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Kurt Almqvist is President of the Axel and Margaret Ax:son Johnson Foundation for Public Benefit, where Louise Belfrage is a project manager. Daniel Birnbaum is the fomer Director of the Moderna Museet. Julia Voss is a Fellow at Lichtenberg-Kolleg, the G¿ttingen Institute of Advanced Studies. Tracey Bashkoff is Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum. Isaac Lubelsky is Academic coordinator of genocide studies and India studies, Israeli Open University.Linda Dalrymple Henderson is Professor in Art History, University of Texas at Austin. Marco Pasi is Associate professor in the History of Hermetic Philosophy and related currents, University of Amsterdam.

A re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm

An 80-page hardcover notebook with beautiful blue cover painting by Swedish artist and mystic Hilma af Klint

How af Klint's early drawings rose from spiritual practices conducted with friends: the first volume in a beautiful new catalogue raisonné

Scholars from diverse disciplines tackle the many questions posed by the work and life of abstraction pioneer Hilma af Klint

During the latter part of the nineteenth century, so-called esoteric movements became increasingly popular in cultural and intellectual circles in Europe, not least in Sweden. Secret teachings, rituals and practices in alchemy, astrology, occultism and theosophy were predominant, with a belief in correspondences in the cosmos, living nature and transmutations. But esotericism goes back much further in time in Swedish history. Although such esoteric ideas were long considered heresy by the Church and thus driven underground, they have had a significant impact on Swedish culture. In this anthology, we bring together some of Sweden¿s foremost experts on the subject to explore the history of esotericism in Sweden and how its rituals, practices and traditions came to influence writers and artists such as August Strindberg, Selma Lagerlöf, Viktor Rydberg, Hilma af Klint, Tyra Kleen and Carl Milles.

Iconoclasm: Rejecting the past is a warning bell, an alarm, alerting readers to the threat against the tolerance and openness of democratic society. Iconoclasm, the breaking of images, is part of our history - from the destruction of religious images in early Christianity to today's toppling of statues of Confederate generals and slave traders. Images, buildings and objects that violate religious or ideological beliefs must be destroyed. Those who carry out such purges - iconoclasts - are convinced they are carrying out an act of purification. The past has been turned upside down in a desire to start over from the very beginning. The different contributions in this translation of the anthology Iconoclasm: Rejecting the past make the consequences crystal-clear. Not just invaluable cultural treasures but also human lives are lost when fanaticism has free rein. We saw this when the Islamic State destroyed museum artefacts that were thousands of years old, when Mao's Red Guards burned books and persecuted people who did not share their beliefs during China's Cultural Revolution, or when the Russian Bolsheviks dynamited churches and desecrated icons. There are countless examples of the damage these destructive forces have wrought over the centuries. The battle cry of iconoclasm, which is so strong today, demonstrates its continued appeal.

How has the idea of liberty developed and evolved over the centuries? What does freedom mean for us today and what do we need to do in order to preserve the freedoms for which generations of men and women fought and even gave their lives? Liberty is indispensable to flourishing societies the world over. Its story contains multitudes - humanity's eternal struggle with fate, our ancestors' long quest to establish freedom of thought and freedom of religion, the rise of democratic liberties in society at large and the modern fight against authoritarian politics and tyrants everywhere. In this anthology of essays, leading academics, writers and historians explore what liberty has meant through the ages. They reflect on this great drama of freedom at work and why we so readily suffer to defend liberty when it comes under threat.

The Meaning of History is the senior thesis written by Henry Kissinger at Harvard university in 1950, when he was twenty-seven. More than 70 years later it is now being published for the first time. The thesis explores the thought of three distinct but important thinkers in the canon of Western philosophical and historical thought, in a way that also reflected Kissinger's own transition from the Continental world to the Atlantic. Oswald Spengler (1880-1936) was a German historian and philosopher; Arnold Toynbee (1889-1975) a British historian and philosopher and Immanuel Kant (1724-1804), a Prussian of the European Enlightenment era and one of the most important moral and political philosophers to emerge from his time. The study is intimidatingly long and weighty in its own right; at almost four hundred typed pages, it wrestles with some of the first-order dilemmas of Western political, philosophical, and moral thought. Its scope ranges from the Enlightenment through to the midpoint of the twentieth century - an era scourged by two world wars and the advent of the nuclear age. Equally important, it provides great insight into the conceptual perspective of its author, Henry Kissinger, who was to become the most influential American scholar statesman of the post 1945 period.

"Consciousness is a scientific problem that is unlike any other. Our own consciousness, as Descartes noted, is the most indubitable feature of our existence. It is the most precious one, as well: consciousness is life itself, and for most people having their bodies kept alive in a vegetative state is no better than dying." -- Steven Pinker, Professor of Psychology, Harvard UniversityConsciousness is also a unique scientific problem in other ways. There is no general agreement about the definition of the subject of study. Opinions are divided about how - with which methods - it should be studied. And nobody can know for sure which answers could possibly be relevant. For many decades it was forgotten by science, buried underground by the regime of behaviourism and cognitive science, but now it has arisen again and has become a hot topic in circles working at the frontier of science.

It has been claimed that around 14,500 wars have been fought since 3,500 BC. Humanity has only experienced 300 years of peace on Earth. During the twentieth century more people in total, were killed in wars, than during any previous century. Relatively, though we kill each other less often now. Are we gradually becoming more peaceful? Regardless of the number of people killed, and the technology used to do it, we can rest assured that wars will be continued to be fought. Can the causes of war be found in society or in biology, in a competition for economic or sexual resources, in historical circumstances - or in a universal violent instinct? The essays in this anthology originate from the internationally renowned Engelsberg Seminar of 2015, and are written by international historians, journalists, thinkers, researchers, and authors. From the conflicts of antiquity to the dynamics of modern terrorism, this book is about war as a creator and destroyer of states and civilizations. Edited by Kurt Almqvist and Alexander Linklater.

A 60-page softcover notebook based on an original sketchbook of the Swedish artist and mystic Hilma af Klint

A 60-page softcover notebook based on an original sketchbook of the Swedish artist and mystic Hilma af Klint

Hilma af Klint is now regarded as a pioneer of abstract art. Her work from the early 20th century predates the first purely abstract paintings by Kandinsky, Mondrian and Malevich. Now, for the first time, af Klint's works, some 1,600 in all, have been collected in a Catalogue Raisonné. Af Klint's work should be seen and appreciated in the series of paintings often depicting specific themes and this ground-breaking publication, divided into seven volumes, allows for this. This final volume presents Hilma af Klint's splendour as a painter of landscapes, portraits and botanical works. Produced with the permission of the Hilma af Klint Foundation and featuring introductions by Daniel Birnbaum and Kurt Almqvist, a separate slip cased edition containing all seven volumes will be available in autumn 2021.

Hilma af Klint¿s Catalogue Raisonné, the fourth of seven volumes, about one of Sweden¿s most fascinating collections of artistic output