Böcker utgivna av Seven Stories Press

"Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Em is not a romance in any usual sense of the word, but it is a word whose homonym--aimer, to love--resonates on every page, a book powered by love in the larger sense. A portrait of Vietnamese identity emerges that is wholly remarkable, honed in wartime violence that borders on genocide, and then by the ingenuity, sheer grit and intelligence of Vietnamese-Americans, Vietnamese-Canadians and other Vietnamese former refugees who go on to build some of the most powerful small business empires in the world. Em is a poetic story steeped in history, about those most impacted by the violence and their later accomplishments. In many ways, Em is perhaps Kim Thâuy's most personal book, the one in which she trusts her readers enough to share with them not only the pervasive love she feels but also the rage and the horror at what she and so many other children of the Vietnam War had to live through. Written in Kim Thâuy's trademark style, near to prose poetry, Em reveals her fascination with connection. Through the linked destinies of characters connected by birth and destiny, the novel zigzags between the rubber plantations of Indochina; daily life in Saigon during the war as people find ways to survive and help each other; Operation Babylift, which evacuated thousands of biracial orphans from Saigon in April 1975 at the end of the Vietnam War; and today's global nail polish and nail salon industry, largely driven by former Vietnamese refugees--and everything in between. Here are human lives shaped both by unspeakable trauma and also the beautiful sacrifices of those who made sure at least some of these children survived"--

An old New York Catskills hotel is converted into a Reeducation center for star #MeToo offenders in a story full of cunning and craft, double meanings and doppelgangers. A finalist for the Jewish National Book Award strikes again with another brilliant satire--a treat for readers of Philip Roth, Dara Horn, Nathan Englander, and others. Somewhere in the Catskills there's a camp, it's called Camp Jeff. The place is named for Jeffrey Epstein, not that Jeffrey Epstein, this is the good Jeffrey Epstein, a benefactor who wants his name on the building, though the bad one's not entirely irrelevant to this story. Tova Reich's newest novel, on the heels of her award-winning Mother India is a raucous and biting tale of a reeducation camp for alleged sex offenders. Reich's verbal blade is sharp and she slashes with it, but not without the sensitivity that such incisiveness requires. Camp Jeff is a work in Reich's signature satirical mode, an unhindered indictment of both #MeToo and therapeutic culture, and at the same time is also a deeply considered work of psychological portraiture and an examination of love, faith, and affection in American culture.

A gorgeously illustrated picture book for adults—with two gatefold pages inside—by Nobelist Olga Tokarczuk and illustrator Joanna Concejo, creators of The Lost SoulA devastating putdown of our self-obsessed, superficial social media culture.Mr. Distinctive has a memorable, attractive face. He only has to walk down the street, and everyone turns to smile at him. Once he starred in a TV commercial and was praised and congratulated for having a face that sold the product well. Mr. Distinctive is very pleased with himself and loves to take selfies with his cellphone. He posts countless images of himself that are shared all over the internet.One day Mr. Distinctive looks in the mirror and sees that his features have begun to fade, his face has changed into a blur. With every new photo he posts, his distinctiveness dwindles. Determined to regain his flawlessly beautiful face and the adoration it brought him, Mr. Distinctive seeks out an extreme solution. But are the lengths he goes in order to restore his sense of being unique and exceptional worth it?In their new story, the creators of The Lost Soul—Nobel prize in literature winner Olga Tokarczuk and illustrator Joanna Concejo—show us a world of obsession with personal appearance and self-promotion, where happiness is an imperative, and the cult of youth rules.

An essential, definitive visual guide and history to the variety of human rights and protections–great for activists, rights defenders, and young readers who love visual learning.Wth timelines, easy-to-follow graphics and bite-sized bits of info, this book explains it all from workers' rights to the right to a clean environment, and the people who fought to protect those rights.All people deserve to be respected and valued. Regardless of where we were born, how much we have, what we believe or think, or our age or the color of our skin–all lives are important and we deserve to live them with satisfaction, justice, safety, and freedom.There are many different kinds of human rights and many people who have fought to establish and protect those rights. Here you can learn about rights for indigenous, workers, children, and lgbtq+ people, the right to go to school and have a home, the right to think a certain way and practice the religion of your choice–rights we may not even realize weren't always protected.Did you know that the right to be a child--to go to school and not have to work or be married off--had to be fought for and made law?   Did you know that in some countries the right to live in a safe home with water and electricity is not guaranteed?Did you know that at one time in America, Indigenous people were not allowed to speak their native languages?Human Rights is an oversized, graphically vibrant book with timelines, short and easy-to-understand explanations, important people who fought for changes in human rights law, and a chapter on protecting future rights. It's an essential visual reference that explains all there is to know about our human rights and the laws and doctrines that protect them.

A fascinating deep dive into Kurt Vonnegut’s oeuvre and legacy, illuminating his unique perspective on environmental stewardship and our shared connections as humans, Earthlings, and stardust.Vonnegut’s major apocalyptic trio—Cat’s Cradle, Slapstick, and Galápagos—prompt broad global, national, and species-level thinking about environmental issues through dramatic and fantastic scenarios. This book tells the story of the origins and legacy of what Kurt Vonnegut understood as “planetary citizenship” and explores key roots, influences, literary techniques, and artistic expressions of his interest in environmental activism through his writing.Vonnegut saw writing itself as an act of good citizenship, as a way of “poisoning” the minds of young people “with humanity . . . to encourage them to make a better world.” Often that literary activism meant addressing real social and environmental problems—polluted water, soil, and air; the plasticization of cultures and lives; racial and economic injustice; isolating and dehumanizing technologies; and lives and landscapes desolated by war. Vonnegut’s remedies took many forms, from the redemptive power of the arts to artificial extended families to vital communities and engaged democracies. Reminding us of our shared connections as humans, as Earthlings, as stardust, Lucky Mud helps fans, scholars, and book lovers of all kinds experience how Vonnegut’s writings offer whole Earth, interstellar, and species-level perspectives and purposely challenge readers to think, create, and love.

"An Irish-American family comes to life in this first novel by actor and independent filmmaker Ed Burns. The book opens at a wake, as our twelve-year-old narrator, an aspiring writer, takes in the death of his beloved grandfather, Pop, a larger-than-life figure to him. The overflowing crowd includes sandhogs in their muddy work boots, old Irish biddies in black dresses and cops in uniform, along with the family in mourning. There's an open casket, the first time he's seen a dead person. Later, at the bar across the street, he tells a story to the assembled crowd about the day his dad proposed to his mom, and how he almost got beat up by her brothers for it, and then how Pop made him propose twice. His mom calls him "Kneenie," and with her husband and older son Tommy lost to her, he's the best thing she's got. He sees her struggling, but doesn't know how to help-since like his brother and father before him he knows he'll also abandon her soon enough. Stories cascade between the prior generation's colorful origins in the Bronx and the softer world of the Long Island town of Gibson, where the family lives now. There are scenes in the Rockaways, at Belmont Race Track, and in Montauk. Out of individual struggles a collective warmth emerges, a certain kind of American story, raucous and joyous"--

A comprehensive anthology with more than 30 speeches that span five decades by Fidel Castro, one of history’s greatest orators.Emerging in the 1960s as a leading voice in support of anticolonial struggles, then continuing to play a role in the antiglobalization movement in the subsequent decades, Fidel Castro was an articulate and penetrating—if controversial—political thinker and leader, who outlasted ten US presidents.Covering five decades of Fidel’s speeches, this selection begins with his famous courtroom defense (“History will Absolve Me”), and also includes his speech on learning of Che Guevara’s death in Bolivia, his analysis of the collapse of the Soviet Union, and his response to the 9/11 terrorist attacks. With his declining health and the emergence of new leaders such as Hugo Chávez in Venezuela and Evo Morales in Bolivia, this book sheds light not just on Castro’s mighty role in Latin America’s past, but also on his legacy for the future. Love him or hate him, this anthology demonstrates that Fidel Castro is a “master of the spoken word,” as Gabriel García Márquez has described him.The Fidel Castro Reader includes a chronology of the Cuban Revolution, an extensive glossary and index as well as 24 pages of photos.

A beloved memoir from one of the most acclaimed radical writers in American literature—whose graphic, funny, and caustic voice has by turns haunted and influenced the literary and artistic establishments. "[Indiana] becomes the connective tissue that binds together a diaspora of subcultures: the beatnik-era experimental writing and happenings of downtown New York, the 1960s co-opted counterculture gone awry, the punk movement that followed, and the art and intellectual circles of the Reagan 80s, when the AIDS crisis was wiping out a generation of young gay men like him." —Los Angeles Times With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post–summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he lived and worked occasionally over the past decades. Connoisseurs will recognize in this—his most personal book—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing read and a serious contribution to the genres of gay and literary memoir.

"In Breaking the Curse, Alex DiFrancesco takes their own crushing experiences of assault, addiction, and transphobic violence as the starting point for a journey to self-reclamation. Reeling in the aftermath of a rape that played out as painfully in public as in private, DiFrancesco begins to pursue spirituality in earnest, searching for an ancestral connection to magic as a form of protection and pathway to transformation. Propelled by a knowledge of the spiritual role of the transgender person in society, Alex winds through Cleveland and Brooklyn and Philly-from rehab and pagan AA meetings and friends' spare mattresses to tarot readers and books about Italian witchcraft to daily ritual, prayer, altar-making, and folk tradition. In so doing, they begin to not only piece together a way to heal but also call into existence a life that finally feels worth living. Breaking the Curse weaves spells, blasphemous novenas, and personal memories to imagine a new memoir form. Speaking about trauma does not always take its power away, DiFrancesco reminds us, but one can write their truth so that the hurt no longer fills the whole horizon"--

With impressive literary power, the acclaimed historical novelist and critic Robert Graves tells the story of the tragic and eventful life of Marie Powell, who, at the age of sixteen, was pushed into marrying the man who was England's greatest epic poet--and knew it--John Milton. "A thumping good read." --E.M. Forster At the age of sixteen, Mary Powell marries poet John Milton. Their marriage, which plays out during the English Civil War, is not one of love, but rather a practical arrangement that proves to be a devastating mismatch of temperaments and convictions. Her Royalist sympathies and his ardent parliamentarianism, her independence, and his austere way of life, 1640s England is a hotbed of clashing ideologies and so too is this marriage. The story, which unfolds in Marie's sensitive and searching journals, is a scathing portrait of one of England's most famous poets, a story of literary ambition and masculine egoism, and, like all of Graves' historical novels, a monumental achievement of closely watched history. One the one hand, this is a tender story of the romance Marie Powell found outside the walls of her tyrannical husband's house. On the other it is also a brilliant account of one of the most breathtaking epochs in English history, when that kingdom was ravaged by a bloody civil war and the tides of fortune swayed from one to the other side of the opposing camps--the King against his parliament, tyranny against freedom--culminating in the dramatic execution of Charles I, and the establishment of a republic.

The incredible tale of a little game that shook the international gaming world--now with new material including a behind-the-scenes look at the sale to Microsoft.For this second edition, the story has been enriched with more Minecraft than ever--a new section describes Minecraft's sale to Microsoft, Notch's less than heartwarming last day in the office, and Mojang's final days of independence. His whole life, all Markus Persson wanted to do was create his own games. Create his own games and get rich. Then in 2009 a strange little project of his quickly grew into a worldwide phenomenon and, in just a few short years, turned its maker into an international icon. Minecraft: The Unlikely Tale of Markus "Notch" Persson and the Game that Changed Everything is a Cinderella story for the Internet age--improbable success, fast money, and the power of digital technology to shake up a rock-solid industry. It's a story about being lost and finding your way, of breaking the rules and swimming against the current. It's about how the indie gaming scene rattled the foundations of corporate empires. But, above all, this is the story of how a creative genius chased down a crazy dream: the evolution of a shy amateur programmer into a video game god.

In 1987, the death of Ben Linder, the first American killed by President Reagan's "freedom fighters" -- the U.S.-backed Nicaraguan Contras -- ignited a firestorm of protest and debate. In this landmark first biography of Linder, investigative journalist Joan Kruckewitt tells his story. In the summer of 1983, a 23-year-old American named Ben Linder arrived in Managua with a unicycle and a newly earned degree in engineering. In 1986, Linder moved from Managua to El Cuá, a village in the Nicaraguan war zone, where he helped form a team to build a hydroplant to bring electricity to the town. He was ambushed and killed by the Contras the following year while surveying a stream for a possible hydroplant. In 1993, Kruckewitt traveled to the Nicaraguan mountains to investigate Linder's death. In July 1995. she finally located and interviewed one of the men who killed Ben Linder, a story that became the basis for a New Yorker feature on Linder's death. Linder's story is a portrait of one idealist who died for his beliefs, as well as a picture of a failed foreign policy, vividly exposing the true dimensions of a war that forever marked the lives of both Nicaraguans and Americans.

A Kirkus Reviews Best Fiction Title of 2011 In Buzz Aldrin, What Happened to You in All the Confusion?, readers follow a man who wishes not to be followed, a man who, after a series of personal and professional disasters, finds himself lying on a rain-soaked road in the desolate, treeless Faroe Islands, population only a few thousand, a wad of bills in his pocket and no memory of how he had come to be there. From there, Brage Award-winning author and playwright Johan Harstad's debut novel--previously published to great success in eleven countries with its first English-language appearance in June 2011--tells the story of Mattias, a thirty-something gardener living in Stavanger, Norway, whose idol is Buzz Aldrin, second man on the moon: the man who was willing to stand in Neil Armstrong's shadow in order to work, diligently and humbly, for the success of the Apollo 11 mission. Through Harstad's "delectably light but nonetheless impactful prose . . . [t]he novel's finest moments wrap you up in communion with Mattias, as if you are spending a quiet afternoon with an old friend, chatting but mostly thinking" (Three Percent). Surrounded by a vivid and memorable cast of characters--aspiring pop musicians, Caribbean-obsessed psychologists, death-haunted photographers, girls who dream of anonymous men falling in love with them on bus trips, and even Buzz Aldrin himself--"Harstad combines formal play and linguistic ferocity with a searing emotional directness" (Dedi Felman, Words Without Borders) to bring Mattias to the realization that he cannot always blend into the background.

In City of Widows, Haifa Zangana tells the story of her country, from the early twentieth century through the US-UK invasion and the current occupation. She brings to light a sense of Iraq as a society mainly of secularists who have been denied, through years of sanctions, war, and occupation, a systemwithin which to build the country according to their own values. She points to the long history of political activism and social participation of Iraqi women, and the fact that, before the recent invasion, they had been among the most liberated of their gender in the Middle East. Finally, she writes aboutBaghdad today as a city populated by bereaved women and children who have lost their loved ones and their land, but who are still emboldened by the native right to resist and liberate themselves to create an independent Iraq.

The first young adult book about the great writer and social justice activist plunges us into the heart of Victor Hugo's fierce fight against the death penalty. A new addition to the "They Said No" series.The guillotine. When Victor Hugo was a child in early 1800s France, it was common to walk down the street and see a petty thief or vagrant beheaded at the guillotine. It was a brutal punishment and also a public spectacle. Hugo was sickened and haunted by these public executions. For him, no man has the right or the power to end the life of another, whatever the crime committed.Hugo was a poet and novelist, author of Les Miserables and The Hunchback of Notre Dame among many others. But equally important to him was his work that protected life, like his book The Last Day of a Condemned Man, which allowed readers to understand what it might feel like to contemplate one's impending death. He also led a fight to save an assassin named Tapner: he had "declared war on the guillotine."Many activists have taken up the fight to end the death penalty. And much progress has been made around the world. Yet many countries--China, Iran, Egypt, the United States and many others--despite calls from those around the world who continue to say no, still allow the death penalty as a form of state-sanctioned punishment.

A celebration of the legacy of the Village Voice bookshop in Paris, founded by Odile Hellier in 1982—a hub of social life and a refuge for artists, writers, and anglophone literary life for over three decades until it closed in 2012.“My entire sense of Paris centers on Odile and the bookshop.” —Richard Ford"For literature lovers, it’s a feast." —Publishers Weekly­In July of 1982, on a quiet boulevard just off the bustling Boulevard Saint-German, Odile Hellier opened the Village Voice Bookshop. Over the next three decades, the blue-shuttered shop would become one of the most famous English-language bookstores in Paris—a vivacious hub for artists, writers, and a haven for anglophone literary life. After the its closing, Odile found herself with hundreds of tapes of various talks given at the bookshop by the greatest artists of their generation.These voices from the past were the spontaneous exchanges of literary and cultural icons such as Susan Sontag, Margaret Atwood, Don DeLillo, Allen Ginsberg, Toni Morrison, Michael Ondaatje, Jim Harrison, Barry Gifford, Adrienne Rich, David Sedaris, Amy Tan, Edmund White, Art Spiegelman, and Stephen Spender, all of whom were drawn to Odile’s tiny bookstore on Rue Princesse. This carefully curated historical archive is an enduring conversation across time, and a memoir of one woman’s beloved store.“… when you squeezed into the narrow event space on the Voice’s upper floor, French and international book lovers mingled with Parisian editors and publishers, shared a glass of wine, a new discovery, a heretical opinion, and took the conversation outside to the sidewalk of the Rue Princesse, for another shared pleasure: an unguilty cigarette.” — Livia Manera, The New Yorker“A stroll from rue de l’Odéon, Les Deux Magots or the Luxembourg Gardens, the hanging sign reads Village Voice: Anglo-American Bookshop. The narrow door and window frames are painted Greek island blue… Lingering a while in front of the window display, you’ll want to dive inside, into an ocean of story.” —Hazel Rowley, Bookforum

A follow up to the book Roy's World, which inspired the documentary directed by Rob Christopher narrated by Lili Taylor, Matt Dillon and Willem Dafoe, this novel is a tribute to his mother Kitty and the gritty Chicago landscape of his youth.This book is about the “ghost years, that time in your life you don’t know won’t never come again,” as Mrs. Cunningham tells Roy and her son, Tommy. Barry Gifford has been writing the story of America in acclaimed novel after acclaimed novel for the last half-century. Almost all of Ghost Years takes place in the 1950s, and Giffort takes on a difficult time in his personal life as he examines the lives of women in that period—the suppression, the lack of opportunities, the dependency on men.

Nobel Prize winner José Saramago tells a quiet and poetic story, an excerpt from his book Small Memories, of a lasting childhood experience of simple, soulful joy. The narrator's memories of a lost childhood paradise focus on two glorious days when he helped his uncle take some piglets to the market in Santarém. They traverse dusty roads, sleep in a barn and awake to a miraculous moonglow, and hear the animals in their “infinite conversations.” The journey, the night, the wind, the light. . . . This poetic story is an unforgettable adventure narrated by José Saramago and presented alongside Armando Fonseca’s fanciful and evocative illustrations.A very special gift for readers of all ages.

"This collection is classic Nader-exhorting us to make our world and nation a better place, even when faced with unchecked political and corporate power, and perverse market and regulatory incentives. He starts with the declaration that the national Democratic Party bureaucrats are either inept or bewildered. With its record-setting campaign fundraising, he bemoans how the Party can't seem to figure out how to go on the offensive against the overtly lying, cruel, corrupt, law-breaking, Wall Street over Main Street, Trumpian Republican Party. In another essay he praises Canada, explaining that the majority of citizens love their health care system-Medicare-for-all, free choice of doctor and hospital, everybody in, nobody out and far less expensive with better outcomes overall. Highlighting heroes like Pete Seeger, Wendell Berry, the journalist Helen Thomas, Nader also celebrates citizens like the lesser-known charismatic George S. Hawkins, general manager of the District of Columbia Water and Sewer Authority who brought immense energy, vision, and ambitious, overdue plans to the forefront for American's public drinking water. Meanwhile, he doesn't shy away from enemies-for example Nader slams the evils of Big Pharma's strength and hold over Congress and infinite greed. Nader also brings American history to the present day with creative twists. "We need to remember Ben Franklin, our frugal forebear, who coined the phrase 'a penny saved is a penny earned, '" he writes. "Today he would say 'a trillion BTUs saved is a trillion BTUs earned.'" Ranging from hernia repair to auto safety reports and warnings about lethal super-bugs and global pandemics from 2013, Nader's essays and newspaper columns will inform and activate his legions of fans"--

"American society is more polarized than ever before. We are strategically being pushed apart by disinformation--the deliberate spreading of lies disguised as truth--and it comes at us from all sides: opportunists on the far right, Russian misinformed social media influencers, among others. It's endangering our democracy and causing havoc in our electoral system, schools, hospitals, workplaces, and in our Capitol. ... [In this book,] ... McQuade shows us how to identify the ways disinformation is seeping into all facets of our society and how we can fight against it with practical solutions to strengthen the public, media, and truth-based politics"

A breathtaking short novel about the complicated feelings of hate and pity in familial love by an acknowledged Latin American master.A brilliant and dark tour de force, Jewish Son presents the delicate archeology of the stubbornness of a boy who demands his parents’ attention. It is a brutal confession of the lies necessary to win a space of approval in a troubled family, a treatise on the excesses of love and the paradoxical lack of affection that is never enough, an accomplished narration of childhood from the point of view of the adult gaze, and a rewriting of Kafka’s Letter to His Father.As his father’s imminent death becomes an ever more concrete reality with surgeries, caregivers, sedatives and his mother grows obsessed with visits to the rabbi and amasses saint cards and Buddhist prayers, the narrator evokes the remnants of the rejection that pervaded his childhood.Without yielding to the idealization of youth or to the delight in pain before physical decay and death, Guebel dissects, beautifully although with discomfort, his very early conversion to the dream of literature as an act of reparation.