Böcker utgivna av University of Georgia Press

In examining the 424 units of the U.S. national park system, geographers Joe Weber and Selima Sultana focus attention on the historical geography of the system as well as its present distribution, covering the diversity of places under the control of the National Park Service (NPS). This includes the famous national parks such as the Grand Canyon, Yellowstone, and Yosemite and the lesser-known national monuments, memorials, lakeshores, seashores, rivers, recreation areas, preserves, reserves, parkways, historic sites, historic parks, and a range of battlefields, as well as more than twenty additional sites not fitting into any of these categories (such as the White House). The geographic view of The Parks Belong to the People sets it apart from others that have taken a solely historical approach. Where parks are located, what they are near, where their visitors come from, and how land use and activities are organized within parks are some of the fundamental issues discussed. The majority of units in the NPS are devoted to recreation areas or historic sites such as battlefields, archaeological sites, or sites devoted to a specific person, and this is reflected in the authors' approach. What we think of as a national park has changed over the years and will continue to change. Weber and Sultana emphasize changing social and political environments in which NPS units were created and the roles they serve, such as protecting scenery, providing wildlife habitats, preserving history, and serving as scientific laboratories and places for outdoor recreation. The authors also focus on parks as public facilities and sites of economic activities. National parks were created by people for people to enjoy, at great cost and with great benefit. They cannot be understood without taking this human context into account.

In the Altamaha River User's Guide, both novice and experienced water sports enthusiasts will find all the information required to enjoy the full length of the 137-mile river formed at the confluence of the Oconee and Ocmulgee Rivers east of Lumber City, Georgia, as well as its major tributary, the Ohoopee, which winds some 120 miles through south-central Georgia. The drainage basin of the largest river in Georgia is about 14,000 square miles in size, qualifying it among the larger river basins of the U.S. Atlantic coast. At least 120 species of rare or endangered plants and animals live in the Altamaha River watershed, including 18 species of freshwater mussels, 7 of which are endemic to the Altamaha. The river basin is also home to federally protected Atlantic and shortnose sturgeons and supports the only known example of old-growth longleaf pine and black oak forest in the United States. The unusual Franklin tree (Franklinia altamaha), now extinct in the wild, was found by British naturalist John Bartram along the Altamaha in 1765. Because of its rich biodiversity, the Altamaha is often referred to as Georgia's Little Amazon. The river passes through sparsely populated land, with Brunswick, Savannah, and Jesup being the largest nearby cities, yet owing to its importance in the history of Georgia--from the first settlements at Darien through the steamboat era of the late 1800s and early 1900s--the river holds a special place in the state's cultural history. Indeed, its headwater streams stretch all the way to metro Atlanta and Athens. In tandem with the already published Oconee and Ocmulgee River User's Guides, the publication of the Altamaha River User's Guide completes UGA Press's documentation of Georgia's largest river system. Author Joe Cook includes detailed maps, put-in and takeout suggestions, fishing and camping locations, mile-by-mile points of interest, and an illustrated guide to the animals and plants commonly seen in and around the river. Day-trippers will enjoy the guide's fascinating description of the cultural and natural heritage of this richly diverse waterway. FEATURES: an introduction and overview of the river chapters describing each river section, with detailed maps and notes on river access and points of interest a compact natural history guide featuring species of interest notes on safety and boating etiquette a fishing primer notes on organizations working to protect the river

"Using testimonies written between the middle of the eighteenth century and the beginning of the twenty-first, nourished by ethology and the human and social sciences, Feline Cultures extends the unique track of animal studies that âEric Baratay pursues from book to book. As with his Animal Biographies: Toward a History of Individuals, Baratay breaks the model of human exceptionalism to create innovative accounts of these animals' lives in a way that challenges the reader's thinking about animals. Baratay is not interested in seeing how humans think about or treat these animals. Instead, he chooses to observe the animal's perspective to document how individual cats have carried out their lives. He writes from the point of view of these animals to understand what they felt and experienced and how they reacted. Whether they be street cats, farm cats, pet cats, companion cats, or "catdogs," cats show a great plasticity of behavior. This book establishes that cats have their own cultures and adaptations and, therefore, their own history. Through tight portraits, the dynamic construction of what we can call cultures is revealed. Here we are far from the eternal portrait of the cat-independent, unpredictable, and mysterious-that has become commonplace. For each of the domestic cats whose existence can be reconstructed from his sources, Baratay pays attention to their perceptions of the world, their sensations and their emotions, their sensitivity and character, their bodily expressiveness, and their interactions with the environment, other animals, and humans. Ethology becomes, under the alert pen of âEric Baratay, an ethnology"--

In Jessica Tanck's debut collection, narrative and lyric converge to confront the marks left by violence, loss, and longing. Winter Here troubles the boundaries between home and the outside world, between reverence and terror, asking whether and where safety can be found in the wake of a mother's suicide. Both intimate and expansive, this collection revels in pleasure as much as it contends with pain. Whether studying the way a violinist is bruised in the act of playing, invoking the crush of ice around a ship's hull during a silence, or conjuring a crown of light surrounding strangers speaking in tongues, these poems are unflinching, imaginative, and relentless in their searching. By moving between the explicit and the oblique, pairing scorching imagery with razor-edged thought, Tanck evokes a history that haunts every word and place.

"Beginning in the late 1960s and throughout the 1970s, a new generation of LGBT students in California began to organize publicly on college and university campuses, inspired by contemporaneous social movements and informed by California's rich history of LGBT community formation and political engagement. Here Are My People documents how a trailblazing group of queer student activists in California made their mark on the history of the modern LGBTQ movement and paved the way for generations of organizers who followed. Rooted in extensive archival research and original oral histories, Here Are My People explores how this organizing unfolded, comparing different regions, types of campuses, and diverse student populations. Through campus-based organizations and within women's studies programs, and despite various forms of reactionary resistance, student organizers promoted LGBT-themed educational programming and changes to curriculum, provided peer support like counseling and hotlines, and sponsored events showcasing queer creative practices including poetry, theater, and film. Collaborating across various campuses, they formed regional and statewide alliances. And, importantly, LGBT student organizers engaged California's vibrant gay liberation and lesbian feminist political communities, forging new and important relationships in the movement which enhanced both on and off-campus LGBT organizing"--

"Radical Volunteers tells the largely unknown story of southern student activism in Tennessee between the Brown decision in 1954 and the national backlash against the Kent State University shootings in May 1970. As one of the first statewide studies of student activism-and one of the few examinations of southern student activism-it broadens scholarly understanding of New Left and Black student radicalism from its traditionally defined hotbeds in the Northeast and the West Coast. By incorporating accounts of students from both historically Black and predominantly white colleges and universities across Tennessee, this research places events that might otherwise appear random and intermittent into conversation with one another. This methodological approach reveals that students' joined organizations and became activists in an effort to assert their autonomy and, as a result, student power became a rallying cry across the state. It illuminates a broad movement comprised of many different sorts of students-white and Black, private and public, western, middle, and east Tennesseans. Importantly, Ballantyne doesn't confine her analysis to just campuses. Indeed, Radical Volunteersalso situates campus activism with their broader communities. Tennessee student activists built upon relationships with Old Left activists and organizations, thereby fostering their otherwise fledgling enterprises, and creating the possibility for radical change in the politically-conservative region. But framing student activism over a long period of time across Tennessee as a whole reveals disjuncture as much as coherence in the movement. Though all case studies contain particular and representative features, Tennessee's diversity lends itself well to a study of regional variations. Though outnumbered, Tennessee student activists secured significant campus reforms, pursued ambitious community initiatives, and articulated a powerful countervision for the South and the United States"--

"Romancing the Gullah in the Age of Porgy and Bess is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the "cradle of Black culture" in the United States. An African American ethnic group who predominantly live in the lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the lowcountry-along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion- there has never been a comprehensive study of the region's literary influence, particularly in the years of the Great Migration and the Harlem (and Charleston) Renaissance. By giving voice to artists and culture makers on both sides of the color line, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Kendra Y. Hamilton sheds new light on an incomplete cultural history. A labor of love by a Charleston insider, the book imparts a lively and accessible overview of its subject in a manner that will satisfy the book lover and the scholar"--

Following emancipation, African Americans continued their quest for an education by constructing schools and colleges for Black students, mainly in the U.S. South, to acquire the tools of literacy, but beyond this, to enroll in courses in the Greek and Latin classics, then the major curriculum at American liberal arts colleges and universities. Classically trained African Americans from the time of the early U.S. republic had made a link between North Africa and the classical world; therefore, from almost the beginning of their quest for a formal education, many African Americans believed that the classics were their rightful legacy. The Classics in Black and White is based extensively on the study of course catalogs of colleges founded for Black people after the Civil War by Black churches, largely White missionary societies and White philanthropic organizations. Kenneth W. Goings and Eugene O'Connor uncover the full extent of the colleges' classics curriculums and showcase the careers of prominent African American classicists, male and female, and their ultimately unsuccessful struggle to protect the liberal arts from being replaced by Black conservatives and White power brokers with vocational instruction such as woodworking for men and domestic science for women. This move to eliminate classics was in large part motivated by the very success of the colleges' classics programs. As Goings and O'Connor's survey of Black colleges' curriculums and texts reveals, the lessons they taught were about more than declensions and conjugations--they imparted the tools of self-formation and self-affirmation.

With Central City's Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968-91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents' experiences. As Morris's experiential and authoritative narrative voice unfolds in the pages of Central City's Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author's personal experience of growing up there--and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.

With Central City's Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968-91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents' experiences. As Morris's experiential and authoritative narrative voice unfolds in the pages of Central City's Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author's personal experience of growing up there--and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.

In The Art of Touch: Prose and Poetry from the Pandemic and Beyond, the unique voices of thirty-nine of some of the most creative thinkers of our times have been brought together to consider the profound impact of one of our five main senses: touch. Psychologists, healers, massage therapists, academics, creative writers, and others reflect on or tell personal stories about what it means to be able to touch or experience touch, or to have to go without it--as so many did and still do because of the COVID-19 pandemic. They explore how transmissions such as texting may impede opportunities for touch, while those like Zoom may make it possible for people who otherwise might be left behind to stay "in touch." From the experience of touching beloved animals to the life-changing ways in which books and performances can touch us, virtually all aspects of touch are acknowledged in these pages.

These biographies aim to gain Mississippi's womens their place in its written record. The women whose stories are told here range from Felicite Girodeau, who was both a person of colour and a slaveholder, to Vera Mae Pigee, who ""mothered"" the civil rights movement in the Mississippi Delta.

Southern literature is often celebrated for its "told" rather than "written" qualities. Drawing on her own experiences of front-porch storytelling among family, friends, and neighbours, Trudier Harris looks across the generations of twentieth-century southern writers to focus on three African Americans who possess the "power of the porch".

With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise-one attuned to the echo in the hecho, the oracle in the órale. .

This stunning, fully illustrated history of the Georgia Capitol not only pays tribute to a grand old edifice but also vividly recounts the history that was made-and that continues to be made-within and without its walls. The Georgia Capitol is a place where, for more than a century, legislators have debated, governors have proclaimed, and courts have ruled. It is also a place where countless ordinary citizens have gathered in lively tour groups, angry protest mobs, and at times solemn funeral processions.As Timothy J. Crimmins and Anne H. Farrisee move through the major periods in the Capitols history, they tell three interwoven stories. One is a tale of the building itself, its predecessors, its design and construction, its occasionally ill-considered renovations, and the magnificent, decade-long restoration begun in 1996. Also revealed is how the gradual accumulation of statues, flags, portraits, and civic rituals and pageants has added new layers of meaning to an already symbolic structure. The third story the authors tell is of the legislative and judicial battles that sought to limit or extend democratic freedoms. Some of these events were high drama: fisticuffs during a prohibition debate, Eugene Talmadges strong-arm eviction of the state treasurer from the statehouse, the Three Governors Controversy, and an African American protest in the segregated cafeteria.From the laying of the cornerstone in 1885 to the present, successive generations of Georgians have created a distinctive history in and around the Capitol as they have exercised, or sought to gain, their rights. Today the Georgia Capitol remains a working center of state government, and its history continues to unfold.

Poor Atlanta looks at the poor people's campaigns in Atlanta in the 1960s and 1970s, which operated in relationship to Sunbelt city- building efforts. With these efforts, city leaders aimed to prevent urban violence, staunch disinvestment, check white flight, and amplify Atlanta's importance as a business and transportation hub. As urban leaders promoted Forward Atlanta, a program to, in Mayor Ivan Allen Jr.'s words, "e;sell the city like a product,"e; poor families insisted that their lives and living conditions, too, should improve.While not always operating within public awareness, antipoverty campaigns among the poor presented a regular and sometimes strident critique of inequality and Atlanta's uneven urban development. With Poor Atlanta, LeeAnn B. Lands demonstrates that, while eclipsed by the Black freedom movement, antipoverty organizing (including direct action campaigns, legal actions, lobbying, and other forms of activism) occurred with regularity from 1964 through 1976. Her analysis is one of the few citywide studies of antipoverty organizing in late twentieth-century America.

Nuked recounts the long-term effects of radiological exposure in St. Louis, Missouri-the city that refined uranium for the first self- sustaining nuclear reaction and the first atomic bomb. As part of the top-secret Manhattan Project during World War II, the refining created an enormous amount of radioactive waste that increased as more nuclear weapons were produced and stockpiled for the Cold War.Unfortunately, government officials deposited the waste on open land next to the municipal airport. An adjacent creek transported radionuclides downstream to the Missouri River, thereby contaminating St. Louis's northern suburbs. Amid official assurances of safety, residents were unaware of the risks. The resulting public health crisis continues today with cleanup operations expected to last through the year 2038.Morice attributes the crisis to several factors. They include a minimal concern for land pollution; cutting corners to win the war; new homebuilding practices that spread radioactive dirt; insufficient reporting mechanisms for cancer; and a fragmented government that failed to respond to regional problems.

Women's reproduction, including conception, pregnancy, childbirth, breastfeeding, and other physical acts of motherhood (as well as the rejection of those roles), played a critical role in the evolution and management of Cuba's population. While existing scholarship has approached Cuba's demographic history through the lens of migration, both forced and voluntary, Race and Reproduction in Cuba challenges this male-normative perspective by centering women in the first book-length history of reproduction in Cuba.Bonnie A. Lucero traces women's reproductive lives, as well as key medical, legal, and institutional interventions influencing them, over four centuries. Her study begins in the early colonial period with the emergence of the island's first charitable institutions dedicated to relieving poor women and abandoned white infants. The book's centerpiece is the long nineteenth century, when elite interventions in women's reproduction hinged not only on race but also legal status. It ends in 1965 when Cuba's nascent revolutionary government shifted away from enforcing antiabortion laws that had historically targeted impoverished women of color.Questioning how elite demographic desires-specifically white population growth and nonwhite population management-shaped women's reproduction, Lucero argues that elite men, including judges, physicians, philanthropists, and public officials, intervened in women's reproductive lives in racially specific ways. Lucero examines how white supremacy shaped tangible differences in the treatment of women and their infants across racial lines and outlines how those reproductive outcomes were crucial in sustaining racial hierarchies through moments of tremendous political, economic, and social change.

Beginning with a high schooler mesmerized by a stay on the Navajo and Hopi reservations and running through the founding of a major university department and the aftermath of a decision, a decade later, to forego permanent academic affiliations, Richard Price's story is told with honesty, humor, and insight into the inner workings of academic politics from the 1960s to the present.Inside/Outside relates his life as an anthropologist, historian, and Caribbeanist-from conducting predawn discussions with Maroon historians deep in the rainforest of Suriname to editing the world's first book series on Atlantic history and culture; from weekly meetings with Claude Le'vi-Strauss in Paris to long-term collaboration with Sidney Mintz; from adventures at sea with Martiniquan fishermen to negotiating the ivory towers of Harvard, Yale, and Johns Hopkins; from explorations of the art of Romare Bearden to number crunching from the Trans-Atlantic Slave Trade Database. It is a tale of life experiences and often-unconventional life decisions, inside (and outside) the academic world. Readers look over Price's shoulders-and those of his wife and research partner, Sally Price-as he developed the ideas for some of the twentieth- and twenty-first century's most important books in the fields of history, anthropology, and Caribbean studies.

In Liberal White Supremacy, Angie Beeman argues that white supremacy is maintained not only by right-wing conservatives or stereotypically uneducated working-class racial bigots but also by progressives who operate from a liberal ideology of color-blindness, racism-evasiveness, and class elitism. This distinction provides insight on divisions among progressives at the local level, in community organizations, and at the national level, in the Democratic Party. By distinguishing between liberal and radical approaches to racism, class oppression, capitalism, and social movement tactics, Beeman shows how progressives continue to be limited by liberal ideology and perpetuate rather than dismantle white supremacy, all while claiming to be antiracist.She conceptualizes this self-serving process as "e;liberal white supremacy,"e; the tendency for liberal European Americans to constantly place themselves in the superior moral position in a way that reinforces inequality. Beeman advances what she calls action-oriented and racism-centered intersectional approaches as alternatives to progressive organizational strategies that either downplay racism in favor of a class-centered approach or take a talk-centered approach to racism without developing explicit actions to challenge it.

What would we learn if animals could tell their own stories? ric Baratay, a pioneering researcher in animal histories in France, applies his knowledge of historical methodologies to give voice to some of the nineteenth and twentieth centuries most interesting animals. He offers brief yet innovative accounts of these animals lives in a way that challenges the readers thinking about animals. Baratay illustrates the need to develop a nonanthropocentric means of viewing the lives of animals and including animals themselves in the narrative of their lives. Animal Biographies launches an all-new investigation into the lives of animals and is a major contribution to the field of animal studies.This English translation of ric Baratays Biographies animales: Des Vies retrouves, originally published in France in 2017 (ditions du Seuil), uses firsthand accounts starting from the nineteenth century about specific animals who lived in Europe and the United States to reconstruct, as best as possible, their stories as they would have experienced them. History is, after all, not just the domain of humans. Animals have their own. Baratay breaks the model of human exceptionalism to give us the biographies of some of history and literatures most famous animals. The reader will catch a glimpse of storied lives as told by Modestine, the donkey who carried Robert Louis Stevenson through the Alps; Warrior, the World War I horse made famous in Steven Spielbergs War Horse; Islero, the bull who gored Spains greatest bullfighter; and others. Through these stories we discover their histories, their personalities, and their shared experiences with others of their species.

Rosey E. Pool (1905-71) did not live an ordinary life. She witnessed the rise of the Nazis in Berlin firsthand, tutored Anne Frank, operated in a Jewish resistance group, escaped from a Nazi transit camp, published African American poets in Europe, operated a London "e;"e;salon"e;"e; with her partner, witnessed independence movements in Nigeria and Senegal, and took part in the American civil rights movement. I Lay This Body Down is the first study of Pool and her remarkable transatlantic life.A translator, educator, and anthologist of African American poetry, Pool corresponded, after World War II, with Langston Hughes, W. E. B. Du Bois, Naomi Long Madgett, Owen Dodson, Gordon Heath, and others who fostered her involvement in the Black Arts Movement, both in Britain and the United States. Though Pool was often cast as an outsider-one poet was amazed that "e;"e;one so removed"e;"e; was interested in the Black cause-she saw herself as part of a transatlantic struggle against oppression. For Pool, the "e;"e;yellow Jew stars"e;"e; the Nazis forced her to wear "e;"e;were our darker skins."e;"e;Rosey E. Pools life allows Lonneke Geerlings to explore intersections of European and American history. As a Holocaust survivor and activist fighting against segregation in the Deep South, Pool connects stories that are often studied and told in isolation. Her life helps us understand the intersecting histories of Jewish Europe and Black America, but it also allows us to see how Pool dealt with tragedy, trauma, and loss. At its core, this book is about resilience and hope. Indeed, Pools life illuminates the power of reinvention for dealing with both challenging personal circumstances and the traumas of global history.

In a sweeping reinterpretation of the history of disfranchisement, Steve Suitts illuminates how a century of political conflicts in Alabama came to shape both some of America's best achievements in voting rights and its continuing struggles over voter suppression. A War of Sections tells the unknown political history symbolized today by the annual pilgrimage of presidents and celebrities across the Edmund Pettus Bridge. It is the story of how that crucial, tragic day in Selma in 1965 was only the flashpoint of a much longer history of failures and successes involving conflicts not only between blacks and whites in Alabama but between white political factions warring in the state over voting rights. Suitts recasts the context and much of the content of disfranchisement in Alabama as an unremitting, decades-long sectional battle in white-only politics between the state's rural Black Belt and north Alabama counties. He uncovers important Black and white heroes and villains who collectively shaped the arc of voting rights in Alabama and ultimately across the nation. A War of Sections offers a new understanding of the political dynamics of resistance and change through which a southern state's long-standing democratic failures ironically provided motivation for and instruction to a reluctant nation regarding unmatched ways to advance universal voting. Along the way, the book introduces from this unheard past some prophetic voices that speak to the paramount issues of America's commitment to the universal right to vote--then and now.