127 Easy-to-Prepare, Healthy Recipes from the New York Times Bestselling Series! Discover more than 100 recipes for breakfast, dinner, and dessert that are mouthwatering but guilt-free! From the New York Times bestselling author of the Fix-It-and-Forget-It series comes this new collection of quick, healthy recipes for your slow cooker or Instant Pot. Inside, you will find tantalizing dishes like: Creamy Asparagus Soup Lentil Spinach Soup Sweet Potato Soup with Kale Black Bean Chili Garlic and Lemon Chicken Honey Balsamic Chicken Shredded Lime Chicken Ginger Pork Chops Pasta Primavera And more! Eating well has never been so easy!
Castro: A Biography by Consent offers the most comprehensive and in-depth life history of one of the most iconic and controversial revolutionary leaders of the modern world. Respected by some, despised by others, Fidel Castro was a force to reckon with. Claudia Furiati spent nine years of intensive research unraveling and chronicling his story through seven decades of Cuban history. Castro granted Furiati his consent to write this biography and gave his assurance that he would not read it until the book was completed and published. He allowed her access to his personal (confidential and secret) archives and official files. Through these and multiple interviews with Castro’s friends and enemies alike, Furiati fills in gaps missing from other biographies and provides, through extensive narrative and photos, a powerful portrayal of this charismatic yet enigmatic head of state.
The Dallas Action: Lee Harvey Oswald Did Not Kill JFK is best described as a prosecution by Robert K. Tanenbaum of those corrupt, unscrupulous government and unelected agency officials, who from inception with predetermined outcomes, deceitfully engaged in insecure, phony pretense probes regarding the assassination in Dealey Plaza. Those responsible are prosecuted while those who speak truth to power are exonerated. Robert Tanenbaum, who in 1976 was appointed deputy chief counsel in charge of the congressional investigation into the assassination of President Kennedy, provides stunning and shocking ';immutable facts' that reveal unequivocally that the government's reliance on the Warren Commission (WC) investigation and the House Select Committee on Assassinations (HSCA) alleged probe were reprehensibly and ultimately gut-wrenchingly misleading and downright dishonest. The HSCA was not interested in searching for truth. In fact, as an example, it ultimately fabricated a significant portion of its forensic medical panel summary report and then sealed for fifty years all the underlying documents. For the past sixty years, the government's contrived case that a sole gunman fired three shots from the sixth-floor sniper's nest window inside the Dallas Book Depository building, rested substantially on the alleged invalid science offered to prove the so-called ';Single Bullet Theory.' Evidence shows that five shots were fired in Dealey Plaza, not three. Corroboration of the fourth shot, the fatal blast fired from the knoll hill stockade fence area, includes witnesses and exhibits, as well as scientific audio and photo verification, while significant convincing evidence shows that the fifth shot came from a northeast building complex behind JFK. The uncomfortable truth is that Lee Harvey Oswald has been unjustly accused as the assassin notwithstanding his contract employee status of both the CIA and FBI.
**2018 Nautilus Award Winner & first-place 2021 Firebird Book Award Winner**Awarded 2018 Top Ranked Yoga BlogMindful wisdom and powerful tools for healing, resilience, and renewal.
"I have heard too many people talk about me and my ideas not to realize how different my life and I actually are from the way we are portrayed. So, I decided to open up, to show who I am, what I believe in, and how I got here." In her memoir, Giorgia Meloni speaks about herself in depth for the first time. She talks about her roots, her childhood, and her relationship with her mother Anna, her sister Arianna, her grandparents Maria and Gianni, and the pain of her father’s absence. She shares her visceral passion for politics, which took her from her neighborhood of Garbatella to the Government as a Minister, and then to the leadership of Fratelli d’Italia and the European Conservatives. She also expresses the joy of being the mother of little Ginevra and her love story with Andrea. Additionally, she discusses her dreams and the future she envisions for Italy and Europe. With her characteristic frankness and clarity, she also tackles complex topics such as motherhood, identity, and faith. This passionate and engaging account reveals the past, present, and future of a political leader who has caught the attention of many, both in Italy and beyond.
Learn how to use and leverage AI as a writer, editor, literary agent, or publisher. AI Ink: Writing, Publishing, and Misinformation at the Dawn of the AI Age is a groundbreaking exploration of the profound impact of artificial intelligence on the creative industries. Jason Van Tatenhove, a journalist and expert on political extremism, takes readers on a journey through the rapidly evolving landscape where AI tools are reshaping writing and publishing. From AI-generated content to the ethical dilemmas of misinformation, this book addresses the opportunities and challenges that come with the integration of AI into creative processes. Van Tatenhove draws on his extensive experience and interviews with leading experts to provide a comprehensive guide that is essential for writers, publishers, and anyone interested in the future of creativity. AI Ink not only explores the current state of AI but also offers thoughtful predictions and practical advice for navigating the complexities of this new technological era.
A Groundbreaking New Perspective of Princess Margaret by Renowned Biographer Meryle Secrest Meryle Secrest, distinguished biographer in the arts and humanities, and recipient of a White House Medal, has turned her focus to royalty. In Princess Margaret and the Curse, she has put the conventional view of a much-reviled Princess on its head. Her latest study, which she considers more of an investigation than a biography as such, proposes that nobody knows the truth about the fabled, doomed Princess. She is the first person to have looked at Princess Margaret in a particular family context. That is to say with reference to her mother, Elizabeth Bowes-Lyon, the daughter of a famous, hard-drinking Scottish family that had inhabited an ancient dwelling, Gamis Castle, for centuries. Her older brothers were already renowned for their prowess in alcohol consumption. Decades later, once she became Queen Mother, this Elizabeth would begin to imbibe by eleven in the morning. She was already lamenting the loss of her "drinking powers" when, because of severe bouts of morning sickness during her first pregnancy with the future Queen Elizabeth in 1926, she could not drink. Four years later, while pregnant with Princess Margaret in 1930, she was not so handicapped. Doctors believed it was perfectly safe for a mother-to-be to drink, so she drank. The doctors were wrong. But it took another forty-three years, until 1973, before new studies established that alcohol in any amount was poisonous to the developing human being. The effect is lifelong. We now know that victims’ growth is stunted (Margaret stopped growing at five feet), and their skeletal structures are fragile. They get sick sooner and age faster. There are characteristic emotional differences, too. They never develop maturity of mind. They remain subject to sudden tantrums, rages, are poor judges of character, and particularly prone to run and hide, as Princess Margaret tried to do all her life. They may be as intelligent and gifted as she was, but mulish and fly into a rage. They are, it turns out, exactly like the person she became. None of this has ever been recognized, let alone understood. With this study, the author places Margaret's life in its proper perspective. It seems particularly sad that someone expected to be perfection itself in her manners and behavior should have been born in the one situation where perfection was, in fact, impossible. It is time we looked at this public figure from a new and more forgiving frame of mind, and with a new understanding.
Community-minded Utah mom and preschool teacher Brianne Dressen wanted to play her part in helping to end the pandemic that shut down the world in 2020. What better way than to roll up her sleeves and participate in a clinical trial for the eagerly anticipated Covid vaccines? But something went terribly, terribly wrong. Part memoir, part medical mystery, part social commentary, Worth a Shot? tells the true story of what happened to Brianne’s body, mind, and spirit as she found herself embroiled in a medical, political, and cultural nightmare that had been looming over America for decades. This compelling page-turner reveals how Brianne uncovers unsettling truths about the dark side of the pharmaceutical industry, leading her to question its control not just over doctors and drug trials, but also over free speech and the federal government. Worth a Shot? chronicles Brianne’s journey as she discovers the intricate web of systemic failures that affect the health of millions worldwide, and unwittingly becomes a global advocate for a cause that nobody wants to believe exists. As she bravely battles the far-reaching influence of giant corporations, readers will be touched by the surprising allies who come to her aid, and the unexpected friendships made along the way. Worth a Shot? is a beautifully written and inspirational real-life account that will leave you questioning your own worldview. So much more than a whistleblower’s story, this book ultimately serves as a poignant reminder of the power of the human spirit as it fights to emerge from adversity with love . . . love for oneself, love for one’s community, and love for one's country.(All proceeds from the sale of Worth a Shot? will be donated to React19 and UKCVFamily.)
An analysis of 13 work for literary fiction in the context of their relevance to conservative ideas When Abraham Lincoln met Harriet Beecher Stowe, the author of the abolitionist novel Uncle Tom’s Cabin, he is reported to have said, “so you are the little woman who wrote the book that started this great war.” The story may be apocryphal, but like all great fictions, it points toward an important truth—in this case, that a work of art can shape minds and direction the course of a culture. Today, many of us still hold those high expectations for fiction. If you’ve participated in many conversations about politics over the past several years, there’s a good chance you’ve heard someone compare our national situation to something from J.K. Rowling’s Harry Potter series, Margaret Atwood’s The Handmaid’s Tale, or George Orwell’s 1984. And if you’ve had a conversation with conservatives about their favorite novels, it’s likely that you’ve heard some variation of Ayn Rand, J.R.R. Tolkien, or Tom Wolfe. These writers, of very different literary qualities, all have something to contribute to conversations about conservative ideas. It's healthy for people to share a core group of books in common. The problem is that our group of shared books has become too limited. The consequence for conservatives in particular is that we’ve so narrowed our literary vision, we’ve blinded ourselves to a great tradition of literature that conveys conservative ideas. Particularly at a time when conservativism in the United States is experiencing a series of internal conflicts and conversations, we should expand the conservative canon to better understand conservatism’s meanings and merits, and to introduce readers to more books that illustrate the beauty and truth of conservative principles and ideals. Truthful Fictions does just that, providing thoughtful and accessible analysis of works by a variety of important authors spanning the eighteenth century to the twenty-first. Each chapter, covering works from Samuel Johnson and Willa Cather to V.S. Naipaul and Leif Enger, recounts the author’s life and works, as well as the relevant political social context, but with a focus on the enduring conservative values conveyed by the novel. In the process, it not only provides suggestions for the many people wondering, “what should I read next?”—it also develops a core set of readings around which American conservatives can better debate and win the battle of ideas.
A manifesto and impassioned plea for artistic excellence When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporary masterpieces celebrated in the school's corridors and found himself at odds with the prevailing trends. Now, in Good Art - Bad Art, Florczak unveils a critical exploration of the art world, providing a lucid guide for those who believe in the enduring standards of artistic excellence. But Florczak's narrative extends beyond his personal journey. He shines a spotlight on the intimidation faced by art enthusiasts today—a fear to challenge the prevailing elitist "art establishment." Florczak dismantles the arguments for much of today's art, providing common-sense counterpoints to empower those who seek clarity amid the confusion. In a century where art history has been dominated by those distant from the artist's perspective, Florczak advocates for a shift in focus. He argues for acknowledging an Ideal in art, one that transcends history, culture, and passing fads—a visual best that a society can accomplish. Good Art - Bad Art urges us to evaluate art not just through the lens of historians and critics but from the artist's viewpoint. To unravel the mystery of what makes art visually great, Florczak introduces a simple, clear, and rational method for understanding and evaluating art. Rooted in aesthetics, these enduring standards cut through the complexities of "explanations," "statements," and "theories," establishing excellence or exposing artistic missteps.Good Art - Bad Art provides readers with a visual journey, exploring both exemplary and questionable works of art. From the celebrated masterpieces of the past to the often-ignored gems of the present, Florczak delves into the world of art as perceived by its own respective eras. Accompanied by illuminating quotes from artists, his selections aim to provoke thoughtful reflection.Good Art - Bad Art is more than a book—it is a cultural manifesto. Florczak champions the cause of excellence in art, urging readers to defend it with sound, rational arguments. In an era where the art establishment veers towards inanity, offensiveness, and poor execution, this book stands as a guide for anyone who believes in the profound importance of preserving artistic standards.
Out of Sight is both an investigative deep dive into the meat industry’s treatment of farm animals, and a story of resilience and, ultimately, professional and personal triumph. This insightful and moving memoir chronicles the author’s forty-year career conducting undercover investigations and documenting animal abuse in the U.S. meat industry while simultaneously coping with a mysterious and incapacitating medical condition. Due to the isolation she experienced in childhood suffering from an undiagnosed neurological disorder, Gail Eisnitz found solace with animals, especially those who were neglected or injured. Her childhood desire to rescue animals was eventually realized when, she was hired as staff writer at the Humane Society of the United States, the largest animal protection organization in the world. She later transitioned to become the only female cruelty investigator at HSUS. In that capacity, Eisnitz initiated investigations into many issues, including documenting violations in puppy mills and the dog racing industry, ritual animal sacrifice, factory farms, and slaughterhouses. Exposing the slaughterhouse violations she had uncovered proved extremely difficult. Network television producers invariably concluded that the evidence Eisnitz had secretly obtained was too disturbing to air on TV. Forced to quit her job at HSUS, the author hired on with the Humane Farming Association, where she continued investigating and wrote her first book, Slaughterhouse. She then implored a Pulitzer Prize winning journalist at the Washington Post to write a story exposing the slaughter evidence she had documented. That front-page article prompted immense outrage in U.S. Congress and resulted in an annual multimillion-dollar appropriation for enforcement of the Humane Methods of Slaughter Act, the first funding for what had been a zero-budgeted law. As she continued her investigative efforts around slaughterhouses and also documented unthinkable abuses at industrial pig, calf, and dairy farms – exposed in vivid detail in Out of Sight – the symptoms of the undiagnosed visual processing disorder she had grappled with since childhood dramatically worsened. The many plot twists that occurred during the author’s campaign to expose the meat industry included her breast cancer diagnosis at age 35, a robbery in which one of three gunmen shot somebody in her presence, elaborate cover-ups by the U.S. Secretary of Agriculture and a state governor, and ongoing clashes with state attorneys general as the author struggled to obtain prosecutions of animal abusers. Out of Sight is both an investigative deep dive into the meat industry’s treatment of farm animals, and a story of resilience and, ultimately, professional and personal triumph. It is a poignant account of a lifelong struggle towards self-acceptance that takes the reader on an inspiring journey from helpless victim – much like the animals the author investigated – to empowered victor.
In I Met Someone—what Wagner has called a “tenderly mutilated companion piece” to his screenplay for Maps to the Stars (the film directed by David Cronenberg for which Julianne Moore won the Cannes Film Festival Award for Best Actress)—Oscar–winning Dusty Wilding learns the unspeakable secret hidden beneath the glamour of her carefully calibrated celebrity lifestyle and marriage. With Sirkian grandeur and fearless precision, Wagner scales the heights of his own magnificent obsession: the merciless horrors of destiny—and the shock of courage that often allows human beings to embrace the sacred. I Met Someone has been called “among the most poetic and tragic of all [Wagner’s] work. And perhaps the most deliriously redemptive.”
A new novel by Hollywood’s "master of satire." The myth of an epic, public life—its triumphs and tragedies—is a particularly American obsession. ROAR is a metafictional exploration of such a life and attendant fame of an extraordinary, and completely made up, man. Born in Nashville in 1940 and adopted by a wealthy San Francisco couple, Roger Orr—“Roar”—became an underground stand-up comedian with a cult following while still in his teens, segueing to an acclaimed songwriter in the Sixties. In the decades that followed, his talent spanned the worlds of entertainment, from film directing and books to fine art (paintings, sculpture). His promethean energies expanded to the world of medicine; he became a dermatologist, the first to patent cadaver skin for burn victims. A spiritual seeker who returned to India throughout his life, Roar was also a voracious lover of both men and women. The journey of Roger Orr was a premonition of the cultural earthquakes to come. It wasn’t until his 40s that Roar learned his birth mother was black and it wasn't until his early 60s when he began the hormonal treatment and surgeries that chipped away at the armor covering what he always knew was his true identity: that of a woman. Roar’s saga is best told by a cacophony of voices—family members, critics, historians, and the famous (Meryl Streep, Amanda Gorman, Dave Chappelle, Andy Warhol)—including some heard from the grave. In ROAR, Wagner brilliantly paints a vivid picture of one man, our times, and our culture's enduring obsession with fame.
Fight cancer, Alzheimers Disease, heart attacks, diabetes, and more with plant-based essential Omega-3 the elixir of life from the sea Omega-3 fatty acids have played a crucial role in the evolution of our intelligence. Due to our evolutionary history, however, we can efficiently utilize only aquatic omega-3 fatty acids. Yet, fish and seafood are no longer sufficiently available to us due to overfishing of the worlds oceans, not to mention their contamination with pollutants. Algae oil is a purely plant-based source of aquatic omega-3 fatty acids and at the same time the only sustainable alternative to address the worldwide deficiency of aquatic omega-3 fatty acids. This deficiency is partly responsible for nearly all modern diseasesranging from heart attacks to stroke, from depression to Alzheimers, and from diabetes to cancer. During childhood development, a deficit of this essential brain-building substance leads to severe impairments in emotional, social, and rational intelligencenot least to ADHD and autism. Regular intake of algae oil prevents life-threatening omega-3 deficiency and makes an essential contribution to healthy living. In The Algae Oil Revolution, renowned scientist and bestselling author Michael Nehls introduces the reader to this sustainable and accessible substance, explains why and how it can prevent a range of diseases, and also sheds light on what this discovery means for the future of global human health.
Two Winnie the Pooh Classics in One Beautiful Box Set!
The Unanswered Questions of the Most Consequential Week in American Political History.
Sole Assassin of President Kennedy, or the "Fall Guy" for a Conspiracy? Or Something Else?
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