out. And selling out is the question at the heart of Alice Childress's comedy-drama. A cast of multigenerational Black actors rehearse under the purview of a white director and stage manager and as the rehearsal process unfolds theatre conventions and racial politics collide resulting in a surprisingly funny yet deeply piercing look at the entertainment industry.

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