Böcker utgivna av University of Minnesota Press

"A groundbreaking synthesis of food studies, archival theory, and early American literature"--

"This book explores this crucial phenomenon thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial"--

A new annotated translation of the keystone of Balzac’s Comédie Humaine—a sweeping narrative of corrupted idealism in a cynical urban milieu Lost Illusions is an essential text within Balzac’s Comédie Humaine, his sprawling, interconnected fictional portrait of French society in the 1820s and 1830s comprising nearly one hundred novels and short stories. This novel, published in three parts between 1837 and 1843, tells the story of Lucien de Rubempré, a talented young poet who leaves behind a scandalous provincial life for the shallow, corrupt, and cynical vortex of modernity that was nineteenth-century Paris—where his artistic idealism slowly dissipates until he eventually decides to return home. Balzac poured many of his thematic preoccupations and narrative elaborations into Lost Illusions, from the contrast between life in the provinces and the all-consuming world of Paris to the idealism of poets, the commodification of art, the crushing burden of poverty and debt, and the triumphant cynicism of hack journalists and social climbers. The novel teems with characters, incidents, and settings, though perhaps none so vivid as its panoramic and despairing view of Paris as the nexus of modernity’s cultural, social, and moral infection. For Balzac, no institution better illustrates the new reality than Parisian journalism: “amoral, hypocritical, brazen, dishonest, and murderous,” he writes. In this new translation, Raymond N. MacKenzie brilliantly captures the tone of Balzac’s incomparable prose—a style that is alternatingly impassioned, overheated, angry, moving, tender, wistful, digressive, chatty, intrusive, and hectoring. His informative annotations guide the modern reader through the labyrinth of Balzac’s allusions.

"Brian Jefferson explores the history of digital computing and criminal justice, revealing how big tech, computer scientists, university researchers, and state actors have digitized carceral governance over the past forty years."--

An in-depth account of the life and career of Minnesota’s first modern architect  Elizabeth “Lisl” Scheu Close (1912–2011) left an indelible mark on Minnesota’s built landscape during her six decades as an architect. In 1938, with her husband, Winston Close, she founded the state’s first architecture firm dedicated to modernism. In addition to designing the first International Style house in Minneapolis, the firm also created more than 250 handsome and efficiently planned modern residences. One of few women who were practicing architects in the mid-twentieth century, she blazed a trail for future generations of women in the profession.As Jane King Hession shows, the trajectory of Lisl’s architectural career was shaped by the political, economic, and aesthetic upheavals of the twentieth century. Raised in a renowned modern house in Vienna, Austria, Lisl was exposed to revolutionary ideas in art and architecture at a young age. Forced to emigrate to the United States as the Nazis rose to power in Europe, she completed her architectural education at MIT. During the Depression, she struggled to find work and encountered challenges as a young woman in the field. In her pursuit of and devotion to a singular and successful career as a modern architect, she proved herself to be talented, determined, and adept at negotiating obstacles.Through documentation of Lisl’s projects, this personal and professional biography also explores multiple aspects of modern architecture, including the innovative use of new materials and technologies, the design of prefabricated houses, and the relationship between residential design and changing American lifestyles.

"A long-awaited translation on the philosophical relation between technology, the individual, and milieu of the living"--

"Curiosity Studies marshals scholars from more than a dozen fields not only to define curiosity but also to grapple with its ethics as well as its role in technological advancement and global citizenship."--

"Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology"--

Travel with Olympic gold medalist Jessie Diggins on her compelling journey from America’s heartland to international sports history, navigating challenges and triumphs with rugged grit and a splash of glitter  Pyeongchang, February 21, 2018. In the nerve-racking final seconds of the women’s team sprint freestyle race, Jessie Diggins dug deep. Blowing past two of the best sprinters in the world, she stretched her ski boot across the finish line and lunged straight into Olympic immortality: the first ever cross-country skiing gold medal for the United States at the Winter Games. The 26-year-old Diggins, a four-time World Championship medalist, was literally a world away from the small town of Afton, Minnesota, where she first strapped on skis. Yet, for all her history-making achievements, she had never strayed far from the scrappy 12-year-old who had insisted on portaging her own canoe through the wilderness, yelling happily under the unwieldy weight on her shoulders: “Look! I’m doing it!”           In Brave Enough, Jessie Diggins reveals the true story of her journey from the American Midwest into sports history. With candid charm and characteristic grit, she connects the dots from her free-spirited upbringing in the woods of Minnesota to racing in the bright spotlights of the Olympics. Going far beyond stories of races and ribbons, she describes the challenges and frustrations of becoming a serious athlete; learning how to push through and beyond physical and psychological limits; and the intense pressure of competing at the highest levels. She openly shares her harrowing struggle with bulimia, recounting both the adversity and how she healed from it in order to bring hope and understanding to others experiencing eating disorders. Between thrilling accounts of moments of triumph, Diggins shows the determination it takes to get there—the struggles and disappointments, the fun and the hard work, and the importance of listening to that small, fierce voice: I can do it. I am brave enough.

"Alison Mountz traces the global chain of remote detention centers used by states of the Global North to confine migrants fleeing violence and poverty, using cruel measures that, if unchecked, will lead to the death of asylum as an ethical ideal"--

"This critical history examines the work of zoological and science film pioneers Jean Painlevae and Geneviaeve Hamon from 1924-1949, illuminating the significant contributions that their wildlife cinema made to philosophical and political thought"--

These are some of the items that Adrian Hoover jotted down on his to-do list, soon after he and his wife, Helen, gave up urban comforts for the deeper delights of the wilderness in 1954. The Years of the Forest by Helen Hoover elaborates on that deceptively short list and describes the difficulties inherent in accomplishing each of those tasks. In fact, it would take sixteen years to check off every item. This is the story of the Hoovers' education in wilderness housekeeping, and of the surprising challenges they faced at each step.There are priceless hints and how-to's for solving the problems of living close to nature and on good terms with one's neighbors -- bluejays, weasels, field mice, and deer. There is plenty of magic in this guide, delightfully illustrated by Adrian Hoover. Now in paperback for the first time, this book tells the story of going bark to the land, with all its rough edges and incomparable rewards.

A powerful analysis of the social construction of "whiteness". The book examines and documents the unique experiences of white women and their coming to racial consciousness.

A provocative peek into this complicated film as a space for subversion, activism, and imaginative powerWhile both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence?┬áThis experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment.┬áForerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Nationality is not enough to understand “Latin”-descended populations in the United States LatinX has neither country nor fixed geography. LatinX, according to Claudia Milian, is the most powerful conceptual tool of the Latino/a present, an itinerary whose analytic routes incorporate the Global South and ecological devastation. Milian’s trailblazing study deploys the indeterminate but thunderous “X” as intellectual armor, a speculative springboard, and a question for our times that never stops being asked. LatinX sorts out and addresses issues about the unknowability of social realities that exceed our present knowledge.Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Steve Mentz is professor of English at St. John’s University. He is the author of Shipwreck Modernity (Minnesota, 2015), At the Bottom of Shakespeare’s Ocean (2009), and Romance for Sale in Early Modern England (2006).

Tracing the erosion of democratic norms in the US and the conditions that make it possible Jonathan Beecher Field tracks the permutations of the town hall meeting from its original context as a form of democratic community governance in New England into a format for presidential debates and a staple of corporate governance. In its contemporary iteration, the town hall meeting models the aesthetic of the former but replaces actual democratic deliberation with a spectacle that involves no immediate electoral stakes or functions as a glorified press conference. Urgently, Field notes that though this evolution might be apparent, evidence suggests many US citizens don’t care to differentiate. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

An investigation of how-to guides for sensor technologies Sensors are increasingly common within citizen-sensing and DIY projects, but these devices often require the use of a how-to guide. From online instructional videos for troubleshooting sensor installations to handbooks for using and abusing the Internet of Things, the how-to genres and formats of digital instruction continue to expand and develop. As the how-to proliferates, and instructions unfold through multiple aspects of technoscientific practices, Jennifer Gabrys asks why the how-to has become one of the prevailing genres of the digital. How to Do Things with Sensors explores the ways in which things are made do-able with and through sensors and further considers how worlds are made sense-able and actionable through the instructional mode of citizen-sensing projects.Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead