Böcker utgivna av University of Wales Press

Contains T H Jones' poetic output. This edition includes early poems and drafts, the verse drama "The Weasel at the Heart" as well as poetry from "The Black Book", Jones' manuscript notebook. It also contains an outline of Jones' career, a bibliography and review of critical materials and a discussion of Jones' poetic techniques.

Brings together 12 essays relating to the growth of Protestantism in Wales, from its introduction in the sixteenth century to the Methodist revival two centuries later. This volume gives consideration to some of Wales' prominent individuals during this period. It contains a variety of sources, including literary and poetic to further the debate.

Investigates the drive to create a national theatre as an aspect of the cultural, social and political life of modern Wales. Efforts to establish a National Theatre are discussed as a struggle to define the national identity in a volatile world. This work focuses on how national theatre helps in creation of the modern European Welsh man or woman.

"The Book of Margery Kempe" has generally been judged to be over-emotional and its structure regarded as at worst non-existent, at best naive. This work argues instead that The Book unfolds a creative experience of memory as spiritual progress, and explores Margery's meditational experience in the context of visual and verbal iconography.

Discusses about Welsh pictures painted between the eighteenth and the twentieth centuries, and why they matter today. This book mainly concerns how pictures are understood by the people who use them - patrons, museum curators, and the general public - rather than by the painters who paint them.

Examines the question of how English-language poetry from Wales has responded to the diverse physical environments of Wales. This book draws on aspects of human geography to explore the rich contemporary poetics of Welsh space and place. It focuses on the poetry of writers who have come to prominence since the 1970s.

Seals and Society arises from a major project investigating seals and their use in medieval Wales, the Welsh March and neighbouring counties in England. The first major study of seals in the context of one part of medieval Western European society, the volume also offers a new perspective on the history of medieval Wales and its periphery by addressing a variety of themes in terms of the insight that seals can offer the historian. Though the present study suggests important regional distinctions in the take-up of seals in medieval Wales, it is also clear that seal usage increased from the later twelfth century and spread widely in Welsh society, especially in those parts of Wales neighbouring England or where there had been an early English incursion. Through a series of chapters, the authors examine the ways in which seals can shed light on the legal, administrative, social and economic history of the period in Wales and its border region. Seals provide unique insights into the choices individuals, men and women, made in representing themselves to the wider world, and this issue is examined closely. Supported by almost 100 images gathered by the project team, the volume is of great interest to those working on seals, their motifs, their use and developments in their usage over the high and later Middle Ages.

A collection of essays by leading scholars that investigates the significance of Wales's medieval religious houses in the development of Welsh society, politics and culture.

This book examines welsh perspectives on the search for sustainable law and policy solutions to modern environmental threats.

George Eliot and the Gothic Novel is the first monograph to systematically explore George Eliot's relationship to Gothic genres. It considers the ways in which the author's ethics link to sensational story-telling tropes. Reappraising the major works of fiction, this study compares passages of Eliot's writing with sequences from eighteenth and nineteenth-century Gothic works. Royce Mahawatte examines Eliot's deployment of, for example, the incarcerated heroine in Middlemarch, doppelgangers in Romola and vampiric queerness in Daniel Deronda. In doing so he lifts Eliot from the boundaries of social realism and places her within a broader and richer Victorian literary scene than has been previously considered.

Female Gothic Histories: Gender, History and the Gothic is an innovative new study of the ways in which women writers have used Gothic historical fiction to symbolise and counter their exclusion from traditional historical narratives.

Poverty violates fundamental human values through its impact on individuals and human environments. Poverty also goes against the core values of democratic societies. Lotter talks about poverty in ways that depict this devastating human condition clearly. He shows why inequalities associated with poverty require our serious moral concern.

This book is the first to explore the work of the nearly forgotten Welsh artist and writer Edward Pugh (1763-1813), a fascinating painter of the landscapes of North Wales and a brilliant observer of Welsh rural life.

A political history of the south Wales miners, their industry and society, in a tumultuous period of crisis and struggle.

Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cwn Annwn (hellhounds), dark druids and Welsh witches.ContentsPrologue: 'A Long Terror'PART I: HAUNTED BY HISTORY1. Cambria Gothica (1780s-1820s)2. An Underworld of One's Own (1830s-1900s).3. Haunted Communities (1900s-1940s).4. Land of the Living Dead (1940s-1997).PART II: 'THINGS THAT GO BUMP IN THE CELTIC TWILIGHT'5. Witches, Druids and the Hounds of Annwn.6. The Sin-eaterEpilogue: Post-devolution GothicNotesSelect BibliographyIndex

This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesses what these films show about contemporary French political cinema.IntroductionChapter One: Cinema and the RepublicChapter Two: T he Sans-papiers on Screen - Contextualising Immigrant Experiences in FilmChapter Three: Double peine: The Challenges of Mobilising Support for Foreign Criminals via CinemaChapter Four: C hallenging or Perpetuating Cliches? Young People and the Police in France's BanlieuesChapter Five: C hallenging Stereotypes about France's Banlieues by Shifting the Focus?ConclusionNotesFilmography and BibliographyIndex

Eirene White's The Ladies of Gregynog tells the story of Gwendoline and Margaret Davies, inheritors of great wealth at the end of the nineteenth century, and unique among their wealthy contemporaries in the early twentieth century. The two sisters devoted their large fortune to fostering the culture of their native Wales and, in 1920, acquired the Gregynog estate with the intention of establishing a craft commune. Today, almost a century later, Gregynog hall is a centre devoted to academic study, the revived Gregynog Press and a continuing tradition of music festivals in the fine setting of the estate gardens and arboretum. First published in 1985.

Y mwyaf gwreiddiol a thoreithiog o'n beirniaid llenyddol yw R. M. Jones, a ddisgrifiwyd yn ddiweddar fel yr unig feirniad o statws Ewropeaidd sy'n ysgrifennu yn Gymraeg.

Wales Says Yes provides the definitive account and analysis of the March 2011 Welsh referendum. Drawing on extensive historical research, the book explains the background to the referendum, why it was held and what was at stake. The book also explains how the rival Yes and No campaigns emerged, and the varying degree of success with which they functioned. Through a detailed account of the results, and analysis of survey evidence on Welsh voters, the book explains why Wales voted Yes in March 2011. Finally, it considers what that result may mean for the future of both Wales and the UK.

Presents the development of crime fiction in French cultures from the mid-nineteenth century onwards and explores the distinctive features of a French-language tradition.

Roland Mathias is a significant figure in the development of Welsh writing in English over the second half of the 20th century. This volume contains Roland Mathias's entire poetic output.

A study of the strange life and pathetic death of T.J. Llewelyn Prichard, the author of "Twm Sion Catti", the first Welsh novel in English which was popular enough to have been pirated in the mid-19th century.

Centres on the bombing of Getafe, a town south of Madrid shortly after the outbreak of the Spanish Civil War. This book establishes the importance of the Getafe incident and goes on to analyse "collateral damage" inflicted by air-forces on both sides during the war.

This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures.