What surprises await beneath the flaps? Find out in this charming book in the bestselling Flip Flap Pop-Up series. Everybody needs a hug, as this delightful addition to the Flip Flap Pop-Up series demonstrates. Packed with interactive tabs, this pop-up book is full of flaps to lift, tabs to pull and plenty of surprises!
A colourful, fact-filled introduction to the world of fish. There are 1,001 fish inside this book, and they can't wait to show you the ocean. Follow them and meet a host of fascinating creatures that live below the waves. Dive into the deepest depths, find out why humans need to take care of the sea - and watch out for hungry predators! Awash with lively illustrations and full of fascinating facts, this book is a must for all children interested in the natural world.
The perfect primer on acclaimed French artist Sophie Calle. Sophie Calle is a French writer, photographer, installation artist and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, and frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her acclaimed works Suite Venitienne, The Hotel and Address Book. She has had major exhibitions all over the world, including at the 2007 Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has worked closely with the writer Paul Auster. The Guardian called her 'the Marcel Duchamp of dirty laundry', and she was among the names in Blake Gopnik's list 'The 10 Most Important Artists of Today', with Gopnik arguing, 'It is the unartiness of Calle's work - its refusal to fit any of the standard pigeonholes, or over anyone's sofa - that makes it deserve space in museums.'
A mini-monograph on Samuel Fosso, the renowned Cameroon-born Nigerian photographer. Samuel Fosso (b. 1962) is one of Central Africa's leading contemporary artists, whose playful and perceptive work investigates Pan-African identity and history through the use of portraiture. Fosso's path to artistry was found through his initial work as a commercial portrait photographer, utilising his leftover film by capturing self-portraits against well-considered backdrops and incorporating pose, costume and props. Renowned for his 'autoportraits' - styling himself and others as characters from popular culture or politics - Samuel Fosso reflects the world around him through a distinct aesthetic that has at times defied Nigerian dictatorial decree. Fosso's work is now held in the public collections of the Museum of Modern Art and the Tate, and he was the recipient of the Prince Claus Award of The Netherlands, in 2001.
A unique look at the visionary artist, educator and activist Ruth Asawa (1926-2013). ?I state, without hesitation or reserve, that I consider Ruth Asawa to be the most gifted, productive, and originally inspired artist that I have ever known personally' R. Buckminster Fuller, 1971 Although less known outside North America, Japanese-American artist Ruth Asawa is an artist of vital importance to modern art. Ruth Asawa: Citizen of the Universe, which accompanies the first exhibition of Asawa's work to be staged in public galleries in Europe, introduces European audiences to both Asawa's powerful art - including her signature hanging sculptures in looped and tied wire - and her pioneering education practice. It positions her expansive ethos - her self-identification as ?a citizen of the universe' and belief that art education can be life enriching for everyone - as a catalyst for creative forward-thinking in the 21st century. Focusing on a dynamic and formative period in her life from 1945 to 1980, this book gives readers a unique experience of the artist and her work, exploring her legacy from a European perspective and positioning her as an abstract sculptor crucial to American modernism. It is a wonderful celebration of her holistic integration of art, education and community engagement, through which she called for a revolutionary and inclusive vision of art's role in society.
A magnificently illustrated showcase of the work of 300 women photographers from all over the world, from the invention of the medium to the dawn of the 21st century. As in many fields of art history, the work of women photographers has often been overlooked, and few of their names are now widely recognized. However, women were closely involved in all major photography movements of the 19th and 20th centuries, and have used the camera as an extraordinary tool for emancipation and experimentation. These are artists who never stopped documenting, questioning and transforming the world, breaking down social boundaries, challenging gender roles and expressing their imagination and sexuality. To capture the diversity of this global body of work, Luce Lebart and Marie Robert have invited 160 international women writers to contribute to this volume, which is a bold and beautifully illustrated manifesto as well as an invaluable work of reference.
A biography of Rembrandt examines his most important drawings and paintings, describes his personal life, and assesses his contribution to art.
A captivating in-depth study of Napoleon's plundering of Europe's art and how it legitimized the Louvre.
A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britainâ¿s most popular artists. Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers â¿ most notably his design for The Beatlesâ¿ Sgt. Pepper album in 1967. Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blakeâ¿s art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959â¿62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop. This fully updated edition includes a new chapter on what the artist has jokingly styled his â¿Late Periodâ¿, in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blakeâ¿s production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.
The Times and Sunday Times Art Book of the Year 'Superb ... Spalding is a lucid and revealing guide who wears her scholarship lightly' Sunday Times 'Spalding¿s prose is as clear as a Ravilious greenhouse, her thoughts as orderly as a Ben Nicholson white relief' The Times A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names ¿ Paul Nash, Eric Ravilious and Stanley Spencer ¿ have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain¿s leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of `the real¿ was set against, and sometimes merged with, an inclination towards the `romantic¿, as English artists sought to respond to their subjects and their times.
A facsimile edition of the classic High Street, which pairs the timeless illustrations of Eric Ravilious with a fascinating text by architectural historian J. M. Richards. First published in 1938, this charming book introduces the British high street. Shops include the family butcher, the cheesemonger, the baker and confectioner and the oyster bar, as well as specialized establishments such as the plumassier, the clerical outfitter and the submarine engineer. Only 2,000 copies of the original book were printed before the lithographic plates were destroyed in the London Blitz. As a result, it has become one of the most collectible of all artists' books from this period. This beautiful facsimile edition features all 24 of Ravilious's colour illustrations, and includes an essay by Gill Saunders, Senior Curator of Prints at the Victoria and Albert Museum, that sets the book in its historical context.
Provides an account of the evolution of medical knowledge and practice from ancient Egypt, India and China to todays technology, from letting blood to keyhole surgery, from the theory of humours to the genetic revolution.
A new way of appreciating art that puts the artwork front and centre, brought to us by one of the freshest and most exciting new voices in cultural criticism.
A career-spanning monograph in two volumes presenting the work of one of Asia's most progressive and innovative architects Vo Trong Nghia.
A sophisticated look into the eight Greek myths that remain the most relevant to us today, exploring their powerful cultural impact from their ancient origins to the present.
An expert guide to the highlights and unexpected treasures of British collections.
The definitive survey of contemporary photography of the human body.
Addresses important questions about Bacon's painting practice and focuses on his life and work. This title reveals how photography, film, mass-media imagery and other sources informed Bacon's painting and, in particular, how lens-based images helped to trigger the most significant turning-point in his stylistic development.
The award-winning guide to everything we know about the Neanderthals, from their emergence to their extinction, now updated and expanded to feature the latest discoveries in the field of Neanderthal DNA.
An authoritative introduction to one of the most influential painters in the history of art, written by the pre-eminent authority on the subject and informed by the latest research. More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphael's work and discusses all aspects of his artistic output. He traces Raphael's career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphael's employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Rome's artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphael's versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.
The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting.
A lavishly illustrated reference on a little-known chapter in art history - the art of the three Baltic States, covering a wide range of mediums, movements and styles. The Baltic States - Lithuania, Latvia and Estonia - retain strong cultural identities that have survived despite centuries of colonization by powerful neighbouring lands. By the late 19th and early 20th centuries, artists and writers were starting to reclaim and promote their own artistic heritage as radically distinct from that of the invading nations, with pioneers such as M. K. Ciurlionis and Vilhelms Purvitis demonstrating rare originality in their work. In the wake of the First World War, the three Baltic countries regained their autonomy, and the 1920s and 30s became a rich period of openness and international artistic exchange. Modernism in all its forms flourished, not only in painting but in sculpture, printmaking, photomontage and the decorative arts, ranging from the elegant abstraction of Arnold Akberg to the provocative figuration of Karlis Padegs and the experimental photography of Domicele Tarabildiene. Art of the Baltic States is organized into three main chapters, documenting the history of art in each country. Enriched with illustrations from important museum collections, Fauchereau covers key art movements as well as their complex historical background, from time under the Czars and the German crown to the invasion by the Soviet Union and beyond. With each country showcased in its own lavishly illustrated section, this is a wonderful guide to a vibrant field in European art history that is often overlooked but deserves rediscovery and a place on the global stage.
A collection of intimate and revelatory first-hand accounts of pandemics through the ages. Humanity has always been struck by pestilence and pandemics, from the plagues of ancient Egypt to the pox that ravaged Europe in the Middle Ages, to Covid-19. People living through the crises have always recorded what they saw, what they felt, and what they did. Some presented sober facts laced with anecdote, while others produced emotional outpourings; moralists speculated on the origins of the horror, poets distilled the suffering. Doctors described how they were able to advance their understanding of disease and scientists how to cure it, while survivors and the families of victims gave the inside story of the nightmare that develops when a long-feared disease enters your home or your body. There was a time when to read accounts of the Plague in Wittenburg by Martin Luther or the Great Plague of 1665 by Samuel Pepys - scenes of anguish and woe, empty streets, quarantined houses, closed businesses, overflowing graveyards, heroic doctors and nurses, quack remedies and charlatans - was to enter a disturbing and unfamiliar world. Today, to read the same words is to be hit by a jolt of recognition and understanding. As well as causing a huge loss of life, the Covid pandemic has taught us a great deal about ourselves and the way we live, illuminating tensions at the heart of society. This collection of intimate and revelatory first-hand accounts of pandemics through the ages bears witness to despair, rage, the blackest of humour, heartbreak and hope. These voices hold up a mirror to our own experiences of, and responses to, the crisis today.
You can find joy in the simplest objects - even a humble rubber band! You can have fun pinging it or playing with it in the bath. But you can also use it to do exciting, unexpected things, like bungee jumping out of a plane, or sneaking a furtive snack. The only limit is your imagination! Renowned author-illustrator Shinsuke Yoshitake brings his trademark wit and thoughtfulness to this charming book, which honours children's attachment to their favourite things while opening the door to a world of exciting new objects and experiences.
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