Böcker utgivna av Southern Illinois University Press

Offers the first in-depth account of how Abraham Lincoln responded to the riddles of mortality, undertook personal mourning, and coped with the extraordinary burden of sending hundreds of thousands of soldiers to be killed on battlefields.

Rhetoric and feminism have yet to coalesce into a singular recognizable field. In this book, author Cheryl Glenn advances the feminist rhetorical project by introducing a new theory of rhetorical feminism. Rhetorical Feminism and This Thing Called Hope equips the field with tools for a more expansive and productive dialogue.

Considering in these poems the impact of addiction and sexual repression in the family and on its individual members, Sara Henning explores with deft compassion the psychological ramifications of traumas across multiple generations.

Explores women's complex and changing relationship to the home and how that affected their entry into the workplace. Jessica Enoch examines the spatial rhetorics that defined the home in the nineteenth and early twentieth centuries and considers how its construction and reconstruction has shaped women's efforts at taking on new kinds of work.

A groundbreaking study that assesses the presidency of Abraham Lincoln through the lenses of governmental power, economic policy, expansion of executive power, and natural rights to show how Lincoln not only believed in the limitations of presidential power but also dedicated his presidency to restraining the scope and range of it.

Gettysburg is a paradox: Today it is beautiful, still, and filled with visitors, yet this national military park serves as a powerful reminder of the clash of armies and the great loss of life that took place here. Gettysburg: This Hallowed Ground explores this Civil War battleground through contemporary photographs and poems.

Patricia Roberts-Miller argues that much current discourse about argument pedagogy is hampered by fundamental unspoken disagreements over what democratic public discourse should look like. The text's pivotal question asks: in what kind of public discourse do we want our students to engage?

On the afternoon of December 30, 1903, during a sold out matinee performance, a fire broke out in Chicago's Iroquois Theatre. This work provides a chronicle of this event to assess the titanic tragedy of the fire itself and also the municipal corruption that kindled the flames beforehand and the political cover-ups hidden in the smoke.

Circle adopts the shape as a trope for gender, family, and history. These lyrical, narrative, and hybrid poems trace the spiral trajectory of womanhood and growth and plot the progression of self as it ebbs away from and returns to its roots in an Asian American family and context.

Covers the author's years growing up in early post-settlement Illinois, where he gave in to temptations such as drinking, gambling, and the lure of prostitutes before joining the army, finding God and becoming a preacher. Blackman peppers his story with the sordid details of the sinful times of his life as well as with discussions of faith and of struggling to understand his God.

Examines the lost films and directors of the 1950s. Contrasting traditional themes of love, marriage, and family, the author's 1950s film world unveils once-taboo issues of rape, prostitution, and gangs. Television shows such as ""Captain Midnight"" and ""Ramar of the Jungle"" are juxtaposed with the cheerful world of ""I Love Lucy"" and ""Howdy Doody"".