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Includes Native Son, now an HBO original movie by Rashid Johnson, with a screenplay by Suzan-Lori Parks and starring Ashton Sanders.Native Son exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago's South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts-including the replacement of an entire scene-that Wright was forced to make by book club editors who feared offending their readers. The unexpurgated version of Wright's electrifying novel shows his determination to write honestly about his controversial protagonist. As he wrote in the essay "How 'Bigger' Was Born," which accompanies the novel: "I became convinced that if I did not write Bigger as I saw and felt him, I'd be acting out of fear."This volume also contains Wright's first novel, Lawd Today!, published posthumously in 1963, and his collection of stories, Uncle Tom's Children, which appeared in 1938. Lawd Today! interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day-February 12-in the life of a black Chicago postal worker. The text for this edition reinstates Wright's stylistic experiments, and the novel emerges as a far livelier work of the imagination.Uncle Tom's Children first brought Wright to national attention when it received the Story Prize for the best work submitted to the Federal Writers' Project. The characters in these tales struggle to survive the cruelty of racism in the South, as Wright asks "what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity." All five stories Wright included in the 1940 second edition are published in this volume, along with his sardonic autobiographical essay "The Ethics of Living Jim Crow."Richard Wright was "forged in injustice as a sword is forged," wrote Ernest Hemingway. With passionate honesty and courage, he confronted the terrible effects of prejudice and intolerance and created works that explore the deepest conflicts of the human heart.This Library of America edition presents for the first time Wright's works in the form in which he intended them to be read. The authoritative new texts, based on Wright's original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society. The volume includes notes on significant changes in Wright's text and a detailed chronology of his life.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"Let your fiction grow out of the land beneath your feet." Willa Cather's remark describes her own reasons for re-creating in her works the Nebraska frontier of her youth. Set on the vast northern Great Plains, where the earth has only recently come beneath the plow, the stories and novels in this Library of America volume partake of an impressive physical space and a uniquely American ethnic. Panoramas of lonely prairie and open sky reflect the heroic aspirations and stoicism of her characters and the rebelliousness of their spirit.The Troll Garden (1905) was Cather's first book of fiction. It contains seven stories, including the justly famous "Paul's Case," a study of a young man who escapes the world of the ordinary and briefly tastes the life of romance. Also included is "The Sculptor's Funeral," about a world-famous young artist who remains without honor in his native town.O Pioneers! (1913) is the story of a young Swedish-American girl, Alexandra Bergson, who is left to manage the homestead farm when her father dies. Although she must contend with the shiftlessness of two brothers and the brutal murder of a third, her instinctive identification with the forces of nature helps bring the land to abundant fruition, and she finds her own happiness in a kindred spirit-an engraver, gold prospector, and fellow dreamer.In her lyrical novel The Song of the Lark (1915), Cather's love of music and theater and her faith in the spiritual influence of the Western landscape find expression in the ardent and talented Thea Kronborg. Moving from Colorado to Chicago to the primitive Southwest, Thea finds her destiny not in romance, but as a great Wagnerian soprano in the Metropolitan Opera. Her success, and that of all Cather's heroines, derives from what the author calls "the naïve, generous country that gave on its joyous force."A masterpiece at once austere and exuberant, historical and mythical, My Ántonia (1918) portrays a family of Bohemian emigrants on the Nebraska frontier. Despite the suicide of her father and the desertion of the father of her child, Ántonia Shimerda retains an unselfish nature that allows her to undergo years of drudgery and still affirm a courageous passion for life and motherhood-a dauntlessness intrinsically rooted in the awesome wonder of the prairie.One of Ours, winner of the Pulitzer Prize in 1922, portrays the blighting effects of twentieth-century progress on a free spirit from the American frontier. Claude Wheeler, its hero, is an imaginative, restless young man who leaves his claustrophobic small town to become a soldier in France during World War I. The Old World shows him culture, art, generosity, and appreciation, and also the horror, waste, and tragedy of war.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A definitive edition of the groundbreaking feminist fiction of a nineteenth century pioneerBest known for her gothic short story "The Yellow Wallpaper," Charlotte Perkins Gilman was a pioneering feminist writer, the author of the utopian novels Herland and With Her in Ourland, about a newly-discovered country in which there have been no men for 2000 years. Both novels are gathered here along with approximately forty of her best stories: "The Yellow Wallpaper," presented in both the published and the almost unknown original manuscript version, which contains a different ending, "The Giant Wistaria" and "The Rocking-Chair," and many others. Also included is an extensive selection of Gilman's poems, many written in support of suffrage and other reforms.

The third volume of Library of America's five-volume edition of Updike's novels features the continuation of the renowned Rabbit saga and two wickedly funny satires set in the charged realms of sex, politics, and family.The third volume in our five-volume selected edition of the novels of John Updike includes three books: The Coup, one of Updike's most outlandish satires, set in a fictional African nation; Rabbit Is Rich, the third, and many say best, novel starring his most famous protagonist; and the wildly popular The Witches of Eastwick, which was memorably adapted in the film starring Cher, Michelle Pfeiffer, Susan Sarandon, and Jack Nicholson. In The Coup, a surprising departure from his prior novels, Updike stages a withering take down of an array of targets, from American materialism and its baleful effects on the developing world to the follies of Cold War geopolitics and the fevered megalomania of the dictatorial mind. In Rabbit Is Rich, the third installment of the Rabbit tetralogy, we meet up with Harry Angstrom, now 46, dealing as best he can with the challenges and cares of midlife, a time when "you are carrying the world in a sense and yet it seems more out of control than ever." In The Witches of Eastwick, Updike imagines a small New England town possessed by magic-at least as practiced by the female trio at its center who, freed from the burdens of their marriages, make common cause and unleash their whimsical witchcraft on Eastwick's narrow-minded townspeople.

For the 400th anniversary of Moliere's birth, all of Richard Wilbur's unsurpassed translations of Molière's plays-themselves towering achievements in English verse-are brought together for the first time in this two-volume gift set.One of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Molière's plays are especially admired by readers and are still performed today around the world. "Wilbur," the critic John Simon wrote, "makes Molière into as great an English verse playwright as he was a French one." Now, for the first time, all ten of Wilbur's unsurpassed translations of Molière's plays are brought together in two-volume boxed set, fulfilling the poet's vision for the translations.The first volume comprises Molière's delightful early farces The Bungler, Lovers' Quarrels, and The Imaginary Cuckhold, or Sganarelle; the comedies The School for Husbands and The School for Wives, about the efforts of middle-aged men to control their young wives or fiancés, which so delighted female theater goers in Moliere's seventeenth-century France; and Don Juan, Molière's retelling of the timeless story, performed only briefly in the playwright's lifetime before pious censure forced it to close and not part of the repertoire of the Comédie-Française until 1847.The second volume includes the elusive masterpiece, The Misanthrope, often said to occupy the same space in comedy as Shakespeare's Hamlet does in tragedy; the fantastic farce Amphitryon, about how Jupiter and Mercury commandeer the identities of two mortals ; Tartuffe, Molière's biting satire of religious hypocrisy; and The Learned Ladies, like Tarfuffe, a drama of a household turned suddenly upside down. These volumes include the original introductions by Richard Wilbur and an introduction by Adam Gopnik on the exquisite art of Wilbur's translations.

What kind of choices fatally shape a life? How does the individual withstand the onslaught of circumstance? These are the dark questions that animate Nemeses, the quartet of thematically related short novels that are published here together for the first time in this final volume of The Library of America's definitive edition of Philip Roth's collected works. Everyman (2006) is the sparse and affecting story of one man's lifelong skirmish with mortality. Set against the backdrop of the Korean War, Indignation (2008) is the extraordinary narrative of a young man struggling against the conformity of McCarthy-era America and his father's overwhelming fear. In The Humbling (2009), aging actor Simon Axler embarks on a risky and aberrant affair in a desperate attempt to recoup his lost artistic gifts. And in Nemesis (2010), Roth offers an exacting portrait of the emotions-fear and anger, bewilderment and grief-bred by a polio epidemic in Newark in the summer of 1944.Philip Roth is the only living American novelist to have his work published in a comprehensive, definitive edition by The Library of America. He has received the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award twice, the PEN/Faulkner Award three times, the National Medal of Arts, and the Gold Medal in Fiction, the highest award of the American Academy of Arts and Letters.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow. Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage. Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America. 

Bill Littlefield (NPR''s Only a Game) presents the second installment in the Library of America series devoted to classic American sportswriters, a defintive collector’s edition of the pathbreaking writer who invented the long-form sports story. Like his friend and admirer Red Smith, W. C. Heinz (1915–2008) was one of the most distinctive and  influential sportswriters of the last century. Though he began his career as a newspaper reporter, Heinz soon moved beyond the confines of the daily column, turning freelance and becoming the first sportwriter to make his living writing for magazines. In doing so he effectively invented the long-form sports story, perfecting a style that paved the way for the New Journalism of the 1960s. His profiles of the top athletes of his day still feel remarkably current, written with a freshness of perception, a gift for characterization, and a finely tuned ear for dialogue. Jimmy Breslin named Heinz’s “Brownsville Bum”—a brief life of Al “Bummy” Davis, Brooklyn street tough and onetime welterweight champion of the world—“the greatest magazine sports story I’ve ever read, bar none.” His spare and powerful 1949 column, “Death of a Race Horse,” has been called a literary classic, a work of clarity and precision comparable to Hemingway at his best.Now, for this essential writer’s centennial, Bill Littlefield, the host of NPR’s Only A Game, presents the essential Heinz: thirty-eight columns, profiles, and memoirs from the author’s personal archive, including eighteen pieces never collected during his lifetime. Though Heinz’s great passion was boxing—the golden era of Rocky Graziano, Floyd Patterson, and Sugar Ray Robinson—his interests extended to the wide world of sports, with indelible profiles of baseball players (Babe Ruth, Joe DiMaggio), jockeys (George Woolf, Eddie Arcaro), hockey players, football coaches, scouts and trainers and rodeo riders.

Rediscover one of America’s pioneering women crime writers with this classic noir starring a Long Beach private investigator reminiscent of Raymond Chandler’s Philip Marlowe“Are you trying to tell me you don''t want the job, Mr. Sader?” It started as a missing persons case and grew more puzzling with the discovery of another strangely coincidental disappearance. Private eye Jim Sader finds himself deep in a multilayered intrigue revolving around oil and real estate and the sleazy underpinnings of Long Beach, California, in the 1950s. Taut, suspenseful, and gritty, many consider Sleep with Strangers to be Dolores Hitchens’ best novel.

Private eye Jim Sader returns in a hard-hitting thriller set in the dark corners of sunny southern California"You''re playing with a child''s life": The search for a kidnapped boy leads private detective (and ex-alcoholic) Jim Sader through a labyrinth of well-hidden family secrets and into the heart of an elaborate and malevolent deception. With little to go on--a tight-lipped client, an anonymous letter, a mother who is supposed to be dead--Sader must rely on his wits to find the child even as he outraces the demons that dog him. Sleep with a Slander has been called "the best hard-boiled private eye novel written by a woman—and one of the best written by anybody" (1001 Midnights: The Aficionado''s Guide to Mystery and Detective Fiction).

STEPH CURRY''S "UNDERRRATED" BOOK CLUB PICK FOR APRIL 2022NAACP IMAGE AWARD FINALISTNEW YORK TIMES BEST SELLERONE OF TIME''S 100 MUST-READ BOOKS OF 2021ONE OF OPRAH''S 15 FAVORITE BOOKS OF 2021ONE OF THE CHICAGO TRIBUNE''S 10 BEST BOOKS OF 2021A BOSTON GLOBE BEST BOOK OF 2021A major literary event: an explosive, previously unpublished novel about race and police violence by the legendary author of Native Son and Black BoyFred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a masterpiece that Richard Wright was unable to publish in his lifetime. Written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers, it would eventually see publication only in drastically condensed and truncated form in the posthumous collection Eight Men (1961). Now, for the first time, by special arrangement with the author''s estate, the full text of this incendiary novel about race and violence in America, the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”), is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

From The Federalist to Citizens United, a bestselling historian presents key writings on five crucial questions confronting American democracy today Amid the frenzied overload of 24-hour cable news and incessant social media, at a time when many of us fear for the future of our democracy, it is becoming harder and harder to think clearly about politics. American Democracy: 21 Historic Answers to 5 Urgent Questions provides an alternative for those who want to step back and look to the past for inspiration and guidance.   Edited with perceptive and provocative commentary by bestselling historian and journalist Nicholas Lemann (The Promised Land, Transaction Man), the book presents key writings from the American past that speak to five contemporary flashpoints in our political landscape: race, gender, immigration, and citizenship; opportunity and inequality; the purpose and powers of the federal government; money, special privilege, and corruption; and protest and civil disobedience. Some of the selections are well-known—George Washington’s letter to the Hebrew Congregation at Newport, Frederick Douglass’s “What to the Slave is the 4th of July,” Martin Luther King Jr.’s letter from Birmingham Jail—while others will be new to many readers—Horace Mann’s argument for public schools as a means of fighting inequality, Jane Addams’s perceptive analysis of gender and social class in charity work, Randolph Bourne envisioning a “Trans-National America.”   American Democracy presents a remarkable range of insightful and eloquent American political writing, while serving as an invaluable resource for concerned citizens who wish to become better-informed participants in the ongoing drama of our democracy.

In their own voices, the full story of the women and men who struggled to make American democracy wholeWith a record number of female candidates in the 2020 election and women''s rights an increasingly urgent topic in the news, it''s crucial that we understand the history that got us where we are now. For the first time, here is the full, definitive story of the movement for voting rights for American women, of every race, told through the voices of the women and men who lived it. Here are the most recognizable figures in the campaign for women''s suffrage, like Elizabeth Cady Stanton and Susan B. Anthony, but also the black, Chinese, and American Indian women and men who were not only essential to the movement but expanded its directions and aims. Here, too, are the anti-suffragists who worried about where the country would head if the right to vote were universal. Expertly curated and introduced by scholar Susan Ware, each piece is also introduced by a headnote so that together these 100 selections by over 80 writers tell the full history of the movement--from Abigail Adams to the Declaration of Sentiments to the passage of the Nineteenth Amendment and the limiting of suffrage under Jim Crow. Includes writings by Ida B. Wells, Mabel Lee, Margaret Fuller, Sojourner Truth, Frances Ellen Watkins Harper, Frederick Douglass, presidents Grover Cleveland on the anti-suffrage side and Woodrow Wilson urging passage of the Nineteenth Amendment as a wartime measure, Jane Addams, and Charlotte Perkins Gilman, among many others.

A literary landmark: Kevin Young presents the biggest and best anthology of black poetry ever published, gathering 250 poets from the colonial period to the presentOnly now, in the 21st century, can we fully grasp the breadth and range of African American poetry: a magnificent chorus of many voices, some familiar, others recently rescued from neglect. And only here, in this unprecedented anthology expertly selected by poet and scholar Kevin Young, is this glorious living tradition wholly revealed in all its power, beauty, and multiplicity. Discover, in these pages, how an enslaved person like Phillis Wheatley confronted her legal status in verse and how an antebellum activist like Frances Ellen Watkins Harper voiced her own passionate resistance to slavery. Read nuanced, provocative poetic meditations on identity and self-assertion stretching from Paul Laurence Dunbar to Amiri Baraka to Lucille Clifton and beyond. Experience the transformation of poetic modernism in the works of figures such as Langston Hughes, Fenton Johnson, and Jean Toomer. Understand the threads of poetic history--in movements such as the Harlem and Chicago Renaissances, Black Arts, Cave Canem, Dark Noise Collective--and the complex bonds of solidarity and dialogue among poets across time and place. See how these poets have celebrated their African heritage and have connected with other communities in the African Diaspora. Enjoy the varied but distinctly Black music of a tradition that draws deeply from jazz, hip hop, and the rhythms and cadences of the pulpit, the barbershop, and the street. And appreciate, in the anthology''s concluding sections, why contemporary African American poetry, amply recognized in recent National Book Awards and Poet Laureates, is flourishing as never before. Taking the measure of the tradition in a single indispensable volume, African American Poetry: 250 Years of Struggle and Song sets a new standard for a genuinely deep engagement with Black poetry and its essential expression of American genius.

75 years after Hiroshima and Nagasaki, a collected edition of three classic accounts of our nuclear predicament and the way forward to a peaceful world, by the Rachel Carson of the antiwar movement.Brave, eloquent, and controversial, these classic works by Jonathan Schell illuminate the nuclear threats our civilization continues to face, and envision a way forward to peace. In The Fate of the Earth--an international bestseller that inspired the nuclear freeze movement--he distilled the best available scientific and technical information to imagine the apocalyptic aftereffects of nuclear war. Dramatizing the stakes involved in abstract discussions of military strategy, it galvanized public consciousness and changed the terms of the debate over nuclear arms. The Abolition extended this work to argue--against a complacent acceptance of "the stability of the nuclear world" and conventional theories of deterrence--that pathways to disarmament exist, and that the ultimate elimination of nuclear weapons is an achievable goal. The volume concludes with what is arguably Schell''s masterwork, The Unconquerable World: Power, Nonviolence, and the Will of the People. A sweeping, surprisingly hopeful historical analysis of the changing nature of warfare, both nuclear and conventional, through the end of the twentieth century, it argues that war has become less and less useful as a means for achieving political ends, culminating in the mutually assured destruction of the Cold War. Describing the world-historical successes of people''s revolutions--the Gandhian defeat of British imperialism in India and the peaceful dissolution of the Soviet Union, among others--Schell envisions new political and social foundations on which to sustain a lasting peace.

A landmark of literary recovery: the first major edition of 19th-century America''s greatest woman writerIn her lifetime Constance Fenimore Woolson (1840-1894) was considered with George Eliot one of the two greatest women writers of the English language. She wrote fiction of remarkable intellectual power that outsold those of her male contemporaries Henry James and Willian Dean Howells. James enshrined memories of his long, complicated friendship with Woolson in The Beast in the Jungle and The Wings of the Dove, and more recently Colm Tobin treated the relationship in his novel The Master. But Woolson''s close association with James, and her likely suicide in Venice, have tended to overshadow her own literary accomplishments, pigeonholing her as a martyr to the male literary establishment. This volume, the most comprehensive gathering of Woolson''s stories to date, represents the culmination of decades of recovery work done by scholars, and puts the focus back on the work, where it belongs.Set variously in the Great Lakes region, the post-Civil War South, and Europe, Woolson''s short stories often concern outsiders of one kind or another--prophets and misfits living in remote landscapes, uneducated coal miners, impoverished spinsters, neglected nuns, a haunted caretaker of the dead, destitute southerners, and female artists driven to extreme behavior as they seek the admiration or approval of established (male) critics or writers. Woolson''s minute realism captures both the social texture of her time and the inner emotional lives of these overlooked and marginalized characters. Most of all her writings startle us with their simmering intensity, their sensual descriptions of the environment, and refusal to smooth out the ambiguities and tensions that inevitably result from human efforts to communicate and connect. Her fiction is deeply human, resonating with a power across the centuries that makes them remarkably modern for today''s readers.

Library of America's definitive Updike edition continues with three masterful novels on the joys and the discontents of the sexual revolutionHere for the first time in one volume are three of John Updike's most essential novels--the scandalous Couples, the brilliant Rabbit Redux, and the uproarious A Month of Sundays--which together form an unforgettable triptych of the social turbulence that roiled America from the Kennedy to the Nixon years. Written with the grace, verve, and style of one of literature's most sophisticated entertainers, these books not only reveal Updike's genius in characterization and his formal versatility as a novelist but also delve into the complexities of sex and marriage, social class and personal morality, and the difficult quandaries of the flesh and the spirit. As a special feature the volume also presents two short pieces that shed light on the novels and the tale "Couples: A Short Story," the origin of the novel of the same name, written in 1963 but deemed unsuitable for publication by The New Yorker.

Thomas Mallon and Library of America invite readers to rediscover the Pulitzer Prize-winning novels of a classic American writer on the 150th anniversary of his birthMuch in need of rediscovery today, Booth Tarkington was among the most beloved and widely read writers of his era. In such classic novels as The Magnificent Ambersons and Alice Adams, both winners of the Pulitzer Prize, Tarkington displayed a mastery of realism and an astute, strikingly modern feel for psychology, capturing crucial transformations in our national life as they were manifested in changing social customs and in the very landscape itself, altered irrevocably by industrialization and environmental degradation. Out of Tarkington's prolific writings novelist and critic Thomas Mallon has selected three works that show Tarkington at his best. The Magnificent Ambersons, inspiration for Orson Welles's classic film, is a tour-de-force study in egoism, depicting the fall from grace of George Minafer, wayward scion of the once-unassailable Amberson family. The titular protagonist of Alice Adams, portrayed unforgettably by Katharine Hepburn in what many consider her finest performance, is one of the great heroines of American literature: like Henry James's Isabel Archer and the young women of Edith Wharton's novels, she is a spirited, complicated young woman confronting the limits of her time and place with her own headlong desires. These novels are joined here by the story collection In the Arena: Stories from Political Life, published in 1905. The tales were read avidly by Theodore Roosevelt, inspiring perhaps his most famous speech--draw from Tarkington's political career as a state legislator in Indiana, which lasted briefly but had a profound impact on him. Published to commemorate the 150th anniversary of Tarkington's birth, Novels and Stories contains the most enduring works of a Hoosier luminary and an estimable chronicler of the American Midwest.

Lauren Groff invites a new generation of readers to rediscover the haunting stories of a neglected mid-century masterA teenage girl in Connecticut driven to near delirium over her burgeoning sexuality. A twenty-something New Yorker transplanted to a small Virginia community who boldly befriends the town pariah. A New England widow in search of alcohol and excitement while babysitting her grandson. A Maryland socialite who has built a secret bomb shelter that becomes the center of her imaginative life. These are some of the characters who inhabit Nancy Hale's lush fiction. Haunting, vivid, and wonderfully subversive, Hale's stories typically concern women recognizable to all of us-sometimes fragile, possibly wicked, deceptively ordinary, navigating their way uncertainly through life. Nancy Hale was one of the most accomplished short story artists of her era, winner of ten O. Henry Awards and a frequent contributor to The New Yorker from the 1930s to the 1960s. But by the time of her death in 1988, this remarkable writer, so far ahead of her time in her depiction of complex women, was largely forgotten. Now Lauren Groff reintroduces this modern master with a selection of twenty-five of her best stories- brilliant short fiction that encompasses childhood and adolescence, marriage and motherhood, desire and infidelity, madness and memory. Where the Light Falls reveals Hale as a gifted stylist-a painter in light and shadow-and an acute observer of modern American life.

"Undoubtedly, the single finest collection of Wallace Stevens ever produced." - Library JournalWallace Stevens's unique voice combined meditative speculation and what he called "the essential gaudiness of poetry" in a body of work of astonishing profusion and exuberance, poems that have remained an inspiration and influence for generations of poets and readers. Now, for the first time, the works of America's supreme poet of the imagination are collected in one authoritative Library of America volume.Here are all of Stevens's published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as "Sunday Morning" and "Thirteen Ways of Looking at a Blackbird"), through "Notes Toward a Supreme Fiction," "Esthétique du Mal," "The Auroras of Autumn," and the other large-scale masterpieces of his middle years, to the austere final poems of "The Rock," Stevens's poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. The volume presents over ninety poems uncollected by Stevens, including early versions of often-discussed works like "The Comedian as the Letter C" and "Owl's Clover."Also here is the most comprehensive selection of Stevens's prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of T. S. Eliot, Marianne Moore, William Carlos Williams, and other poets. The often-dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens's thoughts on poetry and the creative process.The volume also contains explanatory notes, a detailed chronology of Stevens' life, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In this, the second volume of The Library of America's definitive edition of the collected works of Philip Roth, published by special arrangement with the author, the range and inventiveness of Roth's fiction is dazzlingly displayed in four extraordinarily diverse works.When She Was Good (1967) is the trenchant portrait of Lucy Nelson, a young midwestern woman whose perception of her own suffering turns her into a ferocious force, "enemy-ridden and unforgivingly defiant," as Roth would later describe her. A small-town 1940s America of restrictive social pressures and foreclosed opportunities provides the novel's background.The publication of the hilarious Portnoy's Complaint (1969) was a cultural event that turned Roth into a reluctant celebrity. The confession of a bewildered psychoanalytic patient thrust through life by his unappeasable sexuality yet held back by the iron grip of his unforgettable childhood, Portnoy unleashed Roth's comic virtuosity and opened new avenues for American fiction.In Our Gang (1971), described by Anthony Burgess as a "brilliant satire in the real Swift tradition," Roth effects a savage takedown of the administration of Richard Nixon (who figures here as Trick E. Dixon). Written before the revelations of the Watergate scandal, Our Gang continues to resonate as a broad and outraged response to the clownish hypocrisy and moral theatrics of the American political scene.The Kafkaesque excursion The Breast (1972) introduces David Kepesh in the first volume of a trilogy that continues with The Professor of Desire (1977) and The Dying Animal (2001). The Breast prompted Cynthia Ozick to remark, "One knows when one is reading something that will permanently enter the culture."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.