Böcker utgivna av University of Washington Press

BuYun Chen is assistant professor of history at Swarthmore College.

Wilt L. Idema is professor emeritus of Chinese literature at Harvard University. He is the author of Chinese Vernacular Fiction: The Formative Period, coauthor of The Red Brush: Writing Women of Imperial China, and translator of Two Centuries of Manchu Women Poets: An Anthology and other works of traditional Chinese literature. Haiyan Lee is professor of East Asian languages and cultures and of comparative literature at Stanford University. She is the author of Revolution of the Heart: A Genealogy of Love in China, 1900¿1950, and The Stranger and the Chinese Moral Imagination.

Cole Roskam is associate professor of architectural history at the University of Hong Kong.

Nachiket Chanchani is associate professor in the Department of the History of Art and the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor.

Enclaves along the India-Bangladesh border have posed conceptual and pragmatic challenges to both states since Partition in 1947. These pieces of India inside of Bangladesh, and vice versa, are spaces in which national security, belonging, and control are shown in sharp relief. Through ethnographic and historical analysis, Jason Cons argues that these spaces are key locations for rethinking the production of territory in South Asia today. Sensitive Space examines the ways that these areas mark a range of anxieties over territory, land, and national survival and lead us to consider why certain places emerge as contentious, and often violent, spaces at the margins of nation and state.Offering lessons for the study of enclaves, lines of control, restricted areas, gray spaces, and other geographic anomalies, Sensitive Space develops frameworks for understanding the persistent confusions of land, community, and belonging in border zones. It further provides ways to think past the categories of sovereignty and identity to reimagine territory in South Asia and beyond.

Spanning more than five thousand years and representing a significant array of world cultures, this updated, beautifully reproduced volume showcases masterworks of ancient Mediterranean and American art; Asian, African, and European paintings, as well as Byzantine and Western Medieval Sculpture and the Decorative Arts.

Examines the tensions between the ethical and aesthetic imperatives in literary, artistic, and philosophical works about the Holocaust

Showcases the Native artifacts collected by Lewis and Clark during their epic exploration of North America. This illustrated book shows Native Americans as active participants in the outcome of the expedition, selecting objects of significance to bestow as gifts or use in trade, and skillfully negotiating their own strategic interests.

When American forces arrived in Vietnam, they found themselves embedded in historic village and frontier spaces already shaped by many past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of past wars in central Vietnam. The militarized landscapes here, like many in the worlds historic conflict zones, continue to shape post-war land-use politics.Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. The result is a richly textured history of militarized landscapes that reveals the spatial logic of key battles such as the Tet Offensive.Drawing on extensive archival work and years of interviews and fieldwork in the hills and villages around the city of Hue to illuminate wars footprints, David Biggs also integrates historical Geographic Information Systems (GIS) data, using aerial, high-altitude, and satellite imagery to render otherwise placeless sites into living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

This slipcased boxed set contains the two volumes: Art AIDS America, published in 2015 to coincide with the original exhibit at the Tacoma Art Museum, and the new book Art AIDS America Chicago. Art AIDS America included work by Keith Haring, David Wojnarowicz, Peter Hujar, Robert Mapplethorpe, among many others. Taken together, these two volumes are a stunning overview of the artistic response over the last thirty years to the AIDS epidemic in America, with voices from every community impacted by the crisis.

Christopher Sanford, MD, MPH is associate professor in the Departments of Family Medicine and Global Health at the University of Washington, and a family medicine physician who specializes in tropical medicine and travelers¿ health. His research interests include medical education in low-resource settings and health risks of urban centers in low-income nations.

Lynn Fujiwara is associate professor at the University of Oregon. She is the author of Mothers without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform. Shireen Roshanravan is associate professor of American ethnic studies at Kansas State University. She is the coeditor of Speaking Face to Face / Hablando Cara a Cara: The Visionary Philosophy of Mar¿Lugones.

Lynn Fujiwara is associate professor at the University of Oregon. She is the author of Mothers without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform. Shireen Roshanravan is associate professor of American ethnic studies at Kansas State University. She is the coeditor of Speaking Face to Face / Hablando Cara a Cara: The Visionary Philosophy of Mar¿Lugones.

Meg Frisbee is assistant professor of history at Metropolitan State University of Denver.

Andrew Schonebaum is associate professor of Chinese literature at the University of Maryland. He is the coeditor of Approaches to Teaching ¿The Story of the Stone¿ (Dream of the Red Chamber).

Kevin Whalen is assistant professor of history at the University of Minnesota, Morris.

Desperate for laborers to keep the trains moving during World War II, the U.S. and Mexican governments created a now mostly forgotten bracero railroad program that sent a hundred thousand Mexican workers across the border to build and maintain railroad lines throughout the United States, particularly the West. Although both governments promised the workers adequate living arrangements and fair working conditions, most bracero railroaders lived in squalor, worked dangerous jobs, and were subject to harsh racial discrimination. Making matters worse, the governments held a percentage of the workers earnings in a savings and retirement program that supposedly would await the men on their return to Mexico. However, rampant corruption within both the railroad companies and the Mexican banks meant that most workers were unable to collect what was rightfully theirs.Historian Erasmo Gamboa recounts the difficult conditions, systemic racism, and decades-long quest for justice these men faced. The result is a pathbreaking examination that deepens our understanding of Mexican American, immigration, and labor histories in the twentieth-century U.S. West.

Kishonna L. Gray is assistant professor in the Department of Gender and Women's Studies and Communication at the University of Illinois¿Chicago. She is the author of Race, Gender, and Deviance in Xbox Live: Theoretical Perspectives from the Virtual Margins and a featured blogger and podcaster with ¿Not Your Mama¿s Gamer.¿ David J. Leonard is a professor at Washington State University. He is the author of several books, including Playing While White: Privilege and Power on and off the Field. Follow him on twitter @drdavidjleonard.

Caste and gender are complex markers of difference that have traditionally been addressed in isolation from each other, with a presumptive maleness present in most studies of Dalits (untouchables) and a presumptive upper-casteness in many feminist studies. In this study of the representations of Dalits in the print culture of colonial north India, Charu Gupta enters new territory by looking at images of Dalit women as both victims and vamps, the construction of Dalit masculinities, religious conversion as an alternative to entrapment in the Hindu caste system, and the plight of indentured labor.The Gender of Caste uses print as a critical tool to examine the depictions of Dalits by colonizers, nationalists, reformers, and Dalits themselves and shows how differentials of gender were critical in structuring patterns of domination and subordination.