Böcker utgivna av University of Minnesota Press

How making models allows us to recall what was and to discover what still might be  Whether looking inward to the intricacies of human anatomy or outward to the furthest recesses of the universe, expanding the boundaries of human inquiry depends to a surprisingly large degree on the making of models. In this wide-ranging volume, scholars from diverse fields examine the interrelationships between a model’s material foundations and the otherwise invisible things it gestures toward, underscoring the pivotal role of models in understanding and shaping the world around us. Whether in the form of reproductions, interpretive processes, or constitutive tools, models may bridge the gap between the tangible and the abstract.By focusing on the material aspects of models, including the digital ones that would seem to displace their analogue forebears, these insightful essays ground modeling as a tactile and emphatically humanistic endeavor. With contributions from scholars in the history of science and technology, visual studies, musicology, literary studies, and material culture, this book demonstrates that models serve as invaluable tools across every field of cultural development, both historically and in the present day.Modelwork is unique in calling attention to modeling’s duality, a dynamic exchange between imagination and matter. This singular publication shows us how models shape our ability to ascertain the surrounding world and to find new ways to transform it. Contributors: Hilary Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher Erdöan Ford, Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York U; Reed Gochberg, Harvard U; Catherine Newman Howe, Williams College; Christopher J. Lukasik, Purdue U; Martin Scherzinger, New York U; Juliet S. Sperling, U of Washington; Annabel Jane Wharton, Duke U.

First published in 1968, this engrossing and beautiful picture book about wildlife on Isle Royale is available again Isle Royale, “the big island” of this book, is a wilderness national park in Lake Superior and home to a unique and fascinating ecosystem of animals, most notably the iconic wolf and majestic moose. Here is author Julian May’s story about the island’s beginning, the kinds of animals that came to populate it, and their effects on the pristine landscape. Among them were the moose, who swam to the island from the distant shore to fend off starvation. The moose found conditions on Isle Royale so favorable that they reproduced quickly—but then faced another food shortage. The wolves arrived by floating to the island on an ice floe in winter and soon became important to the island’s ecology as successful predators of the moose. Complementing this fascinating text, John Schoenherr’s magnificent illustrations convey the strength of these animals and the beauty of the island that is their home.First published in 1968, and reprinted here with a new note by renowned wolf expert L. David Mech, The Big Island is an enchanting introduction to the wilderness and wildlife of Isle Royale.

One ominous clue after another reveal that Francie possesses something so rare and so valuable that some people are willing to do anything to get it. Everything depends on the small, engraved silver box that she now possesses-if only she can follow its cryptic clues to the whereabouts of her missing mother and understand, finally, just maybe, the truth about who she really is.

Examines the complex ecology of quasi-public and privatized institutions that mobilize and administer many of the political, administrative, and fiscal resources of today’s metropolitan regionsIn recent decades metropolitan regions in the United States have witnessed the rise of multitudes of “shadow governments” that often supersede or replace functions traditionally associated with municipalities and other local governments inherited from the urban past. Shadow governments take many forms, ranging from billion-dollar special authorities that span entire urban regions, to public–private partnerships and special districts created to accomplish particular tasks, to privatized gated communities, to neighborhood organizations empowered to receive private and public funds. They finance and administer public services ranging from the prosaic (garbage collection and water utilities) to the transformative (economic development and infrastructure). Private Metropolis demonstrates that this complex ecosystem of local governance has compromised and even eclipsed democratic processes by moving important policy decisions out of public sight. The quasi-public institutions of urban governance generally escape the budgetary and statutory restraints imposed on traditional local governments and protect policy decisions from the limitations and vagaries of electoral politics. Moving major policy decisions into a privatized and corporatized realm facilitates efficiency and speed, but at the cost of democratic oversight. Increasingly, the urban electorate is left debating symbolic issues only tangentially connected to the actual distribution of the resources that affect people’s lives. The essays in Private Metropolis grapple with the difficult and timely questions that arise from this new ecology of governance: What are the consequences of the proliferation of special authorities, privatized governments, and public–private arrangements? Is the trade-off between democratic accountability and efficiency worth it? Has the public sector, with its messiness and inefficiencies—but also its checks and balances—ceded too much power to these new institutions? By examining such questions, this book provokes a long-overdue debate about the future of urban governance.Contributors: Douglas Cantor, California State U, Long Beach; Ellen Dannin, Pennsylvania State U; Jameson W. Doig, Princeton U; Mary Donoghue; Peter Eisinger, New School; Steven P. Erie, U of California, San Diego; Rebecca Hendrick, U of Illinois at Chicago; Sara Hinkley, U of California, Berkeley; Amanda Kass, U of Illinois at Chicago; Scott A. MacKenzie, U of California, Davis; David C. Perry, U of Illinois at Chicago; James M. Smith, U of Indiana South Bend; Shu Wang, Michigan State U; Rachel Weber, U of Illinois at Chicago.

A beautifully designed and lavishly illustrated biography of one of Chicago’s greatest lost buildings  For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that  would become hallmarks of Louis Sullivan’s career. Reconstructing the Garrick documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story  of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.

What is a family to do after Grandmother hitches a ride on a passing porpoise and heads for Greenland--especially after they find a just-hatched nest of birds in her bedroom? The windows were shut, the door closed--could the stuffed pigeon on Grandmother's shelf have had anything to do with this? Full color.

A visual compendium revealing the philosophy and life of America’s renowned architect  The story of Louis H. Sullivan is considered one of the great American tragedies. While Sullivan reshaped architectural thought and practice and contributed significantly to the foundations of modern architecture, he suffered a sad and lonely death. Many have since missed his aim: that of bringing buildings to life. What mattered most to Sullivan were not the buildings but the philosophy behind their creation. Once, he unconcernedly stated that if he lived long enough, he would get to see all of his works destroyed. He added: “Only the idea is the important thing.”In Louis Sullivan’s Idea, Chicago architectural historian Tim Samuelson and artist/writer Chris Ware present Sullivan’s commitment to his discipline of thought as the guiding force behind his work, and this collection of photographs, original documentation, and drawings all date from the period of Sullivan's life, 1856–1924, that many rarely or have never seen before. The book includes a full-size foldout facsimile reproduction of Louis Sullivan’s last architectural commission and the only surviving working drawing done in his own hand.

Published to accompany the exhibition held at the Weisman Art Museum, Minnesota, 2021.

The first woman to ski solo to the South Pole tells the story of what it took to get there At home in Norway it is eight o’clock on Christmas Eve night, but ahead, at the Amundsen–Scott base that has been visible for hours, it is already early in the morning of Christmas Day when Liv Arnesen, after skiing solo for 745 miles in fifty days, finally arrives. She had been dreaming of the South Pole for most of her forty-one years, and now, even in her joy at having reached her goal in December 1994, she has to ask herself: what took you so long? In Skiing into the Bright Open Arnesen describes the exhausting, exhilarating experience of being the first known woman to ski unsupported to the South Pole. She also answers her own question, framing her account of her historic expedition with her longtime struggle to find the freedom and confidence to follow her dreams into uncharted territory. From her childhood in Norway to the seasons she spent working as a guide on Svalbard, the Norwegian archipelago in the Arctic Ocean, Arnesen courted the cold, and her memoir reflects the knowledge and passion for Arctic and Antarctic exploration that grew with her adventures in the wintry reaches of Norway and beyond. Tracing her path from the heroic stories of explorers like Fridtjof Nansen and Ernest Shackleton to her own crossing of the Greenland Ice Cap in 1992, Arnesen credits the inspiring feats of those who preceded her but also describes the obstacles—including niggling self-doubt—that tradition, convention, and downright prejudice put in her way as she endeavored to find the support and sponsorship granted to men in her field.A tale of solitary adventure in the bleak and beautiful bone-chilling cold of Antarctica, Skiing into the Bright Open tells a story of gritty determination, thrilling achievement, and perseverance in the face of near despair and daunting odds; it is, ultimately, an object lesson in the power of a dream if one is willing to pursue it to the ends of the earth.

A personal health crisis, stories from environmental refugees, and our climate in danger prompt a meditation on intimate connections between the health of the body and the health of the ecosystem The body of the earth, beset by a climate in crisis, experiences drought much like the human body experiences thirst, as Ranae Lenor Hanson’s body did as a warning sign of the disease that would change her life: Type 1 diabetes. What if we tended to an ailing ecosystem just as Hanson learned to care for herself in the throes of a chronic medical condition. This is the possibility explored in a work that is at once a memoir of illness and health, a contemplation of the surrounding natural world in distress, and a reflection on the ways these come together in personal, local, and global opportunities for healing.Beginning with memories from a childhood nurtured among the waters of Minnesota, Watershed follows the streams and tributaries that connect us to our world and to each other, as revealed in the life stories of Hanson’s students, Minnesotans driven from their faraway homelands by climate disruption. The book’s currents carry us to threatened mangrove swamps in Saudi Arabia, to drought-stricken Ethiopia, to rocks bearing ancient messages above crooked rivers in northern Minnesota, to a diabetic crisis in an ICU bed at a St. Paul hospital. With the benefit of gentle insight and a broad worldview, Hanson encourages us at every turn to find our own way, to discover how the health of our bodies and the health of the world they inhabit are inextricably linked and how attending, and tending, to their shared distress can lead to a genuine, grounded wellbeing. When, in the grip of a global pandemic, humans drastically change their behavior to preserve human life, we also see how the earth breathes more freely as a result. In light of that lesson, Watershed helps us to consider our place and our part in the health and healing of the world around us.

A harrowing early novel by one of France’s most unusual contemporary writers  At once humorous and horrifying, Solo Viola is one of Antoine Volodine’s first forays into post-exoticism. He takes the reader into a fictional world where a variety of characters collide: three prisoners just released from jail, a band of circus performers, a string quartet, a writer, and a bird. All are trying to survive in an absurd and hostile environment of authoritarian spectacle, at the mercy of a tyrannical buffoon, and seeking the strange counterbalance of hope in a viola player, whose stunning music just might save them all, if only for a moment.