Böcker utgivna av University of Alaska Press

When Captain Cook died on Hawaii in 1780, Britain was already at war with France and Spain, who had allied themselves with her rebellious American subjects. The new United States secured its independence in 1783 and, as peace resumed, all three rival European powers turned again to considering the opportunities revealed by Cook's work in the Pacific. Further expeditions were soon dispatched: some were successful, some disasterous, and the achievements of some are still too little known. This book looks at six of Cook's successors and their Pacific voyages: at Arthur Phillip, founder of the first British colony in Australia; the Comte de Laperouse, whose French scientific expedition vanished without a trace; William Bligh, first in the ill-fated Bounty but then successfully in the Providence and in a Spanish expedition forgotten in the oblivion of his later political disgrace; George Vancouver's controversial voyage to northwest America; and Matthew Flinders' charting of Australia and long imprisonment by the French on Mauritius.

"Cold Latitudes depicts, in precise and spare portraits, the landscapes, cultures, and animals of the circumpolar regions. McGuire's writing reveals the Arctic and Antarctic regions as environments bustling with lives and ways of life that are coming increasingly under threat by climate change. These essays add a refreshingly intimate and human side to a conversation dominated by the often-inaccessible language and perspective of environmental science. Though the observations are the highlight of this collection, each essay has narrative momentum to match its setting"--

"Arctic people live in and observe the Arctic environment year-round. Intimate knowledge of the environment and environmental changes is fundamental to their survival. They frequently depend on natural resources for their livelihood. This book presents a review of the capabilities, good practices, opportunities and barriers of community-based environmental monitoring programs in the Arctic, with a focus on decision-making for resource management"--

"When The Wake of the Unseen Object was published in 1991, I imagined it might reach readers as a work of "literary travel," a genre then filling the shelves at the front of bookstores. The understated arc of the book, after all, was the education of a traveler: his progress, from early awkward door-to-door questioning to a deeper understanding and sense of place. His lessons in paying attention and seeing the world as it is, unburdened by romanticism or its inverse, disillusion. His struggles to free himself from that peculiar little character who shows up briefly in Chapter Two, "the God of Things as They Ought to Be." This new edition of the book reproduces the text as it originally appeared, without corrections or updates. Terms such as "Eskimo" and "Indian," now subject to reconsideration but common and accepted in that day, remain in place, along with then-standard applications of the words "Inupiat" and "Inupiaq," as noun and adjective"--

"Cabin 135 exists as place and idea, abode and quirky companion. As place, the house offered abundant opportunities to explore and contemplate decisions made by previous residents. As an abstraction, the log-built cabin both anchored and propelled my speculative notions of time and place. Eventually, I looked outward, beyond the house toward the microcosms of garden and yard and on toward a wider terrain. Nature meanders through my life as an ongoing theme, whether semi-tamed garden, national park, or wild-seeming forest. My narrative journey samples history, gardening, and nature as well as grappling with a many-faced house. Within the thematic structure of this book, I learn to pay more attention to my surroundings-sometimes with a broad-brush approach such as considering a swath of vegetation, other times, contemplating only a small plot of forest or garden, or a patch of wall inside the house. While searching for narrative larger than myself, everything I experienced, pondered, and tinkered with became part of my story and I puzzled over how we change places in both minuscule and wide-ranging ways"--

A cold climate is no excuse for a dull, colorless garden. The key is knowing the right plants that will survive and thrive in even the chilliest environments. Who better to guide gardeners than an expert from the far north? Award-winning designer and Alaska gardener Brenda Adams has spent decades searching for exceptional plants that flourish in wintery climates. In Cool Plants for Cold Climates, she presents vivid and detailed portraits of the best and most beautiful of the bunch. When Adams moved from the warm Southwest to Alaska, she found herself in a different gardening world, with few guides on how to approach this new ecosystem. Now, more than twenty-five years later, she shares the secrets gained from her years of gardening experiments as well as bountiful advice from friends and local nurseries. She explains how to evaluate a plant, balancing its artistic attributes with its more utilitarian ones, as well as how to evaluate your space and soil. Adams then takes you into the nursery, offering guidance on how to pick the best of the best. Finally, she offers a detailed look at a wide variety of wonderful plants, highlighting those that offer overall beauty, are especially easy to care for, and solidly hardy. With more than three hundred vivid pictures of both individual plants and full gardens, Adams proves that there is a bounty of plants, in a rainbow of colors, waiting to brighten up your space.

Collects twenty-three stories that show the evolution of the adventurer's work, from ducking avalanches near the Gulf of Alaska to searching for the most pristine tundra on the continent, and from writing haiku on Denali in the depth of winter to decrying oil development in the Arctic National Wildlife Refuge.