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In what way is »care« a matter of »tinkering«? Rather than presenting care as a (preferably »warm«) relation between human beings, the various contributions to the volume give the material world (usually cast as »cold«) a prominent place in their analysis. Thus, this book does not continue to oppose care and technology, but contributes to rethinking both in such a way that they can be analysed together.Technology is not cast as a functional tool, easy to control - it is shifting, changing, surprising and adaptable. In care practices all »things« are (and have to be) tinkered with persistently. Knowledge is fluid, too. Rather than a set of general rules, the knowledges (in the plural) relevant to care practices are as adaptable and in need of adaptation as the technologies, the bodies, the people, and the daily lives involved.

In its constructive and speculative nature, design has the critical potential to reshape prevalent socio-material realities. At the same time, design is inevitably normative, if not often violent, as it stabilises the past, normalises the present, and precludes just and sustainable futures. The contributions rethink concepts of critique that influence the field of design, question inherent blind spots of the discipline, and expand understandings of what critical design practices could be.With contributions from design theory, practice and education, art theory, philosophy, and informatics, »Critical by Design?« aims to question and unpack the ambivalent tensions between design and critique.

As a reaction to typically dead-end debates on future human and robot collaboration that tend to be either dismissive or overly welcoming towards »cobot« technologies, this book provides a technofeminist intervention. Pat Treusch not only shows how both the fields of technofeminism and robotics can engage in a practical exchange through knitting, but also contributes a tangible example of coboting dynamics. Robotic Knitting re-negotiates the boundaries between formalisation and embodiment, craft and high-tech as well as useful and dysfunctional machines. It re-crafts the nature of collaboration between human and robot. This finally entails an alternative mode of relating - a mode that enables an account of careful coboting.

A queer theory of visual art - based on extensive readings of art works Queer Art traces the question of how strategies of denormalization initiated by visual arts can be continued through writing. In the book's three chapters art theoretical debates are combined with queer theory, post-colonial theory, and (dis-)ability studies, proposing the three terms radical drag, transtemporal drag, and abstract drag. The works discussed include those by Zoe Leonard, Shinique Smith, Jack Smith, Wu Ingrid Tsang, Ron Vawter, Bob Flanagan, Henrik Olesen, Felix Gonzalez-Torres, Sharon Hayes, and Pauline Boudry/Renate Lorenz.

YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.

Survivors' narratives are an invaluable source for the study of violence across academic fields. At the same time, they present several difficulties for academic research. Sources may be marked by the effects of trauma, the lasting impact of perpetrators' political power or blurred lines between reality and fiction. Ethical and legal problems, distances in time between a violent event and the moment of its narration, and the variation in linguistic phrasing chosen by survivors present additional problems. Based on several case studies, the contributors explore typical problems in the study of violence through survivors' narratives, and possible ways of dealing with them.

With bans on reproductive rights and access to healthcare, with censorship in schools and universities, and the instrumentalization of rights rhetoric itself, diversity issues stand at the heart of the primary and general elections in the United States. The contributors examine how the American elections will influence diversity issues in the United States and elsewhere, considering reproductive and immigration rights, planetary justice, epistemic and physical violence against LGBTQIA+ people as well as efforts to abet this violence. In this way they highlight the symbolic and political weight of the 2024 U.S. elections as a watershed moment for citizens of the world.

Thorsten Gieser explores the role of affects, emotions, moods and atmospheres in the emerging coexistence between humans and wolves.

Throughout the nineteenth century, social expressions and dynamics have been reflected in the surge of various printed products. The contributors analyze a diverse range of sources, such as caricatures, journalistic reports, travelogues, scholarly volumes, social novels, and fairytale collections, viewing them as early manifestations of social knowledge and ethnographic representation situated at the confluence of ¿popular¿ and ¿scientific¿ publishing. Their comprehensive exploration unveils alternative contexts and dimensions of early ethnographic knowledge production, providing insights into a history of social knowledge that surpasses disciplinary, national, and genre-related boundaries.

Over the last 70 years, media have become increasingly central to nautical mobility. Asher Boersma describes how, in the 1960s and 1970s, the focus of the Western European infrastructuring state shifted from dramatic physical intervention to control rooms, which both benefited from and drove the mediatisation of navigation, especially radar. He shows that, in the 1980s, conflicts between operators and management were manifested and resolved in the design of early simulators, and traces how the digitalisation of bridges and wheelhouses decentralised control again, away from shore. The nucleus of change in transport infrastructure has been where it is scaled, in control rooms and on ships, and that scaling is primarily what nautical media allow.

How can exhibitions not only stage existing knowledge, but also raise questions that might eventually lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.

Artists always react to the times in which they live. They may celebrate them or criticize them, often trying to change them. But this is the first time in history that technology controlled by private companies is offering to replace the work of writers, musicians, illustrators and visual artists. What impact will generative AI have on how we create art and how we understand what art is for? How will it affect the role of the artist in the future and the conditions under which artists will work? Jan Svenungsson tackles these questions, investigating what AI might do for art, and what it might change, circling the core issue of what it is in human art-making that cannot be replaced.

What future challenges are we facing already today, what room for action needs to be secured and which impulses result from this for professional future action? Against the backdrop of social transformation processes that pose these questions, the contributors to this volume highlight current developments in the field of performing arts, asking for scientific references to the mode of crisis. Their international framing places different academic positions in an overarching discourse by bringing knowledge from different theatre traditions and cultural contexts into a dialogue.

Despite formal equality gains such as LGBTQ workplace protections (Bostock v. Clayton County 2020), heteronormative cultural orders still permeate queer rights discourse. Laura Borchert engages with the cultural-legal construction of sexual minorities in the US and deconstructs naturalized assumptions about ¿the Queer¿ in US law and culture and central constitutional-cultural imaginaries by conducting interdisciplinary wide readings of legal texts. She makes a strong case for utilizing suspect classification to secure queer rights and offers the first distinctively cultural studies perspective on equal protection and sexual orientation by using a queer hermeneutics of law.

'Dimensions. Journal of Architectural Knowledge' is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution, and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures, and results of knowledge creation and practice are esteemed coequally, with particular attention to the architectural design and epistemologies of aesthetic practice and research.Dimensions Issue 07/2024, edited by Eva-Maria Ciesla, Susanne Hauser, Hannah Strothmann, and Julia Weber, aims to initiate a discussion on the potentials and limitations of 'architecture as intervention' in an era when architecture faces unprecedented global challenges. Viewing architecture through the lens of intervention positions it as a transformative tool or catalyst for change. The issue presents a diverse array of strategies that exemplify how architecture and its associated discourse have evolved into dynamic forms of intervention. By showcasing these innovative approaches, readers are invited to rethink the role of architecture in shaping the future and responding to the crises of our time.

The 17 essays in this volume investigate potentials for democratizing democracies. From finding faith to reclaiming the commons, each essay aims to plant a seed, which carries the promise of democratic potentials. Dealing with topics like planetary change, AI, and plural knowledge systems, the book acts as an inspiration, calling for unorthodox, compassionate, and experimental approaches. It is an invitation to cultivate democratic futures that are as diverse, resilient, and vibrant as the societies they aim to serve.

Innovation is ubiquitous and has become a universal term that is indispensable to describe interventions, projects, or products. Franziska Sörgel argues that emotions influence innovations as they are inherent in initial ideas, expectations and habitual evaluation criteria that impact the development process. Instead of assuming that the innovation process is subject to rational and linear creativity, the study adopts the notion of ¿moral economies¿ by Lorraine Daston as a space for negotiation. Such an approach enables decision-makers to question the evaluation criteria and patterns for technological developments before implementing them in society.

The relationship between philosophy and Jewish thought has often been a matter of lively discussion. But despite its long tradition and the variety of positions that have been taken in it, the debate is far from being closed and keeps meeting new challenges. So far, research on this topic has mostly been based on historically diachronic references, analogies, or contacts among philosophers and Jewish thinkers. The contributors to this volume, however, propose another way to advance the debate: Rather than adopting a historical approach, they consider the intersections of philosophy and Jewish thought from a theoretical perspective.