Böcker utgivna av Transcript Verlag

Britain's recent historical culture is marked by a shift. As a consequence of new political directives, black history began to be mainstreamed into the realm of national history from the late 1990s onwards. Black History - White History assesses a number of manifestations of this new cultural historiography on screen and on stage, in museums and other accessible sites, emerging in the context of two commemorative events: the Windrush anniversary and the 1807 abolition bicentenary. It inquires into the terms on which the new historical programme could take hold, its sustainability and its representational politics.

The past 60 years have seen the rediscovery of the immense cultural depth of Confucian humanist thought and its power to shape the way human beings are understood in East Asia. In this volume, renowned Confucian scholar Chun-chieh Huang analyzes various East Asian contexts to identify the central pillars of the Confucian humanist spirit: a continuum between mind and body, harmony between oneself and others, the unity of heaven and humanity, and a profound historical consciousness. Scholars of religion, history, philosophy and Asian studies will find this volume an indispensable guide to the rich tradition of East Asian Confucian humanism.

In the 1990s, the male confessional novel, most prominently represented by Nick Hornby (High Fidelity but also by writers such as Tim Lott (White City Blue and Mike Gayle (My Legendary Girlfriend articulated the structure of feeling of the male generation in their late twenties/early-to-mid-thirties.The book presents the advent of the male confessional novel in a fresh and yet critical light, challenging the feminist claim that the genre should be understood as a backlash against feminism and a relapse into sexism. By applying an eclectic theoretical framework, ranging from Raymond Williams to Anthony Giddens, Judith Butler and Jacques Derrida, the study illustrates why the male confessional novel is too complex a phenomenon to be solely interpreted in terms of retrosexism. It convincingly shows how the multitude of postmodern gender scripts adds to the crisis of identity and to the problematic nature of clearly defined gender relationships.

A work that intends to give an overview of the state of interactive art and interface technology as well as an outlook on new forms of hybridization in art, media, scientific research and everyday media applications.

Scientific research on climate change has given rise to a variety of images picturing climate change. These range from colorful expert graphics, model visualizations, photographs of extreme weather events like floods, droughts or melting ice, symbols like polar bears, to animated and interactive visualizations. Climate change graphics have not only increased knowledge about the subject, they have begun to influence popular awareness of global weather events. The status of climate pictures today is particularly crucial, as global climate change as a long-term process cannot be seen.When images are widely distributed, they are able to shape how the world is thought about and seen. It is this implicit basic assumption of the power of images to influence reality that this book addresses: today's images might become the blueprint for tomorrow's realities.»Image Politics of Climate Change« combines a wide interdisciplinary range of perspectives and questions, treated here in sixteen interdisciplinary case studies. The author's specializations include both visual practice and theory: in the fields of climate sciences, computer graphics, art, curating, art history and visual studies, communication and cultural science, environmental and science & technology studies. The close interlinking of these viewpoints promotes in-depth insights into issues of production and analysis of climate visualization.

Fractals suggest recursivity, infinity and the repetition of a principle of order. They are digital pictures of the universe's continuous movement ignored by mankind during millennia.This book investigates the relationship existing between geometries and technology, and how it guided cognitive processes and thus the organization of narrative spaces. The author proposes a new approach for the study of media remarking that from Bacon's camera obscura to von Neumann's computers both geometries and technology strongly influenced the organization of narrative spaces, which acquired a fractal character.

Postnaturalism offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment.With a foreword by media theorist Mark B. N. Hansen.

Racism has become difficult to name in Europe. Racial semantics are shifting, race is coded in multiple ways and the defense of naturalized privilege is today regularly argued so as to preempt accusations of racism. The possibility to address racism as a particular kind of power formation has become complicated. This volume examines how »race« relates to the operations of social power in particular contexts and what the critical purchase and effectiveness of analytical concepts of racism can be. It combines conceptual reflections with case studies exploring the diverse conjunctures of talking about racism in European countries today.

In the current environment of a growing Muslim presence in Europe, young Muslims have started to develop a subculture of their own. The manifestations reach from religious rap and street wear with Islamic slogans to morally impeccable comedy. This form of religiously permissible fun and of youth-compatible worship is actively engaged in shaping the future of Islam in Europe and of Muslim/non-Muslims relations.Based on a vast collection of youth cultural artefacts, participant observations and in-depth interviews in France, Britain and Germany, this book provides a vivid description of Islamic youth culture and explores the reasons why young people develop such a culture.

What is the current state of discussion in Cultural History? Which European institutions engage exclusively in Cultural History and which topics do they address? And how will Cultural History develop in the future?These and other questions are raised by European scholars in the discussion of Institutions, Themes and Perspectives of Cultural History in this volume. It provides a profound overview of contemporary developments in Scandinavia, Finland, Great Britain, Latvia, Poland, Hungary, Austria, Switzerland, Germany, Italy and Spain.

Supports and deepens the existing interfaces between art, science, and technology; and transgressing traditional principles and styles of research. This book suggests a transdisciplinary network that prefers to avoid traditional dualisms like nature and culture, subjects and objects as well as man and machine.