Böcker utgivna av University of Wales Press

Queer for Fear analyses the relationship queer people have to horror film, building upon decades of theory that previously emphasised horror's queerness as being subtextual, allegorical and figurative. This groundbreaking interdisciplinary empirical study of the LGBTQ+ community not only offers the first inclusive understanding of the horror-loving queer spectator's opinions, habits and tastes, but also evidences how and why queers have a distinctive relationship to horror. Leveraging original survey data, in-depth oral histories and theory, Petrocelli evidences that queer people have ontological connections to the horror genre, and concludes that horror is queer to the queer spectator. This study also establishes that queer spectators actively engage with horror to work through their trauma, knowingly have a camp relationship to horror, and joyously commune through horror screenings featuring drag performance. Queer for Fear is an overdue contribution to the fields of queer, film, horror, trauma, camp and live cinema studies.

In the nineteenth century, Cornwall was seen as a foreign nation on England's doorstep and imagined as a haunted place, full of ghosts, ghouls, monsters, and legends. This book explores how Gothic authors drew on this to create a Cornish Gothic tradition.

Gothic literature is very popular today, and many places have become tourist attractions because they are either connected to Gothic fictions or because they generate new Gothic storytelling experiences. This book explores the socio-political significance of Gothic tourism in England.

Following studies of Lovecraft and Stephen King, this book pays overdue attention to King's equally prolific contemporary, Britain's Ramsey Campbell. Focusing on neglected longer fictions, the book Ramsey Campbell discusses the writer's prose style and treatment of Gothic, interpreting his work theoretically.

A fascinating and exhilarating look at the many ways we love, and are loved. Following on from his bestselling The History of Wales in Twelve Poems, M. Wynn Thomas turns his attention in A Map of Love to poems from Wales and reflects on what they have to say on the age-old subject of love in its many and varied forms. Featuring twelve pieces dating from the fourteenth century to the present, this absorbing collection deliberately veers far from clichéd verses with its poems of regret and of mourning; straight love and gay love; bawdy verses of passion and desire, and gentle meditations on motherhood and marriage. It features anonymous and lesser-known writers as well as household names such as Gillian Clarke and R. S. Thomas, and it includes a previously unpublished poem by Emyr Humphreys. With original illustrations by Ruth Jên Evans throughout, this short but powerful collection will appeal to anyone interested in people and their complex relationships.

The Society for the Reformation of Manners in Hull was formed in 1698 by religiously-inspired mariners, merchants and tradesmen who aimed to hinder the spread of sin and wickedness in their town. Their methods included initiating prosecutions against their neighbours' transgressions, and sponsoring sermons on the subject of spiritual reformation. Unlike other religious societies of this period, the majority of the leading members in the Hull society were Dissenters from the Church of England. For many nonconformists, the period represented a providential 'now or never' moment for moral reform. The Society's activities shed considerable light on the degree to which High Churchmen were willing to tolerate the Toleration. An exceptional survival for a regional society for the reformation of manners, this volume presents their records in full for the first time, with an introductory essay analysing its origins, membership, methods, and ultimate decline.

Based on official data and in-depth interviews, this urgent and challenging book provides the first academic account of the operation of the Welsh criminal justice system - a system that presides over some of the worst criminal justice outcomes in western Europe.

This book compares how two underdog peoples shaped their modern national identities. Welsh Nonconformists, fighting for religious equality and social justice, established the Welsh radical tradition. Slovenes modernised their language and challenged the dominance of German in Slovene-speaking areas of the Habsburg Empire, which collapsed in 1918.

This book assimilates new scholarship and deploys a wealth of original archival research to present a fresh picture of Wales under the Tudor and Stuart monarchs. It adopts novel perspectives on Welsh identity and allegiance to examine epochal events, such as the union of England and Wales under Henry VIII; the Reformation and the break with Rome; and the British Civil Wars and Glorious Revolution. It argues that Welsh experiences during this period can best be captured through widespread attachments to a shared history and language and to ideas of Britishness and monarchy. The volume looks beyond high politics to examine the rich tapestry of early modern Welsh life, considering concepts of gender and women's experiences; the role of language and cultural change; and expressions of Welsh identity beyond the principality's borders. --

"One summer, Ellie Evelyn Orrell reunited with her mother following the death of their respective grandfather and father. They returned to the small village of Betws Gwerful Goch in North Wales. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. An Indigo Summer invites readers into their hillside garden as these two women grieve through art. Orrell draws on the history of indigo dyeing as she reflects on art, the Welsh landscape, and the strangeness of once-familiar places. Lyrical and moving, these stories include some of the illustrations created that summer, inspired by Welsh natural beauty." --

Drawing on key concepts and ideas from animal studies, this is the first study of how Welsh literature explores relationships among animals and between humans and animals. Approaching Welsh writing from the perspective of a universe in which all living things are connected, it examines how Welsh authors depict subjects such as intelligence, sensibility and knowledge from an animal perspective.

The contributors to Taking Up Space focus on representations of women's labour in cultural production (literature, cinema and television, journalism, bande dessinee). The chapters draw on a wide range of work experiences, from salaried work in academic, artistic, corporate and working-class worlds to unpaid (reproductive, domestic) labour, illegal activities and activism.

The last two decades have seen big changes within a small nation; the distinctiveness of Wales, in terms of its political life and culture, has grown considerably in that time. This edited collection by a range of eminent Welsh writers, emerging academics and creative artists examines what is distinctive about Wales and Welshness in an interdisciplinary yet comprehensive manner. The core concepts of gender, class and identity are explored throughout the book, which presents twelve chapters in three distinct yet overlapping thematic sections: Wales, Welshness, Language and Identity, Education; Labour Markets and Gender in Wales; and Welsh Public Life, Social Policy, Class and Inequality. The chapters explore the role of men and women in Wales and of Wales itself as a nation, an economy, and a centre of partially devolved governance, raising questions related to equality, policy and progression. The collection also features photographs, graphic art and poetic verse that both represent and extend the central arguments of the book.

Gothic Metaphysics is a radical departure from Freudian-centred criticism of Gothic literature. It aims to explore our modern dilemma in the time of the Anthropocene, by bringing to light the role of Gothic since its inception in 1764 in holding space for a worldview familiar to certain mystical traditions - such as alchemy, which held to the view of a living cosmos yet later deemed 'uncanny' and anachronistic by Freud. In developing this idea, Gothic Metaphysics explores the influence of the Middle Ages on the emergence of Gothic, seeing it as an encrypted genre that serves as the site of a 'live burial' of 'animism', which has emerged in the notion of 'quantum entanglement' best described by Carl G. Jung and physicist Wolfgang Pauli in the theory of synchronicity linking alchemy with quantum mechanics. This relationship finds itself in dialogue with the Gothic's long-held concern for the 'sentience of space and place', as described by renowned Gothic scholar Fredrick Frank. The volume Gothic Metaphysics is multi-valent and explores how Gothic has sustained the view of a sentient world despite the disqualification of nature - not only in respect to the extirpation of animism as a worldview, but also with regard to an affirmation of consciousness beyond that of human exceptionalism.

This book tells the compelling and revealing story of the women's movement in modern Wales. Its panoramic sweep takes the reader on a journey from the nineteenth-century campaigns in support of democracy and the right to vote, and in opposition to slavery, through to the construction of the labour movement in the twentieth century, and on to the more recent demands for sexual liberation and LGBTQ+ rights. At its core is the argument that the Welsh women's movement was committed to social democracy, rather than to liberal or conservative alternatives, and that material conditions were the central motivation of those women involved. Drawing on an array of sources, some of which appear in print for the first time, this is a vivid portrait of women who, out of a struggle for equality, individually and collectively, became political activists, grassroots journalists, members of councils and parliaments, and inspirational community leaders.

This is the first full-length study of a Welsh family of the thirteenth to fifteenth centuries who were not drawn from the princely class. Though they were of obscure and modest origins, the patronage of great lords of the March - such as the Mortimers of Wigmore or the de Bohun earls of Hereford - helped them to become prominent in Wales and the March, and increasingly in England. They helped to bring down anyone opposed by their patrons - like Llywelyn, prince of Wales in the thirteenth century, or Edward II in the 1320s. In the process, they sometimes faced great danger but they contrived to prosper, and unusually for Welshmen one branch became Marcher lords themselves. Another was prominent in Welsh and English government, becoming diplomats and courtiers of English kings, and over some five generations many achieved knighthood. Their fascinating careers perhaps hint at a more open society than is sometimes envisaged.

The end of the second millennium witnessed an increase in science-fictional apocalyptic narratives globally. There is a noteworthy difference between such fictions from Latin America and the anglophone world and those from Spain, in which scientific explanations of events coexist with biblically-inspired plots, characters and imagery. This is the first book-length study of either science-fictional novels or apocalyptic literature in that country, analysing six such works between 1990 and 2005. Within a theoretical framework that includes critical and genre theories, archetypal criticism, and biblical scholarship, the book explains this phenomenon as a result of three historical factors: the 'Two Spains', Spanish 'difference', and the 'Pact of Silence', a tacit agreement that made justice and accountability impossible in the name of a peaceful transition to democracy. It repressed any processing of the historical trauma experienced during the Civil War and dictatorship, trauma that manifests itself symbolically in these fictions.

In what ways do the politics of memory perpetuate gendered images of those directly affected by political violence in Chile? Can the literary rewriting of painful experiences contest existing interpretations of national trauma and the portrayal of women in such discourses? How do women participate in the production of collective narratives of the past in the aftermath of violence? This book discusses the literary representation of women and their memory practices in the recent work of seven contemporary Chilean authors: Diamela Eltit, Carlos Franz, Pia Gonzalez, Fatima Sime, Arturo Fontaine, Pia Barros and Nona Fernandez. It locates their works in the context of a patriarchal politics of memory and commemorative culture in Chile and as part of a wider body of contested interpretations of General Augusto Pinochet's military dictatorship (1973-90). Through the analysis of novels that depict the dictatorial past through the memories of women, it is argued that these texts understand and explore remembrance as a process by which the patriarchal co-option of women's memories can be exposed and even contested in the aftermath of violence.

A popular and readable book about the history of mathematicians in Wales, appealing to a wide audience ‿ including those who may think of maths as something alien that doesn‿t really belong to them.

In 2007 a collection of short essays was published as A Bold Imagining to mark the 175th anniversary of the opening of St David's College, Lampeter to students in 1827. Now the Lampeter campus of University of Wales Trinity St David, to commemorate the 200th anniversary of its foundation, An Unfolding Vision is a substantially updated and enlarged edition of that book, containing many of the original essays but also several new contributions, all lavishly illustrated. Each one of the contributors was and is in one way or another closely associated with this historic institution, and an expert in their respective fields. The volume is not intended to be a narrative history, but rather fascinating glimpses into 200 years of collegiate life, and those who formed and shaped it.

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals - most particularly at Christmas, the turn of the year, and on Twelfth Night - which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth's fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

This book is about the impact of Welsh devolution on public policy. It examines how, from a fragile beginning, distinct political institutions and ideological position have made their mark not only in Wales but also in the UK and wider world.

Geoffrey Chaucer wrote at a turning point in the history of timekeeping, but many of his poems demonstrate a greater interest in the moral dimension of time than in the mechanics of the medieval clock. Chaucer and the Ethics of Time examines Chaucer's sensitivity to the insecurity of human experience amid the temporal circumstances of change and time-passage, as well as strategies for ethicising historical vision in several of his major works. While wasting time was sometimes viewed as a sin in the late Middle Ages, Chaucer resists conventional moral dichotomies and explores a complex and challenging relationship between the interior sense of time and the external pressures of linearism and cyclicality. Chaucer's diverse philosophical ideas about time unfold through the reciprocity between form and discourse, thus encouraging a new look at not only the characters' ruminations on time in the tradition of St Augustine and Boethius, but also manifold narrative sequences and structures, including anachronism.

By 1300, a Marcher region had been created between England and Wales, consisting of about forty castle-centered lordships extending along the Anglo-Welsh border and also across southern Wales. The March of Wales thus formed a highly distinctive part of the political geography of Britain for much of the Middle Ages.