Böcker utgivna av UNDERWORLD AMUSEMENTS

This collection of poetry is largely culled from the three labor journals that Ragnar Redbeard-inspired Wobbly activist Covington Hall edited from 1913 to 1916: The Lumberjack, The Voice of the People, and Rebellion. Hall was one of the top poets of the labor movement in the Progressive Era, and active writer and teacher for many decades until his death in 1951. Being a member of the Industrial Workers of the World, a labor organization known for pitched street fights and "direct action," in Hall we find the greatest advocate of the Chicago social-Darwinist Ragnar Redbeard, and his infernal book Might Is Right. That inspiring book was highly critical of any paid labor, much less Union organizing for workers as a class. Like so many radicals of the day, Hall looked past the conflicting parts to focus on the core message: the only foundation for right is the ability to enforce one's will on others.The poems contained within this booklet are mostly from the pen of Hall, but also others that he found worthy to print in his own journals, including Dadaist anarchist sculptor Adolf Wolff, and "Satanic Socialist" Henry M. Tichenor, author of The Sorceries and Scandals of Satan. They represent that curious melding of Might and Blasphemy and Labor in often stirring but sometimes satirical ways. Featuring an original introduction by editor-in-chief of UnionOfEgoists.com Kevin I. Slaughter, and a second by a contemporary of Halls, singing his praises as a poet of rebellion.

An ax murderer, two of the most brilliant scientific minds of the century, billions of dollars in profit, precedent-setting legal battles, secrets of life and death - all of these come together in the story of the first electric chair.In Blood and Volts, Th. Metzger creates a unique synthesis of scholarship, storytelling, and cultural critique. Though it draws from a number of disparate fields-true crime, history of technology, conspiracy theory, criminal law-Blood and Volts presents a clear and compelling story: America struggling to define itself through scientific innovation.At the dawn of the twentieth century, General Electric (using Edison's direct current) and Westinghouse (employing Tesla's groundbreaking alternating current) were locked in combat to determine which would dominate the electro-technical fate of the nation. Electricity was thought to be a highly ambiguous force: both godlike creative power and demonic destroyer of life. Metzger argues the electric chair was both harbinger and early pinnacle of modernity, the high altar of the rising cult of progress. In the popular imagination, Tesla and Edison were seen as nearly superhuman beings, and their struggle was not only for wealth and power, but to reshape the face of America.This is a second, revised edition.

Benjamin DeCasseres (1873-1945) was an Ironist, Critic, Poet, Epigrammist, Polemicist, God. He announced his candidacy for mayor of New York as a "Cubist Candidate" in 1913, vowing to "legalize human frailties," among other fine ideas. He was a comrade of H.L. Mencken, Charles Fort, James Huneker, George Sterling, Don Marquis and is a distant relative of Spinoza. His writing was published in a wide range of periodicals from Benjamin Tucker's radical anarchist Liberty, to the mainstream Life. He could be found in the pages of the New York Times, among other newspapers, and even on the radio. This is a collection of his writing solely focused on New York, but mostly about booze.Peggy Nadramia was born in the Hell's Kitchen neighborhood of Manhattan, was the editor of the award-winning horror publication GRUE Magazine, is one of the mixologists behind Cocktail Vultures, and also the current High Priestess of the Church of Satan.