Böcker utgivna av Stanford University Press

The logistics revolution has stretched capitalist production across planetary supply chains, leaving nothing unscathed: art and culture included. The Arts of Logistics takes a unique approach to studying culture and supply chain capitalism, scrutinizing how artists retool technologies designed for circulating commodities. With chapters on the merchant ship, the oil barrel, the shipping container, and the drone, Michael Shane Boyle has assembled a global inventory of aesthetics since the 1950s that reveals logistics to be a surprisingly pervasive means of artistic production. Bringing together critical logistics research with Marxist cultural analysis, Boyle uses sculpture, theater, installation art, and popular culture to narrate the long history of art's connection to logistical infrastructure, beginning with the transatlantic slave trade and continuing today in the dream of a workerless world peddled by Amazon. The global reach of the artists considered reflects the geographies of supply chain capitalism, spanning from the North Atlantic to the Asia-Pacific. The Arts of Logistics takes meticulous stock of how aesthetics is entangled in capitalist trade and racialized labor regimes, analyzing influential work by artists like Christo and Jeanne-Claude alongside that of contemporary figures including Walead Beshty, Cai Guo-Qiang, and Selina Thompson. With this incisive study, Boyle demonstrates that art is both an opportunity to reexamine the violent history of supply chain capitalism, and an active participant in shaping this history.

The Chinese revolution was a forestry revolution. For decades, tree planting has been at the heart of Chinese environmental endeavors, and forestry is pivotal to its environmentalism and green image more generally. During the Mao era, while forests were razed to fuel rapid increases in industrial production, the "Greening the Motherland" campaign also promoted conservationist tree-planting nationwide. Contested Environmentalisms explores the seemingly contradictory rhetoric and desires of Chinese conservation from the early twentieth century through to the present day. Examining ethnic borderlands, the Beijing political center, and China's growth on the world stage, this book demonstrates the strength of Chinese environmentalism to adapt and survive through tumultuous change lies in what seems to be a weakness: its inconsistency and contestation. Drawing on literary, cinematic, scientific, archival, and digital media sources, Cheng Li investigates the emergence, evolution, and devolution of Chinese conservationist ideas, showing that they acquired their value and assumed their power precisely because of their malleability and adaptability. Li situates Chinese environmental science within the context of global scientific knowledge transfer, probing the dynamics underlying conservationist ideas that energize environmental impulses in China, and shedding light on authoritarian environmentalism from cultural and historical perspectives.

In the mid-twentieth century, the Arabian Peninsula emerged as a key site of oil production. International companies recruited workers from across the Middle East and Asia to staff their expanding oil projects. Unruly Labor considers the working conditions, hiring practices, and, most importantly, worker actions and strikes at these oil projects. It illuminates the multiple ways workers built transnational solidarities to agitate for better working conditions, and how worker actions informed shifting understandings of rights, citizenship, and national security. Andrea Wright highlights the increasing associations between oil, governance, and racialized management practices to map how labor was increasingly depoliticized. From the 1940s to 1971, a period that includes the end of formal British imperialism in the Arabian Sea and the development of new state governments, citizenship became both an avenue for workers to advocate for their rights, while simultaneously, a way to limit other solidarities. Examining the interests of workers, government officials, and oil company managers alike, Wright offers a new history of Middle Eastern oil and twentieth-century capitalism--a history that illuminates how labor management and national security concerns have shaped state governance and economic policy priorities.

How can the judgment calls we make in everyday life create or help eradicate social inequality? Is It Racist? Is It Sexist? Two questions that seem simple on their face, but which invite a host of tangled responses. In this book, Jessi Streib and Betsy Leondar-Wright offer a new way of understanding how inequalities persist by focusing on the individual judgment calls that lead us to decide what's racist, what's sexist, and what's not. Racism and sexism often seem like optical illusions--with some people sure they see them and others sure they're not there--but the lines that most consistently divide our decisions might surprise you. Indeed, white people's views of what's racist and sexist are increasingly up for grabs. As the largest racial group in the country and the group that occupies the most and the highest positions of power, what they decide is racist and sexist helps determine the contours of inequality. By asking white people--Southerners and Northerners, Republicans and Democrats, working-class and professional-middle-class, men and women--to decide whether specific interactions and institutions are racist, sexist, or not, Streib and Leondar-Wright take us on a journey through the decision-making processes of white people in America. By presenting them with a variety of scenarios, the authors are able to distinguish the responses as being characteristic of different patterns of reasoning. They produce a framework for understanding these patterns that invites us all to engage with each other in a new way, even on topics that might divide us. Is It Racist? Is It Sexist? will leave you questioning how you decide whether a joke, a hiring decision, or a policy change is or isn't racist or sexist, and will give you new tools for making more accurate and productive judgment calls.

The decades following World War I were a period of political, social, and economic transformation for Central and Eastern Europe. This book considers the role of foreign aid in Romania between 1918 and 1940, offering a new history of the interrelation between state building and nongovernmental humanitarianism and philanthropy in the interwar period. Doina Anca Cretu argues that Romania was a laboratory for transnational intervention, as various state builders actively pursued, accessed, and often instrumentalized American assistance in order to accelerate reconstructive and modernizing projects after World War I. At its core, this is a study of how local views, ambitions, and practical agendas framed trajectories of humanitarian and philanthropic endeavors in postimperial Central and Eastern Europe. Conversely, it is a reflection on the ways that architects and practitioners of foreign aid sought to transfer notions of democracy, civilization, and modernity within shifting local and national contexts in the aftermath of the war and after the collapse of European empires. At the intersection of the history of interwar Europe and international philanthropy and humanitarianism, this book's innovative and explicitly transnational approach provides a new framework for understanding the contours of European nationalism in the twentieth century.

The spread of democracy across the global south has taken many different forms, but certain features are consistent: implementing a system of elections and an overarching mission of serving the will and well-being of a country's citizens. But how do we hold politicians accountable for such a mission? How are we to understand the efficacy of the policies they put forth? In Indicators of Democracy Diana Graizbord exposes the complex, often-hidden world of the institutions and infrastructures that are meant to ensure a democracy's transparency and are charged with the task of holding leaders and initiatives accountable for the ideals they claim to serve. Taking the case of Mexico's National Council for the Evaluation of Social Development Policy (also known as CONEVAL), Graizbord is able to deeply theorize the processes for creating and employing this very particular kind of expertise. By analyzing what it takes to establish and sustain accountability techniques as a form of expertise, Graizbord is able to put forward the contours of a future technodemocracy--a vision of a democratic future that hinges on the power of these evaluation experts who, with their everyday work as civil servants, shape politics in unexpected but profound ways.

"Why do so many organizations fail to mobilize the social networks of employees to respond to disruptions, innovate, and change? In Digital Relationships, Jason Davis argues that individual and organizational interests about networking can come out of alignment such that the network ties that individuals form are organizationally sub-optimal for achieving their most ambitious goals. Developing a new perspective about networks and organizations, he explains through network agency theory how network problems emerge, the role of digital technology adoption by organizations in amplifying misalignment, and the capacity of managers and function of the executive to resolve agency problems and mitigate their impact. Drawing on over a decade of qualitative research in US, Asian, and European "big tech" companies and new analytical and computational modeling, this book offers new interpretations and solutions to the pathologies that emerge from organizationally detrimental networking behaviors and in the face of managerial interventions"--

In Identity Capitalists, legal scholar Nancy Leong reveals how powerful people and institutions use diversity to their own advantage and how the rest of us can respond-and do better.

Leon Festinger's theory of cognitive dissonance has been widely recognized for its important and influential concepts in areas of motivation and social psychology. The theory of dissonance is here applied to the problem of why partial reward, delay of reward, and effort expenditure during training result in increased resistance to extinction. The author contends that a state of impasse exists within learning theory largely because some of its major assumptions stand in apparent opposition to cetain well-established experimental results. The book puts forward a new theory that seems to reconcile these data and assumptions. This new theory can account for data with which other theories have difficulty: it integrates empirical phenomena that have been regarded as unrelated, and it is supported by the results of experiments designed specifically to test its implications. These experiments are fully described in the text.

"For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being--modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory--the paradox of foundations, the vicious circles of sovereign power, the fragility of the people--to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity"--

"Poverty as Subsistence explores the 'propertizing' land reform policy that the World Bank advocated throughout the transitioning countries of Eurasia, expecting poverty reduction to result from distributing property titles over agricultural land to local (rural) populations. China's early 1980s land reform offered support for this expectation, but while the spread of propertizing reform to post-communist Eurasia created numerous 'subsistence' smallholders, it failed to stimulate entrepreneurship or market-based production among the rural poor. Varga argues that the World Bank advocated a simplified version of China's land reform, that ignored a key element of successful reforms: the smallholders' immediate environment, the structure of actors and institutions determining whether smallholders survive and grow in their communities. With concrete insights from analysis of the land reform program throughout post-communist Eurasia and multi-sited fieldwork in Romania and Ukraine, this book details how and why land reform led to subsistence and the mechanisms underpinning informal commercialization"--

"Medieval manuscripts are our shared inheritance, and today they are more accessible than ever thanks to digital copies online. Yet for all that widespread digitization has fundamentally transformed how we connect with the medieval past, we understand very little about what these digital objects really are. We rarely consider how they are made or who makes them. This case-study rich book demystifies digitization, revealing what it's like to remake medieval books online and connecting modern digital manuscripts to their much longer media history, from print, to photography, to the rise of the internet. Examining classic late-1990s projects like "Digital Scriptorium 1.0" alongside late-2010s initiatives like "Bibliotheca Philadelphiensis," and world-famous projects created by the British Library, Corpus Christi College Cambridge, Stanford University, and the Walters Art Museum against in-house digitizations performed in lesser-studied libraries, Whearty tells never-before-published narratives about globally important digital manuscript archives. Drawing together medieval literature, manuscript studies, digital humanities, and imaging sciences, Whearty shines a spotlight on the hidden expert labor responsible for today's revolutionary digital access to medieval culture. Ultimately, this book argues that centering the modern labor and laborers at the heart of digital cultural heritage fosters a more just and more rigorous future for medieval, manuscript, and media studies"--

"This book reassesses the history of Italian communism in international perspective. Analyzing the rise and fall of the Italian Communist Party as a case study in the global history of communism, Silvio Pons considers a wide range of relational and temporal contexts, from the practices of internationalism to the training of militants and leaders, and to networks established not only in Europe but also in the colonial and postcolonial world. Pons focuses on the attempts of the Italian Communist Party to forge an intellectually defensible party program that combined the international demands of Moscow with the Italians' attempts to develop their own foreign and domestic policies according to their own political circumstances. Following three leaders of the Italian Communist Party (Antonio Gramsci, Palmiro Togliatti, and Enrico Berlinguer) from the First World War to the fall of the Soviet Union, Silvio Pons considers the broader relationship between communism and Cold War history, the history of decolonization, and the rise of "Europe" as a political category"--

"This book investigates a fundamental tension in Hasidic studies: How did a religious movement known to be radical in its views about God, revelation, and personal religiosity simultaneously produce commitment to the structures and obligations of Jewish law? Exploring the movement from its emergence in the mid-1700s until 1815, Ariel Evan Mayse argues that nomos, eros, and mystical piety merged in Hasidism to produce a daring and highly original theory of the commandments and their significance. The novum of Hasidism is visible not in whether its leaders broke or upheld rabbinic norms, but in the movement's vivid attempt to rethink the purpose of ritual. Shedding allegiance to the notion of law, Mayse claims that the methods and vocabulary of ritual studies are better suited to helping us understand the contradictions and tensions of this religious movement as well as its remarkable intellectual vitality. Delving into the full range of Hasidic sources (legal writings, sermons, regimen vitae, theological treatises, responsa, letters, and hagiography) and reading them together with studies of ritual across the past three decades, this book argues that Hasidism offers a sophisticated intellectual vision that pushes beyond a host of hopelessly insufficient binaries such as law and spirit, nomos and eros, mind and body, tradition and innovation"--

"At the height of the Great Terror in 1937, Joseph Stalin took a break from the purges to edit a new textbook on the history of the U.S.S.R. Published shortly thereafter, the Short History of the U.S.S.R amounted to an ideological sea change. Stalin had literally rewritten Russo-Soviet History, breaking with two decades of Bolshevik propaganda that styled the 1917 Revolution as the start of a new era. In its place, he established a thousand-year pedigree for the Soviet state that stretched back through the Russian empire and Muscovy to the very dawn of Slavic civilization. Appearing in million-copy print runs through 1955, the Short History transformed how a generation of Soviet citizens were to understand the past, not only in public school and adult indoctrination courses, but on the printed page, the theatrical stage, and the silver screen. Stalin's Usable Past supplies a critical edition of the Short History that both analyzes the text and places it in historical context. By highlighting Stalin's precise redactions and embellishments, historian David Brandenberger reveals the scope of Stalin's personal involvement in the textbook's development, documenting in unprecedented detail his plans for the transformation of Soviet society's historical imagination"--