Böcker utgivna av University of Iowa Press

Shedding light on the importance of collaborative creative public projects, Contested City bridges art, design, community activism, and urban history. This is a book for artists, planners, scholars, teachers, cultural institutions, and all those who seek to collaborate in new ways with communities.

From baby boomers to millennials, attending a big music festival has basically become a cultural rite of passage in America. In Half a Million Strong, music writer and scholar Gina Arnold explores the history of large music festivals in America and examines their impact on American culture.

In the spirit of Tove Jansson, William Blake, and Calvin & Hobbes, The Lightning Jar contains a volatile mix of innocence and experience, faith and doubt, nostalgia and a sense of all there is to gain by accepting reality on fresh terms.

Set on the coast of Maine and in the high desert of New Mexico in the late 1970s through the early '80s, Buddhism for Western Children is a universal and timeless story of a boy who must escape subjugation, tell his story, and reclaim his soul.

After the second World War, ""technology"" came to signify both the anxieties of possible annihilation in a changing world and the exhilaration of accelerating cultural change. This book examines how some of the most well-known writers of the era described the tensions between technical, literary, and media cultures at the dawn of the Digital Age.

Famed wrestler and wrestling coach Dan Gable shares more gripping stories of his life. Readers will learn about the start of his wrestling career in Waterloo, important connections he made with wrestlers at Iowa State, how he went from being an Iowa State wrestler to a University of Iowa coach, and about his international and Olympic wrestling and coaching.

In this engrossing history of the Hawkeye State, Dorothy Schwieder brings her seasoned insight to the story of the Middle Land. Iowa emerges here as a place of fascinating grassroots politics, economic troubles and triumphs, surprising cultural diversity, and unsung natural beauty. Above all, this is the history of the people of Iowa and the lives they have led - the accomplishments of both ordinary and not-so-ordinary Iowans. The twenty-ninth state was admitted to the Union on December 29, 1846. After 150 years of statehood, The Middle Land gives a fresh perspective on what happened in Iowa and why. It also looks at where it happened. The underlying theme is Iowa's location in the center of the United States and the implications of that middle land status. From grasslands to factories, Black Hawk to Branstad, Schwieder takes the reader on a compelling journey. She presents the experience of seventeenth- and eighteenth-century Native Americans in the Iowa region; the beginning of white settlement; and the subsequent development of social, educational, and economic institutions. In often arresting detail, Schwieder recounts recent episodes of Iowa's history, such as the farm crisis of the 1980s and the initiation of the lottery and casino gambling. She explores previously neglected areas and issues of social history - women, minorities, community, and Prohibition. Dorothy Schwieder has given us a most valuable addition to our understanding of America's "purest of prairie states". Iowa: The Middle Land is well suited for college history courses and senior-high courses. It is a fine library reference for all Iowans (and non-Iowans) wishing to know more about the state's history. The bookuniquely emphasizes Iowa's economic and social history and draws on manuscript sources not previously cited in general histories of Iowa.

Was it a crater or a sinkhole?"" asks a voice in one of the mysterious, wonderstruck poems in Christopher Bolin's Form from Form, whose cadences modulate with the energies of form-making, deformation, and elusive reformation.

Provides the first in-depth study of the historic American Negro Theatre (ANT) and its lasting influence on American popular culture. Founded in 1940 in Harlem, the ANT successfully balanced expressions of African American consciousness with efforts to gain white support for the burgeoning civil rights movement.

Believe it or not, Waterloo, Iowa, had an NBA team during the league's first season, 1949 to 1950. Broadcaster and independent sports historian Tim Harwood uncovers the fascinating story of the Waterloo Hawks and the Midwest's influence on professional basketball.

Through meticulous reporting, in-depth interviews with key players, and a mind for labor and environmental histories, Lynn Waltz weaves a fascinating tale of the nearly two-decade struggle that eventually brought justice to the workers and accountability to the food giant, pitting the world's largest slaughterhouse against the world's largest meatpacking union.

When Barry Phipps relocated to Iowa City from Chicago in 2012, he knew nothing of Iowa. He began taking day trips across Iowa in the spirit of wonder and discovery. Along the way he plied his trade, taking photographs. Inspired by such seminal work as Robert Frank's The Americans, this is a unique vision of the Midwest and Iowa.

Explores poetry written by women from the United States and Canada, which documents the social and political turmoil of the early twenty-first century and places this poetry in dialogue with recent currents of feminist theory including new materialism, affect theory, posthumanism, and feminist engagements with neoliberalism and capitalism.

Providing ways to engage students through their popular culture interests, this collection brings together several essays, across disciplines, to show how fan practices such as writing fan fiction, creating vids, communicating via Tumblr, and participating in film tourism can invite students to invest more of themselves into their education.

Examining how fans respond to and cope with transitions, endings, or resurrections in everything from band breakups (R.E.M.) to show cancellations (Hannibal) to closing down popular amusement park rides, this collection brings together an eclectic mix of scholars to analyse the various ways fans respond to change.

We live in a world of talk. Yet Race Sounds argues that we need to listen more - not just hear things, but actively listen - particularly in relation to how we engage race, gender, and class differences. Forging new ideas about the relationship between race and sound, Furlonge explores how black artists imagine listening.

Makes a formidable intervention into the emerging field of ecopoetics. The volume's essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others.

So far, humanity hasn't done very well in addressing the ongoing climate catastrophe. Veteran science educator L.S. Gardiner believes we can learn to do better by understanding how we've dealt with other types of environmental risks in the past and why we are dragging our feet in addressing this most urgent emergency.

Proceeding from Helene Cixous's charge to ""kill the false woman who is preventing the live one from breathing"", The Fix forges that woman's reckoning with her violent past, with her sexuality, and with a future unmoored from the trappings of domestic life. These poems of lyric beauty and unflinching candor negotiate the terrain of contradictory desire-often to darkly comedic effect.

Reckons with fatherhood, the violence of nostalgia, poetry, and the commodity world of visual art as the poems here frantically cycle through responses to the speaker's son's remark on a painting by Julian Schnabel that it "looks like garbage."

With their extravagant musicality, Triplett's poems explore the thinning lines between responsibility and complicity, the tangled "supply chain" that unnervingly connects the domestic to the political, personal memory to social practice, and age-old familial discords to our new place in the anthropocentric world.

By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries.

Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities - in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation.

From large-scale cattle farming to water pollution, meat - more than any other food - has had an enormous impact on our environment. Labour historian Wilson Warren, who has studied the meat industry for more than a decade, provides this global history of meat to help us understand how it entered the daily diet, and at what costs and benefits to society.

Grounded in archival discoveries, Afterlives traces the origins of nineteenth-century America's preservation compulsion, illuminating the influences of botanical, medical, spiritualist, and sentimental discourses on Whitman's work.

Gathering some of Kristina Busse's essential essays on fan fiction together with new work, Framing Fan Fiction argues that understanding media fandom requires combining literary theory with cultural studies because fan artifacts are both artistic works and cultural documents.