Böcker utgivna av Tough Poets Press

Originally published in 1978, Sweet Adversity is two novels in one. Author Donald Newlove edited his critically acclaimed novels of jazz-playing alcoholic Siamese twins, Leo & Theodore (1972) and The Drunks (1974), into a single volume, explaining in his Author's Note that "the story loses scope and focus when halved into two books."

A semi-autobiographical novel about a Turkish-born writer living in New York City's Greenwich Village during the late 1950s and early 1960s, with flashbacks to his childhood in Istanbul, who makes a promise to himself "to become the greatest writer of the new American generation," despite the fact that he can barely speak or write in English.

Five previously unpublished seriocomic novellas and short stories written in the mid-1960s by American postmodern writer Marvin Cohen.

What Are They All Waiting For? is an anthology of long out-of-print works by Philadelphia-born experimental novelist, poet, playwright, and screenwriter Gil Orlovitz (1918-1973), one of America's most innovative, yet virtually forgotten, writers of the 20th century. This volume contains 9 short stories, 4 essays, and 49 poems, originally published between 1944 and 1962. Also included is a comprehensive biography of Orlovitz and a bibliography of his works.

Expanded new edition of humorist Marvin Cohen's 1974 collection of 30 essays on the art and myth of America's pastime.

50th-anniversary edition of critically acclaimed writer Marvin Cohen's debut fiction. Not quite a novel, the book is best described as a series of humorous philosophical dialogues between the narrator and his "other" self, touching on a vast array of subjects such as birth, love, art, nature, religion, death, and everything in between.

Prior to the publication of his first collection of poetry, The Vestal Lady on Brattle and Other Poems (1955), Beat poet Gregory Corso wrote three plays while living as a "stowaway" on the campus of Harvard University. The first of these plays, written in 1954, was Sarpedon, which Corso described as "a great funny Prometheus Unbound ... all in metre and rhyme" and "...an attempt to replicate Euripides, though the whole shot be an original. Like the great Greek masters, I took off where Homer left an opening (like Euripides did with the fate of Agamemnon). My opening was found in The Iliad. Sarpedon, son of Zeus and Europa, died on the fields of Troy, and Homer had him sent up to Olympus with no complaint from Hades, who got all the others what died there. Thus I have Hades complain, demanding from his brother Zeus, the dead, all the dead, from said fields." The play comprises 17 pages of this volume. It is supplemented with a two-page introduction by Corso himself, taken from a transcript of his prefatory remarks at his 1978 reading of Sarpedon at the Naropa Institute in Boulder, Colorado. Also included are an editor's introduction which provides information about the plays Corso wrote while at Harvard and describes the circumstances surrounding his brief residence in Cambridge, Massachusetts. The volume is footnoted as well. Corso never professed to be a Greek scholar but this brilliant yet little-known work clearly demonstrates the depth of his mastery of classical literature, no doubt picked up from auditing Harvard lectures as well as from the extensive reading he did in the Clinton State Prison library in Dannemora, New York, while serving a three-year sentence for theft. What makes it all the more significant is that, despite the ancient subject matter, his verse is infused with the street slang and Beat vernacular of the time in which it was written, and portends the irreverent humor that would become a hallmark of much of his later work.