Böcker utgivna av University of Wales Press

Many books have focused on the rise of, and success of, the Labour party in Wales, but this one focuses on its decline in an understudied part of Wales.

This book provides new insights into how Gothic Horror as a whole started, and encourages the reader to think of the relations between such books and films as one vibrant set of energies.

Welsh Ballads of the French Revolution provides for the first time an edition, with parallel English translations, of Welsh-language ballads composed in reaction to the momentous events of the Revolution in France and the two decades of war which followed. Ballad writers were first spurred to respond in 1793, when the French monarchs were executed, France declared war upon Britain, and paranoia regarding the possible threat of internal revolt in Britain reached a crisis point. As the decade proceeded, ballads were sung in thanks for the victory of British forces and local people against an invasion of Pembrokeshire by French troops, and in reaction to key naval battles and to the extensive mobilization of militia and volunteer forces. Scholars working on the British response to the Revolution have showed increasing interest in exploring the contents of ballads and songs. The ballad in particular is seen as a vital source of information, since it represents ordinary people's awareness of the developments of the period. Balladry is also subject to continued research within Welsh scholarship, and this volume, with its focus on a clearly defined historical period and its revelation of new voices within the canon of Welsh ballad writers, will drive this field of study forwards. Regional reactions to the Revolution within the British Isles are also now seen as crucially important, but Wales, partly because of the inaccessibility of material composed in the Welsh language, has repeatedly been omitted from the general picture. This volume aids in rectifying this situation, ensuring (by use of translation, copious contextualizing notes, and a lengthy introduction) that both the ballad genre and Welsh reactions receive the attention they deserve from the wider scholarly community.

Gothic Contemporaries: The Haunted Text is the first of its kind to align selected 21st century fiction with a revised understanding of the gothic through themes such as signification, communication, ethics, inheritance and currency.

Works which have sought to look specifically at the Welsh in Australia have been few in number and characterised by a concentration on prominent individuals and cultural/religious societies, thus excluding many facets of immigrant life. This book provides an analysis of the Welsh immigrant community in the Ballarat/Sebastopol gold mining district of Victoria, Australia during the second half of the nineteenth century and considers all aspects of the Welsh immigrant experience. As its focus, the book has the Welsh migrant group as a whole, in one particular area, during one period of time, for ultimately it was the migrants themselves who were responsible for the strength or weakness of Welsh religious life, the success or failure of Welsh cultural institutions; they who decided whether or not to retain and transmit their national language if, indeed, they spoke it in the first place; they who chose whether or not to marry within their own group, to live amongst their own, to retain the ties of Welshness and pass on the values of the Old Country, or to attempt full and immediate integration; they who were miners or shop owners, abstainers or drunkards, law abiding or criminal. A true picture of Welsh immigrant life can only be obtained by considering the community in its entirety, to view it in the round, as it were. This work attempts to do just that and hopes to make some small contribution to the understanding of what it was to be one amongst the thousands of Welsh people who lived in a particular place at a certain time in a land so far from Wales.

This book uses six canonical novelists and their recreations in a variety of media to argue a reconceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but as works fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses reworkings of key nineteenth-century texts across time and media in order to emphasise the way in which such reworkings cast new light on many of their source texts, and how they reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Adapting Nineteenth-Century France charts such revision through a range of genres encompassing the modern media of radio, silent film, fiction, musical theatre, sound film and television.ContentsIntroduction, Kate GriffithsI Labyrinths of Voices: Emile Zola, Germinal and Radio, Kate GriffithsII Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation, Andrew WattsIII Fragmented Fictions: Time, Textual Memory and the (Re)Writing of Madame Bovary, Andrew WattsIV Les Miserables, Theatre and the Anxiety of Excess, Andrew WattsV Chez Maupassant: The (In)Visible Space of Television Adaptation, Kate GriffithsVI Le Tour du monde en quatre-vingts jours: Verne, Todd, Coraci and the Spectropoetics of Adaptation, Kate GriffithsConclusion, Andrew Watts

When the Welsh writer Kate Roberts died in 1985 at the age of 94, the Times obituary noted that 'she was felt by many to rank with Maupassant as one of the leading European short story writers'. Roberts is widely acknowledged as the major twentieth-century novelist and short story writer to have written in the Welsh language, being known and revered in Wales as 'the Queen of our Literature'. Much of her work has been translated into English and other languages and yet she remains today relatively little known and under-appreciated in comparison, for example, with other female contemporaries who wrote in English, such as Virginia Woolf, Katherine Mansfield, and Elizabeth Bowen. This volume seeks to redress the balance, bringing the life and work of this extraordinary novelist, playwright, short story writer, journalist, and ardent political campaigner to the attention of the wider world audience that the sheer quality of her writing deserves.

Tolkien and Wales is the first book to offer a detailed examination of the influence of Wales on Tolkien's fiction and scholarly work, including some relatively neglected texts.

In current debates, the term cosmopolitanismA" often remains quite vague and leads to sweeping generalizations. Unlike many recent publications, this book looks at the notion from a decidedly historical perspective, trying to give depth and texture to the concept.

This is the first English-language study of crime fiction written in Denmark, Iceland, Finland, Norway, and Sweden. It will delight and challenge readers, as it helps them understand more deeply the work of such prominent writers as Henning Mankell, Stieg Larsson, Anne Holt, Arnaldur Indrioason and Leena Lehtolainen, among others.

Equality of opportunity is a contested concept. It evokes strong emotions from proponents and opponents alike. Enduring issues of inequality and discrimination mean that it remains at the forefront of political priorities in the twenty-first century. Traditional analyses tend to focus on developments at the level of the unitary state or European Union. In contrast, this book underlines the salience of multi-level governance and offers the first detailed comparative analysis of contemporary efforts to promote equality of opportunity in the wake of constitutional reform in the UK. It presents a summary of social theory on equalities in relation to gender, and a full range of social groups and identities - such as disability, ethnicity, sexual orientation and age. It outlines the contemporary evidence base relating to patterns and processes of inequality in the 'devolved' nations. A 'governance perspective' is also advanced; one that details how constitutional law establishing the devolved legislatures contains equality clauses that enable and empower government to promote equality in public policy and law. Analysis reveals the development of distinctive regulatory structures and equalities policy lobbies in each territory. Overall, this volume charts the development of divergent legal rights and public policy on the promotion of equality in the wake of constitutional reform in the UK. Notwithstanding ongoing challenges, it is argued that the move to quasi-federalism is significant for it marks a shift from the predominant, centralised administration of social policy witnessed throughout the twentieth century, to divergent approaches designed to address contrasting socio-economic patterns and processes in Wales, Scotland and Northern Ireland.

For over half a century, Emyr Humphreys's work as a novelist, short story writer, poet, dramatist and television producer has been extraordinarily impressive. This pioneering and stimulating book considers Humphreys's fiction from a range of contemporary critical perspectives and stresses its relevance to the 21st century. Drawing on the work of leading modern cultural and literary theorists such as Jacques Derrida and Homi Bhabha, psychoanalytic critics such as Melanie Klein and Jacqueline Rose, and gender theorists such as Judith Butler, Linden Peach brings fresh perspectives to the content, structure and developing nature of Humphreys's work, employing, for example, historicist, post-historicist, new geography, psychoanalytic and feminist and postfeminist frameworks. Through detailed readings which highlight subjects such as gender identity, contested masculinities, war, pacifism, strangeness and 'otherness', problematic father and daughter relationships, and cultural discourse in complex linguistic environments, Peach suggests that Humphreys's work is best understood as 'dramatic', 'dissident' and/or 'dilemma' fiction rather than by the term 'Protestant novelist' which Humphreys used to describe himself at the outset of his career. Stressing how Humphreys came to see himself as more of a 'protesting' novelist, Peach examines how the dilemmas around which his fiction is based, originally linked to Humphreys's definition of himself as a 'protestant' writer, increasingly become sites in which controversial, and often dark themes, are explored. This approach to Humphreys's work is pursued through exciting readings of some of Humphreys best and lesser known works including A Man's Estate, A Toy Epic, Outside the House of Baal, the Best of Friends, salt of the Earth, Unconditional Surrender, The Gift of a Daughter, Natives, Ghosts and Strangers, Old people are a Problem, The shop and The Woman at the Window.

"A History of Wales 1815-1906 "is the third volume in a series beginning in 1485. This invaluable textbook examines the main industrial, social, political and cultural developments of a dynamic era in Welsh history.

A comprehensive collection of charters, letters and other written acts issued by native rulers of Wales from the early twelfth century to the Edwardian conquest of 1282-3.

This book tells the story of the Basque children who came to Wales during the Spanish Civil War. In 1937, with civil war raging in Spain, 3,862 Basque children fled their country. They were packed on an old cruise liner that left Bilbao for Southampton. Throughout the summer children were dispersed to camps throughout Britain. Eight of those colonies were in Wales. The welcome they received here was a mixture of hostility and kindness. In Brechfa (Carmarthenshire) there was a notorious incident that confirmed the reluctance of many to accept exiles, while elsewhere in Wales, from Caerleon to Colwyn Bay there were many examples of great generosity.

Despite the great changes that the twentieth century brought to the lives and roles of the women of rural Wales, there has been scant attention paid to the topic by social scientists and historians, even within Wales. "e;Mothers, Wives and Changing Lives"e; rectifies that mistake, drawing on a wealth of family stories about women's roles in education, the church, and the family in order to address significant gaps in our knowledge of women and Welsh culture.

This volume is an introduction to crime writing in the Iberian Peninsula (Spain and Portugal). While "police narratives" in Spain can be traced back to iconic writers of the 19th-century, such as the Duque de Rivas, Jose Zorrilla, Pedro Antonio de Alarcon, Benito Perez Galdos, and Emilia Pardo Bazan, the volume will focus on the present day.

Huw T. Edwards was a prominent Welsh- (and English-) speaking public figure in twentieth-century Welsh society. In the 1950s he was known as 'the unofficial Prime Minister of Wales' because of his chairmanship of the Council of Wales. In 1958 Edwards resigned from the Council of Wales because the Conservative government refused to create the post of Secretary of State for Wales. In 1959 he also resigned from the Labour Party, after 50 years membership. Again, his reasons reflected a growing sense of Welsh nationalism. He had become increasingly interested in Welsh cultural and political issues and had encouraged his union to support of Coleg Harlech and the National Eisteddfod. On leaving Labour, Edwards joined Plaid Cymru. Edwards's political life, therefore, seems to reinforce the notion of fragmentation of United Kingdom identities and their replacement by distinct and politically ambitious national identities in Wales. This book suggests that close examination of Edwards political life reveals a more complex situation. Edwards's resignation from Labour was about his political desires for Wales but equally entailed a rejection of the rightward shift in British Labour politics being led by Hugh Gaitskell. Edwards's protest can therefore be viewed from the perspective of the British left as well as Welsh nationalism. Hence in 1965 Edwards rejoined Labour, because the accession of Harold Wilson to the Labour leadership and government resulted in a radicalisation of the party alongside recognition of Welsh nationhood with the establishment of a Welsh Secretary of State and a Welsh Office.

Explores Postcolonial Gothic in four different locations, providing a comparative analysis of the way the Gothic has provided postcolonial writers with a means to express the anxieties of postcolonial experience and the traumatic legacies of colonialism, expressed through novels, short stories and poetry.

Explores the ways in which the distinctive Welsh county of Cardigan and its inhabitants (known as Cardis) have been represented during the late modern era.

This book is the first to focus on the exile-poetry link in the case of Argentina since the 1950s. Throughout Argentina's history, authors and important political figures have lived and written in exile yet, conversely, contemporary Argentina is a nation of immigrants from Europe and the rest of Latin America.

Patrick McGrath is one of Britain's foremost contemporary novelists but very little has been written about his work to date. This new book offers readings of McGrath's fiction informed by recent scholarship and evaluates his creative contribution to the continuation of the Gothic tradition into the twenty-first century.

Why are we still drawn to the work of Alfred Hitchcock so long after his final film appeared? What remains to see? What could there possibly be left to say about tales that are overwhelmingly familiar? Why, moreover, have many of Hitchcock's films entered the popular imagination and enjoyed an eventful life far from the screen? What is the source of Hitchcock's magic? This book answers these questions about the influence and ongoing appeal of Hitchcock's work by focussing upon the fabric of the films themselves, upon the way in which they enlist and sustain our desire, holding our attention by constantly withholding something from us. We keep watching, keep revisiting the stories, because there is always something left to see and know. The book combines detailed textual analysis of a number of Hitchcock's most famous films - Psycho, Rear Window, Rebecca, North by Northwest, The Man Who Knew Too Much, and The Birds - with more general discussion of the director's complete body of work. Drawing upon the poststructuralist theories of Roland Barthes and Jacques Derrida, it takes issue with the biographical and psychoanalytic approaches that have dominated studies of Hitchcock's films to argue instead for the significance of textuality. Hitchcock's Magic is an innovative, lively, and readable book which challenges critical orthodoxy and breaks new ground in the field.

Atlantic slavery does not loom large in the traditional telling of Welsh history. Yet Wales, like many regions of Europe, was deeply affected by the forced migration of captive Africans. Welsh commodities, like copper and brass made in Swansea, were used to purchase slaves on the African coast and some Welsh products, such as woollens from Montgomeryshire, were an important feature of plantation life in the West Indies. In turn, the profits of plantation agriculture flowed back into Wales, to be invested in new industries or to be lavished on country mansions. This book looks at Slave Wales between 1650 and 1850, bringing the most up-to-date scholarship on Atlantic slavery to bear on the Welsh experience. New research by Chris Evans casts light on previously unknown episodes, such as Welsh involvement with slave-based copper mining in nineteenth-century Cuba, and illuminates in new and disturbing ways familiar features of Welsh history - like the woollen industry - that have previously unsuspected 'slave dimensions'. Many Welsh people turned against slavery in the late eighteenth century, but Welsh abolitionism was never a particularly powerful force. Indeed, Chris Evans demonstrates that Welsh participation the slave Atlantic lasted well beyond the abolition of Britain's slave trade in 1807 and the ending of slavery in Britain's Caribbean empire in 1834.

This book covers both the royal families that existed in pre-Conquest Wales and the predominantly English royal families that have ruled over Wales since medieval times. The changing relationships between the rulers and the ruled in Wales are examined, over a period from the early Middle Ages to the present day. The aim is to tell the story of how Wales has figured in the development of the British royal family and its traditions. The author's previous books covered individual members of the royal families; although this book will inevitably cover individuals in the telling of the story, to some extent, the book will concentrate less on the personalities and more on the surrounding tradition and pageantry (e.g., investiture ceremonies), and there is ample scope for covering new ground. An index and select bibliography will be provided, as well as illustrations, the latter largely of monuments and locations in Wales associated with the book's theme.

This book provides a detailed analysis of the political arguments about the place of Muslims in contemporary France, and also discusses the ideas put forward by a range of Muslim thinkers. France has become the setting for one of the most important conflicts in the modern world. On the one hand, it possesses a rigidly organized, centralized state, whose bureaucrats and civil servants are animated by a code of secular activism. On the other hand, France is also the home for Europe's largest Muslim minority, variously estimated at numbering between four and six million people. This means that in terms of simple numbers, France can be counted as the world's fifteenth Islamic power. Previous conflicts with religion have left a deep impression on French political culture: from the sixteenth and seventeenth-century conflicts between Catholics and Protestants played to the formation of the collaborationist Vichy government in 1940. In recent decades, Muslims have been stigmatized as an irreconcilable minority unable to adapt to the secular culture of the majority of French citizens. This work draws out the political implications of the current conflict. It is based on events and publications produced in a single five year period, beginning with the shock of the 2002 Presidential elections, in which Le Pen was the second most successful candidate, ranging through the legislation of March 2004 which banned the Islamic headscarf from French state schools, and which sparked off a series of bad-tempered exchanges between left and right-wing French nationalists, anti-racism campaigners, secularists, anti-clericals and a variety of Muslim authors.

Beirdd yr Uchelwyr' in the fourteenth and fifteenth centuries are considered to be the pinnacle of the bardic tradition in Wales in the Middle Ages. This book gives a comprehensive look at the period's literature in all its aspects. Attention is given to masters of the cywydd, such as Dafydd ap Gwilym, Iolo Goch, Guto'r Glyn, Dafydd Nanmor and Lewys Glyn Cothi. New edition.

Part of "Arthurian Literature in the Middle Ages" series, this book describes production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century.

The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.

Stephen King is the world's best-selling horror writer. His work is ubiquitous on bookstore, supermarket, and personal library shelves and has been faithfully adapted into some of the most iconic horror films of the twentieth century. This study explores his writing through the lenses of contemporary literary and cultural theory. Through analyses of some of his best-known work, including "e;Carrie"e; and "e;Misery,"e; the authors argue that King offers ways of encountering and understanding some of our deepest fears about life and death, the past and the future, technological change, other people, monsters, ghosts, and the supernatural.This is the first extended critical-theoretical engagement with King's writing, and will be of interest to students, academics, and fans of horror fiction.