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What characterizes women as a group is our colonized status. To be colonized is not to think for oneself, to think on behalf of "e;the other"e;, to put one's emotions to work in service of "e;the other"e;. In short, not to exist.Nicole Brossard is known internationally for her writings on writing, on feminism and on lesbian existence. This edition released for a new wave of feminist outrage is a book full of spirit, energy, insight and chutzpah. She is a major voice in contemporary literature with incisive and hard-hitting essays about feminist imagination and culture.I believe there's only one explanation for all of these texts: my desire and my will to understand patriarchal reality and how it works, not for its own sake but for its tragic consequences in the lives of women, in the life of the spirit. Years of anger, revolt, certitude and conviction are in The Aerial Letter, years of fighting against the screen which stands in the way of women's energy, identity and creativity.-Nicole Brossard

1999. Winter. Bondi. Harry's been on the streets so long he could easily forget what time is. So Harry keeps an eye on it. Every morning. Then he heads to the beach to chat with the gulls. Or he wanders through the streets in search of food, clothes, Jules. When the girl on the bus sees him, lonely and cold in the bus shelter that he calls home, she thinks about how she can help. She decides to write a symphony for him. So begins a poignant and gritty tale of homelessness and shelter, of the realities of loneliness and hunger, and of the hopes and dreams of those who often go unnoticed on our streets. This is the story of two outcasts – one a young woman struggling to find her place in an alien world, one an older man seeking refuge and solace from a life in tatters. It is also about the transformative power of care and friendship, and the promise of escape that music holds. An uplifting and heartbreaking story that demands empathy. Amid the struggles to belong and fit in, we are reminded that small acts of kindness matter. And big dreams are possible.

"e;Very few collections bring home so powerfully the vulnerability of individuals in the face of history,"e; writes Lisa Gorton of Robyn Rowland's powerful poems recording the experiences of soldiers, nurses and doctors, women munitions workers, wives, mothers, composers, painters and poets during the Gallipolli War,1915. It began with the Battle of Çanakkale and the defeat of the British navy. The land battle was hand-to-hand killing, the physical closeness of its soldiers unmasking the depersonalization of the propaganda of war. Importantly, the book finishes with a poem on women's friendship 100 years after the war, and the healing nature of love.

'Surviving Peace' is one woman's story of courage that echoes the stories of millions of people whose lives have been displaced by war. As we still face a world rife with armed conflict, this book is a timely reminder that once the last gunshot has been fired and the last bomb dropped, the new challenge of surviving peace begins.

Cathie Dunsford's much-loved Cowrie returns. The Journey Home follows her through her passions for life, love, food and challenge. Peopled by a diverse array of characters: Benny, the outrageous film-maker; Peta, who Cowrie falls in love with; and the student DK, who has a few things to learn. Torn between her newly-made friendships in California and her roots in her homeland, Cowrie discovers that there is a price to pay for exile even when it's voluntary.

Set against the escalating violence of the last years of the Apartheid regime, Safe Houses tells the story of three families, the Sibiyas, the Singers, the Sterns who are inextricably bound by love and hate, hope and betrayal. Ruth and Lola are drawn into the struggle against Apartheid, but feel marginal: it is difficult to find solutions when one is part of the problem. Can love and hope survive an evil political system that indiscriminately devours both the guilty and the innocent?

From the author of the acclaimed 'Godmothers' comes a new and startling novel. Beginning in the South Pacific and stretching back to a Mediterranean past, Sandi Hall explores a friendship that could affect the history of the world. When Dory Previn asked Did Jesus have a sister? Sandi Hall discovered that he did.

A moving journey through the experience of breast cancer, including the different approaches and treatments.

Who invented hieroglyphics? Who did Einstein's mathematics? Who led the defence of Viet Nam in 40 AD? Who invented the first computer? Who built the pyramid at Giza? Who developed the merino sheep? Who was the first writer in the world? Who invented the wheel? All were women. When the next person asks: Where are all the famous women artists/inventors/architects/writers/scientists?-this book will make it easy to find their names.

The C-Word is an honest and forthright account of cancer. It deals with the loneliness the partner of a sufferer faces, the gruelling treatments of radiotherapy and chemotherapy, and the terror and calm of facing death. A story of a powerful lesbian partnership, as well as the strengths and weaknesses of community.

Sydney, Milsons Point, 1926. Entire streets are being demolished for the building of the Harbour Bridge. Ellis Gilbey, landlady by day, gardening writer by night, is set to lose everything. Only the faith in the book she's writing, and hopes for a garden of her own, stave off despair. As the tight-knit community splinters and her familiar world crumbles, Ellis relives her escape to the city at sixteen, landing in the unlikely care of self-styled theosophist Minerva Stranks. When artist Rennie Howarth knocks on her door seeking refuge from a stifling upper-class life and an abusive husband, Ellis glimpses a chance to fulfil her dreams. The future looms uncertain while the past stays uncannily in pursuit.

This collection of imagist poems combines mythology, archaeology and translation. Susan Hawthorne draws on the history and prehistory of Rome and its neighbours to explore how the past is remembered. Under the guidance of Curatrix, Director of the Museum Matricum, and Latin poet, Sulpicia, travellers Diana and Agnese are led through the mythic archives about wolves and sheep before attending an epoch-breaking party to which they are invited by Empress Livia.

the Great Barrier Reef is still the closest most people will come to Eden, 'Judith Wright The Great Barrier Reef lies off the coast of Queensland: 2000 kilometres of spectacular coral reefs, sand cays and islands, Australia's most precious marine possession. Teeming with life, it covers 350,000 square kilometres. In the late 1960s the Reef was threatened with limestone mining and oil drilling. A small group of dedicated conservationists in Queensland - John B'sst, Judith Wright, Len Webb and others - battled to save the Ellison Reef from coral-limestone mining and the Swain Reefs from oil exploration. The group later swelled to encompass scientists, trade unionists and politicians throughout Australia, and led in 1976 to the establishment of a guardian body: the Great Barrier Reef Marine Park Authority. That it still survives is a legacy of activists, artists, poets, ecologists and students. In 1967 they were branded as 'cranks'; now they should be recognised as 'visionaries'. There are not many success stories in the attempts we make to save especially important elements of the natural world from our own greeds and needs. Here at the end of the twentieth century, we have lost or destroyed a great deal already, and we know that much more is likely to vanish. But the story of the rescue of the Great Barrier Reef still throws a light on the present and gives hope for the future.

A sensitive and groundbreaking study of women, this examination of globalization in India provides a fascinating case study of its effects on female workers in the state of Andhra Pradesh. Originally published in 1982, the book is an important insight into a group dispossessed before the recent economic boom in India. It details the way in which women have been used to produce luxury goods for the Western market while they are not counted as workers or producers in their fragmented workplaces. Instead, these women are defined as nonworking housewives and their work as leisure activity. With rates of pay far below acceptable levels, pauperization is accelerated and their position in Indian society rapidly deteriorates. An invaluable analysis with implications on the global stage, the case of the lace makers continues to instruct on the real impact of industrial development.

In 1987, the Philippine government fights a total war against communist insurgency and the village of Iraya is militarized. The days are violent and the nights heavy with fireflies in the river where the dead are dumped. With her 12-meter hair, the "e;fish-hair woman"e; Estrella trawls the corpses from the water, which now tastes of lemongrass. She falls in love with the visiting Australian writer Tony McIntyre before he disappears in the conflict. Ten years later, his son Luke is reading this story in a mysterious manuscript sent to Australia with love letters. Tony left Australia when Luke was six, and now at 19 Luke is traveling to the Philippines because his father is supposedly dying. On arrival he is caught in a web of betrayal that spins into the dark, magical tale of the manuscript as fact bleeds into fiction. Luke meets Stella, who could be Tony's lover-or the fish-hair woman-but Tony cannot be found. Poetic and eclectic in style, this epic tale threads a multitude of voices and stories worldwide and ignites a mystery of who is really telling the story.

'A rigorous, savvy contemporary intellectual history, Read this book.' Andrea Dworkin The sexual revolution of the 1960s and 1970s is remembered as a time of great freedom for women. But did the sexual revolution have the same goals as the Women's Liberation Movement? Was it truly liberation for women or just another insidious form of oppression? In this provocative book, Sheila Jeffreys argues that sexual freedom sometimes directly opposed actual freedom for women. Anticlimax traces sexual mores and attitudes from the 1950s to the 1990s, exploring the nature of both straight and gay relationships and offering original and compelling commentary on Lolita, Naked Lunch, The Joy of Sex, the Masters/Johnson report, and other representations in the literature on sexuality. At the root of sexual liberation, Sheila Jeffreys finds an increasing eroticisation of power differences within heterosexual, lesbian and gay communities. Her alternative vision of sexual relations based on equality is a major statement in the debates over sex and violence, that remain relevant in discussions over SlutWalk, sexualisation of girls and the pervasiveness of porn culture. "e;Anticlimax' laid bare the myth of the 1960s sexual revolution."e; 'Julie Bindel

Mrs Angel Rendle-Short said that a book given to her daughter, Francesca, as an English textbook at school would teach her to be a permissive rebel. (Courier Mail, 1975)There are some things you should never speak about.In Francesca Rendle-Short's family, silence was golden. So to break ranks and tell stories about her peculiar family life and her mother's moral crusading should send this daughter straight to hell in a ball of smoke and flame along with all those books her mother wanted to burn.Some stories are hard to tell. But like reading, writing stories changes everything.Set in 1970s Queensland and also contemporary times, Bite Your Tongue is an elegant mix of novel and memoir that is in turn harrowing and delightful. It threads together the childhood story of the fictional Glory Solider, with the thoughts and experiences of the adult author, Francesca Rendle-Short, as she looks more deeply into her mother's activism at the time of facing her mother's death.Can a daughter forgive her mother for making her a pawn in her conservative moral crusades? Can greater understanding reinstate love? What does a mother owe a daughter and a daughter a mother?Bite Your Tongue is the story of the deep bond that exists between a daughter and her mother, no matter how difficult that mother might be. It is also a story of acceptance.

The Abbotsford Convent becomes more than the setting, 'the grey mince-meat walls', of this collection. It emerges as presence, intimate and familiar as well as constraining and forbidding. But it is childhood itself which becomes the subterranean geography and pulse. Subject to an overworld of lay and religious adults, 'the razor of power having such adult force', the voices in these poems create multiple pathways through memory and time as they map and navigate the many-stranded mysteries of their institutionalised lives.

In the tradition of Gertrude Stein, Finola Moorhead set about writing A Handwritten Modern Classic in 1977. The result is musings and criticisms on protestors clashing with police over freeways, political change, conservatism, Malcolm Fraser, what love can do for you, and whether the old hate the young. With discussions on the politics of suicide and unshaven armpits, one of Australia's most intriguing experimental writers has set her thoughts to writing.