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A richly illustrated guide to the Egyptian temple, its history, and the story of its goddess, Mut, as told by the preeminent archaeologists directing the excavationsMut was an important deity perhaps best known as the consort of Amun-Re and the mother of Khonsu, but her earlier and far more independent role was as the daughter of the sun god, much akin to Hathor. Like Nekhbet and Wadjet and the other lioness goddesses (referred to as Sekhmet) she was the "Eye of Re," who could be both benign and dangerous. In human form, Mut protected the king and his office; as Sekhmet she could destroy Egypt if not pacified. The Mut precinct was a major religious center from the Eighteenth Dynasty to the Roman Period, but evidence suggests the existence of an even earlier temple. It expanded during the reign of the Kushite king, Taharqa and attained its present size during the fourth century BCE, sheltering three major temples, several small chapels, and eventually, a village within the protection of its massive enclosure walls. One of its most striking features is the hundreds of Sekhmet statues.In 1976, the Brooklyn Museum began the first systematic exploration of the precinct as a whole. Since 2001, Brooklyn has shared the site with an expedition from the Johns Hopkins University, both teams working cooperatively toward the same goal.This richly illustrated guide seeks to bring the goddess and her temple precinct the attention they deserve.

On his 'journey from the dreams of the jinn to the love of the truth' Jaafar Ibrahim Sayyed al-Rawi is guided by his motto, 'let life be filled with holy madness to the last breath'. He goes from a life of comfort with a promising future guaranteed by his wealthy grandfather, Sayyed al-Rawi, to the life of a pauper.

An authoritative account by preeminent Egyptologist Miroslav Verner covering over 70 of Egypt's and Sudan's pyramids, their historical and political significance, updated in a magnificent new editionA pyramid, as the posthumous residence of a king and the place of his eternal cult, was just a single, if dominant, part of a larger complex of structures with specific religious, economic, and administrative functions. The first royal pyramid in Egypt was built at the beginning of the Third Dynasty (ca. 2592-2544 BC) by Horus Netjerykhet, later called Djoser, while the last pyramid was the work of Ahmose I, the first king of the Eighteenth Dynasty (ca. 1539-1292 BC).Nearly two decades have passed since distinguished Egyptologist Miroslav Verner's seminal The Pyramids was first published. In that time, fresh explorations and new sophisticated technologies have contributed to ever more detailed and compelling discussions around Egypt's enigmatic and most celebrated of ancient monuments. In this newly revised and updated edition, including color photographs for the first time, Verner brings his rich erudition and long years of site experience comes to bear on all the latest discoveries and archaeological and historical aspects of over 70 of Egypt's and Sudan's pyramids in the broader context of their more than one-thousand-year-long development. Lucidly written, with 300 illustrations, and filled with gripping insights, this comprehensive study illuminates an era that is both millennia away and vividly immediate.

An ethnographic study of how doctoral-level research in the social sciences and humanities is produced in EgyptMuch scholarship has been devoted to debates around how global inequalities of knowledge production arise from asymmetric power relations and disparities in access to material resources, as well as values and practices that prioritize certain academic disciplines and research outputs over others. The central role played by universities in producing both knowledge and researchers is similarly acknowledged, with the doctorate increasingly recognized as a crucial phase in establishing both.Bounded Knowledge: Doctoral Studies in Egypt explores these debates from a uniquely Egyptian perspective. It provides a fresh, historical analysis of how doctoral studies evolved in Egypt and an ethnographic inquiry into the actual conditions of knowledge production in the country's public universities, with focus on the humanities and social sciences. Although it is commonplace to speak of international collaborations in knowledge production, institutional settings and material conditions are so uneven as to make the fiction of equality impossible to sustain. The chapters in this book, by social scientists within and outside Egypt, look closely at how such academic hierarchies are reinforced in the context of the internationalization of research. They also look at the ways in which notions of socially responsible research, common the world over, are translated in the particularly Egyptian context: how research topics are discussed, how doctoral studies are organized, and ultimately, how society thinks about research.Contributors Mona Abaza, The American University in Cairo, Egypt Daniele Cantini, Martin-Luther-University of Halle/Wittenberg, Germany Nefissa Dessouqi, Cairo University, Egypt Hala Kamal, Cairo University, Egypt Jonathan Kriener, Ruhr-University Bochum, Germany Ola Kubbara, Cairo University, Egypt Ahmed Mansour, University of Alexandria, Egypt David Mills, University of Oxford, England

A courageous young woman from the Gulf must overcome conservatism and oppression from her own family to live and love as she chooses

The story of the Greeks in Egypt from Muhammad Ali to Nasser

A richly intriguing map of Cairo's enthralling history through its street names

The third part of the first comprehensive history of the study and understanding of ancient Egypt, from ancient times to the twenty-first century

The first systematic and detailed examination of twentieth-century activist Egyptian writing

Showcases the experiences of ten entrepreneurial ventures from emerging markets in the Arab world. This book offers an insight on a variety of localized strategic, managerial, marketing, and innovative approaches and practices, which create challenges and opportunities in a region undergoing rapid political, social, and economic transformations.

A cultural, social, and economic history of Egyptian cinema of the twentieth century Spanning a century of Egyptian filmmaking, this work weaves together culture, history, politics, and economics to form a narrative of how Egyptian national identity came to be constructed and reconstructed over time on film. It goes beyond the films themselves to explore the processes of filmmaking-the artists that made it possible, the institutional networks, structures, and rules that bound them together, the changing social and political environment in which the films were produced, and the role of the state. In peeling back the curtain to reveal the complexities behind the screen, Magdy El-Shammaa shows cinema as at once both a reflection and a producer of larger cultural imaginings of the nation.The National Imaginarium provides an in-depth description of the films discussed. It explores the construction of a populist consciousness that permeated and transcended class structures at mid-century in Egypt, and how this subsequently came undone in the face of the bewildering social, economic, and political transformations that the country underwent in the decades that followed. More than similar treatments of the topic, this book draws on theoretical ideas from outside the immediate discipline of Film Studies, including investigations into the materiality and colonial foundations of cosmopolitanism, the stakes and aesthetics of realism, policy shifts around women's rights, transnational economic contexts, and the broader history of the country and region, including insightful snapshots of everyday life.

Based on 6 years of research in the field (2005-2011)Whereas other books on the MB focus on the organization's institutional structure or electoral strategy, this book shows how the MB operates on a day-to-day basis in society, through everyday social brokering, constituent relations, and youth outreach. Addresses the larger issues of representation and contention under semi-authoritarianism. Updated with post-2011 MB information since the original French publication

The first book to reveal the private life of an Englishwoman whose contribution to the recording of Egypt's ancient past has long been overlooked An Artist in Abydos is the first book to recognize Broome's great contribution to the work done during this golden age of excavation in Upper Egypt. In this remarkable account, Lee Young tells the story of Myrtle Broome, who died in 1978, largely through her letters. An only child and a prolific writer, Broome wanted her parents to know every facet of her life in Egypt. Her frequent letters to them vividly capture life in the villages, the traditions of the local people, the work of artisans, such as weaving and pot-making, and festivals, ceremonies, and music. In fascinating detail, the letters also depict Broome's living conditions providing us with a personal account of what it was like to be an English, working woman living abroad in Egypt in the 1930s. Myrtle Florence Broome was born in 1888 to artistically inclined middle-class parents in the district of Holborn in London. Between 1911 and 1913, she studied at University College London under the legendary Sir William Petrie. In 1927 she was invited to join the excavations at Qau el-Kebir as an artist for the British School of Archaeology in Egypt, later traveling, in 1929, to work at the now famous Seti Temple in Abydos for the Egypt Exploration Society. Broome spent eight seasons there, copying the painted scenes in the Temple. Regarded then as one of the greatest copyists working in Egypt, she left invaluable renditions of some of ancient Egypt's most beautiful monuments.An Artist in Abydos is an important book celebrating the contributions of an under-recognized woman artist during the golden age of excavation in Egypt.