Böcker utgivna av Stanford University Press

Time is of the essence. Climate change looms as a malignant force that will reshape our economy and society for generations to come. If we are going to avoid the worst effects of climate change, we are going to need to effectively "e;decarbonize"e; the global economy by 2050. This doesn't mean a modest, or even a drastic, improvement in fuel efficiency standards for automobiles. It means 100 percent of the cars on the road being battery-powered or powered by some other non-carbon-emitting powertrain. It means 100 percent of our global electricity needs being met by renewables and other non-carbon-emitting sources such as nuclear power. It means electrifying the global industrials sector and replacing carbon-intensive chemical processes with green alternatives, eliminating scope-one emissions-emissions in production-across all industries, particularly steel, cement, petrochemicals, which are the backbone of the global economy. It means sustainable farming while still feeding a growing global population.Responding to the existential threat of climate change, Michael Lenox and Rebecca Duff propose a radical reconfiguration of the industries contributing the most, and most harmfully, to this planetary crisis. Disruptive innovation and a particular calibration of industry dynamics will be key to this change. The authors analyze precisely what this might look like for specific sectors of the world economy-ranging from agriculture to industrials and building, energy, and transportation-and examine the possible challenges and obstacles to introducing a paradigm shift in each one. With regards to existent business practices and products, how much and what kind of transformation can be achieved? The authors assert that markets are critical to achieving the needed change, and that they operate within a larger scale of institutional rules and norms. Lenox and Duff conclude with an analysis of policy interventions and strategies that could move us toward clean tech and decarbonization by 2050.

An ethnographic analysis of the social movement challenging industrial food systems and re-imagining social justice within a shifting global legal landscape.

A deeper look than ever before at the pervasive harms endured and hope experienced by both residents and staff within restricted housing units in prisons.

A strike pattern is a signature of violence carved into the land-bomb craters or fragments of explosives left behind, forgotten. In Strike Patterns, poet and anthropologist Leah Zani journeys to a Lao river community where people live alongside such relics of a secret war. With sensitive and arresting prose, Zani reveals the layered realities that settle atop one another in Laos-from its French colonial history to today's authoritarian state-all blown open by the war. This excavation of postwar life's balance between the mundane, the terrifying, and the extraordinary propels Zani to confront her own explosive past.From 1964 to 1973, the United States carried out a covert air war against Laos. Frequently overshadowed by the war with Vietnam, the Secret War was the longest and most intense air war in history. As Zani uncovers this hidden legacy, she finds herself immersed in the lives of her hosts: Chantha, a daughter of war refugees who grapples with her place in a future Laos of imagined prosperity; Channarong, a bomb technician whose Thai origins allow him to stand apart from the battlefields he clears; and Bounmi, a young man who has inherited his bomb expertise from his father but now struggles to imagine a similar future for his unborn son. Wandering through their lives are the restless ghosts of kin and strangers.Today, much of Laos remains contaminated with dangerous leftover explosives. Despite its obscurity, the Secret War has become a shadow model for modern counterinsurgency. Investigating these shadows of war, Zani spends time with silk weavers and rice farmers, bomb clearance crews and black market war scrap traders, ritual healers and survivors of explosions. Combining her fieldnotes with poetry, fiction, and memoir she reflects on the power of building new lives in the ruins.

My Life as an Artificial Creative Intelligence is an improvisational call-and-response writing performance conducted by a language artist and an AI language model and is arranged as a series of intellectual provocations that investigate the creative process across the human-nonhuman spectrum.