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ICE annual conference, 2018: Special issue Anti-social media? Editorial A grand final curtain - and then goodbye to ICE, by John Mair Papers Open discourse: A media theory for the twenty-first century, by Denis Muller Online trolls, journalism and the freedom of speech: Are the bullies taking over?, by Claire Wolfe Fighting the hand that feeds: A comparative study of the use of sources in the alternative media, by Sean Dodson Article For a cocktail that is shaken and stirred - just add ICE: Some noise from the background, by Fiona Thompson Paper Tabloid media and the dubious terrain of migration reporting, by Jussi P. Laine Plus book reviews

Special Issue: Orwell and the Arts Guest Editorial Examining the 'Genius' of Orwell's Art - by Tim CrookPapers Keynote: Orwell and Literary Art - by Len Platt 'The Art of Donald McGill': Orwell and the Pleasures of Sex - by Richard Lance Keeble Performance and Spectation in Orwell's Burmese Days - by Douglas Kerr Orwell, Poetry and the Microphone - by Tim Crook Short Story 2017 My Year of Orwell - and One Last Gift - by Nicola Rossi Article 'Room 103': Orwell's Influence on Contemporary Visual Art - by Glenn Ibbitson Other Papers Orwell and the Appeal of Opium - by Darcy Moore Orwell as Social Patriot - and British Cinema Studies - by Martin Stollery

Although most Freemasons will be familiar with the Tracing Boards - painted or engraved illustrations developed in the early years of Freemasonry which are used in Lodges to illustrate Masonic symbols and allegories during degree ceremonies and lectures - little has been published on them. The Tracing Boards are an essential part of the three Craft Degrees, assisting the Freemason in his quest to decode and interpret those allegories. There is no publication which adequately explains the Tracing Boards, their use and meaning of their symbolism, and Tracing Boards of the Three Degrees in Craft Freemasonry Explained fills that gap. The first three chapters give a detailed method of understanding and revealing the import of the three craft boards, based on those used in the three degrees by the Emulation Lodge of Improvement, known as the Harris Boards, which contain the elements of most of the Tracing Boards used in Lodges throughout England. The fourth chapter gives a brief overview of the history and the development of Tracing Boards in England, with some fascinating illustrations of long-forgotten boards. In the fifth chapter the author draws in many Tracing Boards and Lodge Cloths from other countries, particularly from the USA, and from other Masonic jurisdictions, bringing the art-form right up to the 21st century. This book is richly illustrated and features boards never before seen outside museums.Julian Rees was for some years on the Precepting Committee of the Emulation Lodge of Improvement in London. He has been a regular contributor to the quarterly magazine Freemasonry Today since its founding in 1997. In 2003, he joined the editorial team as deputy and news editor, and in the same year delivered the prestigious Wendel K. Walker Memorial Lecture in New York entitled Through Ritual to Enlightenment. He was one of the founding members of The Cornerstone Society, serving as Secretary for a number of years, and has lectured extensively to lodges in this country and abroad. Rees has been honoured by the Institut Maçonnique de France with the Ordre Maçonnique de Lafayette. He is now a member of the International Order of Freemasonry Le Droit Humain in England. He is the author of Making Light - A Handbook for Freemasons, The Stairway of Freemasonry, Ornaments Furniture and Jewels and So You Want To Be A Freemason?

Special Issue Articles Ethical sports journalism: The challenges, by Andy Cairns Accountable sports journalism. Building up a platform and a new specialised code in the field, by Xavier Ramon-Vegas and José-Luis Rojas-Torrijos Self-censorship and the pursuit of truth in sports journalism: A case study of David Walsh, by Tom Bradshaw A comparative analysis of how regulatory codes inform broadcast and print sports journalists' work routines in the UK using Sky Sports News and the Sun as case studies, by Simon McEnnis 'Guess and go': The ethics of the mediatisation of professional sport in Australia, by Tracie Edmondson 'Can I click it? Yes you can': Football journalism, Twitter, and clickbait, by Jonathan Cable and Glyn Mottershead How to get kicked off Twitter: An examination of the changing ethics of the so-called 'tech giants', by Charles M. Lambert Plus Plastic words, public relations and the neoliberal transformation of twentieth century discourse, by Anne Surma and Kristin Demetrious

Papers 'This Poor Wailer Among the Rebels': Orwell, O'Casey and Ireland - by John Newsinger 'A Strange Desire of Wandering': The Female Body and the Problematic Structure of A Clergyman's Daughter - by Zhang Weiliang Nineteen Eighty-Four and Brave New World: Complementary Visions Reconsidered - by Anna Vaninskaya 'Such, Such Were the Joys' and the Journalistic Imagination - by Richard Lance Keeble Articles More Orwellian than Feminist: Comparing Nineteen Eighty-Four and Margaret Atwood's The Handmaid's Tale - by Ron Bateman Collecting Orwell: A Kind of Compulsion - by Darcy Moore Plus Book reviews

Leeds Studies in English is an international, refereed journal based in the School of English, University of Leeds. Leeds Studies in English publishes articles on Old and Middle English literature, Old Icelandic language and literature, and the historical study of the English language.

Humour, so much a part of everyday communication and the pleasure of media consumption, has been strangely marginalised in journalism/communication studies. This innovative volume, edited by Richard Lance Keeble and David Swick, at last puts the focus on the funniest pages with studies of print and online journalism in a wide range of countries: Brazil, Britain, Spain, Mexico, the Philippines and the United States of America. Separate sections look at 'Humour in Journalism, Yesterday and Today', 'The Witty Ways of Literary Journalists' and 'The Politics of Being Funny'. Topics include: ¿ George Orwell's Humour. ¿ Humour in the First Decades at the New Yorker. ¿ The Idiosyncratic, Witty Journalism of 'Revolutionary' Russell Brand. ¿ Humour in Mexican Illicit Drug Trade-Related Crónicas. ¿ The Role of the Satirical Press during the Spanish Civil War. ¿ Millôr Fernandes's Legacy and the Role of Humour in Brazilian Journalism. The contributors include Amy Forbes; Josep Lluís Gómez-Mompart, with Dolors Palau-Sampio, José Luis Valhondo-Crego and María Iranzo-Cabrera; Nicolás Llano Linares; Rhiannon McGlade; Sarah Niblock; Novia D. Pagone; Carolyn Rickett; Mathilde Roza; Miki Tanikawa; Ave Ungro and Garry Whannel. Students and teachers in journalism, communication studies, humour studies, sports media, computer studies and media history will all find something fascinating in this text.

The Profiling Handbook examines the history, theory and journalistic practice of profile writing across a range of countries, including Australia, Brazil, South Africa, the UK and US. Profiles and the practice of writing them are of increasing interest to scholars of journalism because conflicts between the interviewer and the subject exemplify the changing nature of journalism itself. This interesting and multi-layered interaction, however, has rarely been subject to critical scrutiny, partly because profiles have traditionally been regarded as public-relations exercises or regarded as 'soft' journalism. However, essays in The Profiling Handbook, edited by Sue Joseph and Richard Lance Keeble, reveal that profiling has, historically, taken many different forms and that, as a contested space, it can be applied much more widely than to just celebrities. ¿ The first section places the study in an historical context looking at profiles by novelist Charles Dickens up to those of citizens hit by the recent US subprime mortgage crisis. ¿ The second section looks at celebrity profiling, the construction of 'normality' and the tensions between journalism and public relations. ¿ In the next section, profiles focusing on murder, death and dying are examined. ¿ Finally, in a section titled 'The Reflective Practitioner', journalists are seen reflecting on their professional routines. Authors include Pablo Calvi, John Dale, Maree Curtis, Fiona Giles, Grant Hannis, Mandy Oakham, Carolyn Rickett, Gillian Rennie and John David Zuern. The text will be invaluable for students and teachers of journalism, media, communication, celebrity studies, media history and literary journalism.