Böcker utgivna av University of Virginia Press

Traces the emergence of a transformed southern plantation system in the Arkansas delta decades after the end of the Civil War. By manipulating laws and federal and state agencies to gain control over land policy, Poinsett County planters fought to maintain their place on the land amidst tenancy, sharecropping, and the mechanization of farming.

Identifies a convention of ""feminine narration"" characterized by the exclusion of the female narrator from shaping her experience into a coherent, meaningful, and authoritative story. Instead, a male narrator steps in to shape the narrative either within the text or in a pseudoeditorial frame.

A comprehensive study of Civil War Afro-Virginian history. Every aspect of black life is examined: slave and free; rural and urban; homefront and battlefield; at work on plantations and in munitions factories; and as wartime Union spies and Confederate soldiers.

This novel, published for the first time in English, is one of the most important statements about the Duvalier regime in Haiti, written by a Haitian who played a prominent role in the revolutionary movement that brought down the Lescot regime in January 1946. Depestre's ironic note denying historical origins for the novel does not obscure the scathing caricature of Papa Doc Duvalier and the bloodbath that he visited on his own country, which is called "Zacharyland" after the fictionalized President-for-life Zoocrates Zachary.

"For almost the first time in Mr Battestin's book religion has its full innings in the reinterpretation of eighteenth-century literature. Perhaps his greatest contribution is his recovery of a number of divines and their writings and his employment of them as an intellectual rather than a merely antiquarian resource"" - Paul Fussell,

Boundary work studies examine how boundaries of knowledge are formed, maintained, broken down and reconfigured. This text investigates the claims, activities and institutional structures that define and legitimate interdisciplinary practices.

Examines the emergence of the concepts of "religion"and "religions" on colonial frontiers. The book offers an analysis of the ways in which European travellers, missionaries, settlers, and government agents, as well as indigenous Africans, engaged in the comparison of alternative religious ways of life as one dimension of intercultural contact.

Starting from a critical inquiry into specialised issues in editing, this work unfolds an argument for a general revaluation of the grounds of literary study as a whole. It argues that the theory of text must ground itself in a recovery of the entire productive/reproductive history of the text.

A wonderfully readable personal narrative of the trials and tribulations of an ""unskilled, friendless, almost penniless girl of eighteen, utterly alone in the world"" who arrives in New York City in 1905 to earn her livelihood. The book reveals much about the lives of working women in early twentieth-century urban America.

Chronicles the growth of this historic city over nearly four centuries from its founding in the early 1700s to its recent urban and suburban developments. Virginius Dabney updates his history by examining developments in racial relations, cultural institutions, and downtown architecture that have taken place over the past two decades.

A collection of poems by the Martinician poet Aime Cesaire, who was read as a poet of revolutionary zeal during the Black Power movement of the 1960s. This collection is the first English edition to include "And the Dogs Were Silent" and "i, laminaria". There is a critical introduction.

Winner of the coveted Grand Prix de Litterature d'Afrique Noire, this novel has been seen as a story about the struggles of nation-building in Africa, as a fierce depiction of dictatorships in the Third World, and as a profound meditation on the nature of pwer everywhere.

A reproduction of the original 1873 edition of "The Romance of the Harem" by Anna Leonowens which was the source for the 20th-century book "Anna and the King of Siam", known to many through Rogers and Hammerstein's "The King and I".

This study uses 19th-century urban fiction - in particular the novels of Hugo and Dickens - to define a genre: the novel of urban mysteries. He argues that within these extravagant but fact-obsessed narratives the archaic form of allegory became a means for understanding modern cities.

Incorporating elements of literary criticism, cultural studies, and social history, Pleasures and Pains takes a new look at the complicated dynamics of empire as well as the development of still-prevalent perceptions of drugs as alien invaders responsible for the decay of national character.

Traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures.

Established in 1836, the Bristol Zoo is the world's oldest surviving zoo outside of a capital city and has frequently been at the vanguard of zoo innovation. In The Wild Within, Andrew Flack uses the experiences of the Bristol Zoo to explore the complex and ever-changing relationship between human and beast, which in many cases has altered radically over time.

Explores the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created in the early twentieth century. Through a combination of ecocriticism, urban studies, and historical geography, this book unveils the neglected urban context for seemingly natural landscapes in modernist poems.

Clarence Glacken wrote one of the most important books on environmental issues published in the twentieth century. His magnum opus, Traces on the Rhodian Shore, first published in 1967, details the ways in which perceptions of the natural environment have profoundly influenced human enterprise over the centuries while, conversely, permitting humans to radically alter the Earth. Although Glacken did not publish a comparable book before his death in 1989, he did write a follow-up collection of essays-lost works now compiled at last in Genealogies of Environmentalism.This new volume comprises all of Glacken's unpublished writings to follow Traces and covers a broad temporal and geographic canvas, spanning the globe from the mid-eighteenth to the mid-twentieth centuries. Each essay offers a brief intellectual biography of an important environmental thinker and addresses questions such as how many people the Earth can hold, what resources can sustain such populations, and where land for growth is located. This collection-carefully edited and annotated, and organized chronologically-will prove both a classic text and a springboard for further discussions on the history of environmental thought.

Disputing the claim that Algerian writing during the struggle against French colonial rule dealt almost exclusively with revolutionary themes, The Algerian New Novel shows how Algerian authors writing in French actively contributed to the experimental forms of the period, expressing a new age literarily as well as politically and culturally. Looking at canonical Algerian literature as part of the larger literary production in French during decolonization, Valrie K. Orlando considers how novels by Rachid Boudjedra, Mohammed Dib, Assia Djebar, Nabile Fars, Yamina Mechakra, and Kateb Yacine both influenced and were reflectors of the sociopolitical and cultural transformation that took place during this period in Algeria. Although their themes were rooted in Algeria, the avant-garde writing styles of these authors were influenced by early twentieth-century American modernists, the New Novelists of 1940s-50s France, and African American authors of the 1950s-60s. This complex mix of influences led Algerian writers to develop a unique modern literary aesthetic to express their world, a tradition of experimentation and fragmentation that still characterizes the work of contemporary Algerian francophone writers.

In this volume, the author reflects on anthropological uses of the concept of popular culture. He retraces how his explorations of popular culture in the Shaba region of Zaire, now the Congo, showed that classical culture theory did not account for large aspects of contemporary African life.

'Two men died the last week of June 1944.' 'Actually, three died...' 'But the third one didn't die, miraculously perhaps. Who knows? The three men were, of course, acquainted... When I say that the third one didn't die, I mean not the same week. How and why? If I told you now, you wouldn't understand this strange case any better....