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Bisi Adigun and Roddy Doyle's centenary adaption of J. M. Synge's classic The Playboy of the Western World had a sold-out run when it was produced at Dublin's Abbey Theater in 2007 and was brought back by popular demand in 2009. The new version is set in a contemporary Dublin pub and features the character of a Nigerian asylum-seeker in the lead role. Under the coauthorship of Bisi Adigun, artistic director of Arambe Productions-Ireland's first African theater company-and best-selling, Booker Prize-winning novelist Roddy Doyle, the play engages with issues of race and immigration in modern Ireland and aims to be a model for intercultural collaboration.This critical edition features the full text of the play, published for the first time, along with a collection of essays exploring the play's themes, cultural significance, critical reception, and the legal case that cut short its successful production run. Though the play was first produced over a decade ago, the topic of migration has only increased in its global importance over that time, and this adaptation of Playboy remains a popular touchstone among scholars of Irish theater and immigration.

This meticulously researched book offers a comprehensive analysis of strategic cooperation in authoritarian regimes, specifically focusing on Yemen's Joint Meeting Parties-an alliance composed of diverse Islamist, Socialist, and Arab nationalist parties. Heibach presents a unique case study that explores the alliance's remarkable longevity and ultimate success, shedding light on the reasons behind the emergence and endurance of opposition cooperation in autocracies.To provide a nuanced understanding of strategic cooperation, Heibach advocates for the separate examination of internal and external alliance performance. The internal logic of cooperation, which centers on the sustenance of the alliance, and the external logic, driven by goal attainment, give rise to contradictions that significantly impact overall alliance performance.Drawing on a wide range of primary sources and employing rigorous methodologies, The Logic of Cooperation in Autocracies offers a vital addition to the academic discourse on authoritarianism, opposition politics, and coalition formation. It is an indispensable resource for scholars, researchers, and students seeking deep insights into the complex world of strategic cooperation in autocratic systems and its profound implications for political conflicts.

Conspicuously missing from narratives of the Lebanese Civil War are the stories of women who took part in daily social activism and political organizing during the tumultuous conflict. What the War Left Behind documents their stories, with eight women directly sharing their experiences of action and survival through the hardship of war.What the War Left Behind brings together oral histories of women from a range of political affiliations, socioeconomic classes, and religious identities. These histories present an alternative image of women during war, highlighting the actions of those who sought to make life better for themselves and their neighbors during conflict. By centering women's voices in the war, Abisaab and Hartman present a new perspective on an oft-discussed historical era, demonstrating the power of resistance during difficult times. These translated texts showcase the active roles women take during wartime and how women's political efforts are an essential part of Lebanese history.

A rarity of enormous interest, this refurbished Hebrew translation of an Arthurian romance is the only known text of its kind in existence. Based on the writings of an anonymous Italian Jew in 1279, the author presents two stories. The first relates Merlin's role in the seductions of Igerna by Pendragon and the consequent birth of Arthur. The second tells of Arthur's rise to royal glory, of Lancelot's affair with Guinevere, his meeting with the Maid of Askalot, and his skill at a jousting tournament. This romance exists in a unique copy at the Vatican Library, which Curt Leviant personally examined. He offers a highly readable version of that text in corrected Hebrew with graceful English transliteration on facing pages, and an analysis of Jewish aspects of the piece. He also traces its origins to an Old French tale. Not just a literary curiosity, this is at once fine scholarship and compelling proof of the vibrant interaction between Judaism and other cultures of medieval Europe.

In Bociany, Rosenfarb offers completely absorbing portrayals of Jews and Christians from several walks of life in the shtetl. Her primary characters are the scribe's widow Hindele, her son Yacov, the chalk vendor Yossele Abedale, and his daughter Binele. Jewish relations with neighboring Catholics are generally civil, if complicated. Despite living next door to a convent, Hindele finds the nuns' behavior implacably alien.Rosenfarb establishes an indelible sense of place, evoking its charm and the shtetl residents' ease with the natural world. Her vivid characters and portrait of the preurban, pre-Holocaust world ring true. Yet even in isolated Bociany, new ideas-socialism, Zionism, Polish nationalism, secularism-begin to challenge the shtetl's traditional agrarian and mercantile economy.

This first-person narrative documents one man's adventure down the Hudson River by canoe - from its source at the peak of Mount Marcy in the Adirondacks to Battery Park.

Cited in Adirondack Life as one of the twenty-five most collectible books about the Adirondacks ever to appear, these essays were first published in book form in 1878. Warner's main theme is the small, often-ludicrous figure that the human being cuts in the wilderness. His urbane satire takes the starch out of the tin-can and paper collar tourists who were beginning to flock to the Adirondacks. Warner also appeals to the sensibilities of his readers, then and now, as in the piece on A-Hunting of the Deer, which is written from the deer's point of view. And in dead pan worthy of his friend and neighbor Mark Twain, he frequently pulls the reader's leg, as in his description of a hastily built woods shanty: It needs but a few of these skins to cover the roof, and they make a perfectly watertight roof, except when it rains. Warner's love of nature, combined with his humor and social satire, makes In the Wilderness as good a read now as it was more than a century ago.

Iroquois Medical Botany is the first guide to understanding the use of herbal medicines in traditional Iroquois culture. It links Iroquois cosmology to cultural themes by showing the inherent spiritual power of plants and how the Iroquois traditionally have used and continue to use plants as remedies.

This book is really a "best of," as chosen by the author himself. These are Carmer's favorite pieces, drawn from three decades of work. He mixes leisurely reminiscences with folklore, verse, and portraits of Upstate's diverse population.Geographically, they range from Niagara Falls to Montauk Point, and include pieces on the fate of Native Americans, ghost stories, tall stories, character sketches, a piece on the erosion of New York State's natural beauty, as well as poems and works of wit and humor.

Thirty years ago, John Keats and his family purchased a two-acre island in the St. Lawrence River, at a time when boats were still lovingly crafted of wood and an island could be had for $4,000. Depending on the elements and on their own resourcefulness, the Keats family thrives in the rhythms of island life-fishing, learning to navigate the river and read the clouds for weather, acquiring an "Indian" view of time, maintaining a house, several boats, and three children on a windswept rock. But more than a book about a single family's adventures, this one is strong witness that we all need islands of our own in the midst of life. Originally published in 1974, Of Time and an Island was chosen as a Book-of-the-Month Club alternate selection.