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  • av Antonio Ladrillo
    127

    With this fun flip-and-fold book, you can tell lots of stories by opening and closing, folding and unfolding the pages to create new colourful shapes and characters. It's a different story every time!

  • av Tate Publishing
    287

    Suitable for students of art history as well as those seeking an understanding of art and of the cultural and historical context in which it is made, this title brings together primary texts by artists, critics and art historians ranging from the medieval period right through to our own times.

  • av Alice Melvin
    177

    Sally has a list of 10 items she needs to buy. This title enables you to open the flaps to see inside the shops, where unusual things are going on. Should those wild animals be upstairs in the pet shop? Will the plates fall off the wall in Mr Cooper's China Shop? And can Sally find everything on her list?

  • av Clarrie Wallis
    191

    A perfect introduction to one of the most important painters of the twentieth century. Includes full colour illustrations of all Caulfield's best-known work. This is a brand new title in the hardback British Artists format.

  • av Dick Bruna
    121

    The Apple was originally published 60 years ago and was the first book ever created by Dick Bruna, the author of Miffy.

  • av Matthew Gale
    197

    Alfred Wallis spent most of his life in the Cornish ports of Newlyn, Penzance and St Ives, and went to sea as a young man. His main occupation was as a dealer in marine supplies and he was in his seventies before he took up painting 'for company'. He sold his works for a few pence, and died in the poorhouse.

  • av Lewis Carroll
    121

    Relates the story of how the Bellman and his eccentric crew, who include a butcher, a baker, a beaver and a tailor, set off in quest of that most mysterious and elusive of creatures, the Snark.

  • av Adrian Heathfield
    347

    Contributors include Peggy Phelan, Tim Etchells, RoseLee Goldberg, Guillermo Gomez Pena, Amelia Jones, Stelarc, Marina Abramovic and Alastair MacLennan.

  • av Alex Pilcher
    197

    A celebration of over 100 years of queer creativity, featuring 70 outstanding works of drawing, painting, photography, sculpture and installation.

  • av Quentin Blake
    121 - 177

    "Angie, Ollie, Simona, Mario and Eric are five fantastic friends, each of whom has an unusual ability. Disaster strikes on a day out to the countryside but, working together and combining their individual powers, the Fantastic Five save the day"--Dust jacket.

  • - 1867-1967
    av Barlow Clare
    387

    In 1967, sex between consenting men in England and Wales was finally decriminalised - an entire century after the death penalty was abolished for sodomy in Britain in 1861.

  • av Isabel Minhos Martins
    151

    Revisiting the adventure of discovering the world for the first time, this title deals with breathing, seeing, hearing, tasting and touch.

  • av Peter Blake
    127

    Pop artist Peter Blake has an eye for the quirky and the overlooked. As well as being known as a painter, Blake is renowned for his works on paper and as a leading exponent of collage. This work displays the strong graphic sensibility and the love of popular culture for which the artist has long been renowned.

  • av Dick Bruna
    127 - 157

    Miffy takes inspiration from a visit to an art gallery and decides to become an artist herself. Looking at the colour and shapes of the world around her she discovers what fun it can be to make pictures of the things she sees. By bedtime, her walls are full of all her wonderful artworks.

  • av Natalie Rudd
    251

    This Tate Publishing Modern Artists monograph looks at the career of the British artist Peter Blake. It examines his use of collage, influences on his work and his reputation as a "father of pop", so crowned in the 1950s and 60s for his use of popular culture icons in his work.

  • - The Sculptor in the Studio
    av Ms. Sophie Bowness
    251

    Barbara Hepworth: The Sculptor in the Studio is the first study devoted to Hepworth's St Ives studio in which the centrality of Trewyn Studio and garden to her art and life is brought to the fore. 'It affects my whole life & work most profoundly', she wrote to a friend in 1949 shortly before acquiring it.

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