Böcker utgivna av The 87 Press

This collection interlaces the spectacles of gender, faith, and family and unravels the age-old idea that seeing is believing. Theophanies testifies to women's capacity for piercing and musical exegesis and asks: what more might a woman's body hold after it has been hailed as a vessel for the divine?

"'So how do you discern a shape for / what is often called god' asks the poet in a book that is as metaphysical as it is very much of this moment, of this, our crisis. How so? Because every crisis is first of all metaphysical. Kazim Ali speaks in the same breath of the injustice of our world and of 'the actual syllables Orpheus sang/ to the dead to be allowed into hell.' This is a metaphysics of a scream. It speaks against world that wrongs us, yes-but also of 'what language cannot / hold onto,' of 'ecstatic sound aiming to reach from the muck of the earth.' What is this speech like? It takes many forms: lyrical, cinematic, choral. The Voice of Sheila Chandra is a sequence of sequences, a book where three long poems come together to make a statement that is far larger than the sum of its parts. It is a brilliant book." -Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa

An estranged father. An abused and abusive mother. An army of relatives. A tapestry of violence stretching between Turkey, Lebanon, and Western Sydney. This is the legacy left to Jamal Smith, a young queer Muslim trying to escape a past in which memory and rumour trace ugly shapes in the dark. When every thread in life constricts instead of connects, how do you find a way to breathe? Torn between faith and fear, gossip and gospel, family and friendship, Jamal must find and test the limits of love. In this extraordinary work, Omar Sakr deftly weaves a multifaceted tale brimming with angels and djinn, racist kangaroos and adoring bats, examining with a poet's eye the destructive impetus of repressed desire and the complexities that make us human.

In this extraordinary, passionate debut poetry collection, Jimin Seo takes up a material we think we recognize - language - and transforms it through permutation, history, and translation into a lyrical and alien terrain. Seo takes up both Korean and English, drawing them across multiple experiences of relation - none of them equivalence. Translation and re-translation triangulate to form the ghostly third other which defines every relationship of two. Fragmentation, riff, homophony, and analogy sprawl like cuttings from a plant, yielding poems that grow in defiant new directions. This is a book calling to a mother, a teacher, lovers, and ultimately a self whose elements materialise through language, even as the speaker laments what language cannot be or hold. For Fans of: Kim Hyesoon, Richard Howard, Jay Gao

The Pharmacy is an extended exploration of family, loss, and the indignities of British medical institutions. Building a landscape that is at once influenced by autotheory, life experience of care, and a fervent critique of austerity, this is a fiery second collection from Kat Sinclair. For fans of: Rachael Allen, Amy Acre, Kerry-Anne Mendoza

Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. This is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

Dove / Chris Kirubi's WILDPLASSEN is a finely-wrought debut collection. The weather surrounds, as subjectivity is carefully interrogated through typographic gesture and image. Thinking with Sembéne, Glissant, Nourbese Philip and others, we are ushered into a space of translation and study reflecting on dispossession, native informants and racial categorisation. "Wildplassen" is a legal term for public urination in which wildness is invoked as an inappropriate occupation of public (urban) space. This collection transfigures the borders of air, city and landscape; language, lyric and page with instability and waywardness. WILDPLASSEN by Dove/Chris Kirubi is a wondrous book. The pages shake, an attribute of syntax that resembles brownian motion. Just as "colour bleeds right through", so does this: a capacity to "tremble" that's both somatic and formal, an improvised set of notations. In fact, kirubi extends the intergenre proposition of the collection itself to emanate "gliss.notes", fragments and lines "transcribed...while attempting to translate," a "flickering close-up of flowers", and so on. This is a stunning and moving work from the verges of poetry, performance and visual art. - Bhanu KapilAfter the rain, Chris Kirubi's WILDPLASSEN meets us in the street, as all the mundane elements of the day world begin to glisten: light diffracting in the damp sheen upon the tarmac, pavements, railings, rainbows appearing in puddles. This poetry encourages us to loiter, or to walk intentionally at the slowest pace in the opposite direction to what racial capitalism would want of us. Only then emerge the small intimacies that Kirubi is attuned to, in the correspondences between sounds, syllables, plants. Their writing forages a quiet philosophy for the page. Pirouettes of emotion --- from this everyday enchantment, to anxiety and grief --- "encourage the recovery of all dreams". Come, pluck up your velveteen ears from beneath your raincoat, and remember to wash your hands. - Nat RahaFor Fans of: Victoria Adukwei-Bulley, Dionne Brand, Momtaza Mehri

This is 'a roots rave manifesto / to free literature'. The second installment in Oscar Guardiola-Rivera's Night of the World trilogy, Out of the World continues Hoodoo Girl's adventures, alongside the trickster Ix. This mythopoetic narrative-told in three episodes-is inspired by the Mayan epic Popol Vuh, where 'plot is overrated' and musicality abounds. Lay your ear to the ground and follow these unearthly threads, the syncopated beats where the colonial encounter animates the Angel of History to reveal the masquerade that surrounds us all. In this second installment of Night of the World, Oscar Guardiola-Rivera elaborates in kaleidoscopic poetic form his ongoing, multi-scalar inquiry of how the open veins of the Americas are a burrow or cave from which emerge so many critical monsters, creative motions, moral ironies, and cosmos-shaking events. Intertwining touchstones of the Americas (such as the Popol Vuh) with the contemporaneity of their historical crises (colonialism to current trade zones and migrations), this book puts the root-work of the creation of the Americas in front of its legatees, beginnings poised to be instantiated. Black Legend be damned. Guardiola-Rivera's Under the World: Night of the World is a declarative, ambitious encomium for the emergence of historical Latin America as a present-day unified economic, cultural, and political powerhouse on the world stage. -Edgar Garcia, author of Emergency: Reading the Popol Vuh in a Time of Crisis

This collection of essays celebrates the work of international feminist filmmakers from the 1950s to the present. Featuring contributions from leading scholars, filmmakers, essayists and activists, On Feminist Films is the second volume in the South London Cultural Review series. Contributors include: Stuart Bell, Catherine Grant, So Mayer, Louisa Wei, Emma Wilson.

From debut novelist Joseph Coward: Run-Out Groove is the story of Jude, a kid leaving home under a hail of his father's fists, escaping to a big city in search of something, anything else.

Lessons of Decal is a queer-feminist meditation on reading and learning, a bibliophilic memoir, in a series of lyrically spun experimental essays.

A True Account collects works written between 2013 and 2020, published by a variety of small presses in the UK and the US.

Rimming the Event Horizon gyrates a mutinous poetics of revenge, purposing contingency as a major mechanism of racialisation but also as a source of resistance and refusal, of material and imaginative possibility.

Three generations of women: Teta, the grandmother, Fadwa, the mother, and Emne, the daughter who captures the tenderness of her fore-bearers. The poems in this collection recall and restore a family lineage broken by war, death and exile.

The fourth collection of poetry in Juana Goergen's rich trajectory, Mar en los huesos [Sea in my Bones] bears witness to a shared collective experience of trauma. It interweaves indigenous and African belief systems, languages, and memories to recollect the Caribbean's ancestral past and its imagination of the future.

The Working Classic is a collection of poetry, interviews, and essays with Aaron Kent. These diverse texts attempt to showcase how a gentrified creative industry routinely ignores working class voices unless that voice is an act of appropriation by a middle or upper class individual.

Sarona Abuaker is a poet, artist, and educational outreach worker. Her poems have been published in Berfrois, MAP Magazine, and the87press' Digital Poetics series. Her mixed-media essay Suture Fragmentations - A Note on Return was published in December 2020 with KOHL: A Journal for Body and Gender Research.

A riotous plunge into the data stream and a search for a way out of technocratic capitalism through Marxist tantrums by firebrand poet Dom Hale. This is poetry in the era of surveillance capitalism.

The first in a trilogy of genre defying, formally innovative, dystopian poetry by renowned and acclaimed author Oscar Guardiola-Rivera

Of Necessity & Wanting is a collection of lyrical, atmospheric stories of varying lengths set in urban Pakistan. At its forefront are the concerns of people who are lower down on the metaphorical 'chain' of status and power, especially in the context of their symbiotic relationship with those they see as 'other,' ' privileged' or 'fair.'

Debut collection of verse by Caspar Heinemann

Callie Gardner's debut collection of poetry, part manifesto, part lyrical essay. A remarkable collection transmitting the reader through various discourses and offering a litberation from the violent expectations of living to reproduce bodies, feelings, and nations.