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"In the summer of 1927, an itinerant Black laborer named Broadus Miller was accused of killing a fifteen-year-old white girl in Morganton, North Carolina. Miller became the target of a massive manhunt lasting nearly two weeks. After he was gunned down in the North Carolina mountains, his body was taken back to Morganton and publicly displayed on the courthouse lawn on a Sunday afternoon, attracting thousands of spectators. Kevin W. Young vividly illustrates the violence-wracked world of the early twentieth century in the Carolinas, the world that created both Miller and the hunters who killed him. Young provides a panoramic overview of this turbulent time, telling important contextual histories of events that played into this tragic story, including the horrific prison conditions of the era, the rise of the Ku Klux Klan, and the influx of Black immigrants into North Carolina. More than an account of a single murder case, this book vividly illustrates the stormy race relations in the Carolinas during the early 1900s, reminding us that the legacy of this era lingers into the present"--

"The best-known story of integration in baseball is Jackie Robinson, who broke the major league color line in 1947 after coming up through the minor leagues the previous year. His story, however, differs from those of the many players who integrated the game in the Jim Crow South at all professional levels. Chris Holaday offers readers the first book-length history of baseball's integration in the Carolinas, showing its slow and unsteady progress, narrating the experience of players in a range of distinct communities, detailing the influence of baseball executives at the local and major league levels, and revealing that the changing structure of the professional baseball system allowed the major leagues to control integration at the state level. Holaday illuminates many smaller stories along the way, including desegregation in Little League and American Legion baseball, the first Black players to play in the tiny foothills town of Granite Falls, North Carolina, and the pipeline of Afro-Cuban players from Havana to the Carolina leagues. By showing how race and the national pastime intersected at the local level, Holaday offers readers new context to understand the long struggle of equality in the game"--

"Imprisoned since age nineteen, Alim Braxton has spent more than a quarter century on North Carolina's death row. During that time, he converted to Islam and dedicated his life to redemption. Braxton, a rapper since the age of thirteen, uses his rhymes as a form of therapy and to advocate for prison reform, particularly by calling attention to the plight of the wrongfully incarcerated. This book, a hip-hop-rich prison memoir, chronicles Braxton's struggles and triumphs as he attempts to record an album while on death row, something no one has done before. Braxton's world is complex: full of reflections on guilt, condemnation, incarceration, religious awakening, and the redemptive power of art. Ultimately, Braxton shows us that even amid the brutality of our prison system there are moments of joy, and on death row joy may be the most powerful form of resistance"--

The Sandinista Revolution and its victory against the Somoza dictatorship in Nicaragua gripped the United States and the world in the 1980s. But as soon as the Sandinistas were voted out of power in 1990 and the Iran Contra affair ceased to make headlines, it became, in Washington at least, a thing of the past. Mateo Jarquin recenters the revolution as a major episode in the history of Latin America, the international left, and the Cold War. Drawing on research in Nicaragua, Cuba, Mexico, Panama, and Costa Rica, he recreates the perspective of Sandinista leaders in Managua and argues that their revolutionary project must be understood in international context. Because struggles over the Revolution unfolded transnationally, the Nicaraguan drama had lasting consequences for Latin American politics at a critical juncture. It also reverberated in Western Europe, among socialists worldwide, and beyond, illuminating global dynamics like the spread of democracy and the demise of a bipolar world dominated by two superpowers. Jarquin offers a sweeping analysis of the last left-wing revolution of the twentieth century, an overview of inter-American affairs in the 1980s, and an incisive look at the making of the post-Cold War order.

"This book analyzes the ways collective memories of the US-Mexico War have shaped Mexican Americans' civil rights struggles over several generations. As the first Latinx people incorporated into the nation, Mexican Americans were offered US citizenship by the Treaty of Guadalupe Hidalgo, which ended the war. Because the 1790 Naturalization Act declared whites solely eligible for citizenship, the treaty pronounced Mexican Americans to be legally white. While their incorporation as citizens appeared as progress towards racial justice and the electorate's diversification, their second-class citizenship demonstrated a retrenchment in racial progress. Over several generations, civil rights activists summoned conquest memories to link Mexican Americans' poverty, electoral disenfranchisement, low educational attainment, and health disparities to structural and institutional inequalities resulting from racial retrenchments. Activists also recalled the treaty's citizenship guarantees to push for property rights, protection from vigilante attacks, and educational reform. Omar Valerio-Jimâenez addresses the politics of memory by exploring how succeeding generations reinforced or modified earlier memories of conquest according to their contemporary social and political contexts. The book also examines collective memories in the US and Mexico to illustrate transnational influences on Mexican Americans and to demonstrate how community and national memories can be used strategically to advance political agendas"--

"In 2008, the Chinese government cracked down on protests throughout Tibet, and journalist Amy Yee found herself covering a press conference with the Dalai Lama in Dharamsala, his exile home in India. She never imagined a personal encounter with the spiritual leader would spark a global, fourteen-year journey to spotlight the stories of Tibetans in exile. As she documents how Tibetans live between worlds, Yee comes to know ordinary but extraordinary people like Topden, a monk and unlikely veterinary assistant; Norbu, a chef and political refugee; and Deckyi and Dhondup, a couple forced to leave their middle-class lives in Lhasa. Yee follows them to other parts of India and across oceans and four continents where they forge new lives while sustaining Tibetan identity and culture. Weaving a sweeping travel narrative with intimate on-the-ground reportage, Far from the Rooftop of the World tells these stories and others against the backdrop of milestones and events in Tibet's recent history - many memorable, too many tragic. The resulting portrait illuminates the humanity, strength, and perseverance of a people whose homeland is in crisis"--

"The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"--

"What is American roots music? Any definition must account for a kaleidoscope of genres from bluegrass to blues, western swing to jazz, soul and gospel to rock and reggae, Cajun to Celtic. It must encompass the work of artists as diverse as Alice Gerrard and Alison Krauss, George Thorogood and Sun Ra, Bela Fleck and Clarence 'Gatemouth' Brown, the Blake Babies and Billy Strings. What do all these artists and music styles have in common? The answer is a record label born in the wake of the American folk revival and 1960s movement politics, formed around the eclectic tastes and audacious ideals of three recent college grads who lived, listened, and worked together. The answer is Rounder Records. For more than fifty years, Rounder has been the world's leading label for folk music of all kinds. David Menconi's book is the label's definitive history, drawing on previously untapped archives and extensive interviews with artists, Rounder staff, and founders Ken Irwin, Marian Leighton Levy, and Bill Nowlin. Rounder's founders blended ingenuity and independence with serendipity and an unfailing belief in the small-d democratic power of music to connect and inspire people, forging creative partnerships that resulted in one of the most eclectic and creative catalogs in the history of recorded music. Placing Rounder in the company of similarly influential labels like Stax, Motown, and Blue Note, this story is destined to delight anyone who cares about the place of music in American culture"--

"Harry Benjamin (1885-1986), a German-born endocrinologist, was an early pioneer in hormone therapy and transgender medicine. During his long career, he assisted many people in transitioning, including Christine Jorgensen, the 1950's 'Ex-GI' turned 'Blond Bombshell' media sensation. The two became close collaborators, with Jorgensen working with Benjamin on his influential book The Transsexual Phenomenon, published in 1966. Alison Li's much-needed biography of Benjamin chronicles his passion for hormones and his lifelong interest in sexology. Drawn from extensive research in archival documents, secondary sources, and interviews, Li tells the story of Benjamin's collaborative work with over a thousand transgender patients and his efforts in education, research, and networking, helped to create the institutional foundations of transgender medicine"--

The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.