Jacob Marcus's The Jews in The Medieval World (1938) has remained an indispensable resource for its comprehensive view of Jewish historical experience from late antiquity through the early modern period using primary source documents in English translation. This new work based on Marcus's book centres the focus squarely on Christian Europe.
Traces the Arc of Pittsburgh's Rise from Frontier Outpost to Dynamic Industrial Region
The story of the "conflict thesis" between science and religion--the notion of perennial conflict or warfare between the two--is part of our modern self-understanding. As the story goes, John William Draper (1811-1882) and Andrew Dickson White (1832-1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. Unravelling its origins, James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another--a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between "science and religion" were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the "conflict thesis" was just one of the many unintended consequences of the Protestant Reformation.
A new collection of poetry from David Trinidad, author of DIGGING TO WONDERLAND.
A new addition to the University of Pittsburgh Press Science and Culture in the Nineteenth Century series
A new volume in the University of Pittsburgh Press Histories and Ecologies of Health series
A new addition to the University of Pittsburgh Press Culture Politics & the Built Environment series
A new volume in the award winning University of Pittsburgh Press Latin American Studies Series
A new addition to the University of Pittsburgh Press award winning Culture Politics & the Built Environment series
A new volume in the University of Pittsburgh Press Intersections Series
A new addition to the University of Pittsburgh Press Culture Politics & the Built Environment series
A new addition to the University of Pittsburgh Press Intersections Series
The poems in Oksana Maksymchuk's debut English-language collection meditate on the changing sense of reality, temporality, mortality, and intimacy in the face of a catastrophic event. While some of the poems were composed in the months preceding the full-scale invasion of the poet's homeland, others emerged in its wake. Navigating between a chronicle, a chorus, and a collage, Still City reflects the lived experiences of liminality, offering different perspectives on the war and its aftermath. The collection engages a wide range of sources, including social media posts, the news reports, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, making sense of the transformations that war affects in individuals, families, and communities. Now ecstatic, now cathartic, these poems shine a light on survival, mourning, and hope through moments of terror and awe.
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