Böcker utgivna av Transcript Verlag

Peace and violence are opposites, but they do not exclude each other entirely. Taking this observation as starting point, this book investigates why there is so much violence in what we call peace. If peace and violence necessarily coexist, what does that mean for the idea of peace, and how is violence to be thought of? The contributors reflect on the ambivalent relations between peace and violence and discuss that while full peace cannot be achieved, efforts against violence and the prospects for peaceful coexistence never completely disappear. This interdisciplinary debate combines points of view of the Global North with perceptions from the Global South.

How do digital media technologies shape or restructure social practice? And which transitions and demarcations of different forms of publicness arise in this context? Simon Holdermann examines this question in his ethnography of everyday life in the High Atlas Mountains of Morocco. In order to approach the ongoing, historically situated social transformations of the region, he analyses a variety of media practices concerning the organizational work and transnational cooperation that take place there - in particular at the intersection of mountain tourism, NGO work, and local self-government.

The radical novelty of modern society consists of the global autonomy and dynamics of communication systems such as the economy, polity, science, law, health, the arts, sport, and intimacy. They are at the core of our living environment. With this systematic study of functional differentiation in sociology, Rudolf Stichweh fills an astonishing gap in sociological research. To do so, he combines essays and case studies instructive for both practicing social scientists and the general public interested in a sociological understanding of modernity.

This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this research is among the first of its kind. Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displacement in its performance. She argues that Iranian dance and Iranian female dancers have always been in exile - not only in a physical sense, but also in the metaphorical sense of >exile< implying foreignness, exclusion, and marginalization.

The planetary instantaneity that digital technologies have enabled is leading to an effacement of the divisions that separate the past from the future, ensuring that the present is ubiquitous. While contemporary architecture seems to have lost the capacity to conceive of the past as a transformative force, this book stresses the need to rethink today's complex temporal mechanisms through the notion of the untimely. This concept opens up a whole spectrum of possibilities to go beyond what seems predictable. The contributors to this book employ critical concepts and architectural design tools in order to offer experimental and speculative approaches for unknown futures of architecture.

This comparative ethnography of a Muslim and a Christian Palestinian refugee camp in Lebanon focuses on contrasting social belonging processes through a ritualization approach. Leonardo Schiocchet argues that contrasts emerge out of the intersectionality of religiosity, nationhood, refugeeness and politics, and synthesizes academic research on piety and moral self-cultivation and on the everyday life of religious communities. He contributes to the literature on refugees at large, and Palestinian refugees in particular, with the unique dense socio-historical portrait of two refugee camps for which there is almost no recorded literature.

Immanuel Wallerstein's world-systems theory can help to better understand and describe developments of the 21st century. The contributors address the possibilities to reread Wallerstein's theoretical thoughts and ideas that are related to different disciplines in the humanities and social sciences. The presented interdisciplinary approach of this anthology thereby intends to highlight the broader value of Wallerstein's ideas, even almost five decades after the famous sociologist and economic historian first expressed them.

How we sense and move our bodies shapes how we relate with each other. Current socio-economic practices are reducing generative qualities of relating. Doerte Weig shows how bodily capacities for sensitive tensional responsiveness are relevant to (re)generative cultures, the future of work, lifelong learning, sharing, healing and well-being. She draws together her own experience of living with Baka egalitarian foragers in North-Eastern Gabon, her corporate experience, and her studies on bodying, somatics and our connective tissue-system fascia. Interweaving neurophysiological shifting-sliding with a radically different ecosystemic awareness opens up potentials for bodying beyond current legal and political limits into enchantingly vibrant and ecosomatically alive futures.

What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, Özlem Canyürek introduces the concept of >thinking and acting interculturally< and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society.

Prenatal diagnosis, especially noninvasive prenatal testing (NIPT), has changed the experience of pregnancy, prenatal care and responsibilities in Israel and Germany in different ways. These differences reflect the countries' historical legacies, medico-legal policies, normative and cultural identities. Building on this observation, the contributors of this book present conversations between leading scholars from Israel and Germany based on an empirical bioethical perspective, analyses about the reshaping of 'life' by biomedicine, and philosophical reflections on socio-cultural claims and epistemic horizons of responsibilities. Practices and discussions of reproductive medicine transform the concepts of responsibility and irresponsibility.

This book compiles lectures by the world's leading practitioners of postdramatic theatre from East Asia and the German-speaking world, which were given at Asia's only dramaturgy degree program at The Central Academy of Drama in Beijing 2018/19. It includes first-time English-language scripts of the discussed plays. The material is complemented by contextualizing essays by the program founder Li Yinan and its co-developer Kai Tuchmann. Hans-Thies Lehmann contributes the foreword to this volume. This rare compilation enables the reader to gain a unique insider's impression of postdramatic theatre's artistic thinking and working methods and informs about its manifold manifestations.With contributions from Hans-Werner Kroesinger, Lee Kyung-Sung, Li Yinan, Boris Nikitin, Kai Tuchmann, Wang Mengfan, Wen Hui, Zhao Chuan and Zhuang Jiayun.

Are aesthetics and politics really two different things? The book takes a new look at how they intertwine, by turning from theory to practice. Case studies trace how sensory experiences are created and how collective interests are shaped. They investigate how aesthetics and politics are entangled, both in building and disrupting collective orders, in governance and innovation. This ranges from populist rallies and artistic activism over alternative lifestyles and consumer culture to corporate PR and governmental policies. Authors are academics and artists. The result is a new mapping of the intermingling and co-constitution of aesthetics and politics in engagements with collective orders.

Campus Medius explores and expands the possibilities of digital cartography in cultural and media studies. Simon Ganahl documents the development of the project from a historical case study to a mapping platform. Based on the question of what a media experience is, the concepts of the apparatus (dispositif) and the actor-network are translated into a data model. A time-space of twenty-four hours in Vienna in May 1933, marked by a so-called »Turks Deliverance Celebration« (Türkenbefreiungsfeier), serves as an empirical laboratory. This Austrofascist rally is mapped from multiple perspectives and woven into media-historical networks, spanning from the seventeenth century up to the present day.

What steps are needed to make life better and more convivial? The Second Convivialist Manifesto (2020) has presented a short diagnosis of the current crises and sketches of a possible and desirable future. It has been a necessary work of theoretical synthesis, but preserving a viable world also requires passion. It is thus urgent to show what people would gain from a shift to a post-neoliberal and post-growth convivialist future. This volume includes a theoretical debate on convivialism which reflects dystopias and shows the multiple and major obstacles that convivialism will have to face. Mainly, however, the contributors to this volume create sketches of a convivial future and collect accounts of another future world which is attractive for as many as possible.

This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent >arthouse< productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonâmbula, and Tokyo Story.

How is the Internet produced as an infrastructure in post-socialist Lithuania? Migle Bareikyte contributes to the growing field of STS and media studies with a distinct focus on Eastern Europe. She situates the Internet development in Lithuania's telecom industry with the exploration of its labor practices, geopolitical imaginaries, and critical negotiations from a bottom-up perspective. Bareikyte further explores how fieldwork-based research can foster new theorizations of media infrastructures. Finally, she argues for a situated investigation of new places and actors beyond the United States and Western Europe-such as post-socialist regions-in order to explore the diversity of media infrastructures.

Living with an infected planet has led to an unprecedented crisis of care. Since the outbreak of the coronavirus, life-making and death-making are at the center of global attention. Pandemic terms include COVID-19 response, frontline work, genocidal pandemic, lockdown, mask mandate, shadow pandemic, social distancing, vaccine wars, or virus racism. Elke Krasny presents a feminist mapping of key terms and key images defining the >pandemicscape

What is the subject of video?Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjørn Melhus.