Böcker utgivna av University of Arizona Press

Growing Up in the Gutter: Diaspora & Comics is the first book-length exploration of contemporary graphic coming-of-age narratives written in the context of diasporic and immigrant communities in the United States by and for young, BIPOC, LGBTQ+, and diasporic readers. The book analyzes the complex identity formation of first- and subsequent-generation diasporic protagonists in globalized rural and urban environments and dissects the implications that marginalized formative processes have for the genre in its graphic version.

Indigenous communities are practicing de facto sovereignty to resolve public health issues that are a consequence of settler colonialism. This work delves into health and justice through a range of topics and examples and demonstrates the resilience of Indigenous communities.

Restoring the Pitchfork Ranch tells the story of a decades-long habitat restoration project in southwestern New Mexico. Rancher-owner A. Thomas Cole explains what inspired him and his wife, Lucinda, to turn their retirement into years dedicated to hard work and renewal on 11,300 acres of grass- and wetlands. The Pitchfork Ranch is an inspiring promise for the future in the face of crippling climate change.

Ojo en celo / Eye in Heat is a book about the burning desire to see beyond appearances and find meaning in the visible and the invisible.

Yaguareté White is a lyrical exploration of Paraguayan whiteness, or white Latinidad, and what it means to see through a colored whiteness, with all of its tangled contradictions. Diego Báez's poems reconcile the incomplete, contradictory, and inconsistent experiences that reside between languages, nations, and generations.

Ancient Light is a timely and innovative collection by renowned Anishinaabe poet Kimberly Blaeser. It looks squarely at pressing social issues of our time while simultaneously invoking Indigenous pathways of kinship, healing, and renewal.

'Āina Hānau / Birth Land is a powerful collection of new poems by Kanaka ʻŌiwi (Native Hawaiian) poet Brandy Nālani McDougall. These poems cycle through sacred and personal narratives while exposing and fighting ongoing American imperialism, settler colonialism, militarism, and social and environmental injustice to protect the ʻāina and its people.

Twenty-first-century Latinx film offers much to celebrate, but as pop culture critic Frederick Luis Aldama writes, there's still room to be purposefully critical. In this book contributors offer scholarship that does both, bringing together a comprehensive presentation of contemporary film and filmmakers from all corners of Latinx culture.

Marquis Bey's debut collection, Them Goon Rules, is an un-rulebook, a long-form essayistic sermon that meditates on how Blackness and non-normative gender impact and remix everything we claim to know.

A motif of rain and water is woven throughout the poetry in When It Rains, tying in the collection's title to the importance of this life-giving and sustaining resource to the Tohono O'odham people. With the poems in both O'odham and English, the volume serves as a reminder of the beauty and changeability of the O'odham language.

Speaking to both a personal and collective loss, in Brother Bullet Casandra López confronts her relationships with violence, grief, guilt, and ultimately, endurance. Revisiting the memory and lasting consequences of her brother's murder, López traces the course of the bullet in lyrical narrative poems.

Aileen Moreton-Robinson and the contributors to this important volume deploy incisive critique and analytical acumen to propose new directions for critical Indigenous studies in the First World. Leading scholars offer thought-provoking essays on the central epistemological, theoretical, political, and pedagogical questions and debates that constitute the discipline of Indigenous studies, including a brief history of the discipline.

The Sonoran Desert is the most biologically diverse desert in the world. Four species of columnar cacti, including the iconic saguaro and organ pipe, are among its most conspicuous plants. No Species Is an Island describes Theodore H. Fleming's eleven-year study of the pollination biology of these species at a site he named Tortilla Flats in Sonora, Mexico, near Kino Bay.